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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4CAAED it is the complementary color #B35512. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4CAAED. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #4CAAED: #51AAE8, #62BCFB, #73CEFF, #84E0FF and #95F2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4CAAED. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #4CAAED: #4CAAED, #3B98DA, #2A86C7, #1974B4 and #0862A1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 28 / 0 / 7

HEX #4CAAED

RGB 76 170 237

HSL 204.97, 0.82%, 0.61%

LAB 66.82, -6.86, -41.66

 

Complementary color

CMYK 0 / 53 / 90 / 30

HEX #B35512

RGB 179 85 18

HSL 24.97, 0.82%, 0.39%

LAB 47.14, 34.61, 51.8

 

CMYK 65 / 27 / 0 / 9

HEX #51AAE8

RGB 81 170 232

HSL 204.64, 0.77%, 0.61%

LAB 66.77, -7.72, -39

 

CMYK 61 / 25 / 0 / 2

HEX #62BCFB

RGB 98 188 251

HSL 204.71, 0.95%, 0.68%

LAB 73.24, -8.61, -39.19

 

CMYK 55 / 19 / 0 / 0

HEX #73CEFF

RGB 115 206 255

HSL 201, 1%, 0.73%

LAB 79.05, -13.76, -32.29

 

CMYK 48 / 12 / 0 / 0

HEX #84E0FF

RGB 132 224 255

HSL 195.12, 1%, 0.76%

LAB 84.71, -19.41, -23.57

 

CMYK 42 / 5 / 0 / 0

HEX #95F2FF

RGB 149 242 255

HSL 187.36, 1%, 0.79%

LAB 90.37, -24.42, -14.95

 

CMYK 68 / 28 / 0 / 7

HEX #4CAAED

RGB 76 170 237

HSL 204.97, 0.82%, 0.61%

LAB 66.82, -6.86, -41.66

 

CMYK 73 / 30 / 0 / 15

HEX #3B98DA

RGB 59 152 218

HSL 204.91, 0.68%, 0.54%

LAB 60.29, -5.58, -41.46

 

CMYK 79 / 33 / 0 / 22

HEX #2A86C7

RGB 42 134 199

HSL 204.84, 0.65%, 0.47%

LAB 53.67, -3.96, -41.23

 

CMYK 86 / 36 / 0 / 29

HEX #1974B4

RGB 25 116 180

HSL 204.77, 0.76%, 0.4%

LAB 46.96, -1.89, -40.95

 

CMYK 95 / 39 / 0 / 37

HEX #0862A1

RGB 8 98 161

HSL 204.71, 0.91%, 0.33%

LAB 40.18, 0.77, -40.58

 

CMYK 68 / 28 / 0 / 7

HEX #4CAAED

RGB 76 170 237

HSL 204.97, 0.82%, 0.61%

LAB 66.82, -6.86, -41.66

 

CMYK 69 / 39 / 0 / 7

HEX #4A90ED

RGB 74 144 237

HSL 214.23, 0.82%, 0.61%

LAB 59.45, 7.81, -53.31

 

CMYK 69 / 51 / 0 / 7

HEX #4A75ED

RGB 74 117 237

HSL 224.17, 0.82%, 0.61%

LAB 52.17, 24.26, -64.98

 

CMYK 69 / 62 / 0 / 7

HEX #4A5AED

RGB 74 90 237

HSL 234.11, 0.82%, 0.61%

LAB 45.47, 40.93, -75.86

 

CMYK 65 / 69 / 0 / 7

HEX #544AED

RGB 84 74 237

HSL 243.68, 0.82%, 0.61%

LAB 42.61, 51.52, -80.53

 

CMYK 68 / 28 / 0 / 7

HEX #4CAAED

RGB 76 170 237

HSL 204.97, 0.82%, 0.61%

LAB 66.82, -6.86, -41.66

 

CMYK 67 / 27 / 0 / 87

HEX #0B1821

RGB 11 24 33

HSL 204.55, 0.5%, 0.09%

LAB 7.54, -2.2, -8.01

 

CMYK 68 / 29 / 0 / 67

HEX #1B3C54

RGB 27 60 84

HSL 205.26, 0.51%, 0.22%

LAB 24.01, -3.51, -18.09

 

CMYK 68 / 28 / 0 / 47

HEX #2B6187

RGB 43 97 135

HSL 204.78, 0.52%, 0.35%

LAB 39.26, -4.99, -26.37

 

CMYK 68 / 28 / 0 / 27

HEX #3C85BA

RGB 60 133 186

HSL 205.24, 0.51%, 0.48%

LAB 53.26, -5.58, -34.43

 

CMYK 68 / 28 / 0 / 7

HEX #4CAAED

RGB 76 170 237

HSL 204.97, 0.82%, 0.61%

LAB 66.82, -6.86, -41.66

 

CMYK 28 / 69 / 0 / 7

HEX #AB4AED

RGB 171 74 237

HSL 275.71, 0.82%, 0.61%

LAB 51.46, 65.98, -65.72

 

CMYK 0 / 0 / 69 / 7

HEX #EDED4A

RGB 237 237 74

HSL 60, 0.82%, 0.61%

LAB 91.26, -18.59, 74.69

 

CMYK 68 / 28 / 0 / 7

HEX #4CAAED

RGB 76 170 237

HSL 204.97, 0.82%, 0.61%

LAB 66.82, -6.86, -41.66

 

CMYK 0 / 69 / 28 / 7

HEX #ED4AAB

RGB 237 74 171

HSL 324.29, 0.82%, 0.61%

LAB 57.89, 70.42, -17.22

 

CMYK 28 / 0 / 69 / 7

HEX #ABED4A

RGB 171 237 74

HSL 84.29, 0.82%, 0.61%

LAB 86.86, -44.32, 68.83

 

CMYK 68 / 28 / 0 / 7

HEX #4CAAED

RGB 76 170 237

HSL 204.97, 0.82%, 0.61%

LAB 66.82, -6.86, -41.66

 

CMYK 28 / 69 / 0 / 7

HEX #AB4AED

RGB 171 74 237

HSL 275.71, 0.82%, 0.61%

LAB 51.46, 65.98, -65.72

 

CMYK 0 / 41 / 69 / 7

HEX #ED8B4A

RGB 237 139 74

HSL 23.93, 0.82%, 0.61%

LAB 67.25, 31.99, 49.77

 

CMYK 41 / 0 / 69 / 7

HEX #8BED4A

RGB 139 237 74

HSL 96.07, 0.82%, 0.61%

LAB 85.28, -55.19, 66.71

 

CMYK 68 / 28 / 0 / 7

HEX #4CAAED

RGB 76 170 237

HSL 204.97, 0.82%, 0.61%

LAB 66.82, -6.86, -41.66

 

CMYK 7 / 69 / 0 / 7

HEX #DC4AED

RGB 220 74 237

HSL 293.74, 0.82%, 0.61%

LAB 58.25, 76.03, -54.45

 

CMYK 0 / 41 / 69 / 7

HEX #ED8B4A

RGB 237 139 74

HSL 23.93, 0.82%, 0.61%

LAB 67.25, 31.99, 49.77

 

CMYK 62 / 0 / 69 / 7

HEX #5AED4A

RGB 90 237 74

HSL 114.11, 0.82%, 0.61%

LAB 83.57, -68.29, 64.39

 

Description

Color code: HEX #4CAAED | qconv.com Color code: HEX #4CAAED | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 170 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 170 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, 28 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 28% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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RAL® to HKS®

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RAL® to PANTONE®

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RAL® to Sherwin Williams®

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convert from Pantone®-number (Pantone 0000) to #RRGGBB

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convert from Pantone®-number (Pantone 0000) to RAL®-number (RAL 0000)

PANTONE® to HKS®

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PANTONE® to Sherwin Williams®

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Sherwin Williams® to RGBA

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Sherwin Williams® to CMYK

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Sherwin Williams® to HEX

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Sherwin Williams® to HKS®

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NCS® to CMYK

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NCS® to RAL®

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NCS® to HKS®

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NCS® to PANTONE®

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