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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4780BC it is the complementary color #B87F43. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4780BC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #4780BC: #4C80B7, #5D92CA, #6EA4DD, #7FB6F0 and #90C8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4780BC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #4780BC: #4780BC, #366EA9, #255C96, #144A83 and #033870

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 32 / 0 / 26

HEX #4780BC

RGB 71 128 188

HSL 210.77, 0.47%, 0.51%

LAB 52.3, -0.02, -37.05

 

Complementary color

CMYK 0 / 31 / 64 / 28

HEX #B87F43

RGB 184 127 67

HSL 30.77, 0.47%, 0.49%

LAB 57.82, 15.95, 40.84

 

CMYK 58 / 30 / 0 / 28

HEX #4C80B7

RGB 76 128 183

HSL 210.84, 0.43%, 0.51%

LAB 52.28, -0.69, -34.2

 

CMYK 54 / 28 / 0 / 21

HEX #5D92CA

RGB 93 146 202

HSL 210.83, 0.51%, 0.58%

LAB 59.11, -1.47, -34.26

 

CMYK 50 / 26 / 0 / 13

HEX #6EA4DD

RGB 110 164 221

HSL 210.81, 0.62%, 0.65%

LAB 65.82, -2.1, -34.34

 

CMYK 47 / 24 / 0 / 6

HEX #7FB6F0

RGB 127 182 240

HSL 210.8, 0.79%, 0.72%

LAB 72.4, -2.61, -34.45

 

CMYK 44 / 22 / 0 / 0

HEX #90C8FF

RGB 144 200 255

HSL 209.73, 1%, 0.78%

LAB 78.73, -4.13, -32.67

 

CMYK 62 / 32 / 0 / 26

HEX #4780BC

RGB 71 128 188

HSL 210.77, 0.47%, 0.51%

LAB 52.3, -0.02, -37.05

 

CMYK 68 / 35 / 0 / 34

HEX #366EA9

RGB 54 110 169

HSL 210.78, 0.52%, 0.44%

LAB 45.36, 1.19, -37.02

 

CMYK 75 / 39 / 0 / 41

HEX #255C96

RGB 37 92 150

HSL 210.8, 0.6%, 0.37%

LAB 38.29, 2.79, -36.98

 

CMYK 85 / 44 / 0 / 49

HEX #144A83

RGB 20 74 131

HSL 210.81, 0.74%, 0.3%

LAB 31.08, 4.99, -36.9

 

CMYK 97 / 50 / 0 / 56

HEX #033870

RGB 3 56 112

HSL 210.83, 0.95%, 0.23%

LAB 23.73, 7.96, -36.76

 

CMYK 62 / 32 / 0 / 26

HEX #4780BC

RGB 71 128 188

HSL 210.77, 0.47%, 0.51%

LAB 52.3, -0.02, -37.05

 

CMYK 62 / 41 / 0 / 26

HEX #476EBC

RGB 71 110 188

HSL 220, 0.47%, 0.51%

LAB 47.13, 10.96, -45.22

 

CMYK 62 / 52 / 0 / 26

HEX #475ABC

RGB 71 90 188

HSL 230.26, 0.47%, 0.51%

LAB 41.66, 23.64, -53.99

 

CMYK 62 / 62 / 0 / 26

HEX #4747BC

RGB 71 71 188

HSL 240, 0.47%, 0.51%

LAB 36.89, 35.65, -61.74

 

CMYK 52 / 62 / 0 / 26

HEX #5A47BC

RGB 90 71 188

HSL 249.74, 0.47%, 0.51%

LAB 38.39, 38.98, -59.22

 

CMYK 62 / 32 / 0 / 26

HEX #4780BC

RGB 71 128 188

HSL 210.77, 0.47%, 0.51%

LAB 52.3, -0.02, -37.05

 

CMYK 62 / 32 / 0 / 6

HEX #5AA3EF

RGB 90 163 239

HSL 210.6, 0.82%, 0.65%

LAB 65.44, 0.03, -44.9

 

CMYK 63 / 31 / 0 / 86

HEX #0D1823

RGB 13 24 35

HSL 210, 0.46%, 0.09%

LAB 7.77, -0.88, -9.14

 

CMYK 63 / 31 / 0 / 66

HEX #203B56

RGB 32 59 86

HSL 210, 0.46%, 0.23%

LAB 24.02, -0.95, -19.37

 

CMYK 62 / 32 / 0 / 46

HEX #345D89

RGB 52 93 137

HSL 211.06, 0.45%, 0.37%

LAB 38.49, -0.04, -28.76

 

CMYK 62 / 32 / 0 / 26

HEX #4780BC

RGB 71 128 188

HSL 210.77, 0.47%, 0.51%

LAB 52.3, -0.02, -37.05

 

CMYK 19 / 62 / 0 / 26

HEX #9947BC

RGB 153 71 188

HSL 282.05, 0.47%, 0.51%

LAB 45.51, 52.94, -47.38

 

CMYK 6 / 0 / 62 / 26

HEX #B1BC47

RGB 177 188 71

HSL 65.64, 0.47%, 0.51%

LAB 73.4, -19.41, 56.07

 

CMYK 62 / 32 / 0 / 26

HEX #4780BC

RGB 71 128 188

HSL 210.77, 0.47%, 0.51%

LAB 52.3, -0.02, -37.05

 

CMYK 0 / 62 / 31 / 26

HEX #BC4782

RGB 188 71 130

HSL 329.74, 0.47%, 0.51%

LAB 48.02, 52.83, -8.63

 

CMYK 31 / 0 / 62 / 26

HEX #82BC47

RGB 130 188 71

HSL 89.74, 0.47%, 0.51%

LAB 70.29, -37.97, 51.8

 

CMYK 62 / 32 / 0 / 26

HEX #4780BC

RGB 71 128 188

HSL 210.77, 0.47%, 0.51%

LAB 52.3, -0.02, -37.05

 

CMYK 19 / 62 / 0 / 26

HEX #9947BC

RGB 153 71 188

HSL 282.05, 0.47%, 0.51%

LAB 45.51, 52.94, -47.38

 

CMYK 0 / 31 / 62 / 26

HEX #BC8247

RGB 188 130 71

HSL 30.26, 0.47%, 0.51%

LAB 59.08, 16.29, 40.36

 

CMYK 44 / 0 / 62 / 26

HEX #6ABC47

RGB 106 188 71

HSL 102.05, 0.47%, 0.51%

LAB 69.1, -46.18, 50.15

 

CMYK 62 / 32 / 0 / 26

HEX #4780BC

RGB 71 128 188

HSL 210.77, 0.47%, 0.51%

LAB 52.3, -0.02, -37.05

 

CMYK 0 / 62 / 0 / 26

HEX #BC47BC

RGB 188 71 188

HSL 300, 0.47%, 0.51%

LAB 50.49, 61.51, -39.17

 

CMYK 0 / 31 / 62 / 26

HEX #BC8247

RGB 188 130 71

HSL 30.26, 0.47%, 0.51%

LAB 59.08, 16.29, 40.36

 

CMYK 62 / 0 / 62 / 26

HEX #47BC47

RGB 71 188 71

HSL 120, 0.47%, 0.51%

LAB 67.84, -55.71, 48.39

 

Description

Color code: HEX #4780BC | qconv.com Color code: HEX #4780BC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 128 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 128 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, 32 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 32% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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