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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CF4D0C it is the complementary color #30B2F3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CF4D0C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CF4D0C shade: #D44D07, #E55F1A, #F6712D, #FF8340 and #FF9553

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CF4D0C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CF4D0C shade: #CF4D0C, #BE3B00, #AD2900, #9C1700 and #8B0500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CF4D0C shade: #CF4D0C, #CF180C and #CF0C0C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CF4D0C shade: #CF4D0C, #CF820C, #CFB60C, #B3CF0C and #7FCF0C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CF4D0C shade matches the following richer shades: #CF4D0C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CF4D0C shade: #CF4D0C, #BD531E, #AC5930, #9A5F41 and #886553

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CF4D0C shade: #CF0C33, #CF190C, #CF4D0C, #CF810C and #CFB50C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CF4D0C shade: #813008, #A83F0A, #CF4D0C, #F15D13 and #F4783A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CF4D0C shade: #CF4D0C, #67CF0C and #0C19CF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CF4D0C shade: #CF4D0C, #0CCF4D and #4D0CCF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CF4D0C shade: #CF4D0C, #67CF0C, #0C8ECF and #740CCF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CF4D0C shade: #CF4D0C, #2DCF0C, #0C8ECF and #AF0CCF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 94 / 19

HEX #CF4D0C

RGB 207 77 12

HSL 20, 0.89%, 0.43%

LAB 50.22, 49.06, 57.79

 

Complementary color

CMYK 80 / 27 / 0 / 5

HEX #30B2F3

RGB 48 178 243

HSL 200, 0.89%, 0.57%

LAB 68.71, -12.58, -42.03

 

CMYK 0 / 64 / 97 / 17

HEX #D44D07

RGB 212 77 7

HSL 20.49, 0.94%, 0.43%

LAB 51.06, 50.79, 59.88

 

CMYK 0 / 59 / 89 / 10

HEX #E55F1A

RGB 229 95 26

HSL 20.39, 0.8%, 0.5%

LAB 56.99, 49.1, 60.16

 

CMYK 0 / 54 / 82 / 4

HEX #F6712D

RGB 246 113 45

HSL 20.3, 0.92%, 0.57%

LAB 63, 47.38, 59.1

 

CMYK 0 / 49 / 75 / 0

HEX #FF8340

RGB 255 131 64

HSL 21.05, 1%, 0.63%

LAB 67.92, 42.66, 55.96

 

CMYK 0 / 42 / 67 / 0

HEX #FF9553

RGB 255 149 83

HSL 23.02, 1%, 0.66%

LAB 71.81, 34.46, 51.1

 

CMYK 0 / 63 / 94 / 19

HEX #CF4D0C

RGB 207 77 12

HSL 20, 0.89%, 0.43%

LAB 50.22, 49.06, 57.79

 

CMYK 0 / 69 / 100 / 25

HEX #BE3B00

RGB 190 59 0

HSL 18.63, 1%, 0.37%

LAB 44.34, 50.58, 55.93

 

CMYK 0 / 76 / 100 / 32

HEX #AD2900

RGB 173 41 0

HSL 14.22, 1%, 0.34%

LAB 38.67, 51.61, 51.41

 

CMYK 0 / 85 / 100 / 39

HEX #9C1700

RGB 156 23 0

HSL 8.85, 1%, 0.31%

LAB 33.31, 51.62, 46.79

 

CMYK 0 / 96 / 100 / 45

HEX #8B0500

RGB 139 5 0

HSL 2.16, 1%, 0.27%

LAB 28.37, 50.17, 41.53

 

CMYK 0 / 63 / 94 / 19

HEX #CF4D0C

RGB 207 77 12

HSL 20, 0.89%, 0.43%

LAB 50.22, 49.06, 57.79

 

CMYK 0 / 88 / 94 / 19

HEX #CF180C

RGB 207 24 12

HSL 3.69, 0.89%, 0.43%

LAB 44.15, 65.81, 54.1

 

CMYK 0 / 94 / 94 / 19

HEX #CF0C0C

RGB 207 12 12

HSL 0, 0.89%, 0.43%

LAB 43.59, 67.44, 53.78

 

CMYK 0 / 63 / 94 / 19

HEX #CF4D0C

RGB 207 77 12

HSL 20, 0.89%, 0.43%

LAB 50.22, 49.06, 57.79

 

CMYK 0 / 37 / 94 / 19

HEX #CF820C

RGB 207 130 12

HSL 36.31, 0.89%, 0.43%

LAB 61.01, 22.24, 65.12

 

CMYK 0 / 12 / 94 / 19

HEX #CFB60C

RGB 207 182 12

HSL 52.31, 0.89%, 0.43%

LAB 74.03, -5.63, 74.61

 

CMYK 14 / 0 / 94 / 19

HEX #B3CF0C

RGB 179 207 12

HSL 68.62, 0.89%, 0.43%

LAB 78.6, -30.06, 77.1

 

CMYK 39 / 0 / 94 / 19

HEX #7FCF0C

RGB 127 207 12

HSL 84.62, 0.89%, 0.43%

LAB 75.55, -49.97, 73.4

 

CMYK 0 / 63 / 94 / 19

HEX #CF4D0C

RGB 207 77 12

HSL 20, 0.89%, 0.43%

LAB 50.22, 49.06, 57.79

 

CMYK 0 / 63 / 94 / 19

HEX #CF4D0C

RGB 207 77 12

HSL 20, 0.89%, 0.43%

LAB 50.22, 49.06, 57.79

 

CMYK 0 / 56 / 84 / 26

HEX #BD531E

RGB 189 83 30

HSL 20, 0.73%, 0.43%

LAB 48.38, 39.88, 48.99

 

CMYK 0 / 48 / 72 / 33

HEX #AC5930

RGB 172 89 48

HSL 19.84, 0.56%, 0.43%

LAB 47.14, 30.67, 38.23

 

CMYK 0 / 38 / 58 / 40

HEX #9A5F41

RGB 154 95 65

HSL 20.22, 0.41%, 0.43%

LAB 46.23, 20.89, 27.12

 

CMYK 0 / 26 / 39 / 47

HEX #886553

RGB 136 101 83

HSL 20.38, 0.24%, 0.43%

LAB 45.86, 11.54, 15.68

 

CMYK 0 / 94 / 75 / 19

HEX #CF0C33

RGB 207 12 51

HSL 348, 0.89%, 0.43%

LAB 43.9, 68.3, 34.67

 

CMYK 0 / 88 / 94 / 19

HEX #CF190C

RGB 207 25 12

HSL 4, 0.89%, 0.43%

LAB 44.21, 65.64, 54.13

 

CMYK 0 / 63 / 94 / 19

HEX #CF4D0C

RGB 207 77 12

HSL 20, 0.89%, 0.43%

LAB 50.22, 49.06, 57.79

 

CMYK 0 / 38 / 94 / 19

HEX #CF810C

RGB 207 129 12

HSL 36, 0.89%, 0.43%

LAB 60.77, 22.78, 64.95

 

CMYK 0 / 13 / 94 / 19

HEX #CFB50C

RGB 207 181 12

HSL 52, 0.89%, 0.43%

LAB 73.77, -5.11, 74.41

 

CMYK 0 / 63 / 94 / 49

HEX #813008

RGB 129 48 8

HSL 19.83, 0.88%, 0.27%

LAB 31.34, 33.18, 39.65

 

CMYK 0 / 63 / 94 / 34

HEX #A83F0A

RGB 168 63 10

HSL 20.13, 0.89%, 0.35%

LAB 41.06, 41.08, 49.02

 

CMYK 0 / 63 / 94 / 19

HEX #CF4D0C

RGB 207 77 12

HSL 20, 0.89%, 0.43%

LAB 50.22, 49.06, 57.79

 

CMYK 0 / 61 / 92 / 5

HEX #F15D13

RGB 241 93 19

HSL 20, 0.89%, 0.51%

LAB 58.58, 54.19, 64.27

 

CMYK 0 / 51 / 76 / 4

HEX #F4783A

RGB 244 120 58

HSL 20, 0.89%, 0.59%

LAB 64.14, 43.66, 54.38

 

CMYK 0 / 63 / 94 / 19

HEX #CF4D0C

RGB 207 77 12

HSL 20, 0.89%, 0.43%

LAB 50.22, 49.06, 57.79

 

CMYK 50 / 0 / 94 / 19

HEX #67CF0C

RGB 103 207 12

HSL 92, 0.89%, 0.43%

LAB 74.53, -57.64, 72.15

 

CMYK 94 / 88 / 0 / 19

HEX #0C19CF

RGB 12 25 207

HSL 236, 0.89%, 0.43%

LAB 27.51, 61.6, -88.42

 

CMYK 0 / 63 / 94 / 19

HEX #CF4D0C

RGB 207 77 12

HSL 20, 0.89%, 0.43%

LAB 50.22, 49.06, 57.79

 

CMYK 94 / 0 / 63 / 19

HEX #0CCF4D

RGB 12 207 77

HSL 140, 0.89%, 0.43%

LAB 73.05, -68.67, 51.4

 

CMYK 63 / 94 / 0 / 19

HEX #4D0CCF

RGB 77 12 207

HSL 260, 0.89%, 0.43%

LAB 30.27, 67.45, -83.73

 

CMYK 0 / 63 / 94 / 19

HEX #CF4D0C

RGB 207 77 12

HSL 20, 0.89%, 0.43%

LAB 50.22, 49.06, 57.79

 

CMYK 50 / 0 / 94 / 19

HEX #67CF0C

RGB 103 207 12

HSL 92, 0.89%, 0.43%

LAB 74.53, -57.64, 72.15

 

CMYK 94 / 31 / 0 / 19

HEX #0C8ECF

RGB 12 142 207

HSL 200, 0.89%, 0.43%

LAB 56.02, -7.73, -42.08

 

CMYK 44 / 94 / 0 / 19

HEX #740CCF

RGB 116 12 207

HSL 272, 0.89%, 0.43%

LAB 34.97, 70.59, -75.81

 

CMYK 0 / 63 / 94 / 19

HEX #CF4D0C

RGB 207 77 12

HSL 20, 0.89%, 0.43%

LAB 50.22, 49.06, 57.79

 

CMYK 78 / 0 / 94 / 19

HEX #2DCF0C

RGB 45 207 12

HSL 109.85, 0.89%, 0.43%

LAB 73.03, -70.1, 70.3

 

CMYK 94 / 31 / 0 / 19

HEX #0C8ECF

RGB 12 142 207

HSL 200, 0.89%, 0.43%

LAB 56.02, -7.73, -42.08

 

CMYK 15 / 94 / 0 / 19

HEX #AF0CCF

RGB 175 12 207

HSL 290.15, 0.89%, 0.43%

LAB 44.06, 78, -60.57

 

Description

Color code: HEX #CF4D0C | qconv.com Color code: HEX #CF4D0C | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 77 green and 12 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 77 12 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 94 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 94% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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