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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 18 / 18 / 0 / 67 it is the complementary color CMYK 0 / 0 / 8 / 27. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 18 / 18 / 0 / 67. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 18 / 18 / 0 / 67: CMYK 6 / 13 / 0 / 69, CMYK 7 / 11 / 0 / 62, CMYK 8 / 10 / 0 / 54, CMYK 8 / 10 / 0 / 47 and CMYK 8 / 9 / 0 / 39

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 18 / 18 / 0 / 67. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 18 / 18 / 0 / 67: CMYK 18 / 18 / 0 / 67, CMYK 20 / 22 / 0 / 75, CMYK 24 / 28 / 0 / 82, CMYK 33 / 44 / 0 / 89 and CMYK 88 / 100 / 0 / 97

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 18 / 0 / 67

HEX #454554

RGB 69 69 84

HSL 240, 0.1%, 0.3%

LAB 29.82, 3.6, -8.93

 

Complementary color

CMYK 0 / 0 / 8 / 27

HEX #BABAAB

RGB 186 186 171

HSL 60, 0.1%, 0.7%

LAB 75.14, -2.68, 7.6

 

CMYK 6 / 13 / 0 / 69

HEX #4A454F

RGB 74 69 79

HSL 270, 0.07%, 0.29%

LAB 30.1, 4.32, -5.23

 

CMYK 7 / 11 / 0 / 62

HEX #5B5762

RGB 91 87 98

HSL 261.82, 0.06%, 0.36%

LAB 37.7, 3.99, -5.76

 

CMYK 8 / 10 / 0 / 54

HEX #6C6975

RGB 108 105 117

HSL 255, 0.05%, 0.44%

LAB 45.05, 3.7, -6.28

 

CMYK 8 / 10 / 0 / 47

HEX #7D7B88

RGB 125 123 136

HSL 249.23, 0.05%, 0.51%

LAB 52.18, 3.44, -6.78

 

CMYK 8 / 9 / 0 / 39

HEX #8E8D9B

RGB 142 141 155

HSL 244.29, 0.07%, 0.58%

LAB 59.13, 3.21, -7.28

 

CMYK 18 / 18 / 0 / 67

HEX #454554

RGB 69 69 84

HSL 240, 0.1%, 0.3%

LAB 29.82, 3.6, -8.93

 

CMYK 20 / 22 / 0 / 75

HEX #343341

RGB 52 51 65

HSL 244.29, 0.12%, 0.23%

LAB 21.87, 3.97, -8.57

 

CMYK 24 / 28 / 0 / 82

HEX #23212E

RGB 35 33 46

HSL 249.23, 0.16%, 0.15%

LAB 13.49, 4.44, -8.27

 

CMYK 33 / 44 / 0 / 89

HEX #120F1B

RGB 18 15 27

HSL 255, 0.29%, 0.08%

LAB 4.96, 3.93, -7.23

 

CMYK 88 / 100 / 0 / 97

HEX #010008

RGB 1 0 8

HSL 247.5, 1%, 0.02%

LAB 0.22, 1.37, -2.94

 

CMYK 18 / 18 / 0 / 67

HEX #454554

RGB 69 69 84

HSL 240, 0.1%, 0.3%

LAB 29.82, 3.6, -8.93

 

CMYK 15 / 19 / 0 / 67

HEX #474454

RGB 71 68 84

HSL 251.25, 0.11%, 0.3%

LAB 29.7, 5.01, -9.09

 

CMYK 13 / 19 / 0 / 67

HEX #494454

RGB 73 68 84

HSL 258.75, 0.11%, 0.3%

LAB 29.89, 5.78, -8.78

 

CMYK 10 / 19 / 0 / 67

HEX #4C4454

RGB 76 68 84

HSL 270, 0.11%, 0.3%

LAB 30.18, 6.94, -8.31

 

CMYK 6 / 19 / 0 / 67

HEX #4F4454

RGB 79 68 84

HSL 281.25, 0.11%, 0.3%

LAB 30.49, 8.12, -7.82

 

CMYK 18 / 18 / 0 / 67

HEX #454554

RGB 69 69 84

HSL 240, 0.1%, 0.3%

LAB 29.82, 3.6, -8.93

 

CMYK 18 / 18 / 0 / 47

HEX #6F6F87

RGB 111 111 135

HSL 240, 0.1%, 0.48%

LAB 47.62, 5.33, -13.15

 

CMYK 18 / 18 / 0 / 27

HEX #9999BA

RGB 153 153 186

HSL 240, 0.19%, 0.66%

LAB 64.24, 6.93, -17.06

 

CMYK 18 / 18 / 0 / 7

HEX #C3C3ED

RGB 195 195 237

HSL 240, 0.54%, 0.85%

LAB 80.04, 8.45, -20.75

 

CMYK 18 / 18 / 0 / 87

HEX #1B1B21

RGB 27 27 33

HSL 240, 0.1%, 0.12%

LAB 10.01, 1.64, -4.12

 

CMYK 18 / 18 / 0 / 67

HEX #454554

RGB 69 69 84

HSL 240, 0.1%, 0.3%

LAB 29.82, 3.6, -8.93

 

CMYK 0 / 19 / 4 / 67

HEX #544451

RGB 84 68 81

HSL 311.25, 0.11%, 0.3%

LAB 30.91, 9.45, -5.2

 

CMYK 12 / 0 / 19 / 67

HEX #4A5444

RGB 74 84 68

HSL 97.5, 0.11%, 0.3%

LAB 34.42, -7.39, 8.05

 

CMYK 18 / 18 / 0 / 67

HEX #454554

RGB 69 69 84

HSL 240, 0.1%, 0.3%

LAB 29.82, 3.6, -8.93

 

CMYK 0 / 19 / 19 / 67

HEX #544444

RGB 84 68 68

HSL 0, 0.11%, 0.3%

LAB 30.49, 6.85, 2.57

 

CMYK 19 / 0 / 19 / 67

HEX #445444

RGB 68 84 68

HSL 120, 0.11%, 0.3%

LAB 33.96, -9.84, 7.32

 

CMYK 18 / 18 / 0 / 67

HEX #454554

RGB 69 69 84

HSL 240, 0.1%, 0.3%

LAB 29.82, 3.6, -8.93

 

CMYK 0 / 19 / 4 / 67

HEX #544451

RGB 84 68 81

HSL 311.25, 0.11%, 0.3%

LAB 30.91, 9.45, -5.2

 

CMYK 0 / 0 / 19 / 67

HEX #545444

RGB 84 84 68

HSL 60, 0.11%, 0.3%

LAB 35.29, -3.14, 9.38

 

CMYK 19 / 0 / 15 / 67

HEX #445447

RGB 68 84 71

HSL 131.25, 0.11%, 0.3%

LAB 34.03, -9.2, 5.55

 

CMYK 18 / 18 / 0 / 67

HEX #454554

RGB 69 69 84

HSL 240, 0.1%, 0.3%

LAB 29.82, 3.6, -8.93

 

CMYK 0 / 19 / 10 / 67

HEX #54444C

RGB 84 68 76

HSL 330, 0.11%, 0.3%

LAB 30.74, 8.4, -2.23

 

CMYK 0 / 0 / 19 / 67

HEX #545444

RGB 84 84 68

HSL 60, 0.11%, 0.3%

LAB 35.29, -3.14, 9.38

 

CMYK 19 / 0 / 10 / 67

HEX #44544C

RGB 68 84 76

HSL 150, 0.11%, 0.3%

LAB 34.17, -8.1, 2.61

 

Description

Color code: CMYK 18 / 18 / 0 / 67 | qconv.com Color code: CMYK 18 / 18 / 0 / 67 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 69 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 69 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 18 magenta, none yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 18% 0% 67% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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