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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #483371 it is the complementary color #B7CC8E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #483371. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #483371 shade: #4D336C, #5E457F, #6F5792, #8069A5 and #917BB8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #483371. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #483371 shade: #483371, #37215E, #260F4B, #150038 and #040025

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #483371 shade: #483371, #583371, #693371, #713367 and #713357

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #483371 shade: #483371, #373371 and #333371

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #483371 shade matches the following richer shades: #483371, #43257E, #3F188B and #3B0B98

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #483371 shade: #483371, #4C4063, #504D56, #545A49 and #59673C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #483371 shade: #333F71, #373371, #473371, #583371 and #683371

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #483371 shade: #231938, #352654, #483371, #5A3F8D and #6C4CAA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #483371 shade: #483371, #713350 and #377133

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #483371 shade: #483371, #714733 and #337147

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #483371 shade: #483371, #713350, #5C7133 and #337154

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #483371 shade: #483371, #71333D, #5C7133 and #337166

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 55 / 0 / 56

HEX #483371

RGB 72 51 113

HSL 260.32, 0.38%, 0.32%

LAB 26.56, 24.51, -32.64

 

Complementary color

CMYK 10 / 0 / 30 / 20

HEX #B7CC8E

RGB 183 204 142

HSL 80.32, 0.38%, 0.68%

LAB 79.16, -17.6, 28.62

 

CMYK 29 / 53 / 0 / 58

HEX #4D336C

RGB 77 51 108

HSL 267.37, 0.36%, 0.31%

LAB 26.81, 24.55, -28.99

 

CMYK 26 / 46 / 0 / 50

HEX #5E457F

RGB 94 69 127

HSL 265.86, 0.3%, 0.38%

LAB 34.33, 23.54, -28.96

 

CMYK 24 / 40 / 0 / 43

HEX #6F5792

RGB 111 87 146

HSL 264.41, 0.25%, 0.46%

LAB 41.64, 22.65, -28.94

 

CMYK 22 / 36 / 0 / 35

HEX #8069A5

RGB 128 105 165

HSL 263, 0.25%, 0.53%

LAB 48.77, 21.86, -28.97

 

CMYK 21 / 33 / 0 / 28

HEX #917BB8

RGB 145 123 184

HSL 261.64, 0.3%, 0.6%

LAB 55.73, 21.16, -29.03

 

CMYK 36 / 55 / 0 / 56

HEX #483371

RGB 72 51 113

HSL 260.32, 0.38%, 0.32%

LAB 26.56, 24.51, -32.64

 

CMYK 41 / 65 / 0 / 63

HEX #37215E

RGB 55 33 94

HSL 261.64, 0.48%, 0.25%

LAB 18.83, 25.77, -32.79

 

CMYK 49 / 80 / 0 / 71

HEX #260F4B

RGB 38 15 75

HSL 263, 0.67%, 0.18%

LAB 11.01, 26.96, -32.72

 

CMYK 63 / 100 / 0 / 78

HEX #150038

RGB 21 0 56

HSL 262.5, 1%, 0.11%

LAB 4.02, 24.11, -30.69

 

CMYK 89 / 100 / 0 / 85

HEX #040025

RGB 4 0 37

HSL 246.49, 1%, 0.07%

LAB 1.44, 9.52, -20.51

 

CMYK 36 / 55 / 0 / 56

HEX #483371

RGB 72 51 113

HSL 260.32, 0.38%, 0.32%

LAB 26.56, 24.51, -32.64

 

CMYK 22 / 55 / 0 / 56

HEX #583371

RGB 88 51 113

HSL 275.81, 0.38%, 0.32%

LAB 28.47, 29.15, -29.47

 

CMYK 7 / 55 / 0 / 56

HEX #693371

RGB 105 51 113

HSL 292.26, 0.38%, 0.32%

LAB 30.79, 34.28, -25.66

 

CMYK 0 / 55 / 9 / 56

HEX #713367

RGB 113 51 103

HSL 309.68, 0.38%, 0.32%

LAB 31.48, 34.81, -18.12

 

CMYK 0 / 55 / 23 / 56

HEX #713357

RGB 113 51 87

HSL 325.16, 0.38%, 0.32%

LAB 30.8, 32.05, -8.86

 

CMYK 36 / 55 / 0 / 56

HEX #483371

RGB 72 51 113

HSL 260.32, 0.38%, 0.32%

LAB 26.56, 24.51, -32.64

 

CMYK 51 / 55 / 0 / 56

HEX #373371

RGB 55 51 113

HSL 243.87, 0.38%, 0.32%

LAB 24.87, 20.02, -35.44

 

CMYK 55 / 55 / 0 / 56

HEX #333371

RGB 51 51 113

HSL 240, 0.38%, 0.32%

LAB 24.52, 19.07, -36.01

 

CMYK 36 / 55 / 0 / 56

HEX #483371

RGB 72 51 113

HSL 260.32, 0.38%, 0.32%

LAB 26.56, 24.51, -32.64

 

CMYK 47 / 71 / 0 / 51

HEX #43257E

RGB 67 37 126

HSL 260.22, 0.55%, 0.32%

LAB 23.75, 35.66, -45.46

 

CMYK 55 / 83 / 0 / 45

HEX #3F188B

RGB 63 24 139

HSL 260.35, 0.71%, 0.32%

LAB 22.21, 45.25, -56.17

 

CMYK 61 / 93 / 0 / 40

HEX #3B0B98

RGB 59 11 152

HSL 260.43, 0.87%, 0.32%

LAB 21.71, 52.77, -65.08

 

CMYK 36 / 55 / 0 / 56

HEX #483371

RGB 72 51 113

HSL 260.32, 0.38%, 0.32%

LAB 26.56, 24.51, -32.64

 

CMYK 23 / 35 / 0 / 61

HEX #4C4063

RGB 76 64 99

HSL 260.57, 0.21%, 0.32%

LAB 29.67, 13.37, -18.74

 

CMYK 7 / 10 / 0 / 66

HEX #504D56

RGB 80 77 86

HSL 260, 0.06%, 0.32%

LAB 33.32, 3.22, -4.86

 

CMYK 7 / 0 / 19 / 65

HEX #545A49

RGB 84 90 73

HSL 81.18, 0.1%, 0.32%

LAB 37.26, -5.84, 9.04

 

CMYK 14 / 0 / 42 / 60

HEX #59673C

RGB 89 103 60

HSL 79.53, 0.26%, 0.32%

LAB 41.45, -13.3, 22.51

 

CMYK 55 / 44 / 0 / 56

HEX #333F71

RGB 51 63 113

HSL 228.39, 0.38%, 0.32%

LAB 27.98, 10.86, -30.48

 

CMYK 51 / 55 / 0 / 56

HEX #373371

RGB 55 51 113

HSL 243.87, 0.38%, 0.32%

LAB 24.87, 20.02, -35.44

 

CMYK 37 / 55 / 0 / 56

HEX #473371

RGB 71 51 113

HSL 259.35, 0.38%, 0.32%

LAB 26.45, 24.23, -32.82

 

CMYK 22 / 55 / 0 / 56

HEX #583371

RGB 88 51 113

HSL 275.81, 0.38%, 0.32%

LAB 28.47, 29.15, -29.47

 

CMYK 8 / 55 / 0 / 56

HEX #683371

RGB 104 51 113

HSL 291.29, 0.38%, 0.32%

LAB 30.65, 33.98, -25.89

 

CMYK 38 / 55 / 0 / 78

HEX #231938

RGB 35 25 56

HSL 259.35, 0.38%, 0.16%

LAB 11.54, 13.44, -18.49

 

CMYK 37 / 55 / 0 / 67

HEX #352654

RGB 53 38 84

HSL 259.57, 0.38%, 0.24%

LAB 19.15, 18.87, -25.62

 

CMYK 36 / 55 / 0 / 56

HEX #483371

RGB 72 51 113

HSL 260.32, 0.38%, 0.32%

LAB 26.56, 24.51, -32.64

 

CMYK 36 / 55 / 0 / 45

HEX #5A3F8D

RGB 90 63 141

HSL 260.77, 0.38%, 0.4%

LAB 33.25, 29.92, -39.34

 

CMYK 36 / 55 / 0 / 33

HEX #6C4CAA

RGB 108 76 170

HSL 260.43, 0.38%, 0.48%

LAB 40.01, 34.78, -45.89

 

CMYK 36 / 55 / 0 / 56

HEX #483371

RGB 72 51 113

HSL 260.32, 0.38%, 0.32%

LAB 26.56, 24.51, -32.64

 

CMYK 0 / 55 / 29 / 56

HEX #713350

RGB 113 51 80

HSL 331.94, 0.38%, 0.32%

LAB 30.54, 30.97, -4.69

 

CMYK 51 / 0 / 55 / 56

HEX #377133

RGB 55 113 51

HSL 116.13, 0.38%, 0.32%

LAB 42.55, -32.55, 28.45

 

CMYK 36 / 55 / 0 / 56

HEX #483371

RGB 72 51 113

HSL 260.32, 0.38%, 0.32%

LAB 26.56, 24.51, -32.64

 

CMYK 0 / 37 / 55 / 56

HEX #714733

RGB 113 71 51

HSL 19.35, 0.38%, 0.32%

LAB 34.51, 15.62, 19.42

 

CMYK 55 / 0 / 37 / 56

HEX #337147

RGB 51 113 71

HSL 139.35, 0.38%, 0.32%

LAB 42.72, -30.3, 17.39

 

CMYK 36 / 55 / 0 / 56

HEX #483371

RGB 72 51 113

HSL 260.32, 0.38%, 0.32%

LAB 26.56, 24.51, -32.64

 

CMYK 0 / 55 / 29 / 56

HEX #713350

RGB 113 51 80

HSL 331.94, 0.38%, 0.32%

LAB 30.54, 30.97, -4.69

 

CMYK 19 / 0 / 55 / 56

HEX #5C7133

RGB 92 113 51

HSL 80.32, 0.38%, 0.32%

LAB 44.69, -18.57, 31.52

 

CMYK 55 / 0 / 26 / 56

HEX #337154

RGB 51 113 84

HSL 151.94, 0.38%, 0.32%

LAB 42.99, -27.49, 10.12

 

CMYK 36 / 55 / 0 / 56

HEX #483371

RGB 72 51 113

HSL 260.32, 0.38%, 0.32%

LAB 26.56, 24.51, -32.64

 

CMYK 0 / 55 / 46 / 56

HEX #71333D

RGB 113 51 61

HSL 350.32, 0.38%, 0.32%

LAB 29.95, 28.45, 6.9

 

CMYK 19 / 0 / 55 / 56

HEX #5C7133

RGB 92 113 51

HSL 80.32, 0.38%, 0.32%

LAB 44.69, -18.57, 31.52

 

CMYK 55 / 0 / 10 / 56

HEX #337166

RGB 51 113 102

HSL 169.35, 0.38%, 0.32%

LAB 43.47, -22.92, 0.02

 

Description

Color code: HEX #483371 | qconv.com Color code: HEX #483371 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 51 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 51 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 55 magenta, none yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 55% 0% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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