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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #496A8B it is the complementary color #B69574. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #496A8B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #496A8B: #4E6A86, #5F7C99, #708EAC, #81A0BF and #92B2D2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #496A8B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #496A8B: #496A8B, #385878, #274665, #163452 and #05223F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 24 / 0 / 45

HEX #496A8B

RGB 73 106 139

HSL 210, 0.31%, 0.42%

LAB 43.64, -2.37, -21.87

 

Complementary color

CMYK 0 / 18 / 36 / 29

HEX #B69574

RGB 182 149 116

HSL 30, 0.31%, 0.58%

LAB 63.92, 7.62, 22.08

 

CMYK 42 / 21 / 0 / 47

HEX #4E6A86

RGB 78 106 134

HSL 210, 0.26%, 0.42%

LAB 43.73, -2.5, -18.71

 

CMYK 38 / 19 / 0 / 40

HEX #5F7C99

RGB 95 124 153

HSL 210, 0.23%, 0.49%

LAB 50.86, -2.79, -18.93

 

CMYK 35 / 17 / 0 / 33

HEX #708EAC

RGB 112 142 172

HSL 210, 0.27%, 0.56%

LAB 57.82, -3.02, -19.18

 

CMYK 32 / 16 / 0 / 25

HEX #81A0BF

RGB 129 160 191

HSL 210, 0.33%, 0.63%

LAB 64.62, -3.22, -19.44

 

CMYK 30 / 15 / 0 / 18

HEX #92B2D2

RGB 146 178 210

HSL 210, 0.42%, 0.7%

LAB 71.29, -3.4, -19.72

 

CMYK 47 / 24 / 0 / 45

HEX #496A8B

RGB 73 106 139

HSL 210, 0.31%, 0.42%

LAB 43.64, -2.37, -21.87

 

CMYK 53 / 27 / 0 / 53

HEX #385878

RGB 56 88 120

HSL 210, 0.36%, 0.35%

LAB 36.32, -1.83, -21.73

 

CMYK 61 / 31 / 0 / 60

HEX #274665

RGB 39 70 101

HSL 210, 0.44%, 0.27%

LAB 28.78, -1.07, -21.63

 

CMYK 73 / 37 / 0 / 68

HEX #163452

RGB 22 52 82

HSL 210, 0.58%, 0.2%

LAB 20.96, 0.11, -21.56

 

CMYK 92 / 46 / 0 / 75

HEX #05223F

RGB 5 34 63

HSL 210, 0.85%, 0.13%

LAB 12.83, 2.03, -21.52

 

CMYK 47 / 24 / 0 / 45

HEX #496A8B

RGB 73 106 139

HSL 210, 0.31%, 0.42%

LAB 43.64, -2.37, -21.87

 

CMYK 48 / 31 / 0 / 45

HEX #49608C

RGB 73 96 140

HSL 219.4, 0.31%, 0.42%

LAB 40.7, 4.09, -27.04

 

CMYK 48 / 40 / 0 / 45

HEX #49548C

RGB 73 84 140

HSL 230.15, 0.31%, 0.42%

LAB 37.21, 11.72, -32.52

 

CMYK 48 / 48 / 0 / 45

HEX #49498C

RGB 73 73 140

HSL 240, 0.31%, 0.42%

LAB 34.14, 18.85, -37.39

 

CMYK 40 / 48 / 0 / 45

HEX #54498C

RGB 84 73 140

HSL 249.85, 0.31%, 0.42%

LAB 35.09, 21.75, -35.82

 

CMYK 47 / 24 / 0 / 45

HEX #496A8B

RGB 73 106 139

HSL 210, 0.31%, 0.42%

LAB 43.64, -2.37, -21.87

 

CMYK 47 / 24 / 0 / 25

HEX #6491BE

RGB 100 145 190

HSL 210, 0.41%, 0.57%

LAB 58.67, -2.91, -28.14

 

CMYK 47 / 24 / 0 / 5

HEX #7FB8F1

RGB 127 184 241

HSL 210, 0.8%, 0.72%

LAB 72.99, -3.42, -34.08

 

CMYK 49 / 24 / 0 / 85

HEX #131C25

RGB 19 28 37

HSL 210, 0.32%, 0.11%

LAB 9.82, -1.08, -7.45

 

CMYK 48 / 24 / 0 / 65

HEX #2E4358

RGB 46 67 88

HSL 210, 0.31%, 0.26%

LAB 27.57, -1.78, -15.1

 

CMYK 47 / 24 / 0 / 45

HEX #496A8B

RGB 73 106 139

HSL 210, 0.31%, 0.42%

LAB 43.64, -2.37, -21.87

 

CMYK 14 / 48 / 0 / 45

HEX #78498C

RGB 120 73 140

HSL 282.09, 0.31%, 0.42%

LAB 38.99, 32.36, -29.41

 

CMYK 5 / 0 / 48 / 45

HEX #858C49

RGB 133 140 73

HSL 66.27, 0.31%, 0.42%

LAB 56.31, -13.04, 34.71

 

CMYK 47 / 24 / 0 / 45

HEX #496A8B

RGB 73 106 139

HSL 210, 0.31%, 0.42%

LAB 43.64, -2.37, -21.87

 

CMYK 0 / 48 / 24 / 45

HEX #8C496B

RGB 140 73 107

HSL 329.55, 0.31%, 0.42%

LAB 40.25, 32.77, -6.94

 

CMYK 24 / 0 / 48 / 45

HEX #6B8C49

RGB 107 140 73

HSL 89.55, 0.31%, 0.42%

LAB 54.41, -23.76, 31.94

 

CMYK 47 / 24 / 0 / 45

HEX #496A8B

RGB 73 106 139

HSL 210, 0.31%, 0.42%

LAB 43.64, -2.37, -21.87

 

CMYK 14 / 48 / 0 / 45

HEX #78498C

RGB 120 73 140

HSL 282.09, 0.31%, 0.42%

LAB 38.99, 32.36, -29.41

 

CMYK 0 / 24 / 48 / 45

HEX #8C6B49

RGB 140 107 73

HSL 30.45, 0.31%, 0.42%

LAB 47.72, 8.59, 24.07

 

CMYK 34 / 0 / 48 / 45

HEX #5D8C49

RGB 93 140 73

HSL 102.09, 0.31%, 0.42%

LAB 53.56, -29.06, 30.7

 

CMYK 47 / 24 / 0 / 45

HEX #496A8B

RGB 73 106 139

HSL 210, 0.31%, 0.42%

LAB 43.64, -2.37, -21.87

 

CMYK 0 / 48 / 0 / 45

HEX #8C498C

RGB 140 73 140

HSL 300, 0.31%, 0.42%

LAB 41.59, 38.55, -25.15

 

CMYK 0 / 24 / 48 / 45

HEX #8C6B49

RGB 140 107 73

HSL 30.45, 0.31%, 0.42%

LAB 47.72, 8.59, 24.07

 

CMYK 48 / 0 / 48 / 45

HEX #498C49

RGB 73 140 73

HSL 120, 0.31%, 0.42%

LAB 52.57, -35.79, 29.24

 

Description

Color code: HEX #496A8B | qconv.com Color code: HEX #496A8B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 106 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 106 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, 24 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 24% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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