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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4A8E5D it is the complementary color #B571A2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4A8E5D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #4A8E5D: #4F8E58, #60A06B, #71B27E, #82C491 and #93D6A4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4A8E5D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #4A8E5D: #4A8E5D, #397C4A, #286A37, #175824 and #064611

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 35 / 44

HEX #4A8E5D

RGB 74 142 93

HSL 136.76, 0.31%, 0.42%

LAB 53.59, -32.97, 19.62

 

Complementary color

CMYK 0 / 38 / 10 / 29

HEX #B571A2

RGB 181 113 162

HSL 316.76, 0.31%, 0.58%

LAB 56.33, 34.18, -15.11

 

CMYK 44 / 0 / 38 / 44

HEX #4F8E58

RGB 79 142 88

HSL 128.57, 0.29%, 0.43%

LAB 53.72, -32.38, 22.62

 

CMYK 40 / 0 / 33 / 37

HEX #60A06B

RGB 96 160 107

HSL 130.31, 0.25%, 0.5%

LAB 60.51, -32.14, 21.35

 

CMYK 37 / 0 / 29 / 30

HEX #71B27E

RGB 113 178 126

HSL 132, 0.3%, 0.57%

LAB 67.17, -31.87, 20.19

 

CMYK 34 / 0 / 26 / 23

HEX #82C491

RGB 130 196 145

HSL 133.64, 0.36%, 0.64%

LAB 73.72, -31.59, 19.11

 

CMYK 31 / 0 / 23 / 16

HEX #93D6A4

RGB 147 214 164

HSL 135.22, 0.45%, 0.71%

LAB 80.17, -31.33, 18.09

 

CMYK 48 / 0 / 35 / 44

HEX #4A8E5D

RGB 74 142 93

HSL 136.76, 0.31%, 0.42%

LAB 53.59, -32.97, 19.62

 

CMYK 54 / 0 / 40 / 51

HEX #397C4A

RGB 57 124 74

HSL 135.22, 0.37%, 0.35%

LAB 46.68, -33.12, 20.99

 

CMYK 62 / 0 / 48 / 58

HEX #286A37

RGB 40 106 55

HSL 133.64, 0.45%, 0.29%

LAB 39.64, -33.09, 22.49

 

CMYK 74 / 0 / 59 / 65

HEX #175824

RGB 23 88 36

HSL 132, 0.59%, 0.22%

LAB 32.46, -32.63, 24.12

 

CMYK 91 / 0 / 76 / 73

HEX #064611

RGB 6 70 17

HSL 130.31, 0.84%, 0.15%

LAB 25.14, -31.31, 25.61

 

CMYK 48 / 0 / 35 / 44

HEX #4A8E5D

RGB 74 142 93

HSL 136.76, 0.31%, 0.42%

LAB 53.59, -32.97, 19.62

 

CMYK 48 / 0 / 27 / 45

HEX #498C66

RGB 73 140 102

HSL 145.97, 0.31%, 0.42%

LAB 53.09, -30.5, 13.84

 

CMYK 48 / 0 / 19 / 45

HEX #498C71

RGB 73 140 113

HSL 155.82, 0.31%, 0.42%

LAB 53.35, -28.07, 7.9

 

CMYK 48 / 0 / 11 / 45

HEX #498C7C

RGB 73 140 124

HSL 165.67, 0.31%, 0.42%

LAB 53.63, -25.42, 1.96

 

CMYK 48 / 0 / 4 / 45

HEX #498C87

RGB 73 140 135

HSL 175.52, 0.31%, 0.42%

LAB 53.94, -22.57, -3.94

 

CMYK 48 / 0 / 35 / 44

HEX #4A8E5D

RGB 74 142 93

HSL 136.76, 0.31%, 0.42%

LAB 53.59, -32.97, 19.62

 

CMYK 48 / 0 / 35 / 24

HEX #65C17E

RGB 101 193 126

HSL 136.3, 0.43%, 0.58%

LAB 71.15, -42.17, 25.49

 

CMYK 48 / 0 / 34 / 4

HEX #7FF4A0

RGB 127 244 160

HSL 136.92, 0.84%, 0.73%

LAB 87.85, -50.98, 30.51

 

CMYK 48 / 0 / 35 / 84

HEX #15281A

RGB 21 40 26

HSL 135.79, 0.31%, 0.12%

LAB 14.13, -11.69, 6.83

 

CMYK 48 / 0 / 34 / 64

HEX #2F5B3C

RGB 47 91 60

HSL 137.73, 0.32%, 0.27%

LAB 34.83, -23.04, 13.27

 

CMYK 48 / 0 / 35 / 44

HEX #4A8E5D

RGB 74 142 93

HSL 136.76, 0.31%, 0.42%

LAB 53.59, -32.97, 19.62

 

CMYK 48 / 22 / 0 / 45

HEX #496D8C

RGB 73 109 140

HSL 207.76, 0.31%, 0.42%

LAB 44.59, -3.86, -21

 

CMYK 0 / 48 / 41 / 45

HEX #8C4952

RGB 140 73 82

HSL 351.94, 0.31%, 0.42%

LAB 39.5, 29.31, 7.54

 

CMYK 48 / 0 / 35 / 44

HEX #4A8E5D

RGB 74 142 93

HSL 136.76, 0.31%, 0.42%

LAB 53.59, -32.97, 19.62

 

CMYK 35 / 48 / 0 / 45

HEX #5B498C

RGB 91 73 140

HSL 256.12, 0.31%, 0.42%

LAB 35.76, 23.71, -34.72

 

CMYK 0 / 35 / 48 / 45

HEX #8C5B49

RGB 140 91 73

HSL 16.12, 0.31%, 0.42%

LAB 43.56, 17.94, 18.63

 

CMYK 48 / 0 / 35 / 44

HEX #4A8E5D

RGB 74 142 93

HSL 136.76, 0.31%, 0.42%

LAB 53.59, -32.97, 19.62

 

CMYK 48 / 22 / 0 / 45

HEX #496D8C

RGB 73 109 140

HSL 207.76, 0.31%, 0.42%

LAB 44.59, -3.86, -21

 

CMYK 0 / 48 / 13 / 45

HEX #8C497A

RGB 140 73 122

HSL 316.12, 0.31%, 0.42%

LAB 40.81, 35.24, -15.36

 

CMYK 0 / 26 / 48 / 45

HEX #8C6849

RGB 140 104 73

HSL 27.76, 0.31%, 0.42%

LAB 46.92, 10.34, 23.04

 

CMYK 48 / 0 / 35 / 44

HEX #4A8E5D

RGB 74 142 93

HSL 136.76, 0.31%, 0.42%

LAB 53.59, -32.97, 19.62

 

CMYK 48 / 36 / 0 / 45

HEX #49598C

RGB 73 89 140

HSL 225.67, 0.31%, 0.42%

LAB 38.65, 8.51, -30.25

 

CMYK 0 / 48 / 13 / 45

HEX #8C497A

RGB 140 73 122

HSL 316.12, 0.31%, 0.42%

LAB 40.81, 35.24, -15.36

 

CMYK 0 / 11 / 48 / 45

HEX #8C7C49

RGB 140 124 73

HSL 45.67, 0.31%, 0.42%

LAB 52.37, -1.18, 29.98

 

Description

Color code: HEX #4A8E5D | qconv.com Color code: HEX #4A8E5D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 142 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 142 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 35 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 35% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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