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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4BA298 it is the complementary color #B45D67. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4BA298. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #4BA298: #50A293, #61B4A6, #72C6B9, #83D8CC and #94EADF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4BA298. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #4BA298: #4BA298, #3A9085, #297E72, #186C5F and #075A4C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 6 / 36

HEX #4BA298

RGB 75 162 152

HSL 173.1, 0.37%, 0.46%

LAB 61.31, -28.63, -2.77

 

Complementary color

CMYK 0 / 48 / 43 / 29

HEX #B45D67

RGB 180 93 103

HSL 353.1, 0.37%, 0.54%

LAB 50.11, 36.19, 10.51

 

CMYK 51 / 0 / 9 / 36

HEX #50A293

RGB 80 162 147

HSL 169.02, 0.34%, 0.47%

LAB 61.35, -28.79, 0.13

 

CMYK 46 / 0 / 8 / 29

HEX #61B4A6

RGB 97 180 166

HSL 169.88, 0.36%, 0.54%

LAB 67.97, -28.74, -0.71

 

CMYK 42 / 0 / 7 / 22

HEX #72C6B9

RGB 114 198 185

HSL 170.71, 0.42%, 0.61%

LAB 74.49, -28.64, -1.48

 

CMYK 39 / 0 / 6 / 15

HEX #83D8CC

RGB 131 216 204

HSL 171.53, 0.52%, 0.68%

LAB 80.9, -28.52, -2.2

 

CMYK 37 / 0 / 5 / 8

HEX #94EADF

RGB 148 234 223

HSL 172.33, 0.67%, 0.75%

LAB 87.23, -28.4, -2.88

 

CMYK 54 / 0 / 6 / 36

HEX #4BA298

RGB 75 162 152

HSL 173.1, 0.37%, 0.46%

LAB 61.31, -28.63, -2.77

 

CMYK 60 / 0 / 8 / 44

HEX #3A9085

RGB 58 144 133

HSL 172.33, 0.43%, 0.4%

LAB 54.59, -28.49, -1.89

 

CMYK 67 / 0 / 10 / 51

HEX #297E72

RGB 41 126 114

HSL 171.53, 0.51%, 0.33%

LAB 47.76, -28.17, -0.89

 

CMYK 78 / 0 / 12 / 58

HEX #186C5F

RGB 24 108 95

HSL 170.71, 0.64%, 0.26%

LAB 40.81, -27.54, 0.27

 

CMYK 92 / 0 / 16 / 65

HEX #075A4C

RGB 7 90 76

HSL 169.88, 0.86%, 0.19%

LAB 33.73, -26.41, 1.65

 

CMYK 54 / 0 / 6 / 36

HEX #4BA298

RGB 75 162 152

HSL 173.1, 0.37%, 0.46%

LAB 61.31, -28.63, -2.77

 

CMYK 54 / 2 / 0 / 37

HEX #499CA0

RGB 73 156 160

HSL 182.76, 0.37%, 0.46%

LAB 59.65, -23.88, -9.77

 

CMYK 54 / 12 / 0 / 37

HEX #498DA0

RGB 73 141 160

HSL 193.1, 0.37%, 0.46%

LAB 55.08, -15.99, -16.66

 

CMYK 54 / 21 / 0 / 37

HEX #497FA0

RGB 73 127 160

HSL 202.76, 0.37%, 0.46%

LAB 50.84, -8.17, -23.14

 

CMYK 54 / 30 / 0 / 37

HEX #4970A0

RGB 73 112 160

HSL 213.1, 0.37%, 0.46%

LAB 46.37, 0.69, -30.09

 

CMYK 54 / 0 / 6 / 36

HEX #4BA298

RGB 75 162 152

HSL 173.1, 0.37%, 0.46%

LAB 61.31, -28.63, -2.77

 

CMYK 54 / 0 / 6 / 16

HEX #63D5C8

RGB 99 213 200

HSL 173.16, 0.58%, 0.61%

LAB 78.7, -35.49, -3.44

 

CMYK 56 / 0 / 11 / 96

HEX #040908

RGB 4 9 8

HSL 168, 0.38%, 0.03%

LAB 2.16, -1.45, -0.08

 

CMYK 53 / 0 / 7 / 76

HEX #1C3C38

RGB 28 60 56

HSL 172.5, 0.36%, 0.17%

LAB 22.88, -12.99, -1.19

 

CMYK 54 / 0 / 6 / 56

HEX #336F68

RGB 51 111 104

HSL 173, 0.37%, 0.32%

LAB 42.87, -21.32, -2.06

 

CMYK 54 / 0 / 6 / 36

HEX #4BA298

RGB 75 162 152

HSL 173.1, 0.37%, 0.46%

LAB 61.31, -28.63, -2.77

 

CMYK 49 / 54 / 0 / 37

HEX #5149A0

RGB 81 73 160

HSL 245.52, 0.37%, 0.46%

LAB 36.09, 27.17, -46.37

 

CMYK 0 / 28 / 54 / 37

HEX #A07349

RGB 160 115 73

HSL 28.97, 0.37%, 0.46%

LAB 52.08, 12.75, 30.08

 

CMYK 54 / 0 / 6 / 36

HEX #4BA298

RGB 75 162 152

HSL 173.1, 0.37%, 0.46%

LAB 61.31, -28.63, -2.77

 

CMYK 6 / 54 / 0 / 37

HEX #9649A0

RGB 150 73 160

HSL 293.1, 0.37%, 0.46%

LAB 43.93, 45.43, -33.42

 

CMYK 0 / 6 / 54 / 37

HEX #A09649

RGB 160 150 73

HSL 53.1, 0.37%, 0.46%

LAB 61.45, -6.77, 41.4

 

CMYK 54 / 0 / 6 / 36

HEX #4BA298

RGB 75 162 152

HSL 173.1, 0.37%, 0.46%

LAB 61.31, -28.63, -2.77

 

CMYK 49 / 54 / 0 / 37

HEX #5149A0

RGB 81 73 160

HSL 245.52, 0.37%, 0.46%

LAB 36.09, 27.17, -46.37

 

CMYK 0 / 54 / 48 / 37

HEX #A04954

RGB 160 73 84

HSL 352.41, 0.37%, 0.46%

LAB 42.58, 37.16, 11.07

 

CMYK 4 / 0 / 54 / 37

HEX #99A049

RGB 153 160 73

HSL 64.83, 0.37%, 0.46%

LAB 63.67, -15.08, 43.82

 

CMYK 54 / 0 / 6 / 36

HEX #4BA298

RGB 75 162 152

HSL 173.1, 0.37%, 0.46%

LAB 61.31, -28.63, -2.77

 

CMYK 33 / 54 / 0 / 37

HEX #6B49A0

RGB 107 73 160

HSL 263.45, 0.37%, 0.46%

LAB 38.6, 33.59, -42.2

 

CMYK 0 / 54 / 48 / 37

HEX #A04954

RGB 160 73 84

HSL 352.41, 0.37%, 0.46%

LAB 42.58, 37.16, 11.07

 

CMYK 21 / 0 / 54 / 37

HEX #7FA049

RGB 127 160 73

HSL 82.76, 0.37%, 0.46%

LAB 61.77, -25.8, 41.13

 

Description

Color code: HEX #4BA298 | qconv.com Color code: HEX #4BA298 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 162 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 162 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, 6 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 6% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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