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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 80 / 5 / 0 / 32 it is the complementary color CMYK 0 / 59 / 63 / 14. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 80 / 5 / 0 / 32. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 80 / 5 / 0 / 32: CMYK 76 / 2 / 0 / 34, CMYK 70 / 2 / 0 / 27, CMYK 64 / 2 / 0 / 19, CMYK 60 / 3 / 0 / 12 and CMYK 56 / 3 / 0 / 4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 80 / 5 / 0 / 32. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 80 / 5 / 0 / 32: CMYK 80 / 5 / 0 / 32, CMYK 88 / 5 / 0 / 40, CMYK 99 / 4 / 0 / 47, CMYK 100 / 4 / 0 / 55 and CMYK 100 / 4 / 0 / 62

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 5 / 0 / 32

HEX #23A5AD

RGB 35 165 173

HSL 183.48, 0.66%, 0.41%

LAB 61.9, -30.22, -13.82

 

Complementary color

CMYK 0 / 59 / 63 / 14

HEX #DC5A52

RGB 220 90 82

HSL 3.48, 0.66%, 0.59%

LAB 55.21, 50.38, 30.72

 

CMYK 76 / 2 / 0 / 34

HEX #28A5A8

RGB 40 165 168

HSL 181.41, 0.62%, 0.41%

LAB 61.82, -31.25, -11.13

 

CMYK 70 / 2 / 0 / 27

HEX #39B7BB

RGB 57 183 187

HSL 181.85, 0.53%, 0.48%

LAB 68.26, -32.12, -12.01

 

CMYK 64 / 2 / 0 / 19

HEX #4AC9CE

RGB 74 201 206

HSL 182.27, 0.57%, 0.55%

LAB 74.63, -32.76, -12.8

 

CMYK 60 / 3 / 0 / 12

HEX #5BDBE1

RGB 91 219 225

HSL 182.69, 0.69%, 0.62%

LAB 80.92, -33.21, -13.53

 

CMYK 56 / 3 / 0 / 4

HEX #6CEDF4

RGB 108 237 244

HSL 183.09, 0.86%, 0.69%

LAB 87.14, -33.54, -14.2

 

CMYK 80 / 5 / 0 / 32

HEX #23A5AD

RGB 35 165 173

HSL 183.48, 0.66%, 0.41%

LAB 61.9, -30.22, -13.82

 

CMYK 88 / 5 / 0 / 40

HEX #12939A

RGB 18 147 154

HSL 183.09, 0.79%, 0.34%

LAB 55.41, -28.79, -12.84

 

CMYK 99 / 4 / 0 / 47

HEX #018187

RGB 1 129 135

HSL 182.69, 0.99%, 0.27%

LAB 48.83, -26.97, -11.74

 

CMYK 100 / 4 / 0 / 55

HEX #006F74

RGB 0 111 116

HSL 182.59, 1%, 0.23%

LAB 42.2, -24.35, -10.42

 

CMYK 100 / 4 / 0 / 62

HEX #005D61

RGB 0 93 97

HSL 182.47, 1%, 0.19%

LAB 35.38, -21.6, -9.04

 

CMYK 80 / 5 / 0 / 32

HEX #23A5AD

RGB 35 165 173

HSL 183.48, 0.66%, 0.41%

LAB 61.9, -30.22, -13.82

 

CMYK 80 / 17 / 0 / 32

HEX #238FAD

RGB 35 143 173

HSL 193.04, 0.66%, 0.41%

LAB 55.09, -18.99, -24.19

 

CMYK 80 / 31 / 0 / 32

HEX #2378AD

RGB 35 120 173

HSL 203.04, 0.66%, 0.41%

LAB 48.02, -6.02, -35.2

 

CMYK 80 / 44 / 0 / 32

HEX #2361AD

RGB 35 97 173

HSL 213.04, 0.66%, 0.41%

LAB 41.09, 8.24, -46.19

 

CMYK 80 / 57 / 0 / 32

HEX #234AAD

RGB 35 74 173

HSL 223.04, 0.66%, 0.41%

LAB 34.54, 23.45, -56.77

 

CMYK 80 / 5 / 0 / 32

HEX #23A5AD

RGB 35 165 173

HSL 183.48, 0.66%, 0.41%

LAB 61.9, -30.22, -13.82

 

CMYK 80 / 4 / 0 / 12

HEX #2DD6E0

RGB 45 214 224

HSL 183.35, 0.74%, 0.53%

LAB 78.48, -37.03, -16.75

 

CMYK 80 / 5 / 0 / 92

HEX #041314

RGB 4 19 20

HSL 183.75, 0.67%, 0.05%

LAB 4.9, -4.34, -2.21

 

CMYK 80 / 4 / 0 / 72

HEX #0E4447

RGB 14 68 71

HSL 183.16, 0.67%, 0.17%

LAB 25.81, -15.7, -6.82

 

CMYK 80 / 5 / 0 / 52

HEX #19747A

RGB 25 116 122

HSL 183.71, 0.66%, 0.29%

LAB 44.38, -22.97, -10.71

 

CMYK 80 / 5 / 0 / 32

HEX #23A5AD

RGB 35 165 173

HSL 183.48, 0.66%, 0.41%

LAB 61.9, -30.22, -13.82

 

CMYK 60 / 80 / 0 / 32

HEX #4623AD

RGB 70 35 173

HSL 255.22, 0.66%, 0.41%

LAB 28.17, 50.81, -67.13

 

CMYK 0 / 28 / 80 / 32

HEX #AD7D23

RGB 173 125 35

HSL 39.13, 0.66%, 0.41%

LAB 55.76, 10.5, 52.83

 

CMYK 80 / 5 / 0 / 32

HEX #23A5AD

RGB 35 165 173

HSL 183.48, 0.66%, 0.41%

LAB 61.9, -30.22, -13.82

 

CMYK 0 / 80 / 4 / 32

HEX #AD23A6

RGB 173 35 166

HSL 303.04, 0.66%, 0.41%

LAB 42.52, 66.91, -38.98

 

CMYK 4 / 0 / 80 / 32

HEX #A6AD23

RGB 166 173 35

HSL 63.04, 0.66%, 0.41%

LAB 68.11, -18.45, 63.71

 

CMYK 80 / 5 / 0 / 32

HEX #23A5AD

RGB 35 165 173

HSL 183.48, 0.66%, 0.41%

LAB 61.9, -30.22, -13.82

 

CMYK 60 / 80 / 0 / 32

HEX #4623AD

RGB 70 35 173

HSL 255.22, 0.66%, 0.41%

LAB 28.17, 50.81, -67.13

 

CMYK 0 / 76 / 80 / 32

HEX #AD2A23

RGB 173 42 35

HSL 3.04, 0.66%, 0.41%

LAB 39, 51.97, 36.66

 

CMYK 20 / 0 / 80 / 32

HEX #8BAD23

RGB 139 173 35

HSL 74.78, 0.66%, 0.41%

LAB 66.13, -29.89, 61.2

 

CMYK 80 / 5 / 0 / 32

HEX #23A5AD

RGB 35 165 173

HSL 183.48, 0.66%, 0.41%

LAB 61.9, -30.22, -13.82

 

CMYK 36 / 80 / 0 / 32

HEX #6F23AD

RGB 111 35 173

HSL 273.04, 0.66%, 0.41%

LAB 33.13, 56.61, -58.8

 

CMYK 0 / 76 / 80 / 32

HEX #AD2A23

RGB 173 42 35

HSL 3.04, 0.66%, 0.41%

LAB 39, 51.97, 36.66

 

CMYK 44 / 0 / 80 / 32

HEX #61AD23

RGB 97 173 35

HSL 93.04, 0.66%, 0.41%

LAB 63.79, -45.67, 58.19

 

Description

Color code: CMYK 80 / 5 / 0 / 32 | qconv.com Color code: CMYK 80 / 5 / 0 / 32 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 165 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 165 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, 5 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 5% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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