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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 30 / 5 / 0 / 48 it is the complementary color CMYK 0 / 20 / 25 / 36. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 30 / 5 / 0 / 48. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 30 / 5 / 0 / 48: CMYK 23 / 2 / 0 / 50, CMYK 22 / 2 / 0 / 42, CMYK 20 / 2 / 0 / 35, CMYK 19 / 3 / 0 / 27 and CMYK 19 / 3 / 0 / 20

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 30 / 5 / 0 / 48. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 30 / 5 / 0 / 48: CMYK 30 / 5 / 0 / 48, CMYK 33 / 5 / 0 / 55, CMYK 38 / 5 / 0 / 63, CMYK 45 / 5 / 0 / 70 and CMYK 56 / 5 / 0 / 78

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 5 / 0 / 48

HEX #5D7E85

RGB 93 126 133

HSL 190.5, 0.18%, 0.44%

LAB 50.62, -9.88, -7.59

 

Complementary color

CMYK 0 / 20 / 25 / 36

HEX #A2817A

RGB 162 129 122

HSL 10.5, 0.18%, 0.56%

LAB 56.87, 11.58, 8.61

 

CMYK 23 / 2 / 0 / 50

HEX #627E80

RGB 98 126 128

HSL 184, 0.13%, 0.44%

LAB 50.78, -9.51, -4.39

 

CMYK 22 / 2 / 0 / 42

HEX #739093

RGB 115 144 147

HSL 185.63, 0.13%, 0.51%

LAB 57.75, -9.45, -4.97

 

CMYK 20 / 2 / 0 / 35

HEX #84A2A6

RGB 132 162 166

HSL 187.06, 0.16%, 0.58%

LAB 64.56, -9.42, -5.52

 

CMYK 19 / 3 / 0 / 27

HEX #95B4B9

RGB 149 180 185

HSL 188.33, 0.2%, 0.65%

LAB 71.24, -9.4, -6.05

 

CMYK 19 / 3 / 0 / 20

HEX #A6C6CC

RGB 166 198 204

HSL 189.47, 0.27%, 0.73%

LAB 77.79, -9.38, -6.58

 

CMYK 30 / 5 / 0 / 48

HEX #5D7E85

RGB 93 126 133

HSL 190.5, 0.18%, 0.44%

LAB 50.62, -9.88, -7.59

 

CMYK 33 / 5 / 0 / 55

HEX #4C6C72

RGB 76 108 114

HSL 189.47, 0.2%, 0.37%

LAB 43.47, -9.91, -7.07

 

CMYK 38 / 5 / 0 / 63

HEX #3B5A5F

RGB 59 90 95

HSL 188.33, 0.23%, 0.3%

LAB 36.12, -9.94, -6.51

 

CMYK 45 / 5 / 0 / 70

HEX #2A484C

RGB 42 72 76

HSL 187.06, 0.29%, 0.23%

LAB 28.51, -9.94, -5.92

 

CMYK 56 / 5 / 0 / 78

HEX #193639

RGB 25 54 57

HSL 185.63, 0.39%, 0.16%

LAB 20.6, -9.88, -5.26

 

CMYK 30 / 5 / 0 / 48

HEX #5D7E85

RGB 93 126 133

HSL 190.5, 0.18%, 0.44%

LAB 50.62, -9.88, -7.59

 

CMYK 30 / 11 / 0 / 48

HEX #5C7684

RGB 92 118 132

HSL 201, 0.18%, 0.44%

LAB 48.13, -5.89, -10.74

 

CMYK 30 / 15 / 0 / 48

HEX #5C7084

RGB 92 112 132

HSL 210, 0.18%, 0.44%

LAB 46.35, -2.37, -13.43

 

CMYK 30 / 20 / 0 / 48

HEX #5C6984

RGB 92 105 132

HSL 220.5, 0.18%, 0.44%

LAB 44.3, 1.81, -16.55

 

CMYK 30 / 26 / 0 / 48

HEX #5C6284

RGB 92 98 132

HSL 231, 0.18%, 0.44%

LAB 42.27, 6.09, -19.66

 

CMYK 30 / 5 / 0 / 48

HEX #5D7E85

RGB 93 126 133

HSL 190.5, 0.18%, 0.44%

LAB 50.62, -9.88, -7.59

 

CMYK 30 / 5 / 0 / 28

HEX #81AEB8

RGB 129 174 184

HSL 190.91, 0.28%, 0.61%

LAB 68.31, -12.57, -9.98

 

CMYK 30 / 5 / 0 / 8

HEX #A4DFEB

RGB 164 223 235

HSL 190.14, 0.64%, 0.78%

LAB 85.34, -15.9, -11.92

 

CMYK 29 / 6 / 0 / 88

HEX #161D1F

RGB 22 29 31

HSL 193.33, 0.17%, 0.1%

LAB 10.17, -2.6, -2.44

 

CMYK 30 / 5 / 0 / 68

HEX #394E52

RGB 57 78 82

HSL 189.6, 0.18%, 0.27%

LAB 31.64, -6.99, -5

 

CMYK 30 / 5 / 0 / 48

HEX #5D7E85

RGB 93 126 133

HSL 190.5, 0.18%, 0.44%

LAB 50.62, -9.88, -7.59

 

CMYK 20 / 30 / 0 / 48

HEX #6A5C84

RGB 106 92 132

HSL 261, 0.18%, 0.44%

LAB 41.82, 14.43, -20.25

 

CMYK 0 / 8 / 30 / 48

HEX #847A5C

RGB 132 122 92

HSL 45, 0.18%, 0.44%

LAB 51.38, -1.15, 17.85

 

CMYK 30 / 5 / 0 / 48

HEX #5D7E85

RGB 93 126 133

HSL 190.5, 0.18%, 0.44%

LAB 50.62, -9.88, -7.59

 

CMYK 0 / 30 / 5 / 48

HEX #845C7D

RGB 132 92 125

HSL 310.5, 0.18%, 0.44%

LAB 44.29, 22.08, -11.99

 

CMYK 5 / 0 / 30 / 48

HEX #7D845C

RGB 125 132 92

HSL 70.5, 0.18%, 0.44%

LAB 53.64, -9.67, 20.78

 

CMYK 30 / 5 / 0 / 48

HEX #5D7E85

RGB 93 126 133

HSL 190.5, 0.18%, 0.44%

LAB 50.62, -9.88, -7.59

 

CMYK 20 / 30 / 0 / 48

HEX #6A5C84

RGB 106 92 132

HSL 261, 0.18%, 0.44%

LAB 41.82, 14.43, -20.25

 

CMYK 0 / 26 / 30 / 48

HEX #84625C

RGB 132 98 92

HSL 9, 0.18%, 0.44%

LAB 44.82, 12.85, 8.78

 

CMYK 11 / 0 / 30 / 48

HEX #75845C

RGB 117 132 92

HSL 82.5, 0.18%, 0.44%

LAB 53.01, -12.91, 19.84

 

CMYK 30 / 5 / 0 / 48

HEX #5D7E85

RGB 93 126 133

HSL 190.5, 0.18%, 0.44%

LAB 50.62, -9.88, -7.59

 

CMYK 11 / 30 / 0 / 48

HEX #765C84

RGB 118 92 132

HSL 279, 0.18%, 0.44%

LAB 43.02, 18.55, -18.31

 

CMYK 0 / 26 / 30 / 48

HEX #84625C

RGB 132 98 92

HSL 9, 0.18%, 0.44%

LAB 44.82, 12.85, 8.78

 

CMYK 20 / 0 / 30 / 48

HEX #69845C

RGB 105 132 92

HSL 100.5, 0.18%, 0.44%

LAB 52.15, -17.63, 18.53

 

Description

Color code: CMYK 30 / 5 / 0 / 48 | qconv.com Color code: CMYK 30 / 5 / 0 / 48 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 126 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 126 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 5 magenta, none yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 5% 0% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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