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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4AD2DB it is the complementary color #B52D24. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4AD2DB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4AD2DB shade: #4FD2D6, #60E4E9, #71F6FC, #82FFFF and #93FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4AD2DB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4AD2DB shade: #4AD2DB, #39C0C8, #28AEB5, #179CA2 and #068A8F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4AD2DB shade: #48D2DB, #48AADB, #4882DB, #485BDB and #5D48DB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4AD2DB shade: #48D2DB, #48AADB, #4882DB, #485BDB and #4848DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4AD2DB shade matches the following richer shades: #48D2DB, #36E1ED and #24F1FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4AD2DB shade: #48D2DB, #5AC2C9, #6BB3B7, #7DA3A6 and #8F9494

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4AD2DB shade: #48DB94, #48DBBB, #48D3DB, #48ACDB and #4885DB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4AD2DB shade: #22A5AE, #29C6D0, #48D2DB, #6ADAE2 and #8DE3E8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4AD2DB shade: #4AD2DB, #6D48DB and #DBA748

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4AD2DB shade: #4AD2DB, #DB48D3 and #D3DB48

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4AD2DB shade: #4AD2DB, #6D48DB, #DB4F48 and #B6DB48

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4AD2DB shade: #4AD2DB, #9948DB, #DB4F48 and #8ADB48

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 4 / 0 / 14

HEX #4AD2DB

RGB 74 210 219

HSL 183.72, 0.67%, 0.57%

LAB 77.68, -33.32, -15.23

 

Complementary color

CMYK 0 / 75 / 80 / 29

HEX #B52D24

RGB 181 45 36

HSL 3.72, 0.67%, 0.43%

LAB 40.94, 53.5, 38.57

 

CMYK 63 / 2 / 0 / 16

HEX #4FD2D6

RGB 79 210 214

HSL 181.78, 0.62%, 0.57%

LAB 77.64, -33.98, -12.58

 

CMYK 59 / 2 / 0 / 9

HEX #60E4E9

RGB 96 228 233

HSL 182.19, 0.76%, 0.65%

LAB 83.89, -34.41, -13.31

 

CMYK 55 / 2 / 0 / 1

HEX #71F6FC

RGB 113 246 252

HSL 182.59, 0.96%, 0.72%

LAB 90.07, -34.72, -13.98

 

CMYK 49 / 0 / 0 / 0

HEX #82FFFF

RGB 130 255 255

HSL 180, 1%, 0.75%

LAB 93.23, -34.82, -10.77

 

CMYK 42 / 0 / 0 / 0

HEX #93FFFF

RGB 147 255 255

HSL 180, 1%, 0.79%

LAB 93.86, -31.12, -9.76

 

CMYK 66 / 4 / 0 / 14

HEX #4AD2DB

RGB 74 210 219

HSL 183.72, 0.67%, 0.57%

LAB 77.68, -33.32, -15.23

 

CMYK 72 / 4 / 0 / 22

HEX #39C0C8

RGB 57 192 200

HSL 183.36, 0.57%, 0.5%

LAB 71.38, -32.59, -14.46

 

CMYK 78 / 4 / 0 / 29

HEX #28AEB5

RGB 40 174 181

HSL 182.98, 0.64%, 0.43%

LAB 65.01, -31.61, -13.6

 

CMYK 86 / 4 / 0 / 36

HEX #179CA2

RGB 23 156 162

HSL 182.59, 0.75%, 0.36%

LAB 58.57, -30.3, -12.63

 

CMYK 96 / 3 / 0 / 44

HEX #068A8F

RGB 6 138 143

HSL 182.19, 0.92%, 0.29%

LAB 52.06, -28.55, -11.54

 

CMYK 67 / 4 / 0 / 14

HEX #48D2DB

RGB 72 210 219

HSL 183.67, 0.67%, 0.57%

LAB 77.63, -33.61, -15.31

 

CMYK 67 / 22 / 0 / 14

HEX #48AADB

RGB 72 170 219

HSL 200, 0.67%, 0.57%

LAB 65.94, -13.37, -33.17

 

CMYK 67 / 41 / 0 / 14

HEX #4882DB

RGB 72 130 219

HSL 216.33, 0.67%, 0.57%

LAB 54.51, 9.64, -51.14

 

CMYK 67 / 58 / 0 / 14

HEX #485BDB

RGB 72 91 219

HSL 232.24, 0.67%, 0.57%

LAB 44.2, 33.91, -67.75

 

CMYK 58 / 67 / 0 / 14

HEX #5D48DB

RGB 93 72 219

HSL 248.57, 0.67%, 0.57%

LAB 41.34, 48.35, -72.36

 

CMYK 67 / 4 / 0 / 14

HEX #48D2DB

RGB 72 210 219

HSL 183.67, 0.67%, 0.57%

LAB 77.63, -33.61, -15.31

 

CMYK 67 / 22 / 0 / 14

HEX #48AADB

RGB 72 170 219

HSL 200, 0.67%, 0.57%

LAB 65.94, -13.37, -33.17

 

CMYK 67 / 41 / 0 / 14

HEX #4882DB

RGB 72 130 219

HSL 216.33, 0.67%, 0.57%

LAB 54.51, 9.64, -51.14

 

CMYK 67 / 58 / 0 / 14

HEX #485BDB

RGB 72 91 219

HSL 232.24, 0.67%, 0.57%

LAB 44.2, 33.91, -67.75

 

CMYK 67 / 67 / 0 / 14

HEX #4848DB

RGB 72 72 219

HSL 240, 0.67%, 0.57%

LAB 39.79, 45.45, -74.95

 

CMYK 67 / 4 / 0 / 14

HEX #48D2DB

RGB 72 210 219

HSL 183.67, 0.67%, 0.57%

LAB 77.63, -33.61, -15.31

 

CMYK 77 / 5 / 0 / 7

HEX #36E1ED

RGB 54 225 237

HSL 183.93, 0.84%, 0.57%

LAB 82.24, -37.46, -17.99

 

CMYK 86 / 5 / 0 / 0

HEX #24F1FE

RGB 36 241 254

HSL 183.58, 0.99%, 0.57%

LAB 87.21, -41.06, -19.47

 

CMYK 67 / 4 / 0 / 14

HEX #48D2DB

RGB 72 210 219

HSL 183.67, 0.67%, 0.57%

LAB 77.63, -33.61, -15.31

 

CMYK 55 / 3 / 0 / 21

HEX #5AC2C9

RGB 90 194 201

HSL 183.78, 0.51%, 0.57%

LAB 72.87, -27.97, -12.67

 

CMYK 42 / 2 / 0 / 28

HEX #6BB3B7

RGB 107 179 183

HSL 183.16, 0.35%, 0.57%

LAB 68.6, -21.46, -9.13

 

CMYK 25 / 2 / 0 / 35

HEX #7DA3A6

RGB 125 163 166

HSL 184.39, 0.19%, 0.57%

LAB 64.41, -12.17, -5.79

 

CMYK 3 / 0 / 0 / 42

HEX #8F9494

RGB 143 148 148

HSL 180, 0.02%, 0.57%

LAB 60.92, -1.81, -0.64

 

CMYK 67 / 0 / 32 / 14

HEX #48DB94

RGB 72 219 148

HSL 151.02, 0.67%, 0.57%

LAB 78.57, -54.95, 23.84

 

CMYK 67 / 0 / 15 / 14

HEX #48DBBB

RGB 72 219 187

HSL 166.94, 0.67%, 0.57%

LAB 79.4, -46.22, 4.43

 

CMYK 67 / 4 / 0 / 14

HEX #48D3DB

RGB 72 211 219

HSL 183.27, 0.67%, 0.57%

LAB 77.92, -34.08, -14.87

 

CMYK 67 / 21 / 0 / 14

HEX #48ACDB

RGB 72 172 219

HSL 199.18, 0.67%, 0.57%

LAB 66.52, -14.45, -32.27

 

CMYK 67 / 39 / 0 / 14

HEX #4885DB

RGB 72 133 219

HSL 215.1, 0.67%, 0.57%

LAB 55.35, 7.82, -49.81

 

CMYK 80 / 5 / 0 / 32

HEX #22A5AE

RGB 34 165 174

HSL 183.86, 0.67%, 0.41%

LAB 61.92, -30, -14.36

 

CMYK 80 / 5 / 0 / 18

HEX #29C6D0

RGB 41 198 208

HSL 183.59, 0.67%, 0.49%

LAB 73.16, -34.71, -16.15

 

CMYK 67 / 4 / 0 / 14

HEX #48D2DB

RGB 72 210 219

HSL 183.67, 0.67%, 0.57%

LAB 77.63, -33.61, -15.31

 

CMYK 53 / 4 / 0 / 11

HEX #6ADAE2

RGB 106 218 226

HSL 184, 0.67%, 0.65%

LAB 81.13, -29.69, -13.7

 

CMYK 39 / 2 / 0 / 9

HEX #8DE3E8

RGB 141 227 232

HSL 183.3, 0.66%, 0.73%

LAB 85.21, -24.67, -10.63

 

CMYK 66 / 4 / 0 / 14

HEX #4AD2DB

RGB 74 210 219

HSL 183.72, 0.67%, 0.57%

LAB 77.68, -33.32, -15.23

 

CMYK 50 / 67 / 0 / 14

HEX #6D48DB

RGB 109 72 219

HSL 255.1, 0.67%, 0.57%

LAB 42.76, 50.93, -69.97

 

CMYK 0 / 24 / 67 / 14

HEX #DBA748

RGB 219 167 72

HSL 38.78, 0.67%, 0.57%

LAB 71.67, 9.5, 54.91

 

CMYK 66 / 4 / 0 / 14

HEX #4AD2DB

RGB 74 210 219

HSL 183.72, 0.67%, 0.57%

LAB 77.68, -33.32, -15.23

 

CMYK 0 / 67 / 4 / 14

HEX #DB48D3

RGB 219 72 211

HSL 303.27, 0.67%, 0.57%

LAB 56.48, 72.26, -42.61

 

CMYK 4 / 0 / 67 / 14

HEX #D3DB48

RGB 211 219 72

HSL 63.27, 0.67%, 0.57%

LAB 84.47, -20.59, 68

 

CMYK 66 / 4 / 0 / 14

HEX #4AD2DB

RGB 74 210 219

HSL 183.72, 0.67%, 0.57%

LAB 77.68, -33.32, -15.23

 

CMYK 50 / 67 / 0 / 14

HEX #6D48DB

RGB 109 72 219

HSL 255.1, 0.67%, 0.57%

LAB 42.76, 50.93, -69.97

 

CMYK 0 / 64 / 67 / 14

HEX #DB4F48

RGB 219 79 72

HSL 2.86, 0.67%, 0.57%

LAB 53.08, 54.3, 33.77

 

CMYK 17 / 0 / 67 / 14

HEX #B6DB48

RGB 182 219 72

HSL 75.1, 0.67%, 0.57%

LAB 82.42, -32.25, 65.25

 

CMYK 66 / 4 / 0 / 14

HEX #4AD2DB

RGB 74 210 219

HSL 183.72, 0.67%, 0.57%

LAB 77.68, -33.32, -15.23

 

CMYK 30 / 67 / 0 / 14

HEX #9948DB

RGB 153 72 219

HSL 273.06, 0.67%, 0.57%

LAB 47.65, 59.28, -61.81

 

CMYK 0 / 64 / 67 / 14

HEX #DB4F48

RGB 219 79 72

HSL 2.86, 0.67%, 0.57%

LAB 53.08, 54.3, 33.77

 

CMYK 37 / 0 / 67 / 14

HEX #8ADB48

RGB 138 219 72

HSL 93.06, 0.67%, 0.57%

LAB 79.92, -48.41, 61.87

 

Description

Color code: HEX #4AD2DB | qconv.com Color code: HEX #4AD2DB | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 210 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 210 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, 4 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 4% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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