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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4C6DBD it is the complementary color #B39242. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4C6DBD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4C6DBD shade: #516DB8, #627FCB, #7391DE, #84A3F1 and #95B5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4C6DBD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4C6DBD shade: #4C6DBD, #3B5BAA, #2A4997, #193784 and #082571

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4C6DBD shade: #4C6DBC, #4C4EBC, #684CBC, #864CBC and #A44CBC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4C6DBD shade: #4C6DBC, #4C4EBC and #4C4CBC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4C6DBD shade matches the following richer shades: #4C6DBC, #3864D0, #245CE4 and #1054F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4C6DBD shade: #4C6DBC, #6075A9, #737D95, #878581 and #9B8E6D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4C6DBD shade: #4CAABC, #4C8CBC, #4C6EBC, #4C50BC and #664CBC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4C6DBD shade: #314985, #3C5AA3, #4C6DBC, #6A85C8 and #889ED3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4C6DBD shade: #4C6DBD, #B14CBC and #9BBC4C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4C6DBD shade: #4C6DBD, #BC4C6E and #6EBC4C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4C6DBD shade: #4C6DBD, #B14CBC, #BC9B4C and #57BC4C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4C6DBD shade: #4C6DBD, #BC4CA6, #BC9B4C and #4CBC62

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 42 / 0 / 26

HEX #4C6DBD

RGB 76 109 189

HSL 222.48, 0.46%, 0.52%

LAB 47.17, 12.9, -45.73

 

Complementary color

CMYK 0 / 18 / 63 / 30

HEX #B39242

RGB 179 146 66

HSL 42.48, 0.46%, 0.48%

LAB 62.11, 3.18, 46.05

 

CMYK 56 / 41 / 0 / 28

HEX #516DB8

RGB 81 109 184

HSL 223.69, 0.42%, 0.52%

LAB 47.17, 12.25, -42.82

 

CMYK 52 / 37 / 0 / 20

HEX #627FCB

RGB 98 127 203

HSL 223.43, 0.5%, 0.59%

LAB 54.12, 11.16, -42.64

 

CMYK 48 / 35 / 0 / 13

HEX #7391DE

RGB 115 145 222

HSL 223.18, 0.62%, 0.66%

LAB 60.93, 10.27, -42.51

 

CMYK 45 / 32 / 0 / 5

HEX #84A3F1

RGB 132 163 241

HSL 222.94, 0.8%, 0.73%

LAB 67.61, 9.51, -42.43

 

CMYK 42 / 29 / 0 / 0

HEX #95B5FF

RGB 149 181 255

HSL 221.89, 1%, 0.79%

LAB 73.97, 7.5, -40.02

 

CMYK 60 / 42 / 0 / 26

HEX #4C6DBD

RGB 76 109 189

HSL 222.48, 0.46%, 0.52%

LAB 47.17, 12.9, -45.73

 

CMYK 65 / 46 / 0 / 33

HEX #3B5BAA

RGB 59 91 170

HSL 222.7, 0.48%, 0.45%

LAB 40.1, 14.46, -45.96

 

CMYK 72 / 52 / 0 / 41

HEX #2A4997

RGB 42 73 151

HSL 222.94, 0.56%, 0.38%

LAB 32.9, 16.47, -46.2

 

CMYK 81 / 58 / 0 / 48

HEX #193784

RGB 25 55 132

HSL 223.18, 0.68%, 0.31%

LAB 25.58, 19.11, -46.39

 

CMYK 93 / 67 / 0 / 56

HEX #082571

RGB 8 37 113

HSL 223.43, 0.87%, 0.24%

LAB 18.22, 22.6, -46.37

 

CMYK 60 / 42 / 0 / 26

HEX #4C6DBC

RGB 76 109 188

HSL 222.32, 0.46%, 0.52%

LAB 47.11, 12.56, -45.24

 

CMYK 60 / 59 / 0 / 26

HEX #4C4EBC

RGB 76 78 188

HSL 238.93, 0.46%, 0.52%

LAB 38.93, 32.13, -58.4

 

CMYK 45 / 60 / 0 / 26

HEX #684CBC

RGB 104 76 188

HSL 255, 0.46%, 0.52%

LAB 40.8, 38.9, -55.25

 

CMYK 29 / 60 / 0 / 26

HEX #864CBC

RGB 134 76 188

HSL 271.07, 0.46%, 0.52%

LAB 44.04, 45.81, -49.87

 

CMYK 13 / 60 / 0 / 26

HEX #A44CBC

RGB 164 76 188

HSL 287.14, 0.46%, 0.52%

LAB 47.87, 53.27, -43.54

 

CMYK 60 / 42 / 0 / 26

HEX #4C6DBC

RGB 76 109 188

HSL 222.32, 0.46%, 0.52%

LAB 47.11, 12.56, -45.24

 

CMYK 60 / 59 / 0 / 26

HEX #4C4EBC

RGB 76 78 188

HSL 238.93, 0.46%, 0.52%

LAB 38.93, 32.13, -58.4

 

CMYK 60 / 60 / 0 / 26

HEX #4C4CBC

RGB 76 76 188

HSL 240, 0.46%, 0.52%

LAB 38.44, 33.38, -59.2

 

CMYK 60 / 42 / 0 / 26

HEX #4C6DBC

RGB 76 109 188

HSL 222.32, 0.46%, 0.52%

LAB 47.11, 12.56, -45.24

 

CMYK 73 / 52 / 0 / 18

HEX #3864D0

RGB 56 100 208

HSL 222.63, 0.62%, 0.52%

LAB 44.95, 22.11, -60.27

 

CMYK 84 / 60 / 0 / 11

HEX #245CE4

RGB 36 92 228

HSL 222.5, 0.78%, 0.52%

LAB 43.7, 32.75, -73.74

 

CMYK 94 / 66 / 0 / 3

HEX #1054F8

RGB 16 84 248

HSL 222.41, 0.94%, 0.52%

LAB 43.1, 44.25, -85.99

 

CMYK 60 / 42 / 0 / 26

HEX #4C6DBC

RGB 76 109 188

HSL 222.32, 0.46%, 0.52%

LAB 47.11, 12.56, -45.24

 

CMYK 43 / 31 / 0 / 34

HEX #6075A9

RGB 96 117 169

HSL 222.74, 0.3%, 0.52%

LAB 49.59, 6.27, -30.23

 

CMYK 23 / 16 / 0 / 42

HEX #737D95

RGB 115 125 149

HSL 222.35, 0.14%, 0.52%

LAB 52.38, 1.81, -14.16

 

CMYK 0 / 1 / 4 / 47

HEX #878581

RGB 135 133 129

HSL 40, 0.02%, 0.52%

LAB 55.59, -0.02, 2.41

 

CMYK 0 / 8 / 30 / 39

HEX #9B8E6D

RGB 155 142 109

HSL 43.04, 0.19%, 0.52%

LAB 59.36, -0.46, 19.37

 

CMYK 60 / 10 / 0 / 26

HEX #4CAABC

RGB 76 170 188

HSL 189.64, 0.46%, 0.52%

LAB 64.9, -22.33, -17.58

 

CMYK 60 / 26 / 0 / 26

HEX #4C8CBC

RGB 76 140 188

HSL 205.71, 0.46%, 0.52%

LAB 56.01, -6.05, -31.23

 

CMYK 60 / 41 / 0 / 26

HEX #4C6EBC

RGB 76 110 188

HSL 221.79, 0.46%, 0.52%

LAB 47.39, 11.93, -44.8

 

CMYK 60 / 57 / 0 / 26

HEX #4C50BC

RGB 76 80 188

HSL 237.86, 0.46%, 0.52%

LAB 39.42, 30.88, -57.6

 

CMYK 46 / 60 / 0 / 26

HEX #664CBC

RGB 102 76 188

HSL 253.93, 0.46%, 0.52%

LAB 40.61, 38.47, -55.57

 

CMYK 63 / 45 / 0 / 48

HEX #314985

RGB 49 73 133

HSL 222.86, 0.46%, 0.36%

LAB 32.06, 10.89, -36.5

 

CMYK 63 / 45 / 0 / 36

HEX #3C5AA3

RGB 60 90 163

HSL 222.52, 0.46%, 0.44%

LAB 39.44, 12.77, -42.86

 

CMYK 60 / 42 / 0 / 26

HEX #4C6DBC

RGB 76 109 188

HSL 222.32, 0.46%, 0.52%

LAB 47.11, 12.56, -45.24

 

CMYK 47 / 34 / 0 / 22

HEX #6A85C8

RGB 106 133 200

HSL 222.77, 0.46%, 0.6%

LAB 56.1, 8.55, -37.8

 

CMYK 36 / 25 / 0 / 17

HEX #889ED3

RGB 136 158 211

HSL 222.4, 0.46%, 0.68%

LAB 65.27, 5.11, -29.54

 

CMYK 60 / 42 / 0 / 26

HEX #4C6DBD

RGB 76 109 189

HSL 222.48, 0.46%, 0.52%

LAB 47.17, 12.9, -45.73

 

CMYK 6 / 60 / 0 / 26

HEX #B14CBC

RGB 177 76 188

HSL 294.11, 0.46%, 0.52%

LAB 49.67, 56.57, -40.56

 

CMYK 18 / 0 / 60 / 26

HEX #9BBC4C

RGB 155 188 76

HSL 77.68, 0.46%, 0.52%

LAB 71.86, -27.99, 51.77

 

CMYK 60 / 42 / 0 / 26

HEX #4C6DBD

RGB 76 109 189

HSL 222.48, 0.46%, 0.52%

LAB 47.17, 12.9, -45.73

 

CMYK 0 / 60 / 41 / 26

HEX #BC4C6E

RGB 188 76 110

HSL 341.79, 0.46%, 0.52%

LAB 48.24, 48.24, 3.81

 

CMYK 41 / 0 / 60 / 26

HEX #6EBC4C

RGB 110 188 76

HSL 101.79, 0.46%, 0.52%

LAB 69.33, -44.4, 48.22

 

CMYK 60 / 42 / 0 / 26

HEX #4C6DBD

RGB 76 109 189

HSL 222.48, 0.46%, 0.52%

LAB 47.17, 12.9, -45.73

 

CMYK 6 / 60 / 0 / 26

HEX #B14CBC

RGB 177 76 188

HSL 294.11, 0.46%, 0.52%

LAB 49.67, 56.57, -40.56

 

CMYK 0 / 18 / 60 / 26

HEX #BC9B4C

RGB 188 155 76

HSL 42.32, 0.46%, 0.52%

LAB 65.48, 2.91, 45.27

 

CMYK 54 / 0 / 60 / 26

HEX #57BC4C

RGB 87 188 76

HSL 114.11, 0.46%, 0.52%

LAB 68.4, -51.22, 46.91

 

CMYK 60 / 42 / 0 / 26

HEX #4C6DBD

RGB 76 109 189

HSL 222.48, 0.46%, 0.52%

LAB 47.17, 12.9, -45.73

 

CMYK 0 / 60 / 12 / 26

HEX #BC4CA6

RGB 188 76 166

HSL 311.79, 0.46%, 0.52%

LAB 50.23, 55.73, -26.71

 

CMYK 0 / 18 / 60 / 26

HEX #BC9B4C

RGB 188 155 76

HSL 42.32, 0.46%, 0.52%

LAB 65.48, 2.91, 45.27

 

CMYK 60 / 0 / 48 / 26

HEX #4CBC62

RGB 76 188 98

HSL 131.79, 0.46%, 0.52%

LAB 68.3, -51.04, 36.11

 

Description

Color code: HEX #4C6DBD | qconv.com Color code: HEX #4C6DBD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 109 green and 189 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 109 189 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, 42 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 42% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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