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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4AA0C7 it is the complementary color #B55F38. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4AA0C7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4AA0C7 shade: #4FA0C2, #60B2D5, #71C4E8, #82D6FB and #93E8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4AA0C7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4AA0C7 shade: #4AA0C7, #398EB4, #287CA1, #176A8E and #06587B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4AA0C7 shade: #4CA1C8, #4C80C8, #4C5EC8, #5B4CC8 and #7C4CC8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4AA0C7 shade: #4CA1C8, #4C80C8, #4C5EC8 and #4C4CC8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4AA0C7 shade matches the following richer shades: #4CA1C8, #39A8DB and #26AFEE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4AA0C7 shade: #4CA1C8, #5F9AB5, #7193A2, #848C8F and #97857C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4AA0C7 shade: #4CC8AB, #4CC4C8, #4CA3C8, #4C81C8 and #4C60C8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4AA0C7 shade: #2D7494, #378CB3, #4CA1C8, #6BB2D2 and #8BC2DB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4AA0C7 shade: #4AA0C7, #8A4CC8 and #C8BB4C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4AA0C7 shade: #4AA0C7, #C84CA3 and #A3C84C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4AA0C7 shade: #4AA0C7, #8A4CC8, #C8714C and #8AC84C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4AA0C7 shade: #4AA0C7, #AF4CC8, #C8714C and #64C84C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 20 / 0 / 22

HEX #4AA0C7

RGB 74 160 199

HSL 198.72, 0.53%, 0.54%

LAB 62.27, -14.04, -27.74

 

Complementary color

CMYK 0 / 48 / 69 / 29

HEX #B55F38

RGB 181 95 56

HSL 18.72, 0.53%, 0.46%

LAB 49.85, 31.58, 37.37

 

CMYK 59 / 18 / 0 / 24

HEX #4FA0C2

RGB 79 160 194

HSL 197.74, 0.49%, 0.54%

LAB 62.25, -14.68, -24.96

 

CMYK 55 / 16 / 0 / 16

HEX #60B2D5

RGB 96 178 213

HSL 197.95, 0.58%, 0.61%

LAB 68.85, -15.17, -25.32

 

CMYK 51 / 16 / 0 / 9

HEX #71C4E8

RGB 113 196 232

HSL 198.15, 0.72%, 0.68%

LAB 75.34, -15.55, -25.66

 

CMYK 48 / 15 / 0 / 2

HEX #82D6FB

RGB 130 214 251

HSL 198.35, 0.94%, 0.75%

LAB 81.73, -15.85, -25.99

 

CMYK 42 / 9 / 0 / 0

HEX #93E8FF

RGB 147 232 255

HSL 192.78, 1%, 0.79%

LAB 87.55, -19.97, -19.2

 

CMYK 63 / 20 / 0 / 22

HEX #4AA0C7

RGB 74 160 199

HSL 198.72, 0.53%, 0.54%

LAB 62.27, -14.04, -27.74

 

CMYK 68 / 21 / 0 / 29

HEX #398EB4

RGB 57 142 180

HSL 198.54, 0.52%, 0.46%

LAB 55.59, -13.21, -27.37

 

CMYK 75 / 23 / 0 / 37

HEX #287CA1

RGB 40 124 161

HSL 198.35, 0.6%, 0.39%

LAB 48.81, -12.09, -26.96

 

CMYK 84 / 25 / 0 / 44

HEX #176A8E

RGB 23 106 142

HSL 198.15, 0.72%, 0.32%

LAB 41.91, -10.55, -26.49

 

CMYK 95 / 28 / 0 / 52

HEX #06587B

RGB 6 88 123

HSL 197.95, 0.91%, 0.25%

LAB 34.9, -8.42, -25.92

 

CMYK 62 / 20 / 0 / 22

HEX #4CA1C8

RGB 76 161 200

HSL 198.87, 0.53%, 0.54%

LAB 62.67, -13.91, -27.67

 

CMYK 62 / 36 / 0 / 22

HEX #4C80C8

RGB 76 128 200

HSL 214.84, 0.53%, 0.54%

LAB 53.11, 4.99, -42.61

 

CMYK 62 / 53 / 0 / 22

HEX #4C5EC8

RGB 76 94 200

HSL 231.29, 0.53%, 0.54%

LAB 43.82, 26.12, -57.46

 

CMYK 55 / 62 / 0 / 22

HEX #5B4CC8

RGB 91 76 200

HSL 247.26, 0.53%, 0.54%

LAB 40.51, 39.9, -62.77

 

CMYK 38 / 62 / 0 / 22

HEX #7C4CC8

RGB 124 76 200

HSL 263.23, 0.53%, 0.54%

LAB 43.69, 46.53, -57.47

 

CMYK 62 / 20 / 0 / 22

HEX #4CA1C8

RGB 76 161 200

HSL 198.87, 0.53%, 0.54%

LAB 62.67, -13.91, -27.67

 

CMYK 62 / 36 / 0 / 22

HEX #4C80C8

RGB 76 128 200

HSL 214.84, 0.53%, 0.54%

LAB 53.11, 4.99, -42.61

 

CMYK 62 / 53 / 0 / 22

HEX #4C5EC8

RGB 76 94 200

HSL 231.29, 0.53%, 0.54%

LAB 43.82, 26.12, -57.46

 

CMYK 62 / 62 / 0 / 22

HEX #4C4CC8

RGB 76 76 200

HSL 240, 0.53%, 0.54%

LAB 39.37, 37.36, -64.68

 

CMYK 62 / 20 / 0 / 22

HEX #4CA1C8

RGB 76 161 200

HSL 198.87, 0.53%, 0.54%

LAB 62.67, -13.91, -27.67

 

CMYK 74 / 23 / 0 / 14

HEX #39A8DB

RGB 57 168 219

HSL 198.89, 0.69%, 0.54%

LAB 64.95, -14.37, -34.73

 

CMYK 84 / 26 / 0 / 7

HEX #26AFEE

RGB 38 175 238

HSL 198.9, 0.85%, 0.54%

LAB 67.46, -13.5, -41.27

 

CMYK 62 / 20 / 0 / 22

HEX #4CA1C8

RGB 76 161 200

HSL 198.87, 0.53%, 0.54%

LAB 62.67, -13.91, -27.67

 

CMYK 48 / 15 / 0 / 29

HEX #5F9AB5

RGB 95 154 181

HSL 198.84, 0.37%, 0.54%

LAB 60.68, -11.79, -20.01

 

CMYK 30 / 9 / 0 / 36

HEX #7193A2

RGB 113 147 162

HSL 198.37, 0.21%, 0.54%

LAB 58.96, -8.12, -11.74

 

CMYK 8 / 2 / 0 / 44

HEX #848C8F

RGB 132 140 143

HSL 196.36, 0.05%, 0.54%

LAB 57.7, -2.29, -2.61

 

CMYK 0 / 12 / 18 / 41

HEX #97857C

RGB 151 133 124

HSL 20, 0.11%, 0.54%

LAB 56.89, 5.27, 7.34

 

CMYK 62 / 0 / 15 / 22

HEX #4CC8AB

RGB 76 200 171

HSL 165.97, 0.53%, 0.54%

LAB 73.41, -41.25, 4.37

 

CMYK 62 / 2 / 0 / 22

HEX #4CC4C8

RGB 76 196 200

HSL 181.94, 0.53%, 0.54%

LAB 73.01, -31.75, -11.96

 

CMYK 62 / 19 / 0 / 22

HEX #4CA3C8

RGB 76 163 200

HSL 197.9, 0.53%, 0.54%

LAB 63.26, -14.99, -26.77

 

CMYK 62 / 36 / 0 / 22

HEX #4C81C8

RGB 76 129 200

HSL 214.35, 0.53%, 0.54%

LAB 53.39, 4.39, -42.16

 

CMYK 62 / 52 / 0 / 22

HEX #4C60C8

RGB 76 96 200

HSL 230.32, 0.53%, 0.54%

LAB 44.34, 24.86, -56.62

 

CMYK 70 / 22 / 0 / 42

HEX #2D7494

RGB 45 116 148

HSL 198.64, 0.53%, 0.38%

LAB 45.89, -11.33, -23.84

 

CMYK 69 / 22 / 0 / 30

HEX #378CB3

RGB 55 140 179

HSL 198.87, 0.53%, 0.46%

LAB 54.89, -12.74, -27.9

 

CMYK 62 / 20 / 0 / 22

HEX #4CA1C8

RGB 76 161 200

HSL 198.87, 0.53%, 0.54%

LAB 62.67, -13.91, -27.67

 

CMYK 49 / 15 / 0 / 18

HEX #6BB2D2

RGB 107 178 210

HSL 198.64, 0.53%, 0.62%

LAB 69.2, -13.63, -23.09

 

CMYK 37 / 11 / 0 / 14

HEX #8BC2DB

RGB 139 194 219

HSL 198.75, 0.53%, 0.7%

LAB 75.57, -11.67, -18.17

 

CMYK 63 / 20 / 0 / 22

HEX #4AA0C7

RGB 74 160 199

HSL 198.72, 0.53%, 0.54%

LAB 62.27, -14.04, -27.74

 

CMYK 31 / 62 / 0 / 22

HEX #8A4CC8

RGB 138 76 200

HSL 270, 0.53%, 0.54%

LAB 45.28, 49.64, -54.83

 

CMYK 0 / 7 / 62 / 22

HEX #C8BB4C

RGB 200 187 76

HSL 53.71, 0.53%, 0.54%

LAB 75.04, -8.89, 56.24

 

CMYK 63 / 20 / 0 / 22

HEX #4AA0C7

RGB 74 160 199

HSL 198.72, 0.53%, 0.54%

LAB 62.27, -14.04, -27.74

 

CMYK 0 / 62 / 19 / 22

HEX #C84CA3

RGB 200 76 163

HSL 317.9, 0.53%, 0.54%

LAB 51.94, 58.62, -22.16

 

CMYK 19 / 0 / 62 / 22

HEX #A3C84C

RGB 163 200 76

HSL 77.9, 0.53%, 0.54%

LAB 75.83, -30.54, 56.29

 

CMYK 63 / 20 / 0 / 22

HEX #4AA0C7

RGB 74 160 199

HSL 198.72, 0.53%, 0.54%

LAB 62.27, -14.04, -27.74

 

CMYK 31 / 62 / 0 / 22

HEX #8A4CC8

RGB 138 76 200

HSL 270, 0.53%, 0.54%

LAB 45.28, 49.64, -54.83

 

CMYK 0 / 44 / 62 / 22

HEX #C8714C

RGB 200 113 76

HSL 17.9, 0.53%, 0.54%

LAB 56.69, 30.94, 35.24

 

CMYK 31 / 0 / 62 / 22

HEX #8AC84C

RGB 138 200 76

HSL 90, 0.53%, 0.54%

LAB 74.34, -39.97, 54.23

 

CMYK 63 / 20 / 0 / 22

HEX #4AA0C7

RGB 74 160 199

HSL 198.72, 0.53%, 0.54%

LAB 62.27, -14.04, -27.74

 

CMYK 13 / 62 / 0 / 22

HEX #AF4CC8

RGB 175 76 200

HSL 287.9, 0.53%, 0.54%

LAB 50.04, 58.36, -46.94

 

CMYK 0 / 44 / 62 / 22

HEX #C8714C

RGB 200 113 76

HSL 17.9, 0.53%, 0.54%

LAB 56.69, 30.94, 35.24

 

CMYK 50 / 0 / 62 / 22

HEX #64C84C

RGB 100 200 76

HSL 108.39, 0.53%, 0.54%

LAB 72.59, -52.29, 51.79

 

Description

Color code: HEX #4AA0C7 | qconv.com Color code: HEX #4AA0C7 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 160 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 160 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, 20 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 20% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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