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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #49620F it is the complementary color #B69DF0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #49620F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #49620F shade: #4E620A, #5F741D, #708630, #819843 and #92AA56

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #49620F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #49620F shade: #49620F, #385000, #273E00, #162C00 and #051A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #49620F shade: #48610F, #5E610F, #614E0F, #61370F and #61210F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #49620F shade: #48610F, #32610F, #1C610F, #0F6118 and #0F612E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #49620F shade matches the following richer shades: #48610F and #4C6A06

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #49620F shade: #48610F, #455818, #414F21, #3E462A and #3A3D33

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #49620F shade: #614E0F, #5E610F, #48610F, #33610F and #1D610F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #49620F shade: #131A04, #2E3D0A, #48610F, #638515 and #7EA81A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #49620F shade: #49620F, #0F6138 and #590F61

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #49620F shade: #49620F, #0F4861 and #610F48

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #49620F shade: #49620F, #0F6138, #280F61 and #610F38

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #49620F shade: #49620F, #0F6151, #280F61 and #610F20

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 85 / 62

HEX #49620F

RGB 73 98 15

HSL 78.07, 0.73%, 0.22%

LAB 38.17, -21.94, 40.3

 

Complementary color

CMYK 24 / 35 / 0 / 6

HEX #B69DF0

RGB 182 157 240

HSL 258.07, 0.73%, 0.78%

LAB 69.72, 26.13, -38.33

 

CMYK 20 / 0 / 90 / 62

HEX #4E620A

RGB 78 98 10

HSL 73.64, 0.81%, 0.21%

LAB 38.51, -19.89, 42.19

 

CMYK 18 / 0 / 75 / 55

HEX #5F741D

RGB 95 116 29

HSL 74.48, 0.6%, 0.28%

LAB 45.65, -20.71, 42.88

 

CMYK 16 / 0 / 64 / 47

HEX #708630

RGB 112 134 48

HSL 75.35, 0.47%, 0.36%

LAB 52.63, -21.24, 42.37

 

CMYK 15 / 0 / 56 / 40

HEX #819843

RGB 129 152 67

HSL 76.24, 0.39%, 0.43%

LAB 59.46, -21.58, 41.39

 

CMYK 14 / 0 / 49 / 33

HEX #92AA56

RGB 146 170 86

HSL 77.14, 0.33%, 0.5%

LAB 66.16, -21.81, 40.25

 

CMYK 26 / 0 / 85 / 62

HEX #49620F

RGB 73 98 15

HSL 78.07, 0.73%, 0.22%

LAB 38.17, -21.94, 40.3

 

CMYK 30 / 0 / 100 / 69

HEX #385000

RGB 56 80 0

HSL 78, 1%, 0.16%

LAB 30.83, -20.96, 38.4

 

CMYK 37 / 0 / 100 / 76

HEX #273E00

RGB 39 62 0

HSL 82.26, 1%, 0.12%

LAB 23.26, -19.36, 31.33

 

CMYK 50 / 0 / 100 / 83

HEX #162C00

RGB 22 44 0

HSL 90, 1%, 0.09%

LAB 15.34, -17.65, 21.93

 

CMYK 81 / 0 / 100 / 90

HEX #051A00

RGB 5 26 0

HSL 108.46, 1%, 0.05%

LAB 6.96, -12.33, 10.21

 

CMYK 26 / 0 / 85 / 62

HEX #48610F

RGB 72 97 15

HSL 78.29, 0.73%, 0.22%

LAB 37.77, -21.87, 39.91

 

CMYK 3 / 0 / 85 / 62

HEX #5E610F

RGB 94 97 15

HSL 62.2, 0.73%, 0.22%

LAB 39.52, -11.6, 42.13

 

CMYK 0 / 20 / 85 / 62

HEX #614E0F

RGB 97 78 15

HSL 46.1, 0.73%, 0.22%

LAB 34.03, 1.06, 37.35

 

CMYK 0 / 43 / 85 / 62

HEX #61370F

RGB 97 55 15

HSL 29.27, 0.73%, 0.22%

LAB 27.6, 15.31, 31.41

 

CMYK 0 / 66 / 85 / 62

HEX #61210F

RGB 97 33 15

HSL 13.17, 0.73%, 0.22%

LAB 22.53, 28.03, 26.45

 

CMYK 26 / 0 / 85 / 62

HEX #48610F

RGB 72 97 15

HSL 78.29, 0.73%, 0.22%

LAB 37.77, -21.87, 39.91

 

CMYK 48 / 0 / 85 / 62

HEX #32610F

RGB 50 97 15

HSL 94.39, 0.73%, 0.22%

LAB 36.48, -30.78, 38.25

 

CMYK 71 / 0 / 85 / 62

HEX #1C610F

RGB 28 97 15

HSL 110.49, 0.73%, 0.22%

LAB 35.66, -37.33, 37.17

 

CMYK 85 / 0 / 75 / 62

HEX #0F6118

RGB 15 97 24

HSL 126.59, 0.73%, 0.22%

LAB 35.43, -39, 33.37

 

CMYK 85 / 0 / 53 / 62

HEX #0F612E

RGB 15 97 46

HSL 142.68, 0.73%, 0.22%

LAB 35.69, -35.9, 22.46

 

CMYK 26 / 0 / 85 / 62

HEX #48610F

RGB 72 97 15

HSL 78.29, 0.73%, 0.22%

LAB 37.77, -21.87, 39.91

 

CMYK 28 / 0 / 94 / 58

HEX #4C6A06

RGB 76 106 6

HSL 78, 0.89%, 0.22%

LAB 40.99, -25, 45.22

 

CMYK 26 / 0 / 85 / 62

HEX #48610F

RGB 72 97 15

HSL 78.29, 0.73%, 0.22%

LAB 37.77, -21.87, 39.91

 

CMYK 22 / 0 / 73 / 65

HEX #455818

RGB 69 88 24

HSL 77.81, 0.57%, 0.22%

LAB 34.62, -17.91, 33.25

 

CMYK 18 / 0 / 58 / 69

HEX #414F21

RGB 65 79 33

HSL 78.26, 0.41%, 0.22%

LAB 31.41, -13.91, 25.05

 

CMYK 11 / 0 / 40 / 73

HEX #3E462A

RGB 62 70 42

HSL 77.14, 0.25%, 0.22%

LAB 28.3, -8.83, 15.82

 

CMYK 5 / 0 / 16 / 76

HEX #3A3D33

RGB 58 61 51

HSL 78, 0.09%, 0.22%

LAB 25.19, -3.45, 5.74

 

CMYK 0 / 20 / 85 / 62

HEX #614E0F

RGB 97 78 15

HSL 46.1, 0.73%, 0.22%

LAB 34.03, 1.06, 37.35

 

CMYK 3 / 0 / 85 / 62

HEX #5E610F

RGB 94 97 15

HSL 62.2, 0.73%, 0.22%

LAB 39.52, -11.6, 42.13

 

CMYK 26 / 0 / 85 / 62

HEX #48610F

RGB 72 97 15

HSL 78.29, 0.73%, 0.22%

LAB 37.77, -21.87, 39.91

 

CMYK 47 / 0 / 85 / 62

HEX #33610F

RGB 51 97 15

HSL 93.66, 0.73%, 0.22%

LAB 36.53, -30.42, 38.31

 

CMYK 70 / 0 / 85 / 62

HEX #1D610F

RGB 29 97 15

HSL 109.76, 0.73%, 0.22%

LAB 35.68, -37.1, 37.21

 

CMYK 27 / 0 / 85 / 90

HEX #131A04

RGB 19 26 4

HSL 79.09, 0.73%, 0.06%

LAB 8, -7.47, 10.21

 

CMYK 25 / 0 / 84 / 76

HEX #2E3D0A

RGB 46 61 10

HSL 77.65, 0.72%, 0.14%

LAB 23.47, -14.8, 27.63

 

CMYK 26 / 0 / 85 / 62

HEX #48610F

RGB 72 97 15

HSL 78.29, 0.73%, 0.22%

LAB 37.77, -21.87, 39.91

 

CMYK 26 / 0 / 84 / 48

HEX #638515

RGB 99 133 21

HSL 78.21, 0.73%, 0.3%

LAB 51.25, -27.9, 50.87

 

CMYK 25 / 0 / 85 / 34

HEX #7EA81A

RGB 126 168 26

HSL 77.75, 0.73%, 0.38%

LAB 63.77, -33.18, 61.2

 

CMYK 26 / 0 / 85 / 62

HEX #49620F

RGB 73 98 15

HSL 78.07, 0.73%, 0.22%

LAB 38.17, -21.94, 40.3

 

CMYK 85 / 0 / 42 / 62

HEX #0F6138

RGB 15 97 56

HSL 150, 0.73%, 0.22%

LAB 35.86, -33.91, 16.89

 

CMYK 8 / 85 / 0 / 62

HEX #590F61

RGB 89 15 97

HSL 294.15, 0.73%, 0.22%

LAB 21.31, 43.09, -30.51

 

CMYK 26 / 0 / 85 / 62

HEX #49620F

RGB 73 98 15

HSL 78.07, 0.73%, 0.22%

LAB 38.17, -21.94, 40.3

 

CMYK 85 / 26 / 0 / 62

HEX #0F4861

RGB 15 72 97

HSL 198.29, 0.73%, 0.22%

LAB 28.38, -8.13, -19.76

 

CMYK 0 / 85 / 26 / 62

HEX #610F48

RGB 97 15 72

HSL 318.29, 0.73%, 0.22%

LAB 21.4, 40.83, -13.47

 

CMYK 26 / 0 / 85 / 62

HEX #49620F

RGB 73 98 15

HSL 78.07, 0.73%, 0.22%

LAB 38.17, -21.94, 40.3

 

CMYK 85 / 0 / 42 / 62

HEX #0F6138

RGB 15 97 56

HSL 150, 0.73%, 0.22%

LAB 35.86, -33.91, 16.89

 

CMYK 59 / 85 / 0 / 62

HEX #280F61

RGB 40 15 97

HSL 258.29, 0.73%, 0.22%

LAB 13.57, 34.07, -43.45

 

CMYK 0 / 85 / 42 / 62

HEX #610F38

RGB 97 15 56

HSL 330, 0.73%, 0.22%

LAB 20.71, 38.79, -3.46

 

CMYK 26 / 0 / 85 / 62

HEX #49620F

RGB 73 98 15

HSL 78.07, 0.73%, 0.22%

LAB 38.17, -21.94, 40.3

 

CMYK 85 / 0 / 16 / 62

HEX #0F6151

RGB 15 97 81

HSL 168.29, 0.73%, 0.22%

LAB 36.45, -27.48, 2.5

 

CMYK 59 / 85 / 0 / 62

HEX #280F61

RGB 40 15 97

HSL 258.29, 0.73%, 0.22%

LAB 13.57, 34.07, -43.45

 

CMYK 0 / 85 / 67 / 62

HEX #610F20

RGB 97 15 32

HSL 347.56, 0.73%, 0.22%

LAB 19.99, 36.61, 12.46

 

Description

Color code: HEX #49620F | qconv.com Color code: HEX #49620F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 98 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 98 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 85 yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 85% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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