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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1D610F it is the complementary color #E29EF0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1D610F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1D610F shade: #22610A, #33731D, #448530, #559743 and #66A956

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1D610F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1D610F shade: #1D610F, #0C4F00, #003D00, #002B00 and #001900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1D610F shade: #1D610F, #33610F, #49610F, #5F610F and #614D0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1D610F shade: #1D610F, #0F6117, #0F612D, #0F6143 and #0F615A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1D610F shade matches the following richer shades: #1D610F and #176A06

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1D610F shade: #1D610F, #235818, #294F21, #2F462A and #353D33

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1D610F shade: #4A610F, #34610F, #1E610F, #0F6116 and #0F612C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1D610F shade: #081A04, #123D0A, #1D610F, #288515 and #33A81A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1D610F shade: #1D610F, #0F6061 and #610F3F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1D610F shade: #1D610F, #0F1E61 and #610F1E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1D610F shade: #1D610F, #0F6061, #520F61 and #61110F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1D610F shade: #1D610F, #0F4761, #520F61 and #61290F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 85 / 62

HEX #1D610F

RGB 29 97 15

HSL 109.76, 0.73%, 0.22%

LAB 35.68, -37.1, 37.21

 

Complementary color

CMYK 6 / 34 / 0 / 6

HEX #E29EF0

RGB 226 158 240

HSL 289.76, 0.73%, 0.78%

LAB 74.13, 38.78, -31.15

 

CMYK 65 / 0 / 90 / 62

HEX #22610A

RGB 34 97 10

HSL 103.45, 0.81%, 0.21%

LAB 35.81, -36.12, 38.92

 

CMYK 56 / 0 / 75 / 55

HEX #33731D

RGB 51 115 29

HSL 104.65, 0.6%, 0.28%

LAB 42.84, -37.13, 39.26

 

CMYK 49 / 0 / 64 / 48

HEX #448530

RGB 68 133 48

HSL 105.88, 0.47%, 0.35%

LAB 49.76, -37.55, 38.49

 

CMYK 44 / 0 / 56 / 41

HEX #559743

RGB 85 151 67

HSL 107.14, 0.39%, 0.43%

LAB 56.56, -37.66, 37.34

 

CMYK 40 / 0 / 49 / 34

HEX #66A956

RGB 102 169 86

HSL 108.43, 0.33%, 0.5%

LAB 63.24, -37.61, 36.08

 

CMYK 70 / 0 / 85 / 62

HEX #1D610F

RGB 29 97 15

HSL 109.76, 0.73%, 0.22%

LAB 35.68, -37.1, 37.21

 

CMYK 85 / 0 / 100 / 69

HEX #0C4F00

RGB 12 79 0

HSL 110.89, 1%, 0.15%

LAB 28.56, -35, 35.82

 

CMYK 100 / 0 / 100 / 76

HEX #003D00

RGB 0 61 0

HSL 120, 1%, 0.12%

LAB 21.35, -31.03, 28.85

 

CMYK 100 / 0 / 100 / 83

HEX #002B00

RGB 0 43 0

HSL 120, 1%, 0.08%

LAB 13.99, -24.91, 20

 

CMYK 100 / 0 / 100 / 90

HEX #001900

RGB 0 25 0

HSL 120, 1%, 0.05%

LAB 6.28, -12.83, 9.17

 

CMYK 70 / 0 / 85 / 62

HEX #1D610F

RGB 29 97 15

HSL 109.76, 0.73%, 0.22%

LAB 35.68, -37.1, 37.21

 

CMYK 47 / 0 / 85 / 62

HEX #33610F

RGB 51 97 15

HSL 93.66, 0.73%, 0.22%

LAB 36.53, -30.42, 38.31

 

CMYK 25 / 0 / 85 / 62

HEX #49610F

RGB 73 97 15

HSL 77.56, 0.73%, 0.22%

LAB 37.84, -21.42, 40

 

CMYK 2 / 0 / 85 / 62

HEX #5F610F

RGB 95 97 15

HSL 61.46, 0.73%, 0.22%

LAB 39.61, -11.12, 42.24

 

CMYK 0 / 21 / 85 / 62

HEX #614D0F

RGB 97 77 15

HSL 45.37, 0.73%, 0.22%

LAB 33.74, 1.67, 37.08

 

CMYK 70 / 0 / 85 / 62

HEX #1D610F

RGB 29 97 15

HSL 109.76, 0.73%, 0.22%

LAB 35.68, -37.1, 37.21

 

CMYK 85 / 0 / 76 / 62

HEX #0F6117

RGB 15 97 23

HSL 125.85, 0.73%, 0.22%

LAB 35.43, -39.1, 33.79

 

CMYK 85 / 0 / 54 / 62

HEX #0F612D

RGB 15 97 45

HSL 141.95, 0.73%, 0.22%

LAB 35.68, -36.08, 23.01

 

CMYK 85 / 0 / 31 / 62

HEX #0F6143

RGB 15 97 67

HSL 158.05, 0.73%, 0.22%

LAB 36.09, -31.32, 10.58

 

CMYK 85 / 0 / 7 / 62

HEX #0F615A

RGB 15 97 90

HSL 174.88, 0.73%, 0.22%

LAB 36.72, -24.72, -2.67

 

CMYK 70 / 0 / 85 / 62

HEX #1D610F

RGB 29 97 15

HSL 109.76, 0.73%, 0.22%

LAB 35.68, -37.1, 37.21

 

CMYK 78 / 0 / 94 / 58

HEX #176A06

RGB 23 106 6

HSL 109.8, 0.89%, 0.22%

LAB 38.73, -42.04, 42.42

 

CMYK 70 / 0 / 85 / 62

HEX #1D610F

RGB 29 97 15

HSL 109.76, 0.73%, 0.22%

LAB 35.68, -37.1, 37.21

 

CMYK 60 / 0 / 73 / 65

HEX #235818

RGB 35 88 24

HSL 109.69, 0.57%, 0.22%

LAB 32.71, -31.12, 30.65

 

CMYK 48 / 0 / 58 / 69

HEX #294F21

RGB 41 79 33

HSL 109.57, 0.41%, 0.22%

LAB 29.85, -23.91, 22.81

 

CMYK 33 / 0 / 40 / 73

HEX #2F462A

RGB 47 70 42

HSL 109.29, 0.25%, 0.22%

LAB 27.16, -15.37, 14.11

 

CMYK 13 / 0 / 16 / 76

HEX #353D33

RGB 53 61 51

HSL 108, 0.09%, 0.22%

LAB 24.74, -5.64, 5.05

 

CMYK 24 / 0 / 85 / 62

HEX #4A610F

RGB 74 97 15

HSL 76.83, 0.73%, 0.22%

LAB 37.91, -20.97, 40.09

 

CMYK 46 / 0 / 85 / 62

HEX #34610F

RGB 52 97 15

HSL 92.93, 0.73%, 0.22%

LAB 36.58, -30.06, 38.37

 

CMYK 69 / 0 / 85 / 62

HEX #1E610F

RGB 30 97 15

HSL 109.02, 0.73%, 0.22%

LAB 35.71, -36.86, 37.25

 

CMYK 85 / 0 / 77 / 62

HEX #0F6116

RGB 15 97 22

HSL 125.12, 0.73%, 0.22%

LAB 35.42, -39.2, 34.2

 

CMYK 85 / 0 / 55 / 62

HEX #0F612C

RGB 15 97 44

HSL 141.22, 0.73%, 0.22%

LAB 35.66, -36.25, 23.55

 

CMYK 69 / 0 / 85 / 90

HEX #081A04

RGB 8 26 4

HSL 109.09, 0.73%, 0.06%

LAB 7.22, -10.98, 8.97

 

CMYK 70 / 0 / 84 / 76

HEX #123D0A

RGB 18 61 10

HSL 110.59, 0.72%, 0.14%

LAB 21.9, -25.95, 25.51

 

CMYK 70 / 0 / 85 / 62

HEX #1D610F

RGB 29 97 15

HSL 109.76, 0.73%, 0.22%

LAB 35.68, -37.1, 37.21

 

CMYK 70 / 0 / 84 / 48

HEX #288515

RGB 40 133 21

HSL 109.82, 0.73%, 0.3%

LAB 48.61, -47.29, 47.51

 

CMYK 70 / 0 / 85 / 34

HEX #33A81A

RGB 51 168 26

HSL 109.44, 0.73%, 0.38%

LAB 60.59, -56.64, 57.18

 

CMYK 70 / 0 / 85 / 62

HEX #1D610F

RGB 29 97 15

HSL 109.76, 0.73%, 0.22%

LAB 35.68, -37.1, 37.21

 

CMYK 85 / 1 / 0 / 62

HEX #0F6061

RGB 15 96 97

HSL 180.73, 0.73%, 0.22%

LAB 36.61, -21.92, -7.18

 

CMYK 0 / 85 / 35 / 62

HEX #610F3F

RGB 97 15 63

HSL 324.88, 0.73%, 0.22%

LAB 20.99, 39.63, -7.91

 

CMYK 70 / 0 / 85 / 62

HEX #1D610F

RGB 29 97 15

HSL 109.76, 0.73%, 0.22%

LAB 35.68, -37.1, 37.21

 

CMYK 85 / 69 / 0 / 62

HEX #0F1E61

RGB 15 30 97

HSL 229.02, 0.73%, 0.22%

LAB 14.92, 21.51, -41.31

 

CMYK 0 / 85 / 69 / 62

HEX #610F1E

RGB 97 15 30

HSL 349.02, 0.73%, 0.22%

LAB 19.95, 36.48, 13.81

 

CMYK 70 / 0 / 85 / 62

HEX #1D610F

RGB 29 97 15

HSL 109.76, 0.73%, 0.22%

LAB 35.68, -37.1, 37.21

 

CMYK 85 / 1 / 0 / 62

HEX #0F6061

RGB 15 96 97

HSL 180.73, 0.73%, 0.22%

LAB 36.61, -21.92, -7.18

 

CMYK 15 / 85 / 0 / 62

HEX #520F61

RGB 82 15 97

HSL 289.02, 0.73%, 0.22%

LAB 20.04, 41.6, -32.63

 

CMYK 0 / 82 / 85 / 62

HEX #61110F

RGB 97 17 15

HSL 1.46, 0.73%, 0.22%

LAB 19.95, 35.05, 23.65

 

CMYK 70 / 0 / 85 / 62

HEX #1D610F

RGB 29 97 15

HSL 109.76, 0.73%, 0.22%

LAB 35.68, -37.1, 37.21

 

CMYK 85 / 27 / 0 / 62

HEX #0F4761

RGB 15 71 97

HSL 199.02, 0.73%, 0.22%

LAB 28.04, -7.5, -20.29

 

CMYK 15 / 85 / 0 / 62

HEX #520F61

RGB 82 15 97

HSL 289.02, 0.73%, 0.22%

LAB 20.04, 41.6, -32.63

 

CMYK 0 / 58 / 85 / 62

HEX #61290F

RGB 97 41 15

HSL 19.02, 0.73%, 0.22%

LAB 24.2, 23.68, 28.15

 

Description

Color code: HEX #1D610F | qconv.com Color code: HEX #1D610F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 29 red, 97 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
29 97 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 85 yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 85% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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