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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #622C5E it is the complementary color #9DD3A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #622C5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #622C5E shade: #672C59, #783E6C, #89507F, #9A6292 and #AB74A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #622C5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #622C5E shade: #622C5E, #511A4B, #400838, #2F0025 and #1E0012

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #622C5E shade: #632C5F, #632C50, #632C41, #632C33 and #632C2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #622C5E shade: #632C5F, #582C63, #492C63, #3B2C63 and #2C2C63

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #622C5E shade matches the following richer shades: #632C5F, #6E2168, #7A1572 and #850A7C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #622C5E shade: #632C5F, #573855, #4B434B, #404F41 and #345A37

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #622C5E shade: #492C63, #582C63, #632C5F, #632C50 and #632C42

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #622C5E shade: #2A1328, #461F43, #632C5F, #7F397A and #9B4695

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #622C5E shade: #622C5E, #633B2C and #2C6350

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #622C5E shade: #622C5E, #5F632C and #2C5F63

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #622C5E shade: #622C5E, #633B2C, #2C6330 and #2C5463

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #622C5E shade: #622C5E, #634B2C, #2C6330 and #2C4463

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 4 / 62

HEX #622C5E

RGB 98 44 94

HSL 304.44, 0.38%, 0.28%

LAB 27.31, 32.04, -18.96

 

Complementary color

CMYK 26 / 0 / 24 / 17

HEX #9DD3A1

RGB 157 211 161

HSL 124.44, 0.38%, 0.72%

LAB 79.8, -27.23, 19.25

 

CMYK 0 / 57 / 14 / 60

HEX #672C59

RGB 103 44 89

HSL 314.24, 0.4%, 0.29%

LAB 27.86, 32.74, -14.78

 

CMYK 0 / 48 / 10 / 53

HEX #783E6C

RGB 120 62 108

HSL 312.41, 0.32%, 0.36%

LAB 35.05, 32.02, -15.72

 

CMYK 0 / 42 / 7 / 46

HEX #89507F

RGB 137 80 127

HSL 310.53, 0.26%, 0.43%

LAB 42.14, 31.22, -16.43

 

CMYK 0 / 36 / 5 / 40

HEX #9A6292

RGB 154 98 146

HSL 308.57, 0.22%, 0.49%

LAB 49.11, 30.41, -17.02

 

CMYK 0 / 32 / 4 / 33

HEX #AB74A5

RGB 171 116 165

HSL 306.55, 0.25%, 0.56%

LAB 55.95, 29.65, -17.53

 

CMYK 0 / 55 / 4 / 62

HEX #622C5E

RGB 98 44 94

HSL 304.44, 0.38%, 0.28%

LAB 27.31, 32.04, -18.96

 

CMYK 0 / 68 / 7 / 68

HEX #511A4B

RGB 81 26 75

HSL 306.55, 0.51%, 0.21%

LAB 20.03, 32.46, -17.89

 

CMYK 0 / 88 / 13 / 75

HEX #400838

RGB 64 8 56

HSL 308.57, 0.78%, 0.14%

LAB 12.92, 31.86, -16

 

CMYK 0 / 100 / 21 / 82

HEX #2F0025

RGB 47 0 37

HSL 312.77, 1%, 0.09%

LAB 6.67, 27.89, -12

 

CMYK 0 / 100 / 40 / 88

HEX #1E0012

RGB 30 0 18

HSL 324, 1%, 0.06%

LAB 2.89, 13.96, -3.6

 

CMYK 0 / 56 / 4 / 61

HEX #632C5F

RGB 99 44 95

HSL 304.36, 0.38%, 0.28%

LAB 27.52, 32.56, -19.28

 

CMYK 0 / 56 / 19 / 61

HEX #632C50

RGB 99 44 80

HSL 320.73, 0.38%, 0.28%

LAB 26.83, 29.8, -10.5

 

CMYK 0 / 56 / 34 / 61

HEX #632C41

RGB 99 44 65

HSL 337.09, 0.38%, 0.28%

LAB 26.26, 27.43, -1.36

 

CMYK 0 / 56 / 48 / 61

HEX #632C33

RGB 99 44 51

HSL 352.36, 0.38%, 0.28%

LAB 25.84, 25.61, 7.43

 

CMYK 0 / 56 / 56 / 61

HEX #632C2C

RGB 99 44 44

HSL 0, 0.38%, 0.28%

LAB 25.67, 24.86, 11.88

 

CMYK 0 / 56 / 4 / 61

HEX #632C5F

RGB 99 44 95

HSL 304.36, 0.38%, 0.28%

LAB 27.52, 32.56, -19.28

 

CMYK 11 / 56 / 0 / 61

HEX #582C63

RGB 88 44 99

HSL 288, 0.38%, 0.28%

LAB 26.09, 29.92, -24.24

 

CMYK 26 / 56 / 0 / 61

HEX #492C63

RGB 73 44 99

HSL 271.64, 0.38%, 0.28%

LAB 24.06, 25.31, -27.58

 

CMYK 40 / 56 / 0 / 61

HEX #3B2C63

RGB 59 44 99

HSL 256.36, 0.38%, 0.28%

LAB 22.42, 21.22, -30.3

 

CMYK 56 / 56 / 0 / 61

HEX #2C2C63

RGB 44 44 99

HSL 240, 0.38%, 0.28%

LAB 20.97, 17.29, -32.7

 

CMYK 0 / 56 / 4 / 61

HEX #632C5F

RGB 99 44 95

HSL 304.36, 0.38%, 0.28%

LAB 27.52, 32.56, -19.28

 

CMYK 0 / 70 / 5 / 57

HEX #6E2168

RGB 110 33 104

HSL 304.68, 0.54%, 0.28%

LAB 27.85, 42.81, -24.47

 

CMYK 0 / 83 / 7 / 52

HEX #7A1572

RGB 122 21 114

HSL 304.75, 0.71%, 0.28%

LAB 29.13, 51.56, -28.73

 

CMYK 0 / 92 / 7 / 48

HEX #850A7C

RGB 133 10 124

HSL 304.39, 0.86%, 0.28%

LAB 31.02, 57.7, -31.95

 

CMYK 0 / 56 / 4 / 61

HEX #632C5F

RGB 99 44 95

HSL 304.36, 0.38%, 0.28%

LAB 27.52, 32.56, -19.28

 

CMYK 0 / 36 / 2 / 66

HEX #573855

RGB 87 56 85

HSL 303.87, 0.22%, 0.28%

LAB 28.14, 19.16, -11.94

 

CMYK 0 / 11 / 0 / 71

HEX #4B434B

RGB 75 67 75

HSL 300, 0.06%, 0.28%

LAB 29.46, 5.1, -3.58

 

CMYK 19 / 0 / 18 / 69

HEX #404F41

RGB 64 79 65

HSL 124, 0.1%, 0.28%

LAB 31.95, -9.11, 6.33

 

CMYK 42 / 0 / 39 / 65

HEX #345A37

RGB 52 90 55

HSL 124.74, 0.27%, 0.28%

LAB 34.64, -21.85, 16.09

 

CMYK 26 / 56 / 0 / 61

HEX #492C63

RGB 73 44 99

HSL 271.64, 0.38%, 0.28%

LAB 24.06, 25.31, -27.58

 

CMYK 11 / 56 / 0 / 61

HEX #582C63

RGB 88 44 99

HSL 288, 0.38%, 0.28%

LAB 26.09, 29.92, -24.24

 

CMYK 0 / 56 / 4 / 61

HEX #632C5F

RGB 99 44 95

HSL 304.36, 0.38%, 0.28%

LAB 27.52, 32.56, -19.28

 

CMYK 0 / 56 / 19 / 61

HEX #632C50

RGB 99 44 80

HSL 320.73, 0.38%, 0.28%

LAB 26.83, 29.8, -10.5

 

CMYK 0 / 56 / 33 / 61

HEX #632C42

RGB 99 44 66

HSL 336, 0.38%, 0.28%

LAB 26.3, 27.57, -1.98

 

CMYK 0 / 55 / 5 / 84

HEX #2A1328

RGB 42 19 40

HSL 305.22, 0.38%, 0.12%

LAB 9.89, 15.78, -9.34

 

CMYK 0 / 56 / 4 / 73

HEX #461F43

RGB 70 31 67

HSL 304.62, 0.39%, 0.2%

LAB 18.75, 24.57, -14.54

 

CMYK 0 / 56 / 4 / 61

HEX #632C5F

RGB 99 44 95

HSL 304.36, 0.38%, 0.28%

LAB 27.52, 32.56, -19.28

 

CMYK 0 / 55 / 4 / 50

HEX #7F397A

RGB 127 57 122

HSL 304.29, 0.38%, 0.36%

LAB 35.68, 39.58, -23.43

 

CMYK 0 / 55 / 4 / 39

HEX #9B4695

RGB 155 70 149

HSL 304.24, 0.38%, 0.44%

LAB 43.53, 46.29, -27.39

 

CMYK 0 / 55 / 4 / 62

HEX #622C5E

RGB 98 44 94

HSL 304.44, 0.38%, 0.28%

LAB 27.31, 32.04, -18.96

 

CMYK 0 / 40 / 56 / 61

HEX #633B2C

RGB 99 59 44

HSL 16.36, 0.38%, 0.28%

LAB 29.32, 15.88, 16.7

 

CMYK 56 / 0 / 19 / 61

HEX #2C6350

RGB 44 99 80

HSL 159.27, 0.38%, 0.28%

LAB 37.91, -23.31, 5.31

 

CMYK 0 / 55 / 4 / 62

HEX #622C5E

RGB 98 44 94

HSL 304.44, 0.38%, 0.28%

LAB 27.31, 32.04, -18.96

 

CMYK 4 / 0 / 56 / 61

HEX #5F632C

RGB 95 99 44

HSL 64.36, 0.38%, 0.28%

LAB 40.47, -10.28, 30.32

 

CMYK 56 / 4 / 0 / 61

HEX #2C5F63

RGB 44 95 99

HSL 184.36, 0.38%, 0.28%

LAB 37.15, -15.77, -7.52

 

CMYK 0 / 55 / 4 / 62

HEX #622C5E

RGB 98 44 94

HSL 304.44, 0.38%, 0.28%

LAB 27.31, 32.04, -18.96

 

CMYK 0 / 40 / 56 / 61

HEX #633B2C

RGB 99 59 44

HSL 16.36, 0.38%, 0.28%

LAB 29.32, 15.88, 16.7

 

CMYK 56 / 0 / 52 / 61

HEX #2C6330

RGB 44 99 48

HSL 124.36, 0.38%, 0.28%

LAB 37.25, -30.06, 23.46

 

CMYK 56 / 15 / 0 / 61

HEX #2C5463

RGB 44 84 99

HSL 196.36, 0.38%, 0.28%

LAB 33.51, -9.36, -13.02

 

CMYK 0 / 55 / 4 / 62

HEX #622C5E

RGB 98 44 94

HSL 304.44, 0.38%, 0.28%

LAB 27.31, 32.04, -18.96

 

CMYK 0 / 24 / 56 / 61

HEX #634B2C

RGB 99 75 44

HSL 33.82, 0.38%, 0.28%

LAB 33.7, 5.94, 22.27

 

CMYK 56 / 0 / 52 / 61

HEX #2C6330

RGB 44 99 48

HSL 124.36, 0.38%, 0.28%

LAB 37.25, -30.06, 23.46

 

CMYK 56 / 31 / 0 / 61

HEX #2C4463

RGB 44 68 99

HSL 213.82, 0.38%, 0.28%

LAB 28.3, 0.76, -21.07

 

Description

Color code: HEX #622C5E | qconv.com Color code: HEX #622C5E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 44 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 44 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 4 yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 4% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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