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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 62 / 0 / 15 / 22 it is the complementary color CMYK 0 / 69 / 52 / 30. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 62 / 0 / 15 / 22. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 62 / 0 / 15 / 22: CMYK 59 / 0 / 18 / 22, CMYK 55 / 0 / 16 / 15, CMYK 51 / 0 / 14 / 8, CMYK 48 / 0 / 13 / 1 and CMYK 42 / 0 / 6 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 62 / 0 / 15 / 22. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 62 / 0 / 15 / 22: CMYK 62 / 0 / 15 / 22, CMYK 67 / 0 / 17 / 29, CMYK 74 / 0 / 20 / 36, CMYK 83 / 0 / 23 / 43 and CMYK 94 / 0 / 27 / 50

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 15 / 22

HEX #4CC7A9

RGB 76 199 169

HSL 165.37, 0.52%, 0.54%

LAB 73.05, -41.3, 4.94

 

Complementary color

CMYK 0 / 69 / 52 / 30

HEX #B33856

RGB 179 56 86

HSL 345.37, 0.52%, 0.46%

LAB 42.89, 51.69, 10.74

 

CMYK 59 / 0 / 18 / 22

HEX #51C7A4

RGB 81 199 164

HSL 162.2, 0.51%, 0.55%

LAB 73.07, -41.56, 7.7

 

CMYK 55 / 0 / 16 / 15

HEX #62D9B7

RGB 98 217 183

HSL 162.86, 0.61%, 0.62%

LAB 79.41, -41.63, 6.66

 

CMYK 51 / 0 / 14 / 8

HEX #73EBCA

RGB 115 235 202

HSL 163.5, 0.75%, 0.69%

LAB 85.67, -41.61, 5.71

 

CMYK 48 / 0 / 13 / 1

HEX #84FDDD

RGB 132 253 221

HSL 164.13, 0.97%, 0.75%

LAB 91.85, -41.54, 4.82

 

CMYK 42 / 0 / 6 / 0

HEX #95FFF0

RGB 149 255 240

HSL 171.51, 1%, 0.79%

LAB 93.54, -34.17, -2.47

 

CMYK 62 / 0 / 15 / 22

HEX #4CC7A9

RGB 76 199 169

HSL 165.37, 0.52%, 0.54%

LAB 73.05, -41.3, 4.94

 

CMYK 67 / 0 / 17 / 29

HEX #3BB596

RGB 59 181 150

HSL 164.75, 0.51%, 0.47%

LAB 66.66, -40.99, 6.06

 

CMYK 74 / 0 / 20 / 36

HEX #2AA383

RGB 42 163 131

HSL 164.13, 0.59%, 0.4%

LAB 60.18, -40.45, 7.29

 

CMYK 83 / 0 / 23 / 43

HEX #199170

RGB 25 145 112

HSL 163.5, 0.71%, 0.33%

LAB 53.63, -39.57, 8.69

 

CMYK 94 / 0 / 27 / 50

HEX #087F5D

RGB 8 127 93

HSL 162.86, 0.88%, 0.26%

LAB 47, -38.18, 10.3

 

CMYK 62 / 0 / 15 / 22

HEX #4CC7A9

RGB 76 199 169

HSL 165.37, 0.52%, 0.54%

LAB 73.05, -41.3, 4.94

 

CMYK 62 / 0 / 5 / 22

HEX #4CC6BC

RGB 76 198 188

HSL 175.08, 0.52%, 0.54%

LAB 73.26, -35.98, -5.07

 

CMYK 62 / 5 / 0 / 22

HEX #4CBCC6

RGB 76 188 198

HSL 184.92, 0.52%, 0.54%

LAB 70.58, -28.44, -14.52

 

CMYK 62 / 15 / 0 / 22

HEX #4CA8C6

RGB 76 168 198

HSL 194.75, 0.52%, 0.54%

LAB 64.66, -18.27, -23.51

 

CMYK 62 / 26 / 0 / 22

HEX #4C93C6

RGB 76 147 198

HSL 205.08, 0.52%, 0.54%

LAB 58.49, -6.79, -33.03

 

CMYK 62 / 0 / 15 / 22

HEX #4CC7A9

RGB 76 199 169

HSL 165.37, 0.52%, 0.54%

LAB 73.05, -41.3, 4.94

 

CMYK 62 / 0 / 15 / 2

HEX #5FFAD4

RGB 95 250 212

HSL 165.29, 0.94%, 0.68%

LAB 89.65, -49.66, 6.17

 

CMYK 61 / 0 / 15 / 82

HEX #122E27

RGB 18 46 39

HSL 165, 0.44%, 0.13%

LAB 16.65, -12.77, 1.28

 

CMYK 62 / 0 / 15 / 62

HEX #256152

RGB 37 97 82

HSL 165, 0.45%, 0.26%

LAB 37.03, -23.46, 2.78

 

CMYK 61 / 0 / 15 / 42

HEX #39947E

RGB 57 148 126

HSL 165.49, 0.44%, 0.4%

LAB 55.64, -32.47, 3.65

 

CMYK 62 / 0 / 15 / 22

HEX #4CC7A9

RGB 76 199 169

HSL 165.37, 0.52%, 0.54%

LAB 73.05, -41.3, 4.94

 

CMYK 62 / 59 / 0 / 22

HEX #4C52C6

RGB 76 82 198

HSL 237.05, 0.52%, 0.54%

LAB 40.65, 32.98, -61.43

 

CMYK 0 / 40 / 62 / 22

HEX #C6774C

RGB 198 119 76

HSL 21.15, 0.52%, 0.54%

LAB 57.77, 26.9, 36.48

 

CMYK 62 / 0 / 15 / 22

HEX #4CC7A9

RGB 76 199 169

HSL 165.37, 0.52%, 0.54%

LAB 73.05, -41.3, 4.94

 

CMYK 15 / 62 / 0 / 22

HEX #A84CC6

RGB 168 76 198

HSL 285.25, 0.52%, 0.54%

LAB 48.97, 56.27, -47.54

 

CMYK 0 / 15 / 62 / 22

HEX #C6A84C

RGB 198 168 76

HSL 45.25, 0.52%, 0.54%

LAB 69.85, 0.23, 50.48

 

CMYK 62 / 0 / 15 / 22

HEX #4CC7A9

RGB 76 199 169

HSL 165.37, 0.52%, 0.54%

LAB 73.05, -41.3, 4.94

 

CMYK 62 / 59 / 0 / 22

HEX #4C52C6

RGB 76 82 198

HSL 237.05, 0.52%, 0.54%

LAB 40.65, 32.98, -61.43

 

CMYK 0 / 62 / 46 / 22

HEX #C64C6B

RGB 198 76 107

HSL 344.75, 0.52%, 0.54%

LAB 49.78, 51.23, 8.04

 

CMYK 0 / 3 / 62 / 22

HEX #C6C04C

RGB 198 192 76

HSL 57.05, 0.52%, 0.54%

LAB 76.21, -12.3, 57.45

 

CMYK 62 / 0 / 15 / 22

HEX #4CC7A9

RGB 76 199 169

HSL 165.37, 0.52%, 0.54%

LAB 73.05, -41.3, 4.94

 

CMYK 46 / 62 / 0 / 22

HEX #6B4CC6

RGB 107 76 198

HSL 255.25, 0.52%, 0.54%

LAB 41.8, 42.39, -59.45

 

CMYK 0 / 62 / 46 / 22

HEX #C64C6B

RGB 198 76 107

HSL 344.75, 0.52%, 0.54%

LAB 49.78, 51.23, 8.04

 

CMYK 15 / 0 / 62 / 22

HEX #A8C64C

RGB 168 198 76

HSL 74.75, 0.52%, 0.54%

LAB 75.6, -27.62, 56.13

 

Description

Color code: CMYK 62 / 0 / 15 / 22 | qconv.com Color code: CMYK 62 / 0 / 15 / 22 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 199 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 199 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 15 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 15% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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