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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 15 97 22 it is the complementary color RGB 240 158 233. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 15 97 22. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 15 97 22: RGB 20 97 17, RGB 37 115 36, RGB 54 133 55, RGB 71 151 74 and RGB 88 169 93

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 15 97 22. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 15 97 22: RGB 15 97 22, RGB 0 79 3, RGB 0 61 0, RGB 0 43 0 and RGB 0 25 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 77 / 62

HEX #0F6116

RGB 15 97 22

HSL 125.12, 0.73%, 0.22%

LAB 35.42, -39.2, 34.2

 

Complementary color

CMYK 0 / 34 / 3 / 6

HEX #F09EE9

RGB 240 158 233

HSL 305.12, 0.73%, 0.78%

LAB 75.37, 41.83, -25.33

 

CMYK 79 / 0 / 82 / 62

HEX #146111

RGB 20 97 17

HSL 117.75, 0.7%, 0.22%

LAB 35.48, -38.82, 36.24

 

CMYK 68 / 0 / 69 / 55

HEX #257324

RGB 37 115 36

HSL 119.24, 0.52%, 0.3%

LAB 42.43, -40.19, 35.64

 

CMYK 59 / 0 / 59 / 48

HEX #368537

RGB 54 133 55

HSL 120.76, 0.42%, 0.37%

LAB 49.3, -40.79, 34.42

 

CMYK 53 / 0 / 51 / 41

HEX #47974A

RGB 71 151 74

HSL 122.25, 0.36%, 0.44%

LAB 56.05, -40.98, 33.05

 

CMYK 48 / 0 / 45 / 34

HEX #58A95D

RGB 88 169 93

HSL 123.7, 0.32%, 0.5%

LAB 62.71, -40.94, 31.68

 

CMYK 85 / 0 / 77 / 62

HEX #0F6116

RGB 15 97 22

HSL 125.12, 0.73%, 0.22%

LAB 35.42, -39.2, 34.2

 

CMYK 100 / 0 / 96 / 69

HEX #004F03

RGB 0 79 3

HSL 122.28, 1%, 0.15%

LAB 28.38, -36.63, 34.37

 

CMYK 100 / 0 / 100 / 76

HEX #003D00

RGB 0 61 0

HSL 120, 1%, 0.12%

LAB 21.35, -31.03, 28.85

 

CMYK 100 / 0 / 100 / 83

HEX #002B00

RGB 0 43 0

HSL 120, 1%, 0.08%

LAB 13.99, -24.91, 20

 

CMYK 100 / 0 / 100 / 90

HEX #001900

RGB 0 25 0

HSL 120, 1%, 0.05%

LAB 6.28, -12.83, 9.17

 

CMYK 85 / 0 / 77 / 62

HEX #0F6116

RGB 15 97 22

HSL 125.12, 0.73%, 0.22%

LAB 35.42, -39.2, 34.2

 

CMYK 85 / 0 / 64 / 62

HEX #0F6123

RGB 15 97 35

HSL 134.63, 0.73%, 0.22%

LAB 35.54, -37.67, 28.25

 

CMYK 85 / 0 / 49 / 62

HEX #0F6131

RGB 15 97 49

HSL 144.88, 0.73%, 0.22%

LAB 35.74, -35.34, 20.81

 

CMYK 85 / 0 / 36 / 62

HEX #0F613E

RGB 15 97 62

HSL 154.39, 0.73%, 0.22%

LAB 35.98, -32.54, 13.46

 

CMYK 85 / 0 / 22 / 62

HEX #0F614C

RGB 15 97 76

HSL 164.63, 0.73%, 0.22%

LAB 36.31, -28.92, 5.38

 

CMYK 85 / 0 / 77 / 62

HEX #0F6116

RGB 15 97 22

HSL 125.12, 0.73%, 0.22%

LAB 35.42, -39.2, 34.2

 

CMYK 84 / 0 / 77 / 42

HEX #179422

RGB 23 148 34

HSL 125.28, 0.73%, 0.34%

LAB 53.47, -54.07, 47.83

 

CMYK 84 / 0 / 77 / 22

HEX #1FC72D

RGB 31 199 45

HSL 125, 0.73%, 0.45%

LAB 70.4, -67.96, 60.81

 

CMYK 84 / 0 / 77 / 2

HEX #27FA39

RGB 39 250 57

HSL 125.12, 0.95%, 0.57%

LAB 86.55, -81.08, 72.78

 

CMYK 85 / 0 / 78 / 82

HEX #072E0A

RGB 7 46 10

HSL 124.62, 0.74%, 0.1%

LAB 15.6, -22.44, 18.05

 

CMYK 85 / 0 / 77 / 62

HEX #0F6116

RGB 15 97 22

HSL 125.12, 0.73%, 0.22%

LAB 35.42, -39.2, 34.2

 

CMYK 85 / 25 / 0 / 62

HEX #0F4961

RGB 15 73 97

HSL 197.56, 0.73%, 0.22%

LAB 28.72, -8.75, -19.22

 

CMYK 0 / 85 / 58 / 62

HEX #610F29

RGB 97 15 41

HSL 340.98, 0.73%, 0.22%

LAB 20.22, 37.3, 6.4

 

CMYK 85 / 0 / 77 / 62

HEX #0F6116

RGB 15 97 22

HSL 125.12, 0.73%, 0.22%

LAB 35.42, -39.2, 34.2

 

CMYK 78 / 85 / 0 / 62

HEX #150F61

RGB 21 15 97

HSL 244.39, 0.73%, 0.22%

LAB 11.72, 31.91, -46.57

 

CMYK 0 / 78 / 85 / 62

HEX #61150F

RGB 97 21 15

HSL 4.39, 0.73%, 0.22%

LAB 20.49, 33.56, 24.25

 

CMYK 85 / 0 / 77 / 62

HEX #0F6116

RGB 15 97 22

HSL 125.12, 0.73%, 0.22%

LAB 35.42, -39.2, 34.2

 

CMYK 85 / 25 / 0 / 62

HEX #0F4961

RGB 15 73 97

HSL 197.56, 0.73%, 0.22%

LAB 28.72, -8.75, -19.22

 

CMYK 0 / 85 / 7 / 62

HEX #610F5A

RGB 97 15 90

HSL 305.12, 0.73%, 0.22%

LAB 22.38, 43.62, -24.08

 

CMYK 0 / 61 / 85 / 62

HEX #61260F

RGB 97 38 15

HSL 16.83, 0.73%, 0.22%

LAB 23.55, 25.36, 27.5

 

CMYK 85 / 0 / 77 / 62

HEX #0F6116

RGB 15 97 22

HSL 125.12, 0.73%, 0.22%

LAB 35.42, -39.2, 34.2

 

CMYK 85 / 49 / 0 / 62

HEX #0F3161

RGB 15 49 97

HSL 215.12, 0.73%, 0.22%

LAB 20.68, 7.5, -31.95

 

CMYK 0 / 85 / 7 / 62

HEX #610F5A

RGB 97 15 90

HSL 305.12, 0.73%, 0.22%

LAB 22.38, 43.62, -24.08

 

CMYK 0 / 36 / 85 / 62

HEX #613E0F

RGB 97 62 15

HSL 34.39, 0.73%, 0.22%

LAB 29.47, 10.97, 33.16

 

Description

Color code: RGB 15 97 22 | qconv.com Color code: RGB 15 97 22 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 15 red, 97 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
15 97 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 77 yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 77% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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