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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4A46554C it is the complementary color #B5B9AA4C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4A46554C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4A46554C shade: #4F46504C, #6058634C, #716A764C, #827C894C and #938E9C4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4A46554C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4A46554C shade: #4A46554C, #3934424C, #28222F4C, #17101C4C and #0600094C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4A46554C shade: #494554, #4D4554, #514554, #544553 and #54454F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4A46554C shade: #494554 and #454554

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4A46554C shade matches the following richer shades: #494554, #433861, #3D2C6D, #382079 and #321386

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4A46554C shade: #494554, #4F5148, #545E3B, #5A6A2F and #607623

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4A46554C shade: #454954, #454554, #494554, #4D4554 and #514554

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4A46554C shade: #222027, #35323D, #494554, #5D576B and #706A82

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4A46554C shade: #4A4655, #54454D and #475445

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4A46554C shade: #4A4655, #544945 and #455449

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4A46554C shade: #4A4655, #54454D, #505445 and #45544C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4A46554C shade: #4A4655, #544548, #505445 and #455451

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 5 / 0 / 20

HEX #4A46554C

RGBA 74 70 85 0.3

HSLA 256, 0.1%, 0.3%, 0.3

LABA 30.62, 5.12, -8.31, 0.3

 

Complementary color

CMYK 1 / 0 / 2 / 8

HEX #B5B9AA4C

RGBA 181 185 170 0.3

HSLA 76, 0.1%, 0.7%, 0.3

LABA 74.46, -4.12, 7.12, 0.3

 

CMYK 0 / 4 / 0 / 21

HEX #4F46504C

RGBA 79 70 80 0.3

HSLA 294, 0.07%, 0.29%, 0.3

LABA 30.93, 5.92, -4.58, 0.3

 

CMYK 1 / 3 / 0 / 18

HEX #6058634C

RGBA 96 88 99 0.3

HSLA 283.64, 0.06%, 0.37%, 0.3

LABA 38.49, 5.53, -5.15, 0.3

 

CMYK 1 / 3 / 0 / 16

HEX #716A764C

RGBA 113 106 118 0.3

HSLA 275, 0.05%, 0.44%, 0.3

LABA 45.81, 5.19, -5.7, 0.3

 

CMYK 2 / 3 / 0 / 14

HEX #827C894C

RGBA 130 124 137 0.3

HSLA 267.69, 0.05%, 0.51%, 0.3

LABA 52.91, 4.89, -6.23, 0.3

 

CMYK 2 / 3 / 0 / 12

HEX #938E9C4C

RGBA 147 142 156 0.3

HSLA 261.43, 0.07%, 0.58%, 0.3

LABA 59.84, 4.62, -6.74, 0.3

 

CMYK 4 / 5 / 0 / 20

HEX #4A46554C

RGBA 74 70 85 0.3

HSLA 256, 0.1%, 0.3%, 0.3

LABA 30.62, 5.12, -8.31, 0.3

 

CMYK 4 / 6 / 0 / 22

HEX #3934424C

RGBA 57 52 66 0.3

HSLA 261.43, 0.12%, 0.23%, 0.3

LABA 22.72, 5.54, -7.91, 0.3

 

CMYK 4 / 8 / 0 / 24

HEX #28222F4C

RGBA 40 34 47 0.3

HSLA 267.69, 0.16%, 0.16%, 0.3

LABA 14.4, 6.07, -7.54, 0.3

 

CMYK 5 / 13 / 0 / 27

HEX #17101C4C

RGBA 23 16 28 0.3

HSLA 275, 0.27%, 0.09%, 0.3

LABA 5.75, 5.87, -6.78, 0.3

 

CMYK 10 / 30 / 0 / 29

HEX #0600094C

RGBA 6 0 9 0.3

HSLA 280, 1%, 0.02%, 0.3

LABA 0.53, 2.82, -2.85, 0.3

 

CMYK 13 / 18 / 0 / 67

HEX #494554

RGB 73 69 84

HSL 256, 0.1%, 0.3%

LAB 30.19, 5.13, -8.33

 

CMYK 8 / 18 / 0 / 67

HEX #4D4554

RGB 77 69 84

HSL 272, 0.1%, 0.3%

LAB 30.58, 6.69, -7.71

 

CMYK 4 / 18 / 0 / 67

HEX #514554

RGB 81 69 84

HSL 288, 0.1%, 0.3%

LAB 30.99, 8.26, -7.05

 

CMYK 0 / 18 / 1 / 67

HEX #544553

RGB 84 69 83

HSL 304, 0.1%, 0.3%

LAB 31.27, 9.24, -5.96

 

CMYK 0 / 18 / 6 / 67

HEX #54454F

RGB 84 69 79

HSL 320, 0.1%, 0.3%

LAB 31.13, 8.38, -3.59

 

CMYK 13 / 18 / 0 / 67

HEX #494554

RGB 73 69 84

HSL 256, 0.1%, 0.3%

LAB 30.19, 5.13, -8.33

 

CMYK 18 / 18 / 0 / 67

HEX #454554

RGB 69 69 84

HSL 240, 0.1%, 0.3%

LAB 29.82, 3.6, -8.93

 

CMYK 13 / 18 / 0 / 67

HEX #494554

RGB 73 69 84

HSL 256, 0.1%, 0.3%

LAB 30.19, 5.13, -8.33

 

CMYK 31 / 42 / 0 / 62

HEX #433861

RGB 67 56 97

HSL 256.1, 0.27%, 0.3%

LAB 26.4, 15.05, -22.62

 

CMYK 44 / 60 / 0 / 57

HEX #3D2C6D

RGB 61 44 109

HSL 255.69, 0.42%, 0.3%

LAB 23.33, 24.87, -35.31

 

CMYK 54 / 74 / 0 / 53

HEX #382079

RGB 56 32 121

HSL 256.18, 0.58%, 0.3%

LAB 21.03, 34.91, -46.76

 

CMYK 63 / 86 / 0 / 47

HEX #321386

RGB 50 19 134

HSL 256.17, 0.75%, 0.3%

LAB 19.5, 44.43, -57.56

 

CMYK 13 / 18 / 0 / 67

HEX #494554

RGB 73 69 84

HSL 256, 0.1%, 0.3%

LAB 30.19, 5.13, -8.33

 

CMYK 2 / 0 / 11 / 68

HEX #4F5148

RGB 79 81 72

HSL 73.33, 0.06%, 0.3%

LAB 34.01, -2.69, 5.01

 

CMYK 11 / 0 / 37 / 63

HEX #545E3B

RGB 84 94 59

HSL 77.14, 0.23%, 0.3%

LAB 38.21, -10.52, 18.81

 

CMYK 15 / 0 / 56 / 58

HEX #5A6A2F

RGB 90 106 47

HSL 76.27, 0.39%, 0.3%

LAB 42.29, -16.12, 30.75

 

CMYK 19 / 0 / 70 / 54

HEX #607623

RGB 96 118 35

HSL 75.9, 0.54%, 0.3%

LAB 46.4, -20.9, 41.19

 

CMYK 18 / 13 / 0 / 67

HEX #454954

RGB 69 73 84

HSL 224, 0.1%, 0.3%

LAB 31.04, 1.03, -7.08

 

CMYK 18 / 18 / 0 / 67

HEX #454554

RGB 69 69 84

HSL 240, 0.1%, 0.3%

LAB 29.82, 3.6, -8.93

 

CMYK 13 / 18 / 0 / 67

HEX #494554

RGB 73 69 84

HSL 256, 0.1%, 0.3%

LAB 30.19, 5.13, -8.33

 

CMYK 8 / 18 / 0 / 67

HEX #4D4554

RGB 77 69 84

HSL 272, 0.1%, 0.3%

LAB 30.58, 6.69, -7.71

 

CMYK 4 / 18 / 0 / 67

HEX #514554

RGB 81 69 84

HSL 288, 0.1%, 0.3%

LAB 30.99, 8.26, -7.05

 

CMYK 13 / 18 / 0 / 85

HEX #222027

RGB 34 32 39

HSL 257.14, 0.1%, 0.14%

LAB 12.73, 2.74, -4.36

 

CMYK 13 / 18 / 0 / 76

HEX #35323D

RGB 53 50 61

HSL 256.36, 0.1%, 0.22%

LAB 21.49, 3.99, -6.43

 

CMYK 13 / 18 / 0 / 67

HEX #494554

RGB 73 69 84

HSL 256, 0.1%, 0.3%

LAB 30.19, 5.13, -8.33

 

CMYK 13 / 19 / 0 / 58

HEX #5D576B

RGB 93 87 107

HSL 258, 0.1%, 0.38%

LAB 38.21, 6.84, -10.57

 

CMYK 14 / 18 / 0 / 49

HEX #706A82

RGB 112 106 130

HSL 255, 0.1%, 0.46%

LAB 46.13, 7.5, -12.42

 

CMYK 13 / 18 / 0 / 67

HEX #4A4655

RGB 74 70 85

HSL 256, 0.1%, 0.3%

LAB 30.62, 5.12, -8.31

 

CMYK 0 / 18 / 8 / 67

HEX #54454D

RGB 84 69 77

HSL 328, 0.1%, 0.3%

LAB 31.06, 7.97, -2.4

 

CMYK 15 / 0 / 18 / 67

HEX #475445

RGB 71 84 69

HSL 112, 0.1%, 0.3%

LAB 34.21, -8.42, 7.08

 

CMYK 13 / 18 / 0 / 67

HEX #4A4655

RGB 74 70 85

HSL 256, 0.1%, 0.3%

LAB 30.62, 5.12, -8.31

 

CMYK 0 / 13 / 18 / 67

HEX #544945

RGB 84 73 69

HSL 16, 0.1%, 0.3%

LAB 31.99, 3.86, 4.09

 

CMYK 18 / 0 / 13 / 67

HEX #455449

RGB 69 84 73

HSL 136, 0.1%, 0.3%

LAB 34.16, -8.38, 4.49

 

CMYK 13 / 18 / 0 / 67

HEX #4A4655

RGB 74 70 85

HSL 256, 0.1%, 0.3%

LAB 30.62, 5.12, -8.31

 

CMYK 0 / 18 / 8 / 67

HEX #54454D

RGB 84 69 77

HSL 328, 0.1%, 0.3%

LAB 31.06, 7.97, -2.4

 

CMYK 5 / 0 / 18 / 67

HEX #505445

RGB 80 84 69

HSL 76, 0.1%, 0.3%

LAB 34.95, -4.67, 8.24

 

CMYK 18 / 0 / 10 / 67

HEX #45544C

RGB 69 84 76

HSL 148, 0.1%, 0.3%

LAB 34.25, -7.71, 2.72

 

CMYK 13 / 18 / 0 / 67

HEX #4A4655

RGB 74 70 85

HSL 256, 0.1%, 0.3%

LAB 30.62, 5.12, -8.31

 

CMYK 0 / 18 / 14 / 67

HEX #544548

RGB 84 69 72

HSL 348, 0.1%, 0.3%

LAB 30.9, 6.97, 0.59

 

CMYK 5 / 0 / 18 / 67

HEX #505445

RGB 80 84 69

HSL 76, 0.1%, 0.3%

LAB 34.95, -4.67, 8.24

 

CMYK 18 / 0 / 4 / 67

HEX #455451

RGB 69 84 81

HSL 168, 0.1%, 0.3%

LAB 34.4, -6.55, -0.21

 

Description

Color code: HEX #4A46554C | qconv.com Color code: HEX #4A46554C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 70 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 70 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 5 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 5% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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