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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4B2D64 it is the complementary color #B4D29B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4B2D64. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4B2D64 shade: #502D5F, #613F72, #725185, #836398 and #9475AB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4B2D64. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4B2D64 shade: #4B2D64, #3A1B51, #29093E, #18002B and #070018

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4B2D64 shade: #492C62, #582C62, #622C5D, #622C4F and #622C40

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4B2D64 shade: #492C62, #3B2C62, #2C2C62 and #2C2C62

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4B2D64 shade matches the following richer shades: #492C62, #4A206E, #4B1579 and #4D0985

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4B2D64 shade: #492C62, #483756, #47434B, #464E3F and #455A34

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4B2D64 shade: #2C2C62, #3A2C62, #492C62, #572C62 and #622C5E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4B2D64 shade: #1F1229, #341F46, #492C62, #5F397F and #74459B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4B2D64 shade: #4B2D64, #622C3A and #2C6233

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4B2D64 shade: #4B2D64, #62492C and #2C6249

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4B2D64 shade: #4B2D64, #622C3A, #45622C and #2C6254

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4B2D64 shade: #4B2D64, #622E2C, #45622C and #2C6062

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 55 / 0 / 61

HEX #4B2D64

RGB 75 45 100

HSL 272.73, 0.38%, 0.28%

LAB 24.62, 25.55, -27.33

 

Complementary color

CMYK 14 / 0 / 26 / 18

HEX #B4D29B

RGB 180 210 155

HSL 92.73, 0.38%, 0.72%

LAB 80.83, -19.79, 24.04

 

CMYK 16 / 53 / 0 / 63

HEX #502D5F

RGB 80 45 95

HSL 282, 0.36%, 0.27%

LAB 24.98, 25.85, -23.46

 

CMYK 15 / 45 / 0 / 55

HEX #613F72

RGB 97 63 114

HSL 280, 0.29%, 0.35%

LAB 32.51, 24.94, -23.68

 

CMYK 14 / 39 / 0 / 48

HEX #725185

RGB 114 81 133

HSL 278.08, 0.24%, 0.42%

LAB 39.84, 24.09, -23.86

 

CMYK 14 / 35 / 0 / 40

HEX #836398

RGB 131 99 152

HSL 276.23, 0.21%, 0.49%

LAB 47, 23.31, -24.04

 

CMYK 13 / 32 / 0 / 33

HEX #9475AB

RGB 148 117 171

HSL 274.44, 0.24%, 0.56%

LAB 53.98, 22.61, -24.23

 

CMYK 25 / 55 / 0 / 61

HEX #4B2D64

RGB 75 45 100

HSL 272.73, 0.38%, 0.28%

LAB 24.62, 25.55, -27.33

 

CMYK 28 / 67 / 0 / 68

HEX #3A1B51

RGB 58 27 81

HSL 274.44, 0.5%, 0.21%

LAB 16.88, 26.53, -27.19

 

CMYK 34 / 85 / 0 / 76

HEX #29093E

RGB 41 9 62

HSL 276.23, 0.75%, 0.14%

LAB 9.11, 27.02, -26.63

 

CMYK 44 / 100 / 0 / 83

HEX #18002B

RGB 24 0 43

HSL 273.49, 1%, 0.08%

LAB 3.33, 18.94, -22.07

 

CMYK 71 / 100 / 0 / 91

HEX #070018

RGB 7 0 24

HSL 257.5, 1%, 0.05%

LAB 1, 6.02, -10.75

 

CMYK 26 / 55 / 0 / 62

HEX #492C62

RGB 73 44 98

HSL 272.22, 0.38%, 0.28%

LAB 24, 25.04, -27.03

 

CMYK 10 / 55 / 0 / 62

HEX #582C62

RGB 88 44 98

HSL 288.89, 0.38%, 0.28%

LAB 26.03, 29.69, -23.68

 

CMYK 0 / 55 / 5 / 62

HEX #622C5D

RGB 98 44 93

HSL 305.56, 0.38%, 0.28%

LAB 27.26, 31.84, -18.38

 

CMYK 0 / 55 / 19 / 62

HEX #622C4F

RGB 98 44 79

HSL 321.11, 0.38%, 0.28%

LAB 26.63, 29.27, -10.16

 

CMYK 0 / 55 / 35 / 62

HEX #622C40

RGB 98 44 64

HSL 337.78, 0.38%, 0.28%

LAB 26.06, 26.9, -1

 

CMYK 26 / 55 / 0 / 62

HEX #492C62

RGB 73 44 98

HSL 272.22, 0.38%, 0.28%

LAB 24, 25.04, -27.03

 

CMYK 40 / 55 / 0 / 62

HEX #3B2C62

RGB 59 44 98

HSL 256.67, 0.38%, 0.28%

LAB 22.35, 20.91, -29.76

 

CMYK 55 / 55 / 0 / 62

HEX #2C2C62

RGB 44 44 98

HSL 240, 0.38%, 0.28%

LAB 20.9, 16.93, -32.16

 

CMYK 55 / 55 / 0 / 62

HEX #2C2C62

RGB 44 44 98

HSL 240, 0.38%, 0.28%

LAB 20.9, 16.93, -32.16

 

CMYK 26 / 55 / 0 / 62

HEX #492C62

RGB 73 44 98

HSL 272.22, 0.38%, 0.28%

LAB 24, 25.04, -27.03

 

CMYK 33 / 71 / 0 / 57

HEX #4A206E

RGB 74 32 110

HSL 272.31, 0.55%, 0.28%

LAB 22.35, 35.47, -37.45

 

CMYK 38 / 83 / 0 / 53

HEX #4B1579

RGB 75 21 121

HSL 272.4, 0.7%, 0.28%

LAB 21.63, 43.55, -45.7

 

CMYK 42 / 93 / 0 / 48

HEX #4D0985

RGB 77 9 133

HSL 272.9, 0.87%, 0.28%

LAB 21.82, 50.39, -52.98

 

CMYK 26 / 55 / 0 / 62

HEX #492C62

RGB 73 44 98

HSL 272.22, 0.38%, 0.28%

LAB 24, 25.04, -27.03

 

CMYK 16 / 36 / 0 / 66

HEX #483756

RGB 72 55 86

HSL 272.9, 0.22%, 0.28%

LAB 26.1, 14.44, -15.88

 

CMYK 5 / 11 / 0 / 71

HEX #47434B

RGB 71 67 75

HSL 270, 0.06%, 0.28%

LAB 29.06, 3.47, -4.21

 

CMYK 10 / 0 / 19 / 69

HEX #464E3F

RGB 70 78 63

HSL 92, 0.11%, 0.28%

LAB 32.06, -6.43, 7.81

 

CMYK 23 / 0 / 42 / 65

HEX #455A34

RGB 69 90 52

HSL 93.16, 0.27%, 0.28%

LAB 35.65, -15.76, 19.4

 

CMYK 55 / 55 / 0 / 62

HEX #2C2C62

RGB 44 44 98

HSL 240, 0.38%, 0.28%

LAB 20.9, 16.93, -32.16

 

CMYK 41 / 55 / 0 / 62

HEX #3A2C62

RGB 58 44 98

HSL 255.56, 0.38%, 0.28%

LAB 22.24, 20.63, -29.93

 

CMYK 26 / 55 / 0 / 62

HEX #492C62

RGB 73 44 98

HSL 272.22, 0.38%, 0.28%

LAB 24, 25.04, -27.03

 

CMYK 11 / 55 / 0 / 62

HEX #572C62

RGB 87 44 98

HSL 287.78, 0.38%, 0.28%

LAB 25.89, 29.38, -23.91

 

CMYK 0 / 55 / 4 / 62

HEX #622C5E

RGB 98 44 94

HSL 304.44, 0.38%, 0.28%

LAB 27.31, 32.04, -18.96

 

CMYK 24 / 56 / 0 / 84

HEX #1F1229

RGB 31 18 41

HSL 273.91, 0.39%, 0.12%

LAB 7.99, 12.44, -13.17

 

CMYK 26 / 56 / 0 / 73

HEX #341F46

RGB 52 31 70

HSL 272.31, 0.39%, 0.2%

LAB 16.27, 19.14, -20.69

 

CMYK 26 / 55 / 0 / 62

HEX #492C62

RGB 73 44 98

HSL 272.22, 0.38%, 0.28%

LAB 24, 25.04, -27.03

 

CMYK 25 / 55 / 0 / 50

HEX #5F397F

RGB 95 57 127

HSL 272.57, 0.38%, 0.36%

LAB 31.56, 31.15, -33.34

 

CMYK 25 / 55 / 0 / 39

HEX #74459B

RGB 116 69 155

HSL 272.79, 0.38%, 0.44%

LAB 38.44, 37.03, -39.39

 

CMYK 25 / 55 / 0 / 61

HEX #4B2D64

RGB 75 45 100

HSL 272.73, 0.38%, 0.28%

LAB 24.62, 25.55, -27.33

 

CMYK 0 / 55 / 41 / 62

HEX #622C3A

RGB 98 44 58

HSL 344.44, 0.38%, 0.28%

LAB 25.87, 26.07, 2.75

 

CMYK 55 / 0 / 48 / 62

HEX #2C6233

RGB 44 98 51

HSL 127.78, 0.38%, 0.28%

LAB 36.95, -29.09, 21.38

 

CMYK 25 / 55 / 0 / 61

HEX #4B2D64

RGB 75 45 100

HSL 272.73, 0.38%, 0.28%

LAB 24.62, 25.55, -27.33

 

CMYK 0 / 26 / 55 / 62

HEX #62492C

RGB 98 73 44

HSL 32.22, 0.38%, 0.28%

LAB 33.01, 6.7, 21.38

 

CMYK 55 / 0 / 26 / 62

HEX #2C6249

RGB 44 98 73

HSL 152.22, 0.38%, 0.28%

LAB 37.39, -24.54, 8.86

 

CMYK 25 / 55 / 0 / 61

HEX #4B2D64

RGB 75 45 100

HSL 272.73, 0.38%, 0.28%

LAB 24.62, 25.55, -27.33

 

CMYK 0 / 55 / 41 / 62

HEX #622C3A

RGB 98 44 58

HSL 344.44, 0.38%, 0.28%

LAB 25.87, 26.07, 2.75

 

CMYK 30 / 0 / 55 / 62

HEX #45622C

RGB 69 98 44

HSL 92.22, 0.38%, 0.28%

LAB 38.17, -21.17, 27.1

 

CMYK 55 / 0 / 14 / 62

HEX #2C6254

RGB 44 98 84

HSL 164.44, 0.38%, 0.28%

LAB 37.68, -21.74, 2.53

 

CMYK 25 / 55 / 0 / 61

HEX #4B2D64

RGB 75 45 100

HSL 272.73, 0.38%, 0.28%

LAB 24.62, 25.55, -27.33

 

CMYK 0 / 53 / 55 / 62

HEX #622E2C

RGB 98 46 44

HSL 2.22, 0.38%, 0.28%

LAB 25.96, 23.28, 12.24

 

CMYK 30 / 0 / 55 / 62

HEX #45622C

RGB 69 98 44

HSL 92.22, 0.38%, 0.28%

LAB 38.17, -21.17, 27.1

 

CMYK 55 / 2 / 0 / 62

HEX #2C6062

RGB 44 96 98

HSL 182.22, 0.38%, 0.28%

LAB 37.45, -16.64, -6.46

 

Description

Color code: HEX #4B2D64 | qconv.com Color code: HEX #4B2D64 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 45 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 45 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 55 magenta, none yellow and 61 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 55% 0% 61% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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