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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #48326F it is the complementary color #B7CD90. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #48326F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #48326F shade: #4D326A, #5E447D, #6F5690, #8068A3 and #917AB6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #48326F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #48326F shade: #48326F, #37205C, #260E49, #150036 and #040023

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #48326F shade: #493371, #5A3371, #6A3371, #713366 and #713355

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #48326F shade: #493371, #383371 and #333371

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #48326F shade matches the following richer shades: #493371, #45257E, #42188B and #3E0B98

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #48326F shade: #493371, #4D4063, #504D56, #545A49 and #58673C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #48326F shade: #333E71, #383371, #483371, #593371 and #693371

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #48326F shade: #241938, #372654, #493371, #5B3F8D and #6E4CAA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #48326F shade: #48326F, #71334E and #367133

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #48326F shade: #48326F, #714833 and #337148

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #48326F shade: #48326F, #71334E, #5B7133 and #337155

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #48326F shade: #48326F, #71333C, #5B7133 and #337167

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 55 / 0 / 56

HEX #48326F

RGB 72 50 111

HSL 261.64, 0.38%, 0.32%

LAB 26.18, 24.57, -31.97

 

Complementary color

CMYK 11 / 0 / 30 / 20

HEX #B7CD90

RGB 183 205 144

HSL 81.64, 0.38%, 0.68%

LAB 79.47, -17.82, 27.99

 

CMYK 27 / 53 / 0 / 58

HEX #4D326A

RGB 77 50 106

HSL 268.93, 0.36%, 0.31%

LAB 26.45, 24.64, -28.29

 

CMYK 25 / 46 / 0 / 51

HEX #5E447D

RGB 94 68 125

HSL 267.37, 0.3%, 0.38%

LAB 33.97, 23.64, -28.28

 

CMYK 23 / 40 / 0 / 44

HEX #6F5690

RGB 111 86 144

HSL 265.86, 0.25%, 0.45%

LAB 41.29, 22.75, -28.29

 

CMYK 21 / 36 / 0 / 36

HEX #8068A3

RGB 128 104 163

HSL 264.41, 0.24%, 0.52%

LAB 48.43, 21.96, -28.33

 

CMYK 20 / 33 / 0 / 29

HEX #917AB6

RGB 145 122 182

HSL 263, 0.29%, 0.6%

LAB 55.4, 21.26, -28.4

 

CMYK 35 / 55 / 0 / 56

HEX #48326F

RGB 72 50 111

HSL 261.64, 0.38%, 0.32%

LAB 26.18, 24.57, -31.97

 

CMYK 40 / 65 / 0 / 64

HEX #37205C

RGB 55 32 92

HSL 263, 0.48%, 0.24%

LAB 18.44, 25.8, -32.09

 

CMYK 48 / 81 / 0 / 71

HEX #260E49

RGB 38 14 73

HSL 264.41, 0.68%, 0.17%

LAB 10.61, 26.9, -31.97

 

CMYK 61 / 100 / 0 / 79

HEX #150036

RGB 21 0 54

HSL 263.33, 1%, 0.11%

LAB 3.85, 23.1, -29.5

 

CMYK 89 / 100 / 0 / 86

HEX #040023

RGB 4 0 35

HSL 246.86, 1%, 0.07%

LAB 1.33, 8.75, -19.11

 

CMYK 35 / 55 / 0 / 56

HEX #493371

RGB 73 51 113

HSL 261.29, 0.38%, 0.32%

LAB 26.67, 24.79, -32.45

 

CMYK 20 / 55 / 0 / 56

HEX #5A3371

RGB 90 51 113

HSL 277.74, 0.38%, 0.32%

LAB 28.73, 29.74, -29.05

 

CMYK 6 / 55 / 0 / 56

HEX #6A3371

RGB 106 51 113

HSL 293.23, 0.38%, 0.32%

LAB 30.94, 34.58, -25.42

 

CMYK 0 / 55 / 10 / 56

HEX #713366

RGB 113 51 102

HSL 310.65, 0.38%, 0.32%

LAB 31.43, 34.63, -17.56

 

CMYK 0 / 55 / 25 / 56

HEX #713355

RGB 113 51 85

HSL 327.1, 0.38%, 0.32%

LAB 30.72, 31.73, -7.67

 

CMYK 35 / 55 / 0 / 56

HEX #493371

RGB 73 51 113

HSL 261.29, 0.38%, 0.32%

LAB 26.67, 24.79, -32.45

 

CMYK 50 / 55 / 0 / 56

HEX #383371

RGB 56 51 113

HSL 244.84, 0.38%, 0.32%

LAB 24.95, 20.27, -35.29

 

CMYK 55 / 55 / 0 / 56

HEX #333371

RGB 51 51 113

HSL 240, 0.38%, 0.32%

LAB 24.52, 19.07, -36.01

 

CMYK 35 / 55 / 0 / 56

HEX #493371

RGB 73 51 113

HSL 261.29, 0.38%, 0.32%

LAB 26.67, 24.79, -32.45

 

CMYK 45 / 71 / 0 / 51

HEX #45257E

RGB 69 37 126

HSL 261.57, 0.55%, 0.32%

LAB 23.98, 36.06, -45.07

 

CMYK 53 / 83 / 0 / 45

HEX #42188B

RGB 66 24 139

HSL 261.91, 0.71%, 0.32%

LAB 22.57, 45.65, -55.57

 

CMYK 59 / 93 / 0 / 40

HEX #3E0B98

RGB 62 11 152

HSL 261.7, 0.87%, 0.32%

LAB 22.05, 53.01, -64.5

 

CMYK 35 / 55 / 0 / 56

HEX #493371

RGB 73 51 113

HSL 261.29, 0.38%, 0.32%

LAB 26.67, 24.79, -32.45

 

CMYK 22 / 35 / 0 / 61

HEX #4D4063

RGB 77 64 99

HSL 262.29, 0.21%, 0.32%

LAB 29.78, 13.72, -18.57

 

CMYK 7 / 10 / 0 / 66

HEX #504D56

RGB 80 77 86

HSL 260, 0.06%, 0.32%

LAB 33.32, 3.22, -4.86

 

CMYK 7 / 0 / 19 / 65

HEX #545A49

RGB 84 90 73

HSL 81.18, 0.1%, 0.32%

LAB 37.26, -5.84, 9.04

 

CMYK 15 / 0 / 42 / 60

HEX #58673C

RGB 88 103 60

HSL 80.93, 0.26%, 0.32%

LAB 41.38, -13.73, 22.4

 

CMYK 55 / 45 / 0 / 56

HEX #333E71

RGB 51 62 113

HSL 229.35, 0.38%, 0.32%

LAB 27.69, 11.54, -30.95

 

CMYK 50 / 55 / 0 / 56

HEX #383371

RGB 56 51 113

HSL 244.84, 0.38%, 0.32%

LAB 24.95, 20.27, -35.29

 

CMYK 36 / 55 / 0 / 56

HEX #483371

RGB 72 51 113

HSL 260.32, 0.38%, 0.32%

LAB 26.56, 24.51, -32.64

 

CMYK 21 / 55 / 0 / 56

HEX #593371

RGB 89 51 113

HSL 276.77, 0.38%, 0.32%

LAB 28.6, 29.45, -29.26

 

CMYK 7 / 55 / 0 / 56

HEX #693371

RGB 105 51 113

HSL 292.26, 0.38%, 0.32%

LAB 30.79, 34.28, -25.66

 

CMYK 36 / 55 / 0 / 78

HEX #241938

RGB 36 25 56

HSL 261.29, 0.38%, 0.16%

LAB 11.66, 13.78, -18.29

 

CMYK 35 / 55 / 0 / 67

HEX #372654

RGB 55 38 84

HSL 262.17, 0.38%, 0.24%

LAB 19.39, 19.47, -25.24

 

CMYK 35 / 55 / 0 / 56

HEX #493371

RGB 73 51 113

HSL 261.29, 0.38%, 0.32%

LAB 26.67, 24.79, -32.45

 

CMYK 35 / 55 / 0 / 45

HEX #5B3F8D

RGB 91 63 141

HSL 261.54, 0.38%, 0.4%

LAB 33.35, 30.18, -39.16

 

CMYK 35 / 55 / 0 / 33

HEX #6E4CAA

RGB 110 76 170

HSL 261.7, 0.38%, 0.48%

LAB 40.22, 35.28, -45.55

 

CMYK 35 / 55 / 0 / 56

HEX #48326F

RGB 72 50 111

HSL 261.64, 0.38%, 0.32%

LAB 26.18, 24.57, -31.97

 

CMYK 0 / 55 / 31 / 56

HEX #71334E

RGB 113 51 78

HSL 333.87, 0.38%, 0.32%

LAB 30.47, 30.67, -3.49

 

CMYK 52 / 0 / 55 / 56

HEX #367133

RGB 54 113 51

HSL 117.1, 0.38%, 0.32%

LAB 42.51, -32.86, 28.38

 

CMYK 35 / 55 / 0 / 56

HEX #48326F

RGB 72 50 111

HSL 261.64, 0.38%, 0.32%

LAB 26.18, 24.57, -31.97

 

CMYK 0 / 36 / 55 / 56

HEX #714833

RGB 113 72 51

HSL 20.32, 0.38%, 0.32%

LAB 34.77, 15.02, 19.76

 

CMYK 55 / 0 / 36 / 56

HEX #337148

RGB 51 113 72

HSL 140.32, 0.38%, 0.32%

LAB 42.74, -30.1, 16.84

 

CMYK 35 / 55 / 0 / 56

HEX #48326F

RGB 72 50 111

HSL 261.64, 0.38%, 0.32%

LAB 26.18, 24.57, -31.97

 

CMYK 0 / 55 / 31 / 56

HEX #71334E

RGB 113 51 78

HSL 333.87, 0.38%, 0.32%

LAB 30.47, 30.67, -3.49

 

CMYK 19 / 0 / 55 / 56

HEX #5B7133

RGB 91 113 51

HSL 81.29, 0.38%, 0.32%

LAB 44.62, -19, 31.42

 

CMYK 55 / 0 / 25 / 56

HEX #337155

RGB 51 113 85

HSL 152.9, 0.38%, 0.32%

LAB 43.02, -27.25, 9.56

 

CMYK 35 / 55 / 0 / 56

HEX #48326F

RGB 72 50 111

HSL 261.64, 0.38%, 0.32%

LAB 26.18, 24.57, -31.97

 

CMYK 0 / 55 / 47 / 56

HEX #71333C

RGB 113 51 60

HSL 351.29, 0.38%, 0.32%

LAB 29.92, 28.33, 7.52

 

CMYK 19 / 0 / 55 / 56

HEX #5B7133

RGB 91 113 51

HSL 81.29, 0.38%, 0.32%

LAB 44.62, -19, 31.42

 

CMYK 55 / 0 / 9 / 56

HEX #337167

RGB 51 113 103

HSL 170.32, 0.38%, 0.32%

LAB 43.5, -22.65, -0.54

 

Description

Color code: HEX #48326F | qconv.com Color code: HEX #48326F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 50 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 50 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 55 magenta, none yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 55% 0% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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