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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #476B76 it is the complementary color #B89489. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #476B76. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #476B76 shade: #4C6B71, #5D7D84, #6E8F97, #7FA1AA and #90B3BD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #476B76. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #476B76 shade: #476B76, #365963, #254750, #14353D and #03232A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #476B76 shade: #476B76, #475E76, #475176, #494776 and #564776

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #476B76 shade: #476B76, #475E76, #475176 and #474776

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #476B76 shade matches the following richer shades: #476B76, #377385, #287B94, #1983A4 and #0A8BB3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #476B76 shade: #476B76, #566367, #655B57, #755348 and #844A39

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #476B76 shade: #477668, #477674, #476B76, #475E76 and #475276

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #476B76 shade: #283C42, #37545C, #476B76, #568290 and #6A97A5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #476B76 shade: #476B76, #5B4776 and #766E47

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #476B76 shade: #476B76, #76476B and #6B7647

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #476B76 shade: #476B76, #5B4776, #765247 and #617647

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #476B76 shade: #476B76, #694776, #765247 and #537647

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 9 / 0 / 54

HEX #476B76

RGB 71 107 118

HSL 194.04, 0.25%, 0.37%

LAB 43.01, -9.75, -10.21

 

Complementary color

CMYK 0 / 20 / 26 / 28

HEX #B89489

RGB 184 148 137

HSL 14.04, 0.25%, 0.63%

LAB 64.3, 11.81, 10.92

 

CMYK 33 / 5 / 0 / 56

HEX #4C6B71

RGB 76 107 113

HSL 189.73, 0.2%, 0.37%

LAB 43.13, -9.6, -6.98

 

CMYK 30 / 5 / 0 / 48

HEX #5D7D84

RGB 93 125 132

HSL 190.77, 0.17%, 0.44%

LAB 50.29, -9.57, -7.5

 

CMYK 27 / 5 / 0 / 41

HEX #6E8F97

RGB 110 143 151

HSL 191.71, 0.16%, 0.51%

LAB 57.26, -9.55, -8.01

 

CMYK 25 / 5 / 0 / 33

HEX #7FA1AA

RGB 127 161 170

HSL 192.56, 0.2%, 0.58%

LAB 64.08, -9.54, -8.51

 

CMYK 24 / 5 / 0 / 26

HEX #90B3BD

RGB 144 179 189

HSL 193.33, 0.25%, 0.65%

LAB 70.76, -9.53, -8.99

 

CMYK 40 / 9 / 0 / 54

HEX #476B76

RGB 71 107 118

HSL 194.04, 0.25%, 0.37%

LAB 43.01, -9.75, -10.21

 

CMYK 45 / 10 / 0 / 61

HEX #365963

RGB 54 89 99

HSL 193.33, 0.29%, 0.3%

LAB 35.65, -9.67, -9.73

 

CMYK 54 / 11 / 0 / 69

HEX #254750

RGB 37 71 80

HSL 192.56, 0.37%, 0.23%

LAB 28.06, -9.5, -9.22

 

CMYK 67 / 13 / 0 / 76

HEX #14353D

RGB 20 53 61

HSL 191.71, 0.51%, 0.16%

LAB 20.17, -9.14, -8.65

 

CMYK 93 / 17 / 0 / 84

HEX #03232A

RGB 3 35 42

HSL 190.77, 0.87%, 0.09%

LAB 11.88, -8.59, -8.03

 

CMYK 40 / 9 / 0 / 54

HEX #476B76

RGB 71 107 118

HSL 194.04, 0.25%, 0.37%

LAB 43.01, -9.75, -10.21

 

CMYK 40 / 20 / 0 / 54

HEX #475E76

RGB 71 94 118

HSL 210.64, 0.25%, 0.37%

LAB 38.99, -2, -16.31

 

CMYK 40 / 31 / 0 / 54

HEX #475176

RGB 71 81 118

HSL 227.23, 0.25%, 0.37%

LAB 35.07, 6.17, -22.37

 

CMYK 38 / 40 / 0 / 54

HEX #494776

RGB 73 71 118

HSL 242.55, 0.25%, 0.37%

LAB 32.33, 13.26, -26.65

 

CMYK 27 / 40 / 0 / 54

HEX #564776

RGB 86 71 118

HSL 259.15, 0.25%, 0.37%

LAB 33.55, 17.34, -24.64

 

CMYK 40 / 9 / 0 / 54

HEX #476B76

RGB 71 107 118

HSL 194.04, 0.25%, 0.37%

LAB 43.01, -9.75, -10.21

 

CMYK 40 / 20 / 0 / 54

HEX #475E76

RGB 71 94 118

HSL 210.64, 0.25%, 0.37%

LAB 38.99, -2, -16.31

 

CMYK 40 / 31 / 0 / 54

HEX #475176

RGB 71 81 118

HSL 227.23, 0.25%, 0.37%

LAB 35.07, 6.17, -22.37

 

CMYK 40 / 40 / 0 / 54

HEX #474776

RGB 71 71 118

HSL 240, 0.25%, 0.37%

LAB 32.16, 12.66, -26.93

 

CMYK 40 / 9 / 0 / 54

HEX #476B76

RGB 71 107 118

HSL 194.04, 0.25%, 0.37%

LAB 43.01, -9.75, -10.21

 

CMYK 59 / 14 / 0 / 48

HEX #377385

RGB 55 115 133

HSL 193.85, 0.41%, 0.37%

LAB 45.31, -13.87, -15.79

 

CMYK 73 / 17 / 0 / 42

HEX #287B94

RGB 40 123 148

HSL 193.89, 0.57%, 0.37%

LAB 47.95, -16.04, -20.67

 

CMYK 85 / 20 / 0 / 36

HEX #1983A4

RGB 25 131 164

HSL 194.24, 0.74%, 0.37%

LAB 50.83, -16.54, -25.61

 

CMYK 94 / 22 / 0 / 30

HEX #0A8BB3

RGB 10 139 179

HSL 194.2, 0.89%, 0.37%

LAB 53.8, -16.43, -29.65

 

CMYK 40 / 9 / 0 / 54

HEX #476B76

RGB 71 107 118

HSL 194.04, 0.25%, 0.37%

LAB 43.01, -9.75, -10.21

 

CMYK 17 / 4 / 0 / 60

HEX #566367

RGB 86 99 103

HSL 194.12, 0.09%, 0.37%

LAB 41.03, -4.02, -3.95

 

CMYK 0 / 10 / 14 / 60

HEX #655B57

RGB 101 91 87

HSL 17.14, 0.07%, 0.37%

LAB 39.47, 3.27, 3.76

 

CMYK 0 / 29 / 38 / 54

HEX #755348

RGB 117 83 72

HSL 14.67, 0.24%, 0.37%

LAB 38.61, 12.6, 12.05

 

CMYK 0 / 44 / 57 / 48

HEX #844A39

RGB 132 74 57

HSL 13.6, 0.4%, 0.37%

LAB 38.02, 22.8, 20.8

 

CMYK 40 / 0 / 12 / 54

HEX #477668

RGB 71 118 104

HSL 162.13, 0.25%, 0.37%

LAB 46.04, -19.56, 2.67

 

CMYK 40 / 0 / 2 / 54

HEX #477674

RGB 71 118 116

HSL 177.45, 0.25%, 0.37%

LAB 46.39, -16.49, -3.96

 

CMYK 40 / 9 / 0 / 54

HEX #476B76

RGB 71 107 118

HSL 194.04, 0.25%, 0.37%

LAB 43.01, -9.75, -10.21

 

CMYK 40 / 20 / 0 / 54

HEX #475E76

RGB 71 94 118

HSL 210.64, 0.25%, 0.37%

LAB 38.99, -2, -16.31

 

CMYK 40 / 31 / 0 / 54

HEX #475276

RGB 71 82 118

HSL 225.96, 0.25%, 0.37%

LAB 35.37, 5.53, -21.91

 

CMYK 39 / 9 / 0 / 74

HEX #283C42

RGB 40 60 66

HSL 193.85, 0.25%, 0.21%

LAB 23.92, -6.14, -6.24

 

CMYK 40 / 9 / 0 / 64

HEX #37545C

RGB 55 84 92

HSL 192.97, 0.25%, 0.29%

LAB 33.83, -8.46, -8.09

 

CMYK 40 / 9 / 0 / 54

HEX #476B76

RGB 71 107 118

HSL 194.04, 0.25%, 0.37%

LAB 43.01, -9.75, -10.21

 

CMYK 40 / 10 / 0 / 44

HEX #568290

RGB 86 130 144

HSL 194.48, 0.25%, 0.45%

LAB 51.79, -11.29, -12.32

 

CMYK 36 / 8 / 0 / 35

HEX #6A97A5

RGB 106 151 165

HSL 194.24, 0.25%, 0.53%

LAB 59.81, -11.61, -12.21

 

CMYK 40 / 9 / 0 / 54

HEX #476B76

RGB 71 107 118

HSL 194.04, 0.25%, 0.37%

LAB 43.01, -9.75, -10.21

 

CMYK 23 / 40 / 0 / 54

HEX #5B4776

RGB 91 71 118

HSL 265.53, 0.25%, 0.37%

LAB 34.06, 18.97, -23.8

 

CMYK 0 / 7 / 40 / 54

HEX #766E47

RGB 118 110 71

HSL 49.79, 0.25%, 0.37%

LAB 46.26, -3.13, 22.89

 

CMYK 40 / 9 / 0 / 54

HEX #476B76

RGB 71 107 118

HSL 194.04, 0.25%, 0.37%

LAB 43.01, -9.75, -10.21

 

CMYK 0 / 40 / 9 / 54

HEX #76476B

RGB 118 71 107

HSL 314.04, 0.25%, 0.37%

LAB 36.78, 25.94, -12.47

 

CMYK 9 / 0 / 40 / 54

HEX #6B7647

RGB 107 118 71

HSL 74.04, 0.25%, 0.37%

LAB 47.67, -12.42, 24.53

 

CMYK 40 / 9 / 0 / 54

HEX #476B76

RGB 71 107 118

HSL 194.04, 0.25%, 0.37%

LAB 43.01, -9.75, -10.21

 

CMYK 23 / 40 / 0 / 54

HEX #5B4776

RGB 91 71 118

HSL 265.53, 0.25%, 0.37%

LAB 34.06, 18.97, -23.8

 

CMYK 0 / 31 / 40 / 54

HEX #765247

RGB 118 82 71

HSL 14.04, 0.25%, 0.37%

LAB 38.45, 13.51, 12.46

 

CMYK 18 / 0 / 40 / 54

HEX #617647

RGB 97 118 71

HSL 86.81, 0.25%, 0.37%

LAB 46.91, -16.6, 23.4

 

CMYK 40 / 9 / 0 / 54

HEX #476B76

RGB 71 107 118

HSL 194.04, 0.25%, 0.37%

LAB 43.01, -9.75, -10.21

 

CMYK 11 / 40 / 0 / 54

HEX #694776

RGB 105 71 118

HSL 283.4, 0.25%, 0.37%

LAB 35.63, 23.66, -21.24

 

CMYK 0 / 31 / 40 / 54

HEX #765247

RGB 118 82 71

HSL 14.04, 0.25%, 0.37%

LAB 38.45, 13.51, 12.46

 

CMYK 30 / 0 / 40 / 54

HEX #537647

RGB 83 118 71

HSL 104.68, 0.25%, 0.37%

LAB 45.98, -22.13, 22

 

Description

Color code: HEX #476B76 | qconv.com Color code: HEX #476B76 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 107 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 107 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 9 magenta, none yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 9% 0% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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