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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4A3C50 it is the complementary color #B5C3AF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4A3C50. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #4A3C50: #4F3C4B, #604E5E, #716071, #827284 and #938497

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4A3C50. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #4A3C50: #4A3C50, #392A3D, #28182A, #170617 and #060004

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 25 / 0 / 69

HEX #4A3C50

RGB 74 60 80

HSL 282, 0.14%, 0.27%

LAB 27.48, 10.42, -9.82

 

Complementary color

CMYK 7 / 0 / 10 / 24

HEX #B5C3AF

RGB 181 195 175

HSL 102, 0.14%, 0.73%

LAB 77.25, -8.5, 8.41

 

CMYK 0 / 24 / 5 / 69

HEX #4F3C4B

RGB 79 60 75

HSL 312.63, 0.14%, 0.27%

LAB 27.85, 11.29, -5.93

 

CMYK 0 / 19 / 2 / 62

HEX #604E5E

RGB 96 78 94

HSL 306.67, 0.1%, 0.34%

LAB 35.49, 10.68, -6.51

 

CMYK 0 / 15 / 0 / 56

HEX #716071

RGB 113 96 113

HSL 300, 0.08%, 0.41%

LAB 42.87, 10.16, -7.06

 

CMYK 2 / 14 / 0 / 48

HEX #827284

RGB 130 114 132

HSL 293.33, 0.07%, 0.48%

LAB 50.03, 9.71, -7.58

 

CMYK 3 / 13 / 0 / 41

HEX #938497

RGB 147 132 151

HSL 287.37, 0.08%, 0.55%

LAB 57.02, 9.3, -8.08

 

CMYK 7 / 25 / 0 / 69

HEX #4A3C50

RGB 74 60 80

HSL 282, 0.14%, 0.27%

LAB 27.48, 10.42, -9.82

 

CMYK 7 / 31 / 0 / 76

HEX #392A3D

RGB 57 42 61

HSL 287.37, 0.18%, 0.2%

LAB 19.49, 11.1, -9.42

 

CMYK 5 / 43 / 0 / 84

HEX #28182A

RGB 40 24 42

HSL 293.33, 0.27%, 0.13%

LAB 11.08, 11.96, -9.01

 

CMYK 0 / 74 / 0 / 91

HEX #170617

RGB 23 6 23

HSL 300, 0.59%, 0.06%

LAB 3.38, 8.91, -6.37

 

CMYK 0 / 100 / 33 / 98

HEX #060004

RGB 6 0 4

HSL 320, 1%, 0.01%

LAB 0.43, 2.13, -0.96

 

CMYK 7 / 25 / 0 / 69

HEX #4A3C50

RGB 74 60 80

HSL 282, 0.14%, 0.27%

LAB 27.48, 10.42, -9.82

 

CMYK 4 / 24 / 0 / 69

HEX #4B3B4E

RGB 75 59 78

HSL 290.53, 0.14%, 0.27%

LAB 27.22, 11, -8.89

 

CMYK 0 / 24 / 1 / 69

HEX #4E3B4D

RGB 78 59 77

HSL 303.16, 0.14%, 0.27%

LAB 27.53, 11.97, -7.74

 

CMYK 0 / 24 / 5 / 69

HEX #4E3B4A

RGB 78 59 74

HSL 312.63, 0.14%, 0.27%

LAB 27.41, 11.31, -5.94

 

CMYK 0 / 24 / 9 / 69

HEX #4E3B47

RGB 78 59 71

HSL 322.11, 0.14%, 0.27%

LAB 27.3, 10.68, -4.13

 

CMYK 7 / 25 / 0 / 69

HEX #4A3C50

RGB 74 60 80

HSL 282, 0.14%, 0.27%

LAB 27.48, 10.42, -9.82

 

CMYK 8 / 25 / 0 / 49

HEX #796283

RGB 121 98 131

HSL 281.82, 0.14%, 0.45%

LAB 44.86, 15.76, -14.87

 

CMYK 8 / 25 / 0 / 29

HEX #A889B6

RGB 168 137 182

HSL 281.33, 0.24%, 0.63%

LAB 61.3, 20.12, -19.15

 

CMYK 7 / 25 / 0 / 9

HEX #D8AFE9

RGB 216 175 233

HSL 282.41, 0.57%, 0.8%

LAB 76.76, 25.12, -23.41

 

CMYK 7 / 24 / 0 / 89

HEX #1B161D

RGB 27 22 29

HSL 282.86, 0.14%, 0.1%

LAB 8.09, 4.27, -4

 

CMYK 7 / 25 / 0 / 69

HEX #4A3C50

RGB 74 60 80

HSL 282, 0.14%, 0.27%

LAB 27.48, 10.42, -9.82

 

CMYK 0 / 24 / 22 / 69

HEX #4E3B3D

RGB 78 59 61

HSL 353.68, 0.14%, 0.27%

LAB 26.97, 8.72, 1.98

 

CMYK 24 / 0 / 18 / 69

HEX #3B4E40

RGB 59 78 64

HSL 135.79, 0.14%, 0.27%

LAB 31.23, -10.72, 5.89

 

CMYK 7 / 25 / 0 / 69

HEX #4A3C50

RGB 74 60 80

HSL 282, 0.14%, 0.27%

LAB 27.48, 10.42, -9.82

 

CMYK 0 / 8 / 24 / 69

HEX #4E483B

RGB 78 72 59

HSL 41.05, 0.14%, 0.27%

LAB 30.81, 0.04, 8.72

 

CMYK 24 / 0 / 8 / 69

HEX #3B4E48

RGB 59 78 72

HSL 161.05, 0.14%, 0.27%

LAB 31.45, -8.86, 1.12

 

CMYK 7 / 25 / 0 / 69

HEX #4A3C50

RGB 74 60 80

HSL 282, 0.14%, 0.27%

LAB 27.48, 10.42, -9.82

 

CMYK 0 / 24 / 22 / 69

HEX #4E3B3D

RGB 78 59 61

HSL 353.68, 0.14%, 0.27%

LAB 26.97, 8.72, 1.98

 

CMYK 18 / 0 / 24 / 69

HEX #404E3B

RGB 64 78 59

HSL 104.21, 0.14%, 0.27%

LAB 31.47, -9.74, 9.46

 

CMYK 24 / 0 / 3 / 69

HEX #3B4E4C

RGB 59 78 76

HSL 173.68, 0.14%, 0.27%

LAB 31.58, -7.87, -1.25

 

CMYK 7 / 25 / 0 / 69

HEX #4A3C50

RGB 74 60 80

HSL 282, 0.14%, 0.27%

LAB 27.48, 10.42, -9.82

 

CMYK 0 / 19 / 24 / 69

HEX #4E3F3B

RGB 78 63 59

HSL 12.63, 0.14%, 0.27%

LAB 28.09, 5.77, 4.89

 

CMYK 18 / 0 / 24 / 69

HEX #404E3B

RGB 64 78 59

HSL 104.21, 0.14%, 0.27%

LAB 31.47, -9.74, 9.46

 

CMYK 24 / 5 / 0 / 69

HEX #3B4A4E

RGB 59 74 78

HSL 192.63, 0.14%, 0.27%

LAB 30.35, -4.89, -4.35

 

Description

Color code: HEX #4A3C50 | qconv.com Color code: HEX #4A3C50 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 60 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 60 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 25 magenta, none yellow and 69 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 25% 0% 69% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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