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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4CB450 it is the complementary color #B34BAF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4CB450. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #4CB450: #51B44B, #62C65E, #73D871, #84EA84 and #95FC97

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4CB450. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #4CB450: #4CB450, #3BA23D, #2A902A, #197E17 and #086C04

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 56 / 29

HEX #4CB450

RGB 76 180 80

HSL 122.31, 0.41%, 0.5%

LAB 65.56, -50.49, 41.62

 

Complementary color

CMYK 0 / 58 / 2 / 30

HEX #B34BAF

RGB 179 75 175

HSL 302.31, 0.41%, 0.5%

LAB 49.14, 55.21, -33.8

 

CMYK 55 / 0 / 58 / 29

HEX #51B44B

RGB 81 180 75

HSL 116.57, 0.41%, 0.5%

LAB 65.67, -49.83, 44.16

 

CMYK 51 / 0 / 53 / 22

HEX #62C65E

RGB 98 198 94

HSL 117.69, 0.48%, 0.57%

LAB 72.09, -50, 42.92

 

CMYK 47 / 0 / 48 / 15

HEX #73D871

RGB 115 216 113

HSL 118.83, 0.57%, 0.65%

LAB 78.43, -50, 41.65

 

CMYK 44 / 0 / 44 / 8

HEX #84EA84

RGB 132 234 132

HSL 120, 0.71%, 0.72%

LAB 84.7, -49.9, 40.39

 

CMYK 41 / 0 / 40 / 1

HEX #95FC97

RGB 149 252 151

HSL 121.17, 0.94%, 0.79%

LAB 90.89, -49.74, 39.17

 

CMYK 58 / 0 / 56 / 29

HEX #4CB450

RGB 76 180 80

HSL 122.31, 0.41%, 0.5%

LAB 65.56, -50.49, 41.62

 

CMYK 64 / 0 / 62 / 36

HEX #3BA23D

RGB 59 162 61

HSL 121.17, 0.47%, 0.43%

LAB 59.07, -50.03, 42.88

 

CMYK 71 / 0 / 71 / 44

HEX #2A902A

RGB 42 144 42

HSL 120, 0.55%, 0.36%

LAB 52.52, -49.13, 43.89

 

CMYK 80 / 0 / 82 / 51

HEX #197E17

RGB 25 126 23

HSL 118.83, 0.69%, 0.29%

LAB 45.89, -47.51, 44.23

 

CMYK 93 / 0 / 96 / 58

HEX #086C04

RGB 8 108 4

HSL 117.69, 0.93%, 0.22%

LAB 39.22, -44.79, 43.26

 

CMYK 58 / 0 / 56 / 29

HEX #4CB450

RGB 76 180 80

HSL 122.31, 0.41%, 0.5%

LAB 65.56, -50.49, 41.62

 

CMYK 58 / 0 / 46 / 30

HEX #4BB360

RGB 75 179 96

HSL 132.12, 0.41%, 0.5%

LAB 65.42, -48.04, 33.48

 

CMYK 58 / 0 / 37 / 30

HEX #4BB371

RGB 75 179 113

HSL 141.92, 0.41%, 0.5%

LAB 65.69, -45.12, 24.92

 

CMYK 58 / 0 / 27 / 30

HEX #4BB382

RGB 75 179 130

HSL 151.73, 0.41%, 0.5%

LAB 66.02, -41.72, 16.19

 

CMYK 58 / 0 / 17 / 30

HEX #4BB394

RGB 75 179 148

HSL 162.12, 0.41%, 0.5%

LAB 66.42, -37.64, 6.88

 

CMYK 58 / 0 / 56 / 29

HEX #4CB450

RGB 76 180 80

HSL 122.31, 0.41%, 0.5%

LAB 65.56, -50.49, 41.62

 

CMYK 58 / 0 / 55 / 9

HEX #62E767

RGB 98 231 103

HSL 122.26, 0.73%, 0.65%

LAB 82.23, -61.45, 50.86

 

CMYK 59 / 0 / 56 / 89

HEX #0B1B0C

RGB 11 27 12

HSL 123.75, 0.42%, 0.07%

LAB 7.96, -9.9, 6.77

 

CMYK 58 / 0 / 55 / 69

HEX #214E23

RGB 33 78 35

HSL 122.67, 0.41%, 0.22%

LAB 29.14, -25.81, 20.72

 

CMYK 58 / 0 / 56 / 49

HEX #368139

RGB 54 129 57

HSL 122.4, 0.41%, 0.36%

LAB 47.98, -38.88, 31.84

 

CMYK 58 / 0 / 56 / 29

HEX #4CB450

RGB 76 180 80

HSL 122.31, 0.41%, 0.5%

LAB 65.56, -50.49, 41.62

 

CMYK 58 / 13 / 0 / 30

HEX #4B9BB3

RGB 75 155 179

HSL 193.85, 0.41%, 0.5%

LAB 60.06, -17.37, -19.89

 

CMYK 0 / 58 / 37 / 30

HEX #B34B71

RGB 179 75 113

HSL 338.08, 0.41%, 0.5%

LAB 46.72, 46.06, -0.4

 

CMYK 58 / 0 / 56 / 29

HEX #4CB450

RGB 76 180 80

HSL 122.31, 0.41%, 0.5%

LAB 65.56, -50.49, 41.62

 

CMYK 56 / 58 / 0 / 30

HEX #4E4BB3

RGB 78 75 179

HSL 241.73, 0.41%, 0.5%

LAB 37.67, 31.41, -55.13

 

CMYK 0 / 56 / 58 / 30

HEX #B34E4B

RGB 179 78 75

HSL 1.73, 0.41%, 0.5%

LAB 46.37, 40.87, 22.16

 

CMYK 58 / 0 / 56 / 29

HEX #4CB450

RGB 76 180 80

HSL 122.31, 0.41%, 0.5%

LAB 65.56, -50.49, 41.62

 

CMYK 58 / 13 / 0 / 30

HEX #4B9BB3

RGB 75 155 179

HSL 193.85, 0.41%, 0.5%

LAB 60.06, -17.37, -19.89

 

CMYK 0 / 58 / 2 / 30

HEX #B34BB0

RGB 179 75 176

HSL 301.73, 0.41%, 0.5%

LAB 49.19, 55.39, -34.31

 

CMYK 0 / 45 / 58 / 30

HEX #B3634B

RGB 179 99 75

HSL 13.85, 0.41%, 0.5%

LAB 50.71, 29.92, 27.74

 

CMYK 58 / 0 / 56 / 29

HEX #4CB450

RGB 76 180 80

HSL 122.31, 0.41%, 0.5%

LAB 65.56, -50.49, 41.62

 

CMYK 58 / 31 / 0 / 30

HEX #4B7CB3

RGB 75 124 179

HSL 211.73, 0.41%, 0.5%

LAB 50.88, 0.16, -34.09

 

CMYK 0 / 58 / 2 / 30

HEX #B34BB0

RGB 179 75 176

HSL 301.73, 0.41%, 0.5%

LAB 49.19, 55.39, -34.31

 

CMYK 0 / 27 / 58 / 30

HEX #B3824B

RGB 179 130 75

HSL 31.73, 0.41%, 0.5%

LAB 58.09, 12.71, 36.86

 

Description

Color code: HEX #4CB450 | qconv.com Color code: HEX #4CB450 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 180 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 180 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 56 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 56% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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