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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4B66DB it is the complementary color #B49924. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4B66DB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4B66DB shade: #5066D6, #6178E9, #728AFC, #839CFF and #94AEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4B66DB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4B66DB shade: #4B66DB, #3A54C8, #2942B5, #1830A2 and #071E8F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4B66DB shade: #4C67DC, #584CDC, #7F4CDC, #A54CDC and #CC4CDC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4B66DB shade: #4C67DC and #4C4CDC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4B66DB shade matches the following richer shades: #4C67DC, #3B5CED and #2951FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4B66DB shade: #4C67DC, #5D72CA, #6F7DB9, #8088A8 and #919296

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4B66DB shade: #4CB5DC, #4C8FDC, #4C69DC, #564CDC and #7C4CDC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4B66DB shade: #233EB2, #2A4AD5, #4C67DC, #6F84E2 and #91A2E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4B66DB shade: #4B66DB, #DC4CDC and #A2DC4C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4B66DB shade: #4B66DB, #DC4C69 and #69DC4C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4B66DB shade: #4B66DB, #DC4CDC, #DCBF4C and #4CDC4C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4B66DB shade: #4B66DB, #DC4CB1, #DCBF4C and #4CDC77

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 53 / 0 / 14

HEX #4B66DB

RGB 75 102 219

HSL 228.75, 0.67%, 0.58%

LAB 47.12, 27.48, -63

 

Complementary color

CMYK 0 / 15 / 80 / 29

HEX #B49924

RGB 180 153 36

HSL 48.75, 0.67%, 0.42%

LAB 63.85, -1.73, 60.09

 

CMYK 63 / 52 / 0 / 16

HEX #5066D6

RGB 80 102 214

HSL 230.15, 0.62%, 0.58%

LAB 47.06, 26.57, -60.25

 

CMYK 58 / 48 / 0 / 9

HEX #6178E9

RGB 97 120 233

HSL 229.85, 0.76%, 0.65%

LAB 53.88, 24.85, -59.94

 

CMYK 55 / 45 / 0 / 1

HEX #728AFC

RGB 114 138 252

HSL 229.57, 0.96%, 0.72%

LAB 60.59, 23.41, -59.65

 

CMYK 49 / 39 / 0 / 0

HEX #839CFF

RGB 131 156 255

HSL 227.9, 1%, 0.76%

LAB 66.38, 17.39, -52.01

 

CMYK 42 / 32 / 0 / 0

HEX #94AEFF

RGB 148 174 255

HSL 225.42, 1%, 0.79%

LAB 72.09, 11.16, -42.96

 

CMYK 66 / 53 / 0 / 14

HEX #4B66DB

RGB 75 102 219

HSL 228.75, 0.67%, 0.58%

LAB 47.12, 27.48, -63

 

CMYK 71 / 58 / 0 / 22

HEX #3A54C8

RGB 58 84 200

HSL 229.01, 0.56%, 0.51%

LAB 40.26, 29.72, -63.27

 

CMYK 77 / 64 / 0 / 29

HEX #2942B5

RGB 41 66 181

HSL 229.29, 0.63%, 0.44%

LAB 33.36, 32.4, -63.45

 

CMYK 85 / 70 / 0 / 36

HEX #1830A2

RGB 24 48 162

HSL 229.57, 0.74%, 0.36%

LAB 26.5, 35.54, -63.36

 

CMYK 95 / 79 / 0 / 44

HEX #071E8F

RGB 7 30 143

HSL 229.85, 0.91%, 0.29%

LAB 19.87, 38.9, -62.66

 

CMYK 65 / 53 / 0 / 14

HEX #4C67DC

RGB 76 103 220

HSL 228.75, 0.67%, 0.58%

LAB 47.5, 27.35, -62.95

 

CMYK 60 / 65 / 0 / 14

HEX #584CDC

RGB 88 76 220

HSL 245, 0.67%, 0.58%

LAB 41.86, 45.63, -72.09

 

CMYK 42 / 65 / 0 / 14

HEX #7F4CDC

RGB 127 76 220

HSL 261.25, 0.67%, 0.58%

LAB 45.43, 52.38, -66.13

 

CMYK 25 / 65 / 0 / 14

HEX #A54CDC

RGB 165 76 220

HSL 277.08, 0.67%, 0.58%

LAB 49.9, 60.19, -58.67

 

CMYK 7 / 65 / 0 / 14

HEX #CC4CDC

RGB 204 76 220

HSL 293.33, 0.67%, 0.58%

LAB 55.25, 68.84, -49.81

 

CMYK 65 / 53 / 0 / 14

HEX #4C67DC

RGB 76 103 220

HSL 228.75, 0.67%, 0.58%

LAB 47.5, 27.35, -62.95

 

CMYK 65 / 65 / 0 / 14

HEX #4C4CDC

RGB 76 76 220

HSL 240, 0.67%, 0.58%

LAB 41.01, 43.93, -73.51

 

CMYK 65 / 53 / 0 / 14

HEX #4C67DC

RGB 76 103 220

HSL 228.75, 0.67%, 0.58%

LAB 47.5, 27.35, -62.95

 

CMYK 75 / 61 / 0 / 7

HEX #3B5CED

RGB 59 92 237

HSL 228.88, 0.83%, 0.58%

LAB 45.22, 38, -76.31

 

CMYK 84 / 68 / 0 / 0

HEX #2951FE

RGB 41 81 254

HSL 228.73, 0.99%, 0.58%

LAB 43.52, 49.24, -88.63

 

CMYK 65 / 53 / 0 / 14

HEX #4C67DC

RGB 76 103 220

HSL 228.75, 0.67%, 0.58%

LAB 47.5, 27.35, -62.95

 

CMYK 54 / 44 / 0 / 21

HEX #5D72CA

RGB 93 114 202

HSL 228.44, 0.51%, 0.58%

LAB 50.25, 17.64, -48.24

 

CMYK 40 / 32 / 0 / 27

HEX #6F7DB9

RGB 111 125 185

HSL 228.65, 0.35%, 0.58%

LAB 53.55, 10.21, -33.22

 

CMYK 24 / 19 / 0 / 34

HEX #8088A8

RGB 128 136 168

HSL 228, 0.19%, 0.58%

LAB 57.1, 4.31, -17.88

 

CMYK 3 / 3 / 0 / 41

HEX #919296

RGB 145 146 150

HSL 228, 0.02%, 0.58%

LAB 60.59, 0.43, -2.25

 

CMYK 65 / 18 / 0 / 14

HEX #4CB5DC

RGB 76 181 220

HSL 196.25, 0.67%, 0.58%

LAB 69.29, -18.28, -28.53

 

CMYK 65 / 35 / 0 / 14

HEX #4C8FDC

RGB 76 143 220

HSL 212.08, 0.67%, 0.58%

LAB 58.37, 2.87, -45.57

 

CMYK 65 / 52 / 0 / 14

HEX #4C69DC

RGB 76 105 220

HSL 227.92, 0.67%, 0.58%

LAB 48.02, 26.1, -62.12

 

CMYK 61 / 65 / 0 / 14

HEX #564CDC

RGB 86 76 220

HSL 244.17, 0.67%, 0.58%

LAB 41.71, 45.33, -72.34

 

CMYK 44 / 65 / 0 / 14

HEX #7C4CDC

RGB 124 76 220

HSL 260, 0.67%, 0.58%

LAB 45.11, 51.81, -66.65

 

CMYK 80 / 65 / 0 / 30

HEX #233EB2

RGB 35 62 178

HSL 228.67, 0.67%, 0.42%

LAB 31.85, 33.31, -64.15

 

CMYK 80 / 65 / 0 / 16

HEX #2A4AD5

RGB 42 74 213

HSL 228.77, 0.67%, 0.5%

LAB 38.19, 39.09, -74.2

 

CMYK 65 / 53 / 0 / 14

HEX #4C67DC

RGB 76 103 220

HSL 228.75, 0.67%, 0.58%

LAB 47.5, 27.35, -62.95

 

CMYK 51 / 42 / 0 / 11

HEX #6F84E2

RGB 111 132 226

HSL 229.04, 0.66%, 0.66%

LAB 57.44, 18.26, -50.28

 

CMYK 38 / 30 / 0 / 9

HEX #91A2E9

RGB 145 162 233

HSL 228.41, 0.67%, 0.74%

LAB 67.83, 11.17, -37.65

 

CMYK 66 / 53 / 0 / 14

HEX #4B66DB

RGB 75 102 219

HSL 228.75, 0.67%, 0.58%

LAB 47.12, 27.48, -63

 

CMYK 0 / 65 / 0 / 14

HEX #DC4CDC

RGB 220 76 220

HSL 300, 0.67%, 0.58%

LAB 57.61, 72.47, -45.92

 

CMYK 26 / 0 / 65 / 14

HEX #A2DC4C

RGB 162 220 76

HSL 84.17, 0.67%, 0.58%

LAB 81.51, -40.05, 62.36

 

CMYK 66 / 53 / 0 / 14

HEX #4B66DB

RGB 75 102 219

HSL 228.75, 0.67%, 0.58%

LAB 47.12, 27.48, -63

 

CMYK 0 / 65 / 52 / 14

HEX #DC4C69

RGB 220 76 105

HSL 347.92, 0.67%, 0.58%

LAB 53.39, 58.09, 14.83

 

CMYK 52 / 0 / 65 / 14

HEX #69DC4C

RGB 105 220 76

HSL 107.92, 0.67%, 0.58%

LAB 78.87, -58.51, 58.76

 

CMYK 66 / 53 / 0 / 14

HEX #4B66DB

RGB 75 102 219

HSL 228.75, 0.67%, 0.58%

LAB 47.12, 27.48, -63

 

CMYK 0 / 65 / 0 / 14

HEX #DC4CDC

RGB 220 76 220

HSL 300, 0.67%, 0.58%

LAB 57.61, 72.47, -45.92

 

CMYK 0 / 13 / 65 / 14

HEX #DCBF4C

RGB 220 191 76

HSL 47.92, 0.67%, 0.58%

LAB 77.87, -2.49, 59.81

 

CMYK 65 / 0 / 65 / 14

HEX #4CDC4C

RGB 76 220 76

HSL 120, 0.67%, 0.58%

LAB 78.02, -65.28, 57.58

 

CMYK 66 / 53 / 0 / 14

HEX #4B66DB

RGB 75 102 219

HSL 228.75, 0.67%, 0.58%

LAB 47.12, 27.48, -63

 

CMYK 0 / 65 / 20 / 14

HEX #DC4CB1

RGB 220 76 177

HSL 317.92, 0.67%, 0.58%

LAB 55.64, 66, -24.38

 

CMYK 0 / 13 / 65 / 14

HEX #DCBF4C

RGB 220 191 76

HSL 47.92, 0.67%, 0.58%

LAB 77.87, -2.49, 59.81

 

CMYK 65 / 0 / 46 / 14

HEX #4CDC77

RGB 76 220 119

HSL 137.92, 0.67%, 0.58%

LAB 78.49, -59.82, 38.52

 

Description

Color code: HEX #4B66DB | qconv.com Color code: HEX #4B66DB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 102 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 102 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, 53 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 53% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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