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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #48F754 it is the complementary color #B708AB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #48F754. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #48F754: #4DF74F, #5EFF62, #6FFF75, #80FF88 and #91FF9B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #48F754. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #48F754: #48F754, #37E541, #26D32E, #15C11B and #04AF08

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 66 / 3

HEX #48F754

RGB 72 247 84

HSL 124.11, 0.92%, 0.63%

LAB 86.28, -74.01, 63.34

 

Complementary color

CMYK 0 / 96 / 7 / 28

HEX #B708AB

RGB 183 8 171

HSL 304.11, 0.92%, 0.37%

LAB 43.04, 74.08, -41.04

 

CMYK 69 / 0 / 68 / 3

HEX #4DF74F

RGB 77 247 79

HSL 120.71, 0.91%, 0.64%

LAB 86.34, -73.63, 65.35

 

CMYK 63 / 0 / 62 / 0

HEX #5EFF62

RGB 94 255 98

HSL 121.49, 1%, 0.68%

LAB 89.29, -71.25, 61.15

 

CMYK 56 / 0 / 54 / 0

HEX #6FFF75

RGB 111 255 117

HSL 122.5, 1%, 0.72%

LAB 89.94, -65.45, 53.78

 

CMYK 50 / 0 / 47 / 0

HEX #80FF88

RGB 128 255 136

HSL 123.78, 1%, 0.75%

LAB 90.73, -58.83, 46.05

 

CMYK 43 / 0 / 39 / 0

HEX #91FF9B

RGB 145 255 155

HSL 125.45, 1%, 0.78%

LAB 91.64, -51.52, 38.15

 

CMYK 71 / 0 / 66 / 3

HEX #48F754

RGB 72 247 84

HSL 124.11, 0.92%, 0.63%

LAB 86.28, -74.01, 63.34

 

CMYK 76 / 0 / 72 / 10

HEX #37E541

RGB 55 229 65

HSL 123.45, 0.77%, 0.56%

LAB 80.31, -72.63, 64.07

 

CMYK 82 / 0 / 78 / 17

HEX #26D32E

RGB 38 211 46

HSL 122.77, 0.69%, 0.49%

LAB 74.32, -70.71, 64.3

 

CMYK 89 / 0 / 86 / 24

HEX #15C11B

RGB 21 193 27

HSL 122.09, 0.8%, 0.42%

LAB 68.3, -68.07, 63.68

 

CMYK 98 / 0 / 95 / 31

HEX #04AF08

RGB 4 175 8

HSL 121.4, 0.96%, 0.35%

LAB 62.26, -64.59, 61.7

 

CMYK 71 / 0 / 66 / 3

HEX #48F754

RGB 72 247 84

HSL 124.11, 0.92%, 0.63%

LAB 86.28, -74.01, 63.34

 

CMYK 70 / 0 / 54 / 3

HEX #49F772

RGB 73 247 114

HSL 134.14, 0.92%, 0.63%

LAB 86.58, -70.46, 50.89

 

CMYK 70 / 0 / 42 / 3

HEX #49F78F

RGB 73 247 143

HSL 144.14, 0.92%, 0.63%

LAB 86.96, -66.1, 37.54

 

CMYK 70 / 0 / 30 / 3

HEX #49F7AC

RGB 73 247 172

HSL 154.14, 0.92%, 0.63%

LAB 87.44, -60.7, 23.61

 

CMYK 70 / 0 / 19 / 3

HEX #49F7C9

RGB 73 247 201

HSL 164.14, 0.92%, 0.63%

LAB 88.04, -54.34, 9.5

 

CMYK 71 / 0 / 66 / 3

HEX #48F754

RGB 72 247 84

HSL 124.11, 0.92%, 0.63%

LAB 86.28, -74.01, 63.34

 

CMYK 70 / 0 / 65 / 83

HEX #0D2B0F

RGB 13 43 15

HSL 124, 0.54%, 0.11%

LAB 14.67, -18.54, 14.56

 

CMYK 71 / 0 / 66 / 63

HEX #1B5E20

RGB 27 94 32

HSL 124.48, 0.55%, 0.24%

LAB 34.69, -34.75, 28.87

 

CMYK 71 / 0 / 66 / 43

HEX #2A9131

RGB 42 145 49

HSL 124.08, 0.55%, 0.37%

LAB 52.91, -48.77, 41.3

 

CMYK 71 / 0 / 66 / 23

HEX #39C443

RGB 57 196 67

HSL 124.32, 0.55%, 0.5%

LAB 70, -61.68, 52.41

 

CMYK 71 / 0 / 66 / 3

HEX #48F754

RGB 72 247 84

HSL 124.11, 0.92%, 0.63%

LAB 86.28, -74.01, 63.34

 

CMYK 70 / 19 / 0 / 3

HEX #49C9F7

RGB 73 201 247

HSL 195.86, 0.92%, 0.63%

LAB 76.01, -20.59, -32.8

 

CMYK 0 / 70 / 47 / 3

HEX #F74983

RGB 247 73 131

HSL 340, 0.92%, 0.63%

LAB 58.21, 69.38, 6.86

 

CMYK 71 / 0 / 66 / 3

HEX #48F754

RGB 72 247 84

HSL 124.11, 0.92%, 0.63%

LAB 86.28, -74.01, 63.34

 

CMYK 66 / 70 / 0 / 3

HEX #5549F7

RGB 85 73 247

HSL 244.14, 0.92%, 0.63%

LAB 43.38, 55.27, -84.89

 

CMYK 0 / 66 / 70 / 3

HEX #F75549

RGB 247 85 73

HSL 4.14, 0.92%, 0.63%

LAB 58.74, 61.09, 41.07

 

CMYK 71 / 0 / 66 / 3

HEX #48F754

RGB 72 247 84

HSL 124.11, 0.92%, 0.63%

LAB 86.28, -74.01, 63.34

 

CMYK 70 / 19 / 0 / 3

HEX #49C9F7

RGB 73 201 247

HSL 195.86, 0.92%, 0.63%

LAB 76.01, -20.59, -32.8

 

CMYK 0 / 70 / 5 / 3

HEX #F749EB

RGB 247 73 235

HSL 304.14, 0.92%, 0.63%

LAB 62.12, 81.8, -46.95

 

CMYK 0 / 51 / 70 / 3

HEX #F77849

RGB 247 120 73

HSL 16.21, 0.92%, 0.63%

LAB 64.71, 45.44, 47.84

 

CMYK 71 / 0 / 66 / 3

HEX #48F754

RGB 72 247 84

HSL 124.11, 0.92%, 0.63%

LAB 86.28, -74.01, 63.34

 

CMYK 70 / 40 / 0 / 3

HEX #4995F7

RGB 73 149 247

HSL 213.79, 0.92%, 0.63%

LAB 61.33, 8.18, -55.83

 

CMYK 0 / 70 / 5 / 3

HEX #F749EB

RGB 247 73 235

HSL 304.14, 0.92%, 0.63%

LAB 62.12, 81.8, -46.95

 

CMYK 0 / 30 / 70 / 3

HEX #F7AC49

RGB 247 172 73

HSL 34.14, 0.92%, 0.63%

LAB 75.92, 18.7, 59.89

 

Description

Color code: HEX #48F754 | qconv.com Color code: HEX #48F754 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 247 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 247 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 66 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 66% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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