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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #482A1C it is the complementary color #B7D5E3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #482A1C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #482A1C: #4D2A17, #5E3C2A, #6F4E3D, #806050 and #917263

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #482A1C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #482A1C: #482A1C, #371809, #260600, #150000 and #040000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 61 / 72

HEX #482A1C

RGB 72 42 28

HSL 19.09, 0.44%, 0.2%

LAB 20.51, 12.25, 14.95

 

Complementary color

CMYK 19 / 6 / 0 / 11

HEX #B7D5E3

RGB 183 213 227

HSL 199.09, 0.44%, 0.8%

LAB 83.55, -6.98, -10.22

 

CMYK 0 / 45 / 70 / 70

HEX #4D2A17

RGB 77 42 23

HSL 21.11, 0.54%, 0.2%

LAB 21.19, 14.24, 19.2

 

CMYK 0 / 36 / 55 / 63

HEX #5E3C2A

RGB 94 60 42

HSL 20.77, 0.38%, 0.27%

LAB 28.85, 12.72, 17.22

 

CMYK 0 / 30 / 45 / 56

HEX #6F4E3D

RGB 111 78 61

HSL 20.4, 0.29%, 0.34%

LAB 36.3, 11.57, 15.57

 

CMYK 0 / 25 / 38 / 50

HEX #806050

RGB 128 96 80

HSL 20, 0.23%, 0.41%

LAB 43.56, 10.65, 14.18

 

CMYK 0 / 21 / 32 / 43

HEX #917263

RGB 145 114 99

HSL 19.57, 0.19%, 0.48%

LAB 50.63, 9.91, 12.96

 

CMYK 0 / 42 / 61 / 72

HEX #482A1C

RGB 72 42 28

HSL 19.09, 0.44%, 0.2%

LAB 20.51, 12.25, 14.95

 

CMYK 0 / 56 / 84 / 78

HEX #371809

RGB 55 24 9

HSL 19.57, 0.72%, 0.13%

LAB 12.51, 14.01, 15.25

 

CMYK 0 / 84 / 100 / 85

HEX #260600

RGB 38 6 0

HSL 9.47, 1%, 0.07%

LAB 4.9, 14.29, 7.6

 

CMYK 0 / 100 / 100 / 92

HEX #150000

RGB 21 0 0

HSL 0, 1%, 0.04%

LAB 1.44, 6.46, 2.28

 

CMYK 0 / 100 / 100 / 98

HEX #040000

RGB 4 0 0

HSL 0, 1%, 0.01%

LAB 0.23, 1.05, 0.37

 

CMYK 0 / 42 / 61 / 72

HEX #482A1C

RGB 72 42 28

HSL 19.09, 0.44%, 0.2%

LAB 20.51, 12.25, 14.95

 

CMYK 0 / 32 / 62 / 71

HEX #49321C

RGB 73 50 28

HSL 29.33, 0.45%, 0.2%

LAB 22.94, 7.5, 18.02

 

CMYK 0 / 22 / 62 / 71

HEX #49391C

RGB 73 57 28

HSL 38.67, 0.45%, 0.2%

LAB 25.03, 2.94, 20.57

 

CMYK 0 / 11 / 62 / 71

HEX #49411C

RGB 73 65 28

HSL 49.33, 0.45%, 0.2%

LAB 27.52, -2.16, 23.5

 

CMYK 0 / 1 / 62 / 71

HEX #49481C

RGB 73 72 28

HSL 58.67, 0.45%, 0.2%

LAB 29.75, -6.48, 26.07

 

CMYK 0 / 42 / 61 / 72

HEX #482A1C

RGB 72 42 28

HSL 19.09, 0.44%, 0.2%

LAB 20.51, 12.25, 14.95

 

CMYK 0 / 41 / 61 / 52

HEX #7B4830

RGB 123 72 48

HSL 19.2, 0.44%, 0.34%

LAB 36.1, 19.24, 23.54

 

CMYK 0 / 41 / 61 / 32

HEX #AE6644

RGB 174 102 68

HSL 19.25, 0.44%, 0.47%

LAB 50.59, 25.67, 31.41

 

CMYK 0 / 42 / 61 / 12

HEX #E18358

RGB 225 131 88

HSL 18.83, 0.7%, 0.61%

LAB 64.12, 32.25, 38.56

 

CMYK 0 / 43 / 62 / 92

HEX #150C08

RGB 21 12 8

HSL 18.46, 0.45%, 0.06%

LAB 3.97, 2.72, 2.72

 

CMYK 0 / 42 / 61 / 72

HEX #482A1C

RGB 72 42 28

HSL 19.09, 0.44%, 0.2%

LAB 20.51, 12.25, 14.95

 

CMYK 32 / 0 / 62 / 71

HEX #32491C

RGB 50 73 28

HSL 90.67, 0.45%, 0.2%

LAB 28.19, -17.89, 23.77

 

CMYK 62 / 56 / 0 / 71

HEX #1C2049

RGB 28 32 73

HSL 234.67, 0.45%, 0.2%

LAB 14.18, 12.37, -26.24

 

CMYK 0 / 42 / 61 / 72

HEX #482A1C

RGB 72 42 28

HSL 19.09, 0.44%, 0.2%

LAB 20.51, 12.25, 14.95

 

CMYK 62 / 0 / 42 / 71

HEX #1C492A

RGB 28 73 42

HSL 138.67, 0.45%, 0.2%

LAB 27.24, -23.6, 14.03

 

CMYK 42 / 62 / 0 / 71

HEX #2A1C49

RGB 42 28 73

HSL 258.67, 0.45%, 0.2%

LAB 14.42, 19, -25.78

 

CMYK 0 / 42 / 61 / 72

HEX #482A1C

RGB 72 42 28

HSL 19.09, 0.44%, 0.2%

LAB 20.51, 12.25, 14.95

 

CMYK 32 / 0 / 62 / 71

HEX #32491C

RGB 50 73 28

HSL 90.67, 0.45%, 0.2%

LAB 28.19, -17.89, 23.77

 

CMYK 62 / 19 / 0 / 71

HEX #1C3B49

RGB 28 59 73

HSL 198.67, 0.45%, 0.2%

LAB 23.19, -6.71, -12.08

 

CMYK 30 / 62 / 0 / 71

HEX #331C49

RGB 51 28 73

HSL 270.67, 0.45%, 0.2%

LAB 15.57, 21.65, -23.88

 

CMYK 0 / 42 / 61 / 72

HEX #482A1C

RGB 72 42 28

HSL 19.09, 0.44%, 0.2%

LAB 20.51, 12.25, 14.95

 

CMYK 51 / 0 / 62 / 71

HEX #24491C

RGB 36 73 28

HSL 109.33, 0.45%, 0.2%

LAB 27.36, -23.47, 22.6

 

CMYK 62 / 19 / 0 / 71

HEX #1C3B49

RGB 28 59 73

HSL 198.67, 0.45%, 0.2%

LAB 23.19, -6.71, -12.08

 

CMYK 11 / 62 / 0 / 71

HEX #411C49

RGB 65 28 73

HSL 289.33, 0.45%, 0.2%

LAB 17.62, 26.01, -20.49

 

Description

Color code: HEX #482A1C | qconv.com Color code: HEX #482A1C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 42 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 42 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 61 yellow and 72 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 61% 72% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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