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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #48B25B it is the complementary color #B74DA4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #48B25B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #48B25B: #4DB256, #5EC469, #6FD67C, #80E88F and #91FAA2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #48B25B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #48B25B: #48B25B, #37A048, #268E35, #157C22 and #046A0F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 49 / 30

HEX #48B25B

RGB 72 178 91

HSL 130.75, 0.42%, 0.49%

LAB 64.94, -49.13, 35.41

 

Complementary color

CMYK 0 / 58 / 10 / 28

HEX #B74DA4

RGB 183 77 164

HSL 310.75, 0.42%, 0.51%

LAB 49.56, 53.55, -26.63

 

CMYK 57 / 0 / 52 / 30

HEX #4DB256

RGB 77 178 86

HSL 125.35, 0.4%, 0.5%

LAB 65.03, -48.65, 38.06

 

CMYK 52 / 0 / 46 / 23

HEX #5EC469

RGB 94 196 105

HSL 126.47, 0.46%, 0.57%

LAB 71.47, -48.74, 36.71

 

CMYK 48 / 0 / 42 / 16

HEX #6FD67C

RGB 111 214 124

HSL 127.57, 0.56%, 0.64%

LAB 77.83, -48.68, 35.39

 

CMYK 45 / 0 / 38 / 9

HEX #80E88F

RGB 128 232 143

HSL 128.65, 0.69%, 0.71%

LAB 84.11, -48.54, 34.13

 

CMYK 42 / 0 / 35 / 2

HEX #91FAA2

RGB 145 250 162

HSL 129.71, 0.91%, 0.77%

LAB 90.32, -48.34, 32.93

 

CMYK 60 / 0 / 49 / 30

HEX #48B25B

RGB 72 178 91

HSL 130.75, 0.42%, 0.49%

LAB 64.94, -49.13, 35.41

 

CMYK 66 / 0 / 55 / 37

HEX #37A048

RGB 55 160 72

HSL 129.71, 0.49%, 0.42%

LAB 58.44, -48.76, 36.84

 

CMYK 73 / 0 / 63 / 44

HEX #268E35

RGB 38 142 53

HSL 128.65, 0.58%, 0.35%

LAB 51.85, -47.97, 38.25

 

CMYK 83 / 0 / 73 / 51

HEX #157C22

RGB 21 124 34

HSL 127.57, 0.71%, 0.28%

LAB 45.21, -46.49, 39.39

 

CMYK 96 / 0 / 86 / 58

HEX #046A0F

RGB 4 106 15

HSL 126.47, 0.93%, 0.22%

LAB 38.5, -43.99, 39.7

 

CMYK 60 / 0 / 49 / 30

HEX #48B25B

RGB 72 178 91

HSL 130.75, 0.42%, 0.49%

LAB 64.94, -49.13, 35.41

 

CMYK 59 / 0 / 40 / 31

HEX #48B16B

RGB 72 177 107

HSL 140, 0.42%, 0.49%

LAB 64.87, -46.07, 27

 

CMYK 59 / 0 / 30 / 31

HEX #48B17C

RGB 72 177 124

HSL 149.71, 0.42%, 0.49%

LAB 65.18, -42.78, 18.28

 

CMYK 59 / 0 / 20 / 31

HEX #48B18E

RGB 72 177 142

HSL 160, 0.42%, 0.49%

LAB 65.57, -38.78, 8.96

 

CMYK 59 / 0 / 10 / 31

HEX #48B19F

RGB 72 177 159

HSL 169.71, 0.42%, 0.49%

LAB 66, -34.58, 0.18

 

CMYK 60 / 0 / 49 / 30

HEX #48B25B

RGB 72 178 91

HSL 130.75, 0.42%, 0.49%

LAB 64.94, -49.13, 35.41

 

CMYK 59 / 0 / 49 / 10

HEX #5DE575

RGB 93 229 117

HSL 130.59, 0.72%, 0.63%

LAB 81.65, -59.99, 43.55

 

CMYK 60 / 0 / 48 / 90

HEX #0A190D

RGB 10 25 13

HSL 132, 0.43%, 0.07%

LAB 7.13, -8.37, 5.07

 

CMYK 59 / 0 / 49 / 70

HEX #1F4C27

RGB 31 76 39

HSL 130.67, 0.42%, 0.21%

LAB 28.4, -24.77, 17.4

 

CMYK 60 / 0 / 49 / 50

HEX #337F41

RGB 51 127 65

HSL 131.05, 0.43%, 0.35%

LAB 47.32, -37.61, 26.76

 

CMYK 60 / 0 / 49 / 30

HEX #48B25B

RGB 72 178 91

HSL 130.75, 0.42%, 0.49%

LAB 64.94, -49.13, 35.41

 

CMYK 59 / 22 / 0 / 31

HEX #488AB1

RGB 72 138 177

HSL 202.29, 0.42%, 0.49%

LAB 54.79, -9.25, -26.86

 

CMYK 0 / 59 / 46 / 31

HEX #B14860

RGB 177 72 96

HSL 346.29, 0.42%, 0.49%

LAB 45.4, 44.94, 8.04

 

CMYK 60 / 0 / 49 / 30

HEX #48B25B

RGB 72 178 91

HSL 130.75, 0.42%, 0.49%

LAB 64.94, -49.13, 35.41

 

CMYK 50 / 59 / 0 / 31

HEX #5948B1

RGB 89 72 177

HSL 249.71, 0.42%, 0.49%

LAB 37.72, 34.82, -53.83

 

CMYK 0 / 50 / 59 / 31

HEX #B15948

RGB 177 89 72

HSL 9.71, 0.42%, 0.49%

LAB 48.21, 34.24, 26.25

 

CMYK 60 / 0 / 49 / 30

HEX #48B25B

RGB 72 178 91

HSL 130.75, 0.42%, 0.49%

LAB 64.94, -49.13, 35.41

 

CMYK 59 / 22 / 0 / 31

HEX #488AB1

RGB 72 138 177

HSL 202.29, 0.42%, 0.49%

LAB 54.79, -9.25, -26.86

 

CMYK 0 / 59 / 10 / 31

HEX #B1489F

RGB 177 72 159

HSL 310.29, 0.42%, 0.49%

LAB 47.6, 53.33, -26.78

 

CMYK 0 / 38 / 59 / 31

HEX #B16E48

RGB 177 110 72

HSL 21.71, 0.42%, 0.49%

LAB 52.91, 22.79, 32.13

 

CMYK 60 / 0 / 49 / 30

HEX #48B25B

RGB 72 178 91

HSL 130.75, 0.42%, 0.49%

LAB 64.94, -49.13, 35.41

 

CMYK 59 / 40 / 0 / 31

HEX #486BB1

RGB 72 107 177

HSL 220, 0.42%, 0.49%

LAB 45.73, 9.24, -41.06

 

CMYK 0 / 59 / 10 / 31

HEX #B1489F

RGB 177 72 159

HSL 310.29, 0.42%, 0.49%

LAB 47.6, 53.33, -26.78

 

CMYK 0 / 20 / 59 / 31

HEX #B18E48

RGB 177 142 72

HSL 40, 0.42%, 0.49%

LAB 60.92, 4.94, 41.7

 

Description

Color code: HEX #48B25B | qconv.com Color code: HEX #48B25B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 178 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 178 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 49 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 49% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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