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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #488F25 it is the complementary color #B770DA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #488F25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #488F25: #4D8F20, #5EA133, #6FB346, #80C559 and #91D76C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #488F25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #488F25: #488F25, #377D12, #266B00, #155900 and #044700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 74 / 44

HEX #488F25

RGB 72 143 37

HSL 100.19, 0.59%, 0.35%

LAB 53.12, -41.45, 46.81

 

Complementary color

CMYK 16 / 49 / 0 / 15

HEX #B770DA

RGB 183 112 218

HSL 280.19, 0.59%, 0.65%

LAB 58.71, 46.24, -43.38

 

CMYK 46 / 0 / 78 / 44

HEX #4D8F20

RGB 77 143 32

HSL 95.68, 0.63%, 0.34%

LAB 53.31, -40.17, 48.89

 

CMYK 42 / 0 / 68 / 37

HEX #5EA133

RGB 94 161 51

HSL 96.55, 0.52%, 0.42%

LAB 59.99, -40.62, 48.62

 

CMYK 38 / 0 / 61 / 30

HEX #6FB346

RGB 111 179 70

HSL 97.43, 0.44%, 0.49%

LAB 66.57, -40.83, 47.81

 

CMYK 35 / 0 / 55 / 23

HEX #80C559

RGB 128 197 89

HSL 98.33, 0.48%, 0.56%

LAB 73.05, -40.89, 46.76

 

CMYK 33 / 0 / 50 / 16

HEX #91D76C

RGB 145 215 108

HSL 99.25, 0.57%, 0.63%

LAB 79.44, -40.86, 45.62

 

CMYK 50 / 0 / 74 / 44

HEX #488F25

RGB 72 143 37

HSL 100.19, 0.59%, 0.35%

LAB 53.12, -41.45, 46.81

 

CMYK 56 / 0 / 86 / 51

HEX #377D12

RGB 55 125 18

HSL 99.25, 0.75%, 0.28%

LAB 46.34, -40.67, 46.46

 

CMYK 64 / 0 / 100 / 58

HEX #266B00

RGB 38 107 0

HSL 98.69, 1%, 0.21%

LAB 39.46, -39.33, 44.76

 

CMYK 76 / 0 / 100 / 65

HEX #155900

RGB 21 89 0

HSL 105.84, 1%, 0.17%

LAB 32.49, -36.82, 39.03

 

CMYK 94 / 0 / 100 / 72

HEX #044700

RGB 4 71 0

HSL 116.62, 1%, 0.14%

LAB 25.36, -33.58, 32.94

 

CMYK 50 / 0 / 74 / 44

HEX #488F25

RGB 72 143 37

HSL 100.19, 0.59%, 0.35%

LAB 53.12, -41.45, 46.81

 

CMYK 62 / 0 / 74 / 45

HEX #368D24

RGB 54 141 36

HSL 109.71, 0.59%, 0.35%

LAB 51.79, -45.89, 45.64

 

CMYK 74 / 0 / 74 / 45

HEX #248D24

RGB 36 141 36

HSL 120, 0.59%, 0.35%

LAB 51.33, -49.75, 45.01

 

CMYK 74 / 0 / 62 / 45

HEX #248D36

RGB 36 141 54

HSL 130.29, 0.59%, 0.35%

LAB 51.49, -47.83, 37.34

 

CMYK 74 / 0 / 50 / 45

HEX #248D47

RGB 36 141 71

HSL 140, 0.59%, 0.35%

LAB 51.7, -45.31, 28.97

 

CMYK 50 / 0 / 74 / 44

HEX #488F25

RGB 72 143 37

HSL 100.19, 0.59%, 0.35%

LAB 53.12, -41.45, 46.81

 

CMYK 49 / 0 / 74 / 24

HEX #62C232

RGB 98 194 50

HSL 100, 0.59%, 0.48%

LAB 70.46, -52.73, 59.76

 

CMYK 50 / 0 / 74 / 4

HEX #7BF53F

RGB 123 245 63

HSL 100.22, 0.9%, 0.6%

LAB 86.94, -63.7, 71.95

 

CMYK 49 / 0 / 73 / 84

HEX #15290B

RGB 21 41 11

HSL 100, 0.58%, 0.1%

LAB 14.23, -15.09, 15.99

 

CMYK 50 / 0 / 74 / 64

HEX #2E5C18

RGB 46 92 24

HSL 100.59, 0.59%, 0.23%

LAB 34.6, -29.29, 32.8

 

CMYK 50 / 0 / 74 / 44

HEX #488F25

RGB 72 143 37

HSL 100.19, 0.59%, 0.35%

LAB 53.12, -41.45, 46.81

 

CMYK 74 / 0 / 10 / 45

HEX #248D7F

RGB 36 141 127

HSL 172, 0.59%, 0.35%

LAB 52.9, -32.41, -0.97

 

CMYK 0 / 74 / 20 / 45

HEX #8D2471

RGB 141 36 113

HSL 316, 0.59%, 0.35%

LAB 34.22, 51.27, -19.86

 

CMYK 50 / 0 / 74 / 44

HEX #488F25

RGB 72 143 37

HSL 100.19, 0.59%, 0.35%

LAB 53.12, -41.45, 46.81

 

CMYK 74 / 50 / 0 / 45

HEX #24478D

RGB 36 71 141

HSL 220, 0.59%, 0.35%

LAB 31.36, 13.05, -42.59

 

CMYK 0 / 74 / 50 / 45

HEX #8D2447

RGB 141 36 71

HSL 340, 0.59%, 0.35%

LAB 32.66, 46.25, 4.88

 

CMYK 50 / 0 / 74 / 44

HEX #488F25

RGB 72 143 37

HSL 100.19, 0.59%, 0.35%

LAB 53.12, -41.45, 46.81

 

CMYK 74 / 0 / 10 / 45

HEX #248D7F

RGB 36 141 127

HSL 172, 0.59%, 0.35%

LAB 52.9, -32.41, -0.97

 

CMYK 25 / 74 / 0 / 45

HEX #6A248D

RGB 106 36 141

HSL 280, 0.59%, 0.35%

LAB 30.03, 48.04, -44.4

 

CMYK 0 / 74 / 65 / 45

HEX #8D2432

RGB 141 36 50

HSL 352, 0.59%, 0.35%

LAB 32.16, 44.59, 17.92

 

CMYK 50 / 0 / 74 / 44

HEX #488F25

RGB 72 143 37

HSL 100.19, 0.59%, 0.35%

LAB 53.12, -41.45, 46.81

 

CMYK 74 / 12 / 0 / 45

HEX #247C8D

RGB 36 124 141

HSL 189.71, 0.59%, 0.35%

LAB 47.9, -19.51, -16.64

 

CMYK 25 / 74 / 0 / 45

HEX #6A248D

RGB 106 36 141

HSL 280, 0.59%, 0.35%

LAB 30.03, 48.04, -44.4

 

CMYK 0 / 62 / 74 / 45

HEX #8D3624

RGB 141 54 36

HSL 10.29, 0.59%, 0.35%

LAB 34.86, 35.87, 29.87

 

Description

Color code: HEX #488F25 | qconv.com Color code: HEX #488F25 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 143 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 143 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 74 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 74% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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