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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #49E91B it is the complementary color #B616E4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #49E91B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #49E91B shade: #4EE916, #5FFB29, #70FF3C, #81FF4F and #92FF62

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #49E91B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #49E91B shade: #49E91B, #38D708, #27C500, #16B300 and #05A100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #49E91B shade: #49E91C, #81E91C, #B8E91C, #E9E21C and #E9AB1C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #49E91B shade: #49E91C, #1CE925, #1CE95C, #1CE994 and #1CE9CB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #49E91B shade matches the following richer shades: #49E91C and #3EFD07

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #49E91B shade: #49E91C, #55D430, #60C044, #6BAC58 and #76986C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #49E91B shade: #B9E91C, #82E91C, #4BE91C, #1CE922 and #1CE959

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #49E91B shade: #31A210, #3CC714, #49E91C, #67EC41 and #85F067

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #49E91B shade: #49E91B, #1CE9E2 and #E91C9D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #49E91B shade: #49E91B, #1C4BE9 and #E91C4B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #49E91B shade: #49E91B, #1CE9E2, #B91CE9 and #E91C22

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #49E91B shade: #49E91B, #1CB2E9, #B91CE9 and #E9521C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 88 / 9

HEX #49E91B

RGB 73 233 27

HSL 106.6, 0.82%, 0.51%

LAB 81.71, -73.04, 75.66

 

Complementary color

CMYK 20 / 90 / 0 / 11

HEX #B616E4

RGB 182 22 228

HSL 286.6, 0.82%, 0.49%

LAB 47.13, 81.35, -67.58

 

CMYK 67 / 0 / 91 / 9

HEX #4EE916

RGB 78 233 22

HSL 104.08, 0.83%, 0.5%

LAB 81.81, -72.24, 76.57

 

CMYK 62 / 0 / 84 / 2

HEX #5FFB29

RGB 95 251 41

HSL 104.57, 0.96%, 0.57%

LAB 87.77, -73.79, 78.38

 

CMYK 56 / 0 / 76 / 0

HEX #70FF3C

RGB 112 255 60

HSL 104, 1%, 0.62%

LAB 89.53, -70.26, 75.26

 

CMYK 49 / 0 / 69 / 0

HEX #81FF4F

RGB 129 255 79

HSL 102.95, 1%, 0.65%

LAB 90.21, -64.59, 69.85

 

CMYK 43 / 0 / 62 / 0

HEX #92FF62

RGB 146 255 98

HSL 101.66, 1%, 0.69%

LAB 91.01, -58.13, 63.55

 

CMYK 69 / 0 / 88 / 9

HEX #49E91B

RGB 73 233 27

HSL 106.6, 0.82%, 0.51%

LAB 81.71, -73.04, 75.66

 

CMYK 74 / 0 / 96 / 16

HEX #38D708

RGB 56 215 8

HSL 106.09, 0.93%, 0.44%

LAB 75.74, -70.94, 73

 

CMYK 80 / 0 / 100 / 23

HEX #27C500

RGB 39 197 0

HSL 108.12, 1%, 0.39%

LAB 69.73, -68.19, 68.87

 

CMYK 88 / 0 / 100 / 30

HEX #16B300

RGB 22 179 0

HSL 112.63, 1%, 0.35%

LAB 63.68, -64.81, 63.95

 

CMYK 97 / 0 / 100 / 37

HEX #05A100

RGB 5 161 0

HSL 118.14, 1%, 0.32%

LAB 57.58, -60.82, 59.01

 

CMYK 69 / 0 / 88 / 9

HEX #49E91C

RGB 73 233 28

HSL 106.83, 0.82%, 0.51%

LAB 81.72, -73.01, 75.48

 

CMYK 45 / 0 / 88 / 9

HEX #81E91C

RGB 129 233 28

HSL 90.44, 0.82%, 0.51%

LAB 83.46, -59.06, 77.66

 

CMYK 21 / 0 / 88 / 9

HEX #B8E91C

RGB 184 233 28

HSL 74.34, 0.82%, 0.51%

LAB 86.28, -39.64, 81.15

 

CMYK 0 / 3 / 88 / 9

HEX #E9E21C

RGB 233 226 28

HSL 57.95, 0.82%, 0.51%

LAB 87.87, -16.41, 83.89

 

CMYK 0 / 27 / 88 / 9

HEX #E9AB1C

RGB 233 171 28

HSL 41.85, 0.82%, 0.51%

LAB 73.89, 11.75, 72.89

 

CMYK 69 / 0 / 88 / 9

HEX #49E91C

RGB 73 233 28

HSL 106.83, 0.82%, 0.51%

LAB 81.72, -73.01, 75.48

 

CMYK 88 / 0 / 84 / 9

HEX #1CE925

RGB 28 233 37

HSL 122.63, 0.82%, 0.51%

LAB 81.1, -78.3, 72.9

 

CMYK 88 / 0 / 61 / 9

HEX #1CE95C

RGB 28 233 92

HSL 138.73, 0.82%, 0.51%

LAB 81.45, -73.87, 54.51

 

CMYK 88 / 0 / 36 / 9

HEX #1CE994

RGB 28 233 148

HSL 155.12, 0.82%, 0.51%

LAB 82.2, -65.01, 28.64

 

CMYK 88 / 0 / 13 / 9

HEX #1CE9CB

RGB 28 233 203

HSL 171.22, 0.82%, 0.51%

LAB 83.36, -52.33, 1.62

 

CMYK 69 / 0 / 88 / 9

HEX #49E91C

RGB 73 233 28

HSL 106.83, 0.82%, 0.51%

LAB 81.72, -73.01, 75.48

 

CMYK 75 / 0 / 97 / 1

HEX #3EFD07

RGB 62 253 7

HSL 106.59, 0.98%, 0.51%

LAB 87.63, -81.09, 82.77

 

CMYK 69 / 0 / 88 / 9

HEX #49E91C

RGB 73 233 28

HSL 106.83, 0.82%, 0.51%

LAB 81.72, -73.01, 75.48

 

CMYK 60 / 0 / 77 / 17

HEX #55D430

RGB 85 212 48

HSL 106.46, 0.66%, 0.51%

LAB 75.6, -62.82, 65.25

 

CMYK 50 / 0 / 65 / 25

HEX #60C044

RGB 96 192 68

HSL 106.45, 0.5%, 0.51%

LAB 69.9, -51.1, 52.2

 

CMYK 38 / 0 / 49 / 33

HEX #6BAC58

RGB 107 172 88

HSL 106.43, 0.34%, 0.51%

LAB 64.43, -37.03, 36.6

 

CMYK 22 / 0 / 29 / 40

HEX #76986C

RGB 118 152 108

HSL 106.36, 0.18%, 0.51%

LAB 59.33, -20.51, 19.42

 

CMYK 21 / 0 / 88 / 9

HEX #B9E91C

RGB 185 233 28

HSL 74.05, 0.82%, 0.51%

LAB 86.34, -39.25, 81.23

 

CMYK 44 / 0 / 88 / 9

HEX #82E91C

RGB 130 233 28

HSL 90.15, 0.82%, 0.51%

LAB 83.5, -58.75, 77.71

 

CMYK 68 / 0 / 88 / 9

HEX #4BE91C

RGB 75 233 28

HSL 106.24, 0.82%, 0.51%

LAB 81.76, -72.64, 75.54

 

CMYK 88 / 0 / 85 / 9

HEX #1CE922

RGB 28 233 34

HSL 121.76, 0.82%, 0.51%

LAB 81.09, -78.43, 73.54

 

CMYK 88 / 0 / 62 / 9

HEX #1CE959

RGB 28 233 89

HSL 137.85, 0.82%, 0.51%

LAB 81.43, -74.22, 55.76

 

CMYK 70 / 0 / 90 / 36

HEX #31A210

RGB 49 162 16

HSL 106.44, 0.82%, 0.35%

LAB 58.54, -55.47, 57.58

 

CMYK 70 / 0 / 90 / 22

HEX #3CC714

RGB 60 199 20

HSL 106.59, 0.82%, 0.43%

LAB 70.77, -65.12, 67.41

 

CMYK 69 / 0 / 88 / 9

HEX #49E91C

RGB 73 233 28

HSL 106.83, 0.82%, 0.51%

LAB 81.72, -73.01, 75.48

 

CMYK 56 / 0 / 72 / 7

HEX #67EC41

RGB 103 236 65

HSL 106.67, 0.82%, 0.59%

LAB 83.58, -65.64, 67.74

 

CMYK 45 / 0 / 57 / 6

HEX #85F067

RGB 133 240 103

HSL 106.86, 0.82%, 0.67%

LAB 86.15, -55.63, 55.76

 

CMYK 69 / 0 / 88 / 9

HEX #49E91B

RGB 73 233 27

HSL 106.6, 0.82%, 0.51%

LAB 81.71, -73.04, 75.66

 

CMYK 88 / 0 / 3 / 9

HEX #1CE9E2

RGB 28 233 226

HSL 177.95, 0.82%, 0.51%

LAB 83.97, -46.06, -9.61

 

CMYK 0 / 88 / 33 / 9

HEX #E91C9D

RGB 233 28 157

HSL 322.24, 0.82%, 0.51%

LAB 52.5, 79.78, -17.27

 

CMYK 69 / 0 / 88 / 9

HEX #49E91B

RGB 73 233 27

HSL 106.6, 0.82%, 0.51%

LAB 81.71, -73.04, 75.66

 

CMYK 88 / 68 / 0 / 9

HEX #1C4BE9

RGB 28 75 233

HSL 226.24, 0.82%, 0.51%

LAB 39.85, 44.8, -82.9

 

CMYK 0 / 88 / 68 / 9

HEX #E91C4B

RGB 233 28 75

HSL 346.24, 0.82%, 0.51%

LAB 50.29, 73.64, 29.16

 

CMYK 69 / 0 / 88 / 9

HEX #49E91B

RGB 73 233 27

HSL 106.6, 0.82%, 0.51%

LAB 81.71, -73.04, 75.66

 

CMYK 88 / 0 / 3 / 9

HEX #1CE9E2

RGB 28 233 226

HSL 177.95, 0.82%, 0.51%

LAB 83.97, -46.06, -9.61

 

CMYK 21 / 88 / 0 / 9

HEX #B91CE9

RGB 185 28 233

HSL 285.95, 0.82%, 0.51%

LAB 48.3, 81.69, -68.5

 

CMYK 0 / 88 / 85 / 9

HEX #E91C22

RGB 233 28 34

HSL 358.24, 0.82%, 0.51%

LAB 49.82, 72.29, 51.56

 

CMYK 69 / 0 / 88 / 9

HEX #49E91B

RGB 73 233 27

HSL 106.6, 0.82%, 0.51%

LAB 81.71, -73.04, 75.66

 

CMYK 88 / 24 / 0 / 9

HEX #1CB2E9

RGB 28 178 233

HSL 196.1, 0.82%, 0.51%

LAB 68, -17.49, -37.71

 

CMYK 21 / 88 / 0 / 9

HEX #B91CE9

RGB 185 28 233

HSL 285.95, 0.82%, 0.51%

LAB 48.3, 81.69, -68.5

 

CMYK 0 / 65 / 88 / 9

HEX #E9521C

RGB 233 82 28

HSL 15.8, 0.82%, 0.51%

LAB 55.52, 56.23, 58.64

 

Description

Color code: HEX #49E91B | qconv.com Color code: HEX #49E91B | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 233 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 233 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 88 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 88% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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