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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #55D430 it is the complementary color #AA2BCF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #55D430. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #55D430 shade: #5AD42B, #6BE63E, #7CF851, #8DFF64 and #9EFF77

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #55D430. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #55D430 shade: #55D430, #44C21D, #33B00A, #229E00 and #118C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #55D430 shade: #55D530, #81D530, #AED530, #D5CF30 and #D5A230

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #55D430 shade: #55D530, #30D537, #30D563, #30D590 and #30D5BC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #55D430 shade matches the following richer shades: #55D530, #4AE91B and #3FFD07

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #55D430 shade: #55D530, #60C044, #6BAC58, #76986C and #818480

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #55D430 shade: #AED530, #82D530, #56D530, #30D535 and #30D561

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #55D430 shade: #39931E, #46B625, #55D530, #71DC52 and #8DE374

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #55D430 shade: #55D430, #30D5CF and #D53098

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #55D430 shade: #55D430, #3056D5 and #D53056

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #55D430 shade: #55D430, #30D5CF, #AE30D5 and #D53035

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #55D430 shade: #55D430, #30A9D5, #AE30D5 and #D55C30

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 77 / 17

HEX #55D430

RGB 85 212 48

HSL 106.46, 0.66%, 0.51%

LAB 75.6, -62.82, 65.25

 

Complementary color

CMYK 18 / 79 / 0 / 19

HEX #AA2BCF

RGB 170 43 207

HSL 286.46, 0.66%, 0.49%

LAB 45.33, 71.11, -58.57

 

CMYK 58 / 0 / 80 / 17

HEX #5AD42B

RGB 90 212 43

HSL 103.31, 0.66%, 0.5%

LAB 75.72, -61.88, 66.89

 

CMYK 53 / 0 / 73 / 10

HEX #6BE63E

RGB 107 230 62

HSL 103.93, 0.77%, 0.57%

LAB 81.87, -62.71, 67.1

 

CMYK 50 / 0 / 67 / 3

HEX #7CF851

RGB 124 248 81

HSL 104.55, 0.92%, 0.65%

LAB 87.98, -63.25, 66.73

 

CMYK 45 / 0 / 61 / 0

HEX #8DFF64

RGB 141 255 100

HSL 104.13, 1%, 0.7%

LAB 90.83, -59.42, 62.46

 

CMYK 38 / 0 / 53 / 0

HEX #9EFF77

RGB 158 255 119

HSL 102.79, 1%, 0.73%

LAB 91.74, -52.36, 55.45

 

CMYK 60 / 0 / 77 / 17

HEX #55D430

RGB 85 212 48

HSL 106.46, 0.66%, 0.51%

LAB 75.6, -62.82, 65.25

 

CMYK 65 / 0 / 85 / 24

HEX #44C21D

RGB 68 194 29

HSL 105.82, 0.74%, 0.44%

LAB 69.4, -61.58, 64.5

 

CMYK 71 / 0 / 94 / 31

HEX #33B00A

RGB 51 176 10

HSL 105.18, 0.89%, 0.36%

LAB 63.16, -59.79, 62.42

 

CMYK 78 / 0 / 100 / 38

HEX #229E00

RGB 34 158 0

HSL 107.09, 1%, 0.31%

LAB 56.87, -57.25, 58.57

 

CMYK 88 / 0 / 100 / 45

HEX #118C00

RGB 17 140 0

HSL 112.71, 1%, 0.27%

LAB 50.54, -53.89, 53.41

 

CMYK 60 / 0 / 77 / 16

HEX #55D530

RGB 85 213 48

HSL 106.55, 0.66%, 0.51%

LAB 75.91, -63.16, 65.55

 

CMYK 39 / 0 / 77 / 16

HEX #81D530

RGB 129 213 48

HSL 90.55, 0.66%, 0.51%

LAB 77.56, -50.51, 67.7

 

CMYK 18 / 0 / 77 / 16

HEX #AED530

RGB 174 213 48

HSL 74.18, 0.66%, 0.51%

LAB 80.07, -33.9, 70.94

 

CMYK 0 / 3 / 77 / 16

HEX #D5CF30

RGB 213 207 48

HSL 57.82, 0.66%, 0.51%

LAB 81.28, -14.93, 73.11

 

CMYK 0 / 24 / 77 / 16

HEX #D5A230

RGB 213 162 48

HSL 41.45, 0.66%, 0.51%

LAB 69.61, 8.45, 62.46

 

CMYK 60 / 0 / 77 / 16

HEX #55D530

RGB 85 213 48

HSL 106.55, 0.66%, 0.51%

LAB 75.91, -63.16, 65.55

 

CMYK 77 / 0 / 74 / 16

HEX #30D537

RGB 48 213 55

HSL 122.55, 0.66%, 0.51%

LAB 75.13, -69.49, 62.26

 

CMYK 77 / 0 / 54 / 16

HEX #30D563

RGB 48 213 99

HSL 138.55, 0.66%, 0.51%

LAB 75.52, -64.75, 44.4

 

CMYK 77 / 0 / 32 / 16

HEX #30D590

RGB 48 213 144

HSL 154.91, 0.66%, 0.51%

LAB 76.21, -56.85, 22.64

 

CMYK 77 / 0 / 12 / 16

HEX #30D5BC

RGB 48 213 188

HSL 170.91, 0.66%, 0.51%

LAB 77.19, -46.43, 0.63

 

CMYK 60 / 0 / 77 / 16

HEX #55D530

RGB 85 213 48

HSL 106.55, 0.66%, 0.51%

LAB 75.91, -63.16, 65.55

 

CMYK 68 / 0 / 88 / 9

HEX #4AE91B

RGB 74 233 27

HSL 106.31, 0.82%, 0.51%

LAB 81.74, -72.86, 75.68

 

CMYK 75 / 0 / 97 / 1

HEX #3FFD07

RGB 63 253 7

HSL 106.34, 0.98%, 0.51%

LAB 87.64, -80.95, 82.79

 

CMYK 60 / 0 / 77 / 16

HEX #55D530

RGB 85 213 48

HSL 106.55, 0.66%, 0.51%

LAB 75.91, -63.16, 65.55

 

CMYK 50 / 0 / 65 / 25

HEX #60C044

RGB 96 192 68

HSL 106.45, 0.5%, 0.51%

LAB 69.9, -51.1, 52.2

 

CMYK 38 / 0 / 49 / 33

HEX #6BAC58

RGB 107 172 88

HSL 106.43, 0.34%, 0.51%

LAB 64.43, -37.03, 36.6

 

CMYK 22 / 0 / 29 / 40

HEX #76986C

RGB 118 152 108

HSL 106.36, 0.18%, 0.51%

LAB 59.33, -20.51, 19.42

 

CMYK 2 / 0 / 3 / 48

HEX #818480

RGB 129 132 128

HSL 105, 0.02%, 0.51%

LAB 54.79, -1.9, 1.76

 

CMYK 18 / 0 / 77 / 16

HEX #AED530

RGB 174 213 48

HSL 74.18, 0.66%, 0.51%

LAB 80.07, -33.9, 70.94

 

CMYK 39 / 0 / 77 / 16

HEX #82D530

RGB 130 213 48

HSL 90.18, 0.66%, 0.51%

LAB 77.61, -50.17, 67.76

 

CMYK 60 / 0 / 77 / 16

HEX #56D530

RGB 86 213 48

HSL 106.18, 0.66%, 0.51%

LAB 75.93, -62.92, 65.58

 

CMYK 77 / 0 / 75 / 16

HEX #30D535

RGB 48 213 53

HSL 121.82, 0.66%, 0.51%

LAB 75.12, -69.63, 62.92

 

CMYK 77 / 0 / 54 / 16

HEX #30D561

RGB 48 213 97

HSL 137.82, 0.66%, 0.51%

LAB 75.5, -65.03, 45.32

 

CMYK 61 / 0 / 80 / 42

HEX #39931E

RGB 57 147 30

HSL 106.15, 0.66%, 0.35%

LAB 53.85, -47.78, 49.82

 

CMYK 62 / 0 / 80 / 29

HEX #46B625

RGB 70 182 37

HSL 106.34, 0.66%, 0.43%

LAB 65.66, -56.66, 58.99

 

CMYK 60 / 0 / 77 / 16

HEX #55D530

RGB 85 213 48

HSL 106.55, 0.66%, 0.51%

LAB 75.91, -63.16, 65.55

 

CMYK 49 / 0 / 63 / 14

HEX #71DC52

RGB 113 220 82

HSL 106.52, 0.66%, 0.59%

LAB 79.22, -55.74, 56.75

 

CMYK 38 / 0 / 49 / 11

HEX #8DE374

RGB 141 227 116

HSL 106.49, 0.66%, 0.67%

LAB 82.84, -46.39, 45.9

 

CMYK 60 / 0 / 77 / 17

HEX #55D430

RGB 85 212 48

HSL 106.46, 0.66%, 0.51%

LAB 75.6, -62.82, 65.25

 

CMYK 77 / 0 / 3 / 16

HEX #30D5CF

RGB 48 213 207

HSL 177.82, 0.66%, 0.51%

LAB 77.71, -41.24, -8.79

 

CMYK 0 / 77 / 29 / 16

HEX #D53098

RGB 213 48 152

HSL 322.18, 0.66%, 0.51%

LAB 50.13, 70.47, -18.23

 

CMYK 60 / 0 / 77 / 17

HEX #55D430

RGB 85 212 48

HSL 106.46, 0.66%, 0.51%

LAB 75.6, -62.82, 65.25

 

CMYK 77 / 60 / 0 / 16

HEX #3056D5

RGB 48 86 213

HSL 226.18, 0.66%, 0.51%

LAB 41.36, 32.02, -69

 

CMYK 0 / 77 / 60 / 16

HEX #D53056

RGB 213 48 86

HSL 346.18, 0.66%, 0.51%

LAB 48.17, 64.49, 18.98

 

CMYK 60 / 0 / 77 / 17

HEX #55D430

RGB 85 212 48

HSL 106.46, 0.66%, 0.51%

LAB 75.6, -62.82, 65.25

 

CMYK 77 / 0 / 3 / 16

HEX #30D5CF

RGB 48 213 207

HSL 177.82, 0.66%, 0.51%

LAB 77.71, -41.24, -8.79

 

CMYK 18 / 77 / 0 / 16

HEX #AE30D5

RGB 174 48 213

HSL 285.82, 0.66%, 0.51%

LAB 46.86, 71.43, -59.51

 

CMYK 0 / 77 / 75 / 16

HEX #D53035

RGB 213 48 53

HSL 358.18, 0.66%, 0.51%

LAB 47.65, 62.81, 38.02

 

CMYK 60 / 0 / 77 / 17

HEX #55D430

RGB 85 212 48

HSL 106.46, 0.66%, 0.51%

LAB 75.6, -62.82, 65.25

 

CMYK 77 / 21 / 0 / 16

HEX #30A9D5

RGB 48 169 213

HSL 196, 0.66%, 0.51%

LAB 64.81, -17.95, -31.65

 

CMYK 18 / 77 / 0 / 16

HEX #AE30D5

RGB 174 48 213

HSL 285.82, 0.66%, 0.51%

LAB 46.86, 71.43, -59.51

 

CMYK 0 / 57 / 77 / 16

HEX #D55C30

RGB 213 92 48

HSL 16, 0.66%, 0.51%

LAB 54.04, 45.21, 47.42

 

Description

Color code: HEX #55D430 | qconv.com Color code: HEX #55D430 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 212 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 212 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 77 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 77% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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