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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #233EB2 it is the complementary color #DCC14D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #233EB2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #233EB2 shade: #283EAD, #3950C0, #4A62D3, #5B74E6 and #6C86F9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #233EB2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #233EB2 shade: #233EB2, #122C9F, #011A8C, #000879 and #000066

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #233EB2 shade: #233EB2, #2E23B2, #5523B2, #7C23B2 and #A323B2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #233EB2 shade: #233EB2 and #2323B2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #233EB2 shade matches the following richer shades: #233EB2, #1233C4 and #0028D5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #233EB2 shade: #233EB2, #3449A1, #465490, #575E7E and #68696D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #233EB2 shade: #238CB2, #2366B2, #2340B2, #2C23B2 and #5323B2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #233EB2 shade: #15266D, #1C3290, #233EB2, #2A4AD5 and #4C67DB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #233EB2 shade: #233EB2, #B223B2 and #79B223

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #233EB2 shade: #233EB2, #B22340 and #40B223

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #233EB2 shade: #233EB2, #B223B2, #B29623 and #23B223

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #233EB2 shade: #233EB2, #B22387, #B29623 and #23B24E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 65 / 0 / 30

HEX #233EB2

RGB 35 62 178

HSL 228.67, 0.67%, 0.42%

LAB 31.85, 33.31, -64.15

 

Complementary color

CMYK 0 / 12 / 65 / 14

HEX #DCC14D

RGB 220 193 77

HSL 48.67, 0.67%, 0.58%

LAB 78.4, -3.46, 59.94

 

CMYK 77 / 64 / 0 / 32

HEX #283EAD

RGB 40 62 173

HSL 230.08, 0.62%, 0.42%

LAB 31.61, 31.93, -61.55

 

CMYK 70 / 58 / 0 / 25

HEX #3950C0

RGB 57 80 192

HSL 229.78, 0.54%, 0.49%

LAB 38.57, 29.27, -61.37

 

CMYK 65 / 54 / 0 / 17

HEX #4A62D3

RGB 74 98 211

HSL 229.49, 0.61%, 0.56%

LAB 45.49, 27.06, -61.08

 

CMYK 60 / 50 / 0 / 10

HEX #5B74E6

RGB 91 116 230

HSL 229.21, 0.74%, 0.63%

LAB 52.32, 25.21, -60.78

 

CMYK 57 / 46 / 0 / 2

HEX #6C86F9

RGB 108 134 249

HSL 228.94, 0.92%, 0.7%

LAB 59.05, 23.66, -60.49

 

CMYK 80 / 65 / 0 / 30

HEX #233EB2

RGB 35 62 178

HSL 228.67, 0.67%, 0.42%

LAB 31.85, 33.31, -64.15

 

CMYK 89 / 72 / 0 / 38

HEX #122C9F

RGB 18 44 159

HSL 228.94, 0.8%, 0.35%

LAB 25.05, 36.62, -63.92

 

CMYK 99 / 81 / 0 / 45

HEX #011A8C

RGB 1 26 140

HSL 229.21, 0.99%, 0.28%

LAB 18.53, 39.92, -63.01

 

CMYK 100 / 93 / 0 / 53

HEX #000879

RGB 0 8 121

HSL 236.03, 1%, 0.24%

LAB 12.95, 42.17, -60.27

 

CMYK 100 / 100 / 0 / 60

HEX #000066

RGB 0 0 102

HSL 240, 1%, 0.2%

LAB 8.65, 40.41, -55.04

 

CMYK 80 / 65 / 0 / 30

HEX #233EB2

RGB 35 62 178

HSL 228.67, 0.67%, 0.42%

LAB 31.85, 33.31, -64.15

 

CMYK 74 / 80 / 0 / 30

HEX #2E23B2

RGB 46 35 178

HSL 244.62, 0.67%, 0.42%

LAB 26.73, 50, -72.58

 

CMYK 52 / 80 / 0 / 30

HEX #5523B2

RGB 85 35 178

HSL 260.98, 0.67%, 0.42%

LAB 30.27, 54.02, -66.6

 

CMYK 30 / 80 / 0 / 30

HEX #7C23B2

RGB 124 35 178

HSL 277.34, 0.67%, 0.42%

LAB 35.4, 59.87, -58

 

CMYK 8 / 80 / 0 / 30

HEX #A323B2

RGB 163 35 178

HSL 293.71, 0.67%, 0.42%

LAB 41.54, 66.89, -47.79

 

CMYK 80 / 65 / 0 / 30

HEX #233EB2

RGB 35 62 178

HSL 228.67, 0.67%, 0.42%

LAB 31.85, 33.31, -64.15

 

CMYK 80 / 80 / 0 / 30

HEX #2323B2

RGB 35 35 178

HSL 240, 0.67%, 0.42%

LAB 26.08, 49.27, -73.67

 

CMYK 80 / 65 / 0 / 30

HEX #233EB2

RGB 35 62 178

HSL 228.67, 0.67%, 0.42%

LAB 31.85, 33.31, -64.15

 

CMYK 91 / 74 / 0 / 23

HEX #1233C4

RGB 18 51 196

HSL 228.88, 0.83%, 0.42%

LAB 30.6, 45.71, -76.86

 

CMYK 100 / 81 / 0 / 16

HEX #0028D5

RGB 0 40 213

HSL 228.73, 1%, 0.42%

LAB 30.21, 56.9, -87.42

 

CMYK 80 / 65 / 0 / 30

HEX #233EB2

RGB 35 62 178

HSL 228.67, 0.67%, 0.42%

LAB 31.85, 33.31, -64.15

 

CMYK 68 / 55 / 0 / 37

HEX #3449A1

RGB 52 73 161

HSL 228.44, 0.51%, 0.42%

LAB 34.12, 21.8, -50.24

 

CMYK 51 / 42 / 0 / 44

HEX #465490

RGB 70 84 144

HSL 228.65, 0.35%, 0.42%

LAB 37.22, 12.26, -34.95

 

CMYK 31 / 25 / 0 / 51

HEX #575E7E

RGB 87 94 126

HSL 229.23, 0.18%, 0.42%

LAB 40.47, 5.3, -18.82

 

CMYK 5 / 4 / 0 / 57

HEX #68696D

RGB 104 105 109

HSL 228, 0.02%, 0.42%

LAB 44.45, 0.46, -2.38

 

CMYK 80 / 21 / 0 / 30

HEX #238CB2

RGB 35 140 178

HSL 195.94, 0.67%, 0.42%

LAB 54.37, -15.63, -28.16

 

CMYK 80 / 43 / 0 / 30

HEX #2366B2

RGB 35 102 178

HSL 211.89, 0.67%, 0.42%

LAB 42.88, 6.98, -46.28

 

CMYK 80 / 64 / 0 / 30

HEX #2340B2

RGB 35 64 178

HSL 227.83, 0.67%, 0.42%

LAB 32.34, 32.01, -63.34

 

CMYK 75 / 80 / 0 / 30

HEX #2C23B2

RGB 44 35 178

HSL 243.78, 0.67%, 0.42%

LAB 26.6, 49.85, -72.8

 

CMYK 53 / 80 / 0 / 30

HEX #5323B2

RGB 83 35 178

HSL 260.14, 0.67%, 0.42%

LAB 30.05, 53.77, -66.98

 

CMYK 81 / 65 / 0 / 57

HEX #15266D

RGB 21 38 109

HSL 228.41, 0.68%, 0.25%

LAB 18.58, 21.34, -43.16

 

CMYK 81 / 65 / 0 / 44

HEX #1C3290

RGB 28 50 144

HSL 228.62, 0.67%, 0.34%

LAB 25.39, 27.67, -54.16

 

CMYK 80 / 65 / 0 / 30

HEX #233EB2

RGB 35 62 178

HSL 228.67, 0.67%, 0.42%

LAB 31.85, 33.31, -64.15

 

CMYK 80 / 65 / 0 / 16

HEX #2A4AD5

RGB 42 74 213

HSL 228.77, 0.67%, 0.5%

LAB 38.19, 39.09, -74.2

 

CMYK 65 / 53 / 0 / 14

HEX #4C67DB

RGB 76 103 219

HSL 228.67, 0.67%, 0.58%

LAB 47.43, 27.01, -62.49

 

CMYK 80 / 65 / 0 / 30

HEX #233EB2

RGB 35 62 178

HSL 228.67, 0.67%, 0.42%

LAB 31.85, 33.31, -64.15

 

CMYK 0 / 80 / 0 / 30

HEX #B223B2

RGB 178 35 178

HSL 300, 0.67%, 0.42%

LAB 44.06, 69.78, -43.61

 

CMYK 32 / 0 / 80 / 30

HEX #79B223

RGB 121 178 35

HSL 83.92, 0.67%, 0.42%

LAB 66.54, -39.27, 61.16

 

CMYK 80 / 65 / 0 / 30

HEX #233EB2

RGB 35 62 178

HSL 228.67, 0.67%, 0.42%

LAB 31.85, 33.31, -64.15

 

CMYK 0 / 80 / 64 / 30

HEX #B22340

RGB 178 35 64

HSL 347.83, 0.67%, 0.42%

LAB 39.64, 56.99, 20.11

 

CMYK 64 / 0 / 80 / 30

HEX #40B223

RGB 64 178 35

HSL 107.83, 0.67%, 0.42%

LAB 64.2, -56.78, 58.15

 

CMYK 80 / 65 / 0 / 30

HEX #233EB2

RGB 35 62 178

HSL 228.67, 0.67%, 0.42%

LAB 31.85, 33.31, -64.15

 

CMYK 0 / 80 / 0 / 30

HEX #B223B2

RGB 178 35 178

HSL 300, 0.67%, 0.42%

LAB 44.06, 69.78, -43.61

 

CMYK 0 / 16 / 80 / 30

HEX #B29623

RGB 178 150 35

HSL 48.25, 0.67%, 0.42%

LAB 62.84, -1.04, 59.44

 

CMYK 80 / 0 / 80 / 30

HEX #23B223

RGB 35 178 35

HSL 120, 0.67%, 0.42%

LAB 63.61, -61.88, 57.37

 

CMYK 80 / 65 / 0 / 30

HEX #233EB2

RGB 35 62 178

HSL 228.67, 0.67%, 0.42%

LAB 31.85, 33.31, -64.15

 

CMYK 0 / 80 / 24 / 30

HEX #B22387

RGB 178 35 135

HSL 318.04, 0.67%, 0.42%

LAB 41.87, 63.64, -21.18

 

CMYK 0 / 16 / 80 / 30

HEX #B29623

RGB 178 150 35

HSL 48.25, 0.67%, 0.42%

LAB 62.84, -1.04, 59.44

 

CMYK 80 / 0 / 56 / 30

HEX #23B24E

RGB 35 178 78

HSL 138.04, 0.67%, 0.42%

LAB 63.96, -57.57, 40.44

 

Description

Color code: HEX #233EB2 | qconv.com Color code: HEX #233EB2 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 62 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 62 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, 65 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 65% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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