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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4A82E2 it is the complementary color #B57D1D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4A82E2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #4A82E2: #4F82DD, #6094F0, #71A6FF, #82B8FF and #93CAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4A82E2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #4A82E2: #4A82E2, #3970CF, #285EBC, #174CA9 and #063A96

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 42 / 0 / 11

HEX #4A82E2

RGB 74 130 226

HSL 217.89, 0.72%, 0.59%

LAB 54.98, 12.4, -54.31

 

Complementary color

CMYK 0 / 31 / 84 / 29

HEX #B57D1D

RGB 181 125 29

HSL 37.89, 0.72%, 0.41%

LAB 56.66, 13.89, 56.11

 

CMYK 64 / 41 / 0 / 13

HEX #4F82DD

RGB 79 130 221

HSL 218.45, 0.68%, 0.59%

LAB 54.92, 11.49, -51.6

 

CMYK 60 / 38 / 0 / 6

HEX #6094F0

RGB 96 148 240

HSL 218.33, 0.83%, 0.66%

LAB 61.62, 10.14, -51.46

 

CMYK 56 / 35 / 0 / 0

HEX #71A6FF

RGB 113 166 255

HSL 217.61, 1%, 0.72%

LAB 68.02, 7.77, -49.48

 

CMYK 49 / 28 / 0 / 0

HEX #82B8FF

RGB 130 184 255

HSL 214.08, 1%, 0.75%

LAB 73.71, 1.29, -40.51

 

CMYK 42 / 21 / 0 / 0

HEX #93CAFF

RGB 147 202 255

HSL 209.44, 1%, 0.79%

LAB 79.42, -4.46, -31.59

 

CMYK 67 / 42 / 0 / 11

HEX #4A82E2

RGB 74 130 226

HSL 217.89, 0.72%, 0.59%

LAB 54.98, 12.4, -54.31

 

CMYK 72 / 46 / 0 / 19

HEX #3970CF

RGB 57 112 207

HSL 218, 0.61%, 0.52%

LAB 48.21, 14.25, -54.45

 

CMYK 79 / 50 / 0 / 26

HEX #285EBC

RGB 40 94 188

HSL 218.11, 0.65%, 0.45%

LAB 41.35, 16.56, -54.56

 

CMYK 86 / 55 / 0 / 34

HEX #174CA9

RGB 23 76 169

HSL 218.22, 0.76%, 0.38%

LAB 34.43, 19.46, -54.59

 

CMYK 96 / 61 / 0 / 41

HEX #063A96

RGB 6 58 150

HSL 218.33, 0.92%, 0.31%

LAB 27.48, 23.09, -54.44

 

CMYK 67 / 42 / 0 / 11

HEX #4A82E2

RGB 74 130 226

HSL 217.89, 0.72%, 0.59%

LAB 54.98, 12.4, -54.31

 

CMYK 67 / 52 / 0 / 12

HEX #4B6BE1

RGB 75 107 225

HSL 227.2, 0.71%, 0.59%

LAB 48.82, 26.44, -63.65

 

CMYK 67 / 64 / 0 / 12

HEX #4B52E1

RGB 75 82 225

HSL 237.2, 0.71%, 0.59%

LAB 42.71, 41.87, -73.58

 

CMYK 59 / 67 / 0 / 12

HEX #5C4BE1

RGB 92 75 225

HSL 246.8, 0.71%, 0.59%

LAB 42.37, 48.34, -74.09

 

CMYK 48 / 67 / 0 / 12

HEX #754BE1

RGB 117 75 225

HSL 256.8, 0.71%, 0.59%

LAB 44.59, 52.4, -70.38

 

CMYK 67 / 42 / 0 / 11

HEX #4A82E2

RGB 74 130 226

HSL 217.89, 0.72%, 0.59%

LAB 54.98, 12.4, -54.31

 

CMYK 68 / 41 / 0 / 91

HEX #070D16

RGB 7 13 22

HSL 216, 0.52%, 0.06%

LAB 3.53, 0.2, -5.56

 

CMYK 67 / 42 / 0 / 71

HEX #182A49

RGB 24 42 73

HSL 217.96, 0.51%, 0.19%

LAB 17.14, 4, -21.54

 

CMYK 67 / 43 / 0 / 51

HEX #29477C

RGB 41 71 124

HSL 218.31, 0.5%, 0.32%

LAB 30.48, 7.28, -33.46

 

CMYK 67 / 42 / 0 / 31

HEX #3965AF

RGB 57 101 175

HSL 217.63, 0.51%, 0.45%

LAB 43.17, 9.51, -44

 

CMYK 67 / 42 / 0 / 11

HEX #4A82E2

RGB 74 130 226

HSL 217.89, 0.72%, 0.59%

LAB 54.98, 12.4, -54.31

 

CMYK 12 / 67 / 0 / 12

HEX #C64BE1

RGB 198 75 225

HSL 289.2, 0.71%, 0.59%

LAB 54.53, 68.8, -53.84

 

CMYK 14 / 0 / 67 / 12

HEX #C1E14B

RGB 193 225 75

HSL 72.8, 0.71%, 0.59%

LAB 84.84, -30.53, 66.82

 

CMYK 67 / 42 / 0 / 11

HEX #4A82E2

RGB 74 130 226

HSL 217.89, 0.72%, 0.59%

LAB 54.98, 12.4, -54.31

 

CMYK 0 / 67 / 41 / 12

HEX #E14B84

RGB 225 75 132

HSL 337.2, 0.71%, 0.59%

LAB 54.77, 62.44, 0.83

 

CMYK 41 / 0 / 67 / 12

HEX #84E14B

RGB 132 225 75

HSL 97.2, 0.71%, 0.59%

LAB 81.44, -52.58, 62.22

 

CMYK 67 / 42 / 0 / 11

HEX #4A82E2

RGB 74 130 226

HSL 217.89, 0.72%, 0.59%

LAB 54.98, 12.4, -54.31

 

CMYK 12 / 67 / 0 / 12

HEX #C64BE1

RGB 198 75 225

HSL 289.2, 0.71%, 0.59%

LAB 54.53, 68.8, -53.84

 

CMYK 0 / 25 / 67 / 12

HEX #E1A84B

RGB 225 168 75

HSL 37.2, 0.71%, 0.59%

LAB 72.58, 11.69, 54.72

 

CMYK 55 / 0 / 67 / 12

HEX #66E14B

RGB 102 225 75

HSL 109.2, 0.71%, 0.59%

LAB 80.28, -61.21, 60.64

 

CMYK 67 / 42 / 0 / 11

HEX #4A82E2

RGB 74 130 226

HSL 217.89, 0.72%, 0.59%

LAB 54.98, 12.4, -54.31

 

CMYK 0 / 67 / 8 / 12

HEX #E14BD0

RGB 225 75 208

HSL 306.8, 0.71%, 0.59%

LAB 57.65, 72.11, -39.01

 

CMYK 0 / 25 / 67 / 12

HEX #E1A84B

RGB 225 168 75

HSL 37.2, 0.71%, 0.59%

LAB 72.58, 11.69, 54.72

 

CMYK 67 / 0 / 59 / 12

HEX #4BE15C

RGB 75 225 92

HSL 126.8, 0.71%, 0.59%

LAB 79.68, -65.46, 52.65

 

Description

Color code: HEX #4A82E2 | qconv.com Color code: HEX #4A82E2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 130 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 130 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, 42 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 42% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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