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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4D01B5 it is the complementary color #B2FE4A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4D01B5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #4D01B5: #5201B0, #6313C3, #7425D6, #8537E9 and #9649FC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4D01B5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #4D01B5: #4D01B5, #3C00A2, #2B008F, #1A007C and #090069

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 99 / 0 / 29

HEX #4D01B5

RGB 77 1 181

HSL 265.33, 0.99%, 0.36%

LAB 26.55, 63.26, -74.58

 

Complementary color

CMYK 30 / 0 / 71 / 0

HEX #B2FE4A

RGB 178 254 74

HSL 85.33, 0.99%, 0.64%

LAB 92.06, -49.03, 74.2

 

CMYK 53 / 99 / 0 / 31

HEX #5201B0

RGB 82 1 176

HSL 267.77, 0.99%, 0.35%

LAB 26.59, 62.47, -71.5

 

CMYK 49 / 90 / 0 / 24

HEX #6313C3

RGB 99 19 195

HSL 267.27, 0.82%, 0.42%

LAB 31.94, 64.93, -73.87

 

CMYK 46 / 83 / 0 / 16

HEX #7425D6

RGB 116 37 214

HSL 266.78, 0.71%, 0.49%

LAB 37.65, 66.17, -75.45

 

CMYK 43 / 76 / 0 / 9

HEX #8537E9

RGB 133 55 233

HSL 266.29, 0.8%, 0.56%

LAB 43.66, 66.38, -76.37

 

CMYK 40 / 71 / 0 / 1

HEX #9649FC

RGB 150 73 252

HSL 265.81, 0.97%, 0.64%

LAB 49.83, 65.99, -76.87

 

CMYK 57 / 99 / 0 / 29

HEX #4D01B5

RGB 77 1 181

HSL 265.33, 0.99%, 0.36%

LAB 26.55, 63.26, -74.58

 

CMYK 63 / 100 / 0 / 36

HEX #3C00A2

RGB 60 0 162

HSL 262.22, 1%, 0.32%

LAB 22.19, 57.96, -70.4

 

CMYK 70 / 100 / 0 / 44

HEX #2B008F

RGB 43 0 143

HSL 258.04, 1%, 0.28%

LAB 17.9, 52.44, -65.87

 

CMYK 79 / 100 / 0 / 51

HEX #1A007C

RGB 26 0 124

HSL 252.58, 1%, 0.24%

LAB 13.68, 46.91, -60.94

 

CMYK 91 / 100 / 0 / 59

HEX #090069

RGB 9 0 105

HSL 245.14, 1%, 0.21%

LAB 9.63, 41.4, -55.38

 

CMYK 57 / 99 / 0 / 29

HEX #4D01B5

RGB 77 1 181

HSL 265.33, 0.99%, 0.36%

LAB 26.55, 63.26, -74.58

 

CMYK 42 / 100 / 0 / 29

HEX #6A00B6

RGB 106 0 182

HSL 274.95, 1%, 0.36%

LAB 30.5, 66.04, -68.52

 

CMYK 25 / 100 / 0 / 29

HEX #8900B6

RGB 137 0 182

HSL 285.16, 1%, 0.36%

LAB 35.39, 69.6, -60.31

 

CMYK 8 / 100 / 0 / 29

HEX #A700B6

RGB 167 0 182

HSL 295.05, 1%, 0.36%

LAB 40.56, 73.89, -51.69

 

CMYK 0 / 100 / 8 / 29

HEX #B600A7

RGB 182 0 167

HSL 304.95, 1%, 0.36%

LAB 42.36, 74.12, -39.73

 

CMYK 57 / 99 / 0 / 29

HEX #4D01B5

RGB 77 1 181

HSL 265.33, 0.99%, 0.36%

LAB 26.55, 63.26, -74.58

 

CMYK 57 / 100 / 0 / 9

HEX #6301E8

RGB 99 1 232

HSL 265.45, 0.99%, 0.46%

LAB 35, 76.16, -90.21

 

CMYK 57 / 100 / 0 / 89

HEX #0C001C

RGB 12 0 28

HSL 265.71, 1%, 0.05%

LAB 1.46, 8.49, -13.27

 

CMYK 57 / 100 / 0 / 69

HEX #22004F

RGB 34 0 79

HSL 265.82, 1%, 0.15%

LAB 8.17, 35.47, -40.18

 

CMYK 58 / 99 / 0 / 49

HEX #370182

RGB 55 1 130

HSL 265.12, 0.98%, 0.26%

LAB 17.67, 49.61, -58.04

 

CMYK 57 / 99 / 0 / 29

HEX #4D01B5

RGB 77 1 181

HSL 265.33, 0.99%, 0.36%

LAB 26.55, 63.26, -74.58

 

CMYK 0 / 100 / 62 / 29

HEX #B60046

RGB 182 0 70

HSL 336.92, 1%, 0.36%

LAB 38.53, 64.31, 14.96

 

CMYK 100 / 0 / 98 / 29

HEX #00B603

RGB 0 182 3

HSL 120.99, 1%, 0.36%

LAB 64.53, -66.83, 64.2

 

CMYK 57 / 99 / 0 / 29

HEX #4D01B5

RGB 77 1 181

HSL 265.33, 0.99%, 0.36%

LAB 26.55, 63.26, -74.58

 

CMYK 0 / 58 / 100 / 29

HEX #B64C00

RGB 182 76 0

HSL 25.05, 1%, 0.36%

LAB 45.79, 40.08, 55.92

 

CMYK 100 / 0 / 58 / 29

HEX #00B64C

RGB 0 182 76

HSL 145.05, 1%, 0.36%

LAB 64.94, -61.6, 42.5

 

CMYK 57 / 99 / 0 / 29

HEX #4D01B5

RGB 77 1 181

HSL 265.33, 0.99%, 0.36%

LAB 26.55, 63.26, -74.58

 

CMYK 0 / 100 / 62 / 29

HEX #B60046

RGB 182 0 70

HSL 336.92, 1%, 0.36%

LAB 38.53, 64.31, 14.96

 

CMYK 42 / 0 / 100 / 29

HEX #6AB600

RGB 106 182 0

HSL 85.05, 1%, 0.36%

LAB 66.92, -47.31, 67.47

 

CMYK 100 / 0 / 38 / 29

HEX #00B671

RGB 0 182 113

HSL 157.25, 1%, 0.36%

LAB 65.47, -55.24, 24.42

 

CMYK 57 / 99 / 0 / 29

HEX #4D01B5

RGB 77 1 181

HSL 265.33, 0.99%, 0.36%

LAB 26.55, 63.26, -74.58

 

CMYK 0 / 100 / 91 / 29

HEX #B60010

RGB 182 0 16

HSL 354.73, 1%, 0.36%

LAB 37.81, 62.37, 45.98

 

CMYK 42 / 0 / 100 / 29

HEX #6AB600

RGB 106 182 0

HSL 85.05, 1%, 0.36%

LAB 66.92, -47.31, 67.47

 

CMYK 100 / 0 / 8 / 29

HEX #00B6A7

RGB 0 182 167

HSL 175.05, 1%, 0.36%

LAB 66.71, -41.78, -3.34

 

Description

Color code: HEX #4D01B5 | qconv.com Color code: HEX #4D01B5 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 1 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 1 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 99 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 99% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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