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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4A9D5C it is the complementary color #B562A3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4A9D5C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #4A9D5C: #4F9D57, #60AF6A, #71C17D, #82D390 and #93E5A3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4A9D5C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #4A9D5C: #4A9D5C, #398B49, #287936, #176723 and #065510

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 0 / 41 / 38

HEX #4A9D5C

RGB 74 157 92

HSL 133.01, 0.36%, 0.45%

LAB 58.36, -39.85, 26.49

 

Complementary color

CMYK 0 / 46 / 10 / 29

HEX #B562A3

RGB 181 98 163

HSL 313.01, 0.36%, 0.55%

LAB 53.17, 42.41, -20.5

 

CMYK 50 / 0 / 45 / 38

HEX #4F9D57

RGB 79 157 87

HSL 126.15, 0.33%, 0.46%

LAB 58.48, -39.29, 29.35

 

CMYK 45 / 0 / 39 / 31

HEX #60AF6A

RGB 96 175 106

HSL 127.59, 0.33%, 0.53%

LAB 65.11, -39.15, 28.02

 

CMYK 41 / 0 / 35 / 24

HEX #71C17D

RGB 113 193 125

HSL 129, 0.39%, 0.6%

LAB 71.64, -38.93, 26.76

 

CMYK 38 / 0 / 32 / 17

HEX #82D390

RGB 130 211 144

HSL 130.37, 0.48%, 0.67%

LAB 78.08, -38.69, 25.59

 

CMYK 36 / 0 / 29 / 10

HEX #93E5A3

RGB 147 229 163

HSL 131.71, 0.61%, 0.74%

LAB 84.42, -38.43, 24.49

 

CMYK 53 / 0 / 41 / 38

HEX #4A9D5C

RGB 74 157 92

HSL 133.01, 0.36%, 0.45%

LAB 58.36, -39.85, 26.49

 

CMYK 59 / 0 / 47 / 45

HEX #398B49

RGB 57 139 73

HSL 131.71, 0.42%, 0.38%

LAB 51.63, -39.82, 27.93

 

CMYK 67 / 0 / 55 / 53

HEX #287936

RGB 40 121 54

HSL 130.37, 0.5%, 0.32%

LAB 44.79, -39.5, 29.44

 

CMYK 78 / 0 / 66 / 60

HEX #176723

RGB 23 103 35

HSL 129, 0.63%, 0.25%

LAB 37.85, -38.63, 30.93

 

CMYK 93 / 0 / 81 / 67

HEX #065510

RGB 6 85 16

HSL 127.59, 0.87%, 0.18%

LAB 30.81, -36.76, 31.94

 

CMYK 53 / 0 / 41 / 38

HEX #4A9D5C

RGB 74 157 92

HSL 133.01, 0.36%, 0.45%

LAB 58.36, -39.85, 26.49

 

CMYK 53 / 0 / 33 / 39

HEX #499C69

RGB 73 156 105

HSL 143.13, 0.36%, 0.45%

LAB 58.24, -37.26, 19.22

 

CMYK 53 / 0 / 24 / 39

HEX #499C76

RGB 73 156 118

HSL 152.53, 0.36%, 0.45%

LAB 58.51, -34.53, 12.34

 

CMYK 53 / 0 / 15 / 39

HEX #499C84

RGB 73 156 132

HSL 162.65, 0.36%, 0.45%

LAB 58.84, -31.27, 4.92

 

CMYK 53 / 0 / 6 / 39

HEX #499C92

RGB 73 156 146

HSL 172.77, 0.36%, 0.45%

LAB 59.22, -27.71, -2.46

 

CMYK 53 / 0 / 41 / 38

HEX #4A9D5C

RGB 74 157 92

HSL 133.01, 0.36%, 0.45%

LAB 58.36, -39.85, 26.49

 

CMYK 53 / 0 / 41 / 18

HEX #62D07A

RGB 98 208 122

HSL 133.09, 0.54%, 0.6%

LAB 75.52, -49.93, 33.32

 

CMYK 50 / 0 / 50 / 98

HEX #020402

RGB 2 4 2

HSL 120, 0.33%, 0.01%

LAB 0.94, -0.8, 0.57

 

CMYK 53 / 0 / 42 / 78

HEX #1A3720

RGB 26 55 32

HSL 132.41, 0.36%, 0.16%

LAB 20.27, -17.08, 11.13

 

CMYK 53 / 0 / 42 / 58

HEX #326A3E

RGB 50 106 62

HSL 132.86, 0.36%, 0.31%

LAB 40.14, -29.06, 19.2

 

CMYK 53 / 0 / 41 / 38

HEX #4A9D5C

RGB 74 157 92

HSL 133.01, 0.36%, 0.45%

LAB 58.36, -39.85, 26.49

 

CMYK 53 / 22 / 0 / 39

HEX #49799C

RGB 73 121 156

HSL 205.3, 0.36%, 0.45%

LAB 48.87, -5.95, -23.85

 

CMYK 0 / 53 / 44 / 39

HEX #9C4958

RGB 156 73 88

HSL 349.16, 0.36%, 0.45%

LAB 42.06, 36.1, 7.77

 

CMYK 53 / 0 / 41 / 38

HEX #4A9D5C

RGB 74 157 92

HSL 133.01, 0.36%, 0.45%

LAB 58.36, -39.85, 26.49

 

CMYK 42 / 53 / 0 / 39

HEX #5B499C

RGB 91 73 156

HSL 253.01, 0.36%, 0.45%

LAB 36.72, 28.35, -42.89

 

CMYK 0 / 42 / 53 / 39

HEX #9C5B49

RGB 156 91 73

HSL 13.01, 0.36%, 0.45%

LAB 45.68, 24.72, 21.81

 

CMYK 53 / 0 / 41 / 38

HEX #4A9D5C

RGB 74 157 92

HSL 133.01, 0.36%, 0.45%

LAB 58.36, -39.85, 26.49

 

CMYK 53 / 22 / 0 / 39

HEX #49799C

RGB 73 121 156

HSL 205.3, 0.36%, 0.45%

LAB 48.87, -5.95, -23.85

 

CMYK 0 / 53 / 12 / 39

HEX #9C498A

RGB 156 73 138

HSL 313.01, 0.36%, 0.45%

LAB 43.75, 43.17, -20.41

 

CMYK 0 / 31 / 53 / 39

HEX #9C6B49

RGB 156 107 73

HSL 24.58, 0.36%, 0.45%

LAB 49.57, 15.59, 26.83

 

CMYK 53 / 0 / 41 / 38

HEX #4A9D5C

RGB 74 157 92

HSL 133.01, 0.36%, 0.45%

LAB 58.36, -39.85, 26.49

 

CMYK 53 / 38 / 0 / 39

HEX #49609C

RGB 73 96 156

HSL 223.37, 0.36%, 0.45%

LAB 41.5, 9.3, -35.36

 

CMYK 0 / 53 / 12 / 39

HEX #9C498A

RGB 156 73 138

HSL 313.01, 0.36%, 0.45%

LAB 43.75, 43.17, -20.41

 

CMYK 0 / 15 / 53 / 39

HEX #9C8449

RGB 156 132 73

HSL 42.65, 0.36%, 0.45%

LAB 56.14, 1.37, 34.98

 

Description

Color code: HEX #4A9D5C | qconv.com Color code: HEX #4A9D5C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 157 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 157 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, none magenta, 41 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 0% 41% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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