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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #47CC20 it is the complementary color #B833DF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #47CC20. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #47CC20 shade: #4CCC1B, #5DDE2E, #6EF041, #7FFF54 and #90FF67

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #47CC20. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #47CC20 shade: #47CC20, #36BA0D, #25A800, #149600 and #038400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #47CC20 shade: #46CB20, #75CB20, #A3CB20, #CBC520 and #CB9720

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #47CC20 shade: #46CB20, #20CB27, #20CB55, #20CB83 and #20CBB2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #47CC20 shade matches the following richer shades: #46CB20 and #3CDE0D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #47CC20 shade: #46CB20, #51B833, #5BA546, #669259 and #707F6C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #47CC20 shade: #A3CB20, #75CB20, #48CB20, #20CB25 and #20CB53

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #47CC20 shade: #2E8415, #3AA71A, #46CB20, #5BDF34 and #78E558

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #47CC20 shade: #47CC20, #20CBC5 and #CB208C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #47CC20 shade: #47CC20, #2048CB and #CB2048

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #47CC20 shade: #47CC20, #20CBC5, #A320CB and #CB2025

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #47CC20 shade: #47CC20, #209DCB, #A320CB and #CB4D20

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 84 / 20

HEX #47CC20

RGB 71 204 32

HSL 106.4, 0.73%, 0.46%

LAB 72.65, -64.1, 66.72

 

Complementary color

CMYK 17 / 77 / 0 / 13

HEX #B833DF

RGB 184 51 223

HSL 286.4, 0.73%, 0.54%

LAB 49.36, 74.16, -61.12

 

CMYK 63 / 0 / 87 / 20

HEX #4CCC1B

RGB 76 204 27

HSL 103.39, 0.77%, 0.45%

LAB 72.76, -63.21, 67.97

 

CMYK 58 / 0 / 79 / 13

HEX #5DDE2E

RGB 93 222 46

HSL 103.98, 0.73%, 0.53%

LAB 78.91, -64.43, 69.05

 

CMYK 54 / 0 / 73 / 6

HEX #6EF041

RGB 110 240 65

HSL 104.57, 0.85%, 0.6%

LAB 85, -65.27, 69.24

 

CMYK 50 / 0 / 67 / 0

HEX #7FFF54

RGB 127 255 84

HSL 104.91, 1%, 0.66%

LAB 90.17, -64.75, 67.95

 

CMYK 44 / 0 / 60 / 0

HEX #90FF67

RGB 144 255 103

HSL 103.82, 1%, 0.7%

LAB 90.98, -58.25, 61.4

 

CMYK 65 / 0 / 84 / 20

HEX #47CC20

RGB 71 204 32

HSL 106.4, 0.73%, 0.46%

LAB 72.65, -64.1, 66.72

 

CMYK 71 / 0 / 93 / 27

HEX #36BA0D

RGB 54 186 13

HSL 105.78, 0.87%, 0.39%

LAB 66.47, -62.33, 64.8

 

CMYK 78 / 0 / 100 / 34

HEX #25A800

RGB 37 168 0

HSL 106.79, 1%, 0.33%

LAB 60.25, -59.86, 61.29

 

CMYK 87 / 0 / 100 / 41

HEX #149600

RGB 20 150 0

HSL 112, 1%, 0.29%

LAB 53.99, -56.57, 56.18

 

CMYK 98 / 0 / 100 / 48

HEX #038400

RGB 3 132 0

HSL 118.64, 1%, 0.26%

LAB 47.65, -52.63, 51.05

 

CMYK 66 / 0 / 84 / 20

HEX #46CB20

RGB 70 203 32

HSL 106.67, 0.73%, 0.46%

LAB 72.31, -63.98, 66.41

 

CMYK 42 / 0 / 84 / 20

HEX #75CB20

RGB 117 203 32

HSL 90.18, 0.73%, 0.46%

LAB 73.93, -51.21, 68.47

 

CMYK 20 / 0 / 84 / 20

HEX #A3CB20

RGB 163 203 32

HSL 74.04, 0.73%, 0.46%

LAB 76.44, -34.28, 71.62

 

CMYK 0 / 3 / 84 / 20

HEX #CBC520

RGB 203 197 32

HSL 57.89, 0.73%, 0.46%

LAB 77.72, -14.67, 73.88

 

CMYK 0 / 26 / 84 / 20

HEX #CB9720

RGB 203 151 32

HSL 41.75, 0.73%, 0.46%

LAB 65.7, 9.47, 63.85

 

CMYK 66 / 0 / 84 / 20

HEX #46CB20

RGB 70 203 32

HSL 106.67, 0.73%, 0.46%

LAB 72.31, -63.98, 66.41

 

CMYK 84 / 0 / 81 / 20

HEX #20CB27

RGB 32 203 39

HSL 122.46, 0.73%, 0.46%

LAB 71.67, -69.41, 63.79

 

CMYK 84 / 0 / 58 / 20

HEX #20CB55

RGB 32 203 85

HSL 138.6, 0.73%, 0.46%

LAB 72.01, -65.13, 46.69

 

CMYK 84 / 0 / 35 / 20

HEX #20CB83

RGB 32 203 131

HSL 154.74, 0.73%, 0.46%

LAB 72.67, -57.4, 24.61

 

CMYK 84 / 0 / 12 / 20

HEX #20CBB2

RGB 32 203 178

HSL 171.23, 0.73%, 0.46%

LAB 73.7, -46.24, 0.9

 

CMYK 66 / 0 / 84 / 20

HEX #46CB20

RGB 70 203 32

HSL 106.67, 0.73%, 0.46%

LAB 72.31, -63.98, 66.41

 

CMYK 73 / 0 / 94 / 13

HEX #3CDE0D

RGB 60 222 13

HSL 106.51, 0.89%, 0.46%

LAB 78.01, -72.3, 74.4

 

CMYK 66 / 0 / 84 / 20

HEX #46CB20

RGB 70 203 32

HSL 106.67, 0.73%, 0.46%

LAB 72.31, -63.98, 66.41

 

CMYK 56 / 0 / 72 / 28

HEX #51B833

RGB 81 184 51

HSL 106.47, 0.57%, 0.46%

LAB 66.73, -53.67, 55.45

 

CMYK 45 / 0 / 58 / 35

HEX #5BA546

RGB 91 165 70

HSL 106.74, 0.4%, 0.46%

LAB 61.29, -41.42, 41.51

 

CMYK 30 / 0 / 39 / 43

HEX #669259

RGB 102 146 89

HSL 106.32, 0.24%, 0.46%

LAB 56.19, -26.39, 25.54

 

CMYK 12 / 0 / 15 / 50

HEX #707F6C

RGB 112 127 108

HSL 107.37, 0.08%, 0.46%

LAB 51.5, -9.37, 8.49

 

CMYK 20 / 0 / 84 / 20

HEX #A3CB20

RGB 163 203 32

HSL 74.04, 0.73%, 0.46%

LAB 76.44, -34.28, 71.62

 

CMYK 42 / 0 / 84 / 20

HEX #75CB20

RGB 117 203 32

HSL 90.18, 0.73%, 0.46%

LAB 73.93, -51.21, 68.47

 

CMYK 65 / 0 / 84 / 20

HEX #48CB20

RGB 72 203 32

HSL 105.96, 0.73%, 0.46%

LAB 72.36, -63.56, 66.48

 

CMYK 84 / 0 / 82 / 20

HEX #20CB25

RGB 32 203 37

HSL 121.75, 0.73%, 0.46%

LAB 71.66, -69.52, 64.32

 

CMYK 84 / 0 / 59 / 20

HEX #20CB53

RGB 32 203 83

HSL 137.89, 0.73%, 0.46%

LAB 71.99, -65.39, 47.57

 

CMYK 65 / 0 / 84 / 48

HEX #2E8415

RGB 46 132 21

HSL 106.49, 0.73%, 0.3%

LAB 48.43, -45.58, 47.4

 

CMYK 65 / 0 / 84 / 35

HEX #3AA71A

RGB 58 167 26

HSL 106.38, 0.73%, 0.38%

LAB 60.44, -54.84, 57.1

 

CMYK 66 / 0 / 84 / 20

HEX #46CB20

RGB 70 203 32

HSL 106.67, 0.73%, 0.46%

LAB 72.31, -63.98, 66.41

 

CMYK 59 / 0 / 77 / 13

HEX #5BDF34

RGB 91 223 52

HSL 106.32, 0.73%, 0.54%

LAB 79.18, -64.91, 67.53

 

CMYK 48 / 0 / 62 / 10

HEX #78E558

RGB 120 229 88

HSL 106.38, 0.73%, 0.62%

LAB 82.24, -56.63, 57.65

 

CMYK 65 / 0 / 84 / 20

HEX #47CC20

RGB 71 204 32

HSL 106.4, 0.73%, 0.46%

LAB 72.65, -64.1, 66.72

 

CMYK 84 / 0 / 3 / 20

HEX #20CBC5

RGB 32 203 197

HSL 177.89, 0.73%, 0.46%

LAB 74.22, -40.94, -8.61

 

CMYK 0 / 84 / 31 / 20

HEX #CB208C

RGB 203 32 140

HSL 322.11, 0.73%, 0.46%

LAB 46.48, 70.68, -16.76

 

CMYK 65 / 0 / 84 / 20

HEX #47CC20

RGB 71 204 32

HSL 106.4, 0.73%, 0.46%

LAB 72.65, -64.1, 66.72

 

CMYK 84 / 65 / 0 / 20

HEX #2048CB

RGB 32 72 203

HSL 225.96, 0.73%, 0.46%

LAB 36.47, 35.96, -71.26

 

CMYK 0 / 84 / 65 / 20

HEX #CB2048

RGB 203 32 72

HSL 345.96, 0.73%, 0.46%

LAB 44.51, 65.04, 22.41

 

CMYK 65 / 0 / 84 / 20

HEX #47CC20

RGB 71 204 32

HSL 106.4, 0.73%, 0.46%

LAB 72.65, -64.1, 66.72

 

CMYK 84 / 0 / 3 / 20

HEX #20CBC5

RGB 32 203 197

HSL 177.89, 0.73%, 0.46%

LAB 74.22, -40.94, -8.61

 

CMYK 20 / 84 / 0 / 20

HEX #A320CB

RGB 163 32 203

HSL 285.96, 0.73%, 0.46%

LAB 42.96, 72.09, -60.14

 

CMYK 0 / 84 / 82 / 20

HEX #CB2025

RGB 203 32 37

HSL 358.25, 0.73%, 0.46%

LAB 44.04, 63.62, 42.55

 

CMYK 65 / 0 / 84 / 20

HEX #47CC20

RGB 71 204 32

HSL 106.4, 0.73%, 0.46%

LAB 72.65, -64.1, 66.72

 

CMYK 84 / 23 / 0 / 20

HEX #209DCB

RGB 32 157 203

HSL 196.14, 0.73%, 0.46%

LAB 60.55, -16.42, -32.73

 

CMYK 20 / 84 / 0 / 20

HEX #A320CB

RGB 163 32 203

HSL 285.96, 0.73%, 0.46%

LAB 42.96, 72.09, -60.14

 

CMYK 0 / 62 / 84 / 20

HEX #CB4D20

RGB 203 77 32

HSL 15.79, 0.73%, 0.46%

LAB 49.63, 48, 50.11

 

Description

Color code: HEX #47CC20 | qconv.com Color code: HEX #47CC20 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 204 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 204 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 84 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 84% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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