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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #493872 it is the complementary color #B6C78D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #493872. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #493872: #4E386D, #5F4A80, #705C93, #816EA6 and #9280B9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #493872. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #493872: #493872, #38265F, #27144C, #160239 and #050026

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 51 / 0 / 55

HEX #493872

RGB 73 56 114

HSL 257.59, 0.34%, 0.33%

LAB 28.01, 21.87, -30.96

 

Complementary color

CMYK 9 / 0 / 29 / 22

HEX #B6C78D

RGB 182 199 141

HSL 77.59, 0.34%, 0.67%

LAB 77.71, -15.59, 27.18

 

CMYK 28 / 49 / 0 / 57

HEX #4E386D

RGB 78 56 109

HSL 264.91, 0.32%, 0.32%

LAB 28.25, 21.95, -27.35

 

CMYK 26 / 42 / 0 / 50

HEX #5F4A80

RGB 95 74 128

HSL 263.33, 0.27%, 0.4%

LAB 35.77, 20.99, -27.3

 

CMYK 24 / 37 / 0 / 42

HEX #705C93

RGB 112 92 147

HSL 261.82, 0.23%, 0.47%

LAB 43.07, 20.16, -27.31

 

CMYK 22 / 34 / 0 / 35

HEX #816EA6

RGB 129 110 166

HSL 260.36, 0.24%, 0.54%

LAB 50.18, 19.44, -27.35

 

CMYK 21 / 31 / 0 / 27

HEX #9280B9

RGB 146 128 185

HSL 258.95, 0.29%, 0.61%

LAB 57.13, 18.8, -27.44

 

CMYK 36 / 51 / 0 / 55

HEX #493872

RGB 73 56 114

HSL 257.59, 0.34%, 0.33%

LAB 28.01, 21.87, -30.96

 

CMYK 41 / 60 / 0 / 63

HEX #38265F

RGB 56 38 95

HSL 258.95, 0.43%, 0.26%

LAB 20.26, 23.12, -31.16

 

CMYK 49 / 74 / 0 / 70

HEX #27144C

RGB 39 20 76

HSL 260.36, 0.58%, 0.19%

LAB 12.31, 24.49, -31.28

 

CMYK 61 / 96 / 0 / 78

HEX #160239

RGB 22 2 57

HSL 261.82, 0.93%, 0.12%

LAB 4.6, 23.99, -30.47

 

CMYK 87 / 100 / 0 / 85

HEX #050026

RGB 5 0 38

HSL 247.89, 1%, 0.07%

LAB 1.56, 10.19, -21.1

 

CMYK 36 / 51 / 0 / 55

HEX #493872

RGB 73 56 114

HSL 257.59, 0.34%, 0.33%

LAB 28.01, 21.87, -30.96

 

CMYK 28 / 51 / 0 / 56

HEX #513770

RGB 81 55 112

HSL 267.37, 0.34%, 0.33%

LAB 28.52, 24.32, -28.82

 

CMYK 20 / 51 / 0 / 56

HEX #5A3770

RGB 90 55 112

HSL 276.84, 0.34%, 0.33%

LAB 29.6, 27.09, -27.03

 

CMYK 11 / 51 / 0 / 56

HEX #643770

RGB 100 55 112

HSL 287.37, 0.34%, 0.33%

LAB 30.91, 30.24, -24.89

 

CMYK 3 / 51 / 0 / 56

HEX #6D3770

RGB 109 55 112

HSL 296.84, 0.34%, 0.33%

LAB 32.15, 33.09, -22.85

 

CMYK 36 / 51 / 0 / 55

HEX #493872

RGB 73 56 114

HSL 257.59, 0.34%, 0.33%

LAB 28.01, 21.87, -30.96

 

CMYK 36 / 51 / 0 / 35

HEX #6A51A5

RGB 106 81 165

HSL 257.86, 0.34%, 0.48%

LAB 40.68, 29.9, -41.87

 

CMYK 36 / 51 / 0 / 15

HEX #8A6AD8

RGB 138 106 216

HSL 257.45, 0.59%, 0.63%

LAB 52.59, 37.18, -52.26

 

CMYK 33 / 50 / 0 / 95

HEX #08060C

RGB 8 6 12

HSL 260, 0.33%, 0.04%

LAB 1.88, 1.37, -2.13

 

CMYK 37 / 51 / 0 / 75

HEX #281F3F

RGB 40 31 63

HSL 256.88, 0.34%, 0.18%

LAB 14.34, 13.03, -18.96

 

CMYK 36 / 51 / 0 / 55

HEX #493872

RGB 73 56 114

HSL 257.59, 0.34%, 0.33%

LAB 28.01, 21.87, -30.96

 

CMYK 0 / 51 / 24 / 56

HEX #703755

RGB 112 55 85

HSL 328.42, 0.34%, 0.33%

LAB 31.42, 29.15, -6.64

 

CMYK 45 / 0 / 51 / 56

HEX #3E7037

RGB 62 112 55

HSL 112.63, 0.34%, 0.33%

LAB 42.59, -29.23, 26.4

 

CMYK 36 / 51 / 0 / 55

HEX #493872

RGB 73 56 114

HSL 257.59, 0.34%, 0.33%

LAB 28.01, 21.87, -30.96

 

CMYK 0 / 37 / 51 / 56

HEX #704737

RGB 112 71 55

HSL 16.84, 0.34%, 0.33%

LAB 34.45, 15.59, 16.85

 

CMYK 51 / 0 / 37 / 56

HEX #377047

RGB 55 112 71

HSL 136.84, 0.34%, 0.33%

LAB 42.54, -28.69, 17.19

 

CMYK 36 / 51 / 0 / 55

HEX #493872

RGB 73 56 114

HSL 257.59, 0.34%, 0.33%

LAB 28.01, 21.87, -30.96

 

CMYK 0 / 51 / 24 / 56

HEX #703755

RGB 112 55 85

HSL 328.42, 0.34%, 0.33%

LAB 31.42, 29.15, -6.64

 

CMYK 14 / 0 / 51 / 56

HEX #607037

RGB 96 112 55

HSL 76.84, 0.34%, 0.33%

LAB 44.73, -15.86, 29.51

 

CMYK 51 / 0 / 26 / 56

HEX #377053

RGB 55 112 83

HSL 149.47, 0.34%, 0.33%

LAB 42.8, -26.14, 10.47

 

CMYK 36 / 51 / 0 / 55

HEX #493872

RGB 73 56 114

HSL 257.59, 0.34%, 0.33%

LAB 28.01, 21.87, -30.96

 

CMYK 0 / 51 / 40 / 56

HEX #703743

RGB 112 55 67

HSL 347.37, 0.34%, 0.33%

LAB 30.84, 26.53, 4.21

 

CMYK 14 / 0 / 51 / 56

HEX #607037

RGB 96 112 55

HSL 76.84, 0.34%, 0.33%

LAB 44.73, -15.86, 29.51

 

CMYK 51 / 0 / 11 / 56

HEX #377064

RGB 55 112 100

HSL 167.37, 0.34%, 0.33%

LAB 43.24, -21.94, 0.91

 

Description

Color code: HEX #493872 | qconv.com Color code: HEX #493872 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 56 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 56 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 51 magenta, none yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 51% 0% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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