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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3C5AA3 it is the complementary color #C3A55C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3C5AA3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3C5AA3 shade: #415A9E, #526CB1, #637EC4, #7490D7 and #85A2EA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3C5AA3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3C5AA3 shade: #3C5AA3, #2B4890, #1A367D, #09246A and #001257

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3C5AA3 shade: #3D5BA4, #3D3FA4, #563DA4, #723DA4 and #8E3DA4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3C5AA3 shade: #3D5BA4, #3D3FA4 and #3D3DA4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3C5AA3 shade matches the following richer shades: #3D5BA4, #2A53B6, #184CC8 and #0644DA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3C5AA3 shade: #3D5BA4, #4F6292, #616A80, #73716D and #85795B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3C5AA3 shade: #3D93A4, #3D77A4, #3D5CA4, #3D40A4 and #553DA4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3C5AA3 shade: #263968, #314A86, #3D5BA4, #4D6DBD and #6B86C8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3C5AA3 shade: #3C5AA3, #993DA4 and #85A43D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3C5AA3 shade: #3C5AA3, #A43D5C and #5CA43D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3C5AA3 shade: #3C5AA3, #993DA4, #A4853D and #47A43D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3C5AA3 shade: #3C5AA3, #A43D8F, #A4853D and #3DA451

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 45 / 0 / 36

HEX #3C5AA3

RGB 60 90 163

HSL 222.52, 0.46%, 0.44%

LAB 39.44, 12.77, -42.86

 

Complementary color

CMYK 0 / 15 / 53 / 24

HEX #C3A55C

RGB 195 165 92

HSL 42.52, 0.46%, 0.56%

LAB 68.96, 1.8, 41.58

 

CMYK 59 / 43 / 0 / 38

HEX #415A9E

RGB 65 90 158

HSL 223.87, 0.42%, 0.44%

LAB 39.42, 12.01, -39.9

 

CMYK 54 / 39 / 0 / 31

HEX #526CB1

RGB 82 108 177

HSL 223.58, 0.38%, 0.51%

LAB 46.57, 10.79, -39.69

 

CMYK 49 / 36 / 0 / 23

HEX #637EC4

RGB 99 126 196

HSL 223.3, 0.45%, 0.58%

LAB 53.56, 9.81, -39.54

 

CMYK 46 / 33 / 0 / 16

HEX #7490D7

RGB 116 144 215

HSL 223.03, 0.55%, 0.65%

LAB 60.4, 9.01, -39.45

 

CMYK 43 / 31 / 0 / 8

HEX #85A2EA

RGB 133 162 234

HSL 222.77, 0.71%, 0.72%

LAB 67.1, 8.34, -39.39

 

CMYK 63 / 45 / 0 / 36

HEX #3C5AA3

RGB 60 90 163

HSL 222.52, 0.46%, 0.44%

LAB 39.44, 12.77, -42.86

 

CMYK 70 / 50 / 0 / 44

HEX #2B4890

RGB 43 72 144

HSL 222.77, 0.54%, 0.37%

LAB 32.17, 14.61, -43.1

 

CMYK 79 / 57 / 0 / 51

HEX #1A367D

RGB 26 54 125

HSL 223.03, 0.66%, 0.3%

LAB 24.76, 17.08, -43.32

 

CMYK 92 / 66 / 0 / 58

HEX #09246A

RGB 9 36 106

HSL 223.3, 0.84%, 0.23%

LAB 17.28, 20.43, -43.37

 

CMYK 100 / 79 / 0 / 66

HEX #001257

RGB 0 18 87

HSL 227.59, 1%, 0.17%

LAB 9.96, 24.67, -42.78

 

CMYK 63 / 45 / 0 / 36

HEX #3D5BA4

RGB 61 91 164

HSL 222.52, 0.46%, 0.44%

LAB 39.84, 12.67, -42.81

 

CMYK 63 / 62 / 0 / 36

HEX #3D3FA4

RGB 61 63 164

HSL 238.83, 0.46%, 0.44%

LAB 32.32, 30.9, -54.95

 

CMYK 48 / 63 / 0 / 36

HEX #563DA4

RGB 86 61 164

HSL 254.56, 0.46%, 0.44%

LAB 33.98, 36.86, -52.16

 

CMYK 30 / 63 / 0 / 36

HEX #723DA4

RGB 114 61 164

HSL 270.87, 0.46%, 0.44%

LAB 37.11, 43.14, -46.95

 

CMYK 13 / 63 / 0 / 36

HEX #8E3DA4

RGB 142 61 164

HSL 287.18, 0.46%, 0.44%

LAB 40.85, 50, -40.75

 

CMYK 63 / 45 / 0 / 36

HEX #3D5BA4

RGB 61 91 164

HSL 222.52, 0.46%, 0.44%

LAB 39.84, 12.67, -42.81

 

CMYK 63 / 62 / 0 / 36

HEX #3D3FA4

RGB 61 63 164

HSL 238.83, 0.46%, 0.44%

LAB 32.32, 30.9, -54.95

 

CMYK 63 / 63 / 0 / 36

HEX #3D3DA4

RGB 61 61 164

HSL 240, 0.46%, 0.44%

LAB 31.83, 32.17, -55.75

 

CMYK 63 / 45 / 0 / 36

HEX #3D5BA4

RGB 61 91 164

HSL 222.52, 0.46%, 0.44%

LAB 39.84, 12.67, -42.81

 

CMYK 77 / 54 / 0 / 29

HEX #2A53B6

RGB 42 83 182

HSL 222.43, 0.63%, 0.44%

LAB 37.94, 21.7, -56.56

 

CMYK 88 / 62 / 0 / 22

HEX #184CC8

RGB 24 76 200

HSL 222.27, 0.79%, 0.44%

LAB 36.99, 31.73, -68.66

 

CMYK 97 / 69 / 0 / 15

HEX #0644DA

RGB 6 68 218

HSL 222.45, 0.95%, 0.44%

LAB 36.43, 42.97, -79.99

 

CMYK 63 / 45 / 0 / 36

HEX #3D5BA4

RGB 61 91 164

HSL 222.52, 0.46%, 0.44%

LAB 39.84, 12.67, -42.81

 

CMYK 46 / 33 / 0 / 43

HEX #4F6292

RGB 79 98 146

HSL 222.99, 0.3%, 0.44%

LAB 41.96, 6.34, -28.65

 

CMYK 24 / 17 / 0 / 50

HEX #616A80

RGB 97 106 128

HSL 222.58, 0.14%, 0.44%

LAB 44.81, 1.81, -13.33

 

CMYK 0 / 2 / 5 / 55

HEX #73716D

RGB 115 113 109

HSL 40, 0.03%, 0.44%

LAB 47.7, -0.02, 2.48

 

CMYK 0 / 9 / 32 / 48

HEX #85795B

RGB 133 121 91

HSL 42.86, 0.19%, 0.44%

LAB 51.17, -0.29, 18.16

 

CMYK 63 / 10 / 0 / 36

HEX #3D93A4

RGB 61 147 164

HSL 189.9, 0.46%, 0.44%

LAB 56.62, -20.38, -16.64

 

CMYK 63 / 27 / 0 / 36

HEX #3D77A4

RGB 61 119 164

HSL 206.21, 0.46%, 0.44%

LAB 48.09, -4.73, -29.78

 

CMYK 63 / 44 / 0 / 36

HEX #3D5CA4

RGB 61 92 164

HSL 221.94, 0.46%, 0.44%

LAB 40.13, 12.03, -42.36

 

CMYK 63 / 61 / 0 / 36

HEX #3D40A4

RGB 61 64 164

HSL 238.25, 0.46%, 0.44%

LAB 32.57, 30.26, -54.54

 

CMYK 48 / 63 / 0 / 36

HEX #553DA4

RGB 85 61 164

HSL 253.98, 0.46%, 0.44%

LAB 33.88, 36.65, -52.32

 

CMYK 63 / 45 / 0 / 59

HEX #263968

RGB 38 57 104

HSL 222.73, 0.46%, 0.28%

LAB 24.76, 8.63, -29.9

 

CMYK 63 / 45 / 0 / 47

HEX #314A86

RGB 49 74 134

HSL 222.35, 0.46%, 0.36%

LAB 32.42, 10.59, -36.55

 

CMYK 63 / 45 / 0 / 36

HEX #3D5BA4

RGB 61 91 164

HSL 222.52, 0.46%, 0.44%

LAB 39.84, 12.67, -42.81

 

CMYK 59 / 42 / 0 / 26

HEX #4D6DBD

RGB 77 109 189

HSL 222.86, 0.46%, 0.52%

LAB 47.22, 13.1, -45.64

 

CMYK 47 / 33 / 0 / 22

HEX #6B86C8

RGB 107 134 200

HSL 222.58, 0.46%, 0.6%

LAB 56.43, 8.21, -37.26

 

CMYK 63 / 45 / 0 / 36

HEX #3C5AA3

RGB 60 90 163

HSL 222.52, 0.46%, 0.44%

LAB 39.44, 12.77, -42.86

 

CMYK 7 / 63 / 0 / 36

HEX #993DA4

RGB 153 61 164

HSL 293.59, 0.46%, 0.44%

LAB 42.45, 52.76, -38.11

 

CMYK 19 / 0 / 63 / 36

HEX #85A43D

RGB 133 164 61

HSL 78.06, 0.46%, 0.44%

LAB 63.24, -26.44, 48.5

 

CMYK 63 / 45 / 0 / 36

HEX #3C5AA3

RGB 60 90 163

HSL 222.52, 0.46%, 0.44%

LAB 39.44, 12.77, -42.86

 

CMYK 0 / 63 / 44 / 36

HEX #A43D5C

RGB 164 61 92

HSL 341.94, 0.46%, 0.44%

LAB 41.22, 45.25, 4.27

 

CMYK 44 / 0 / 63 / 36

HEX #5CA43D

RGB 92 164 61

HSL 101.94, 0.46%, 0.44%

LAB 60.93, -41.64, 45.29

 

CMYK 63 / 45 / 0 / 36

HEX #3C5AA3

RGB 60 90 163

HSL 222.52, 0.46%, 0.44%

LAB 39.44, 12.77, -42.86

 

CMYK 7 / 63 / 0 / 36

HEX #993DA4

RGB 153 61 164

HSL 293.59, 0.46%, 0.44%

LAB 42.45, 52.76, -38.11

 

CMYK 0 / 19 / 63 / 36

HEX #A4853D

RGB 164 133 61

HSL 41.94, 0.46%, 0.44%

LAB 57.08, 3.38, 42.42

 

CMYK 57 / 0 / 63 / 36

HEX #47A43D

RGB 71 164 61

HSL 114.17, 0.46%, 0.44%

LAB 60.09, -47.85, 44.13

 

CMYK 63 / 45 / 0 / 36

HEX #3C5AA3

RGB 60 90 163

HSL 222.52, 0.46%, 0.44%

LAB 39.44, 12.77, -42.86

 

CMYK 0 / 63 / 13 / 36

HEX #A43D8F

RGB 164 61 143

HSL 312.23, 0.46%, 0.44%

LAB 43.08, 52.03, -24.37

 

CMYK 0 / 19 / 63 / 36

HEX #A4853D

RGB 164 133 61

HSL 41.94, 0.46%, 0.44%

LAB 57.08, 3.38, 42.42

 

CMYK 63 / 0 / 51 / 36

HEX #3DA451

RGB 61 164 81

HSL 131.65, 0.46%, 0.44%

LAB 60.01, -47.68, 34.28

 

Description

Color code: HEX #3C5AA3 | qconv.com Color code: HEX #3C5AA3 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 90 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 90 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, 45 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 45% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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