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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #475FD14C it is the complementary color #B8A02E4C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #475FD14C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #475FD14C shade: #4C5FCC4C, #5D71DF4C, #6E83F24C, #7F95FF4C and #90A7FF4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #475FD14C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #475FD14C shade: #475FD14C, #364DBE4C, #253BAB4C, #1429984C and #0317854C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #475FD14C shade: #475FD1, #5547D1, #7A47D1, #9F47D1 and #C447D1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #475FD14C shade: #475FD1 and #4747D1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #475FD14C shade matches the following richer shades: #475FD1, #3553E4 and #2247F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #475FD14C shade: #475FD1, #5A6BBF, #6D78AC, #7F8499 and #929087

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #475FD14C shade: #47AAD1, #4785D1, #4761D1, #5347D1 and #7847D1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #475FD14C shade: #283C9E, #3049BF, #475FD1, #687CD9 and #8999E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #475FD14C shade: #475FD1, #D147CF and #98D147

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #475FD14C shade: #475FD1, #D14761 and #61D147

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #475FD14C shade: #475FD1, #D147CF, #D1B847 and #47D14A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #475FD14C shade: #475FD1, #D147A5, #D1B847 and #47D173

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 16 / 0 / 5

HEX #475FD14C

RGBA 71 95 209 0.3

HSLA 229.57, 0.6%, 0.55%, 0.3

LABA 44.42, 27.78, -61.69, 0.3

 

Complementary color

CMYK 0 / 4 / 23 / 8

HEX #B8A02E4C

RGBA 184 160 46 0.3

HSLA 49.57, 0.6%, 0.45%, 0.3

LABA 66.16, -3.31, 58.9, 0.3

 

CMYK 19 / 16 / 0 / 6

HEX #4C5FCC4C

RGBA 76 95 204 0.3

HSLA 231.09, 0.56%, 0.55%, 0.3

LABA 44.35, 26.86, -58.91, 0.3

 

CMYK 17 / 15 / 0 / 4

HEX #5D71DF4C

RGBA 93 113 223 0.3

HSLA 230.77, 0.67%, 0.62%, 0.3

LABA 51.23, 25.11, -58.59, 0.3

 

CMYK 16 / 14 / 0 / 2

HEX #6E83F24C

RGBA 110 131 242 0.3

HSLA 230.45, 0.84%, 0.69%, 0.3

LABA 58, 23.63, -58.29, 0.3

 

CMYK 15 / 12 / 0 / 0

HEX #7F95FF4C

RGBA 127 149 255 0.3

HSLA 229.69, 1%, 0.75%, 0.3

LABA 64.34, 20.57, -55.26, 0.3

 

CMYK 13 / 10 / 0 / 0

HEX #90A7FF4C

RGBA 144 167 255 0.3

HSLA 227.57, 1%, 0.78%, 0.3

LABA 70.03, 14.13, -46.21, 0.3

 

CMYK 20 / 16 / 0 / 5

HEX #475FD14C

RGBA 71 95 209 0.3

HSLA 229.57, 0.6%, 0.55%, 0.3

LABA 44.42, 27.78, -61.69, 0.3

 

CMYK 21 / 18 / 0 / 8

HEX #364DBE4C

RGBA 54 77 190 0.3

HSLA 229.85, 0.56%, 0.48%, 0.3

LABA 37.5, 30.08, -61.96, 0.3

 

CMYK 24 / 20 / 0 / 10

HEX #253BAB4C

RGBA 37 59 171 0.3

HSLA 230.15, 0.64%, 0.41%, 0.3

LABA 30.55, 32.84, -62.1, 0.3

 

CMYK 26 / 22 / 0 / 12

HEX #1429984C

RGBA 20 41 152 0.3

HSLA 230.45, 0.77%, 0.34%, 0.3

LABA 23.68, 36.03, -61.91, 0.3

 

CMYK 29 / 25 / 0 / 14

HEX #0317854C

RGBA 3 23 133 0.3

HSLA 230.77, 0.96%, 0.27%, 0.3

LABA 17.11, 39.2, -60.98, 0.3

 

CMYK 66 / 55 / 0 / 18

HEX #475FD1

RGB 71 95 209

HSL 229.57, 0.6%, 0.55%

LAB 44.42, 27.78, -61.69

 

CMYK 59 / 66 / 0 / 18

HEX #5547D1

RGB 85 71 209

HSL 246.09, 0.6%, 0.55%

LAB 39.65, 44.62, -69.4

 

CMYK 42 / 66 / 0 / 18

HEX #7A47D1

RGB 122 71 209

HSL 262.17, 0.6%, 0.55%

LAB 43.13, 51.12, -63.57

 

CMYK 24 / 66 / 0 / 18

HEX #9F47D1

RGB 159 71 209

HSL 278.26, 0.6%, 0.55%

LAB 47.6, 58.8, -56.14

 

CMYK 6 / 66 / 0 / 18

HEX #C447D1

RGB 196 71 209

HSL 294.35, 0.6%, 0.55%

LAB 52.78, 67.05, -47.56

 

CMYK 66 / 55 / 0 / 18

HEX #475FD1

RGB 71 95 209

HSL 229.57, 0.6%, 0.55%

LAB 44.42, 27.78, -61.69

 

CMYK 66 / 66 / 0 / 18

HEX #4747D1

RGB 71 71 209

HSL 240, 0.6%, 0.55%

LAB 38.64, 42.63, -71.1

 

CMYK 66 / 55 / 0 / 18

HEX #475FD1

RGB 71 95 209

HSL 229.57, 0.6%, 0.55%

LAB 44.42, 27.78, -61.69

 

CMYK 77 / 64 / 0 / 11

HEX #3553E4

RGB 53 83 228

HSL 229.71, 0.76%, 0.55%

LAB 42.07, 39.81, -76.39

 

CMYK 86 / 71 / 0 / 4

HEX #2247F6

RGB 34 71 246

HSL 229.53, 0.92%, 0.55%

LAB 40.41, 51.99, -89.3

 

CMYK 66 / 55 / 0 / 18

HEX #475FD1

RGB 71 95 209

HSL 229.57, 0.6%, 0.55%

LAB 44.42, 27.78, -61.69

 

CMYK 53 / 44 / 0 / 25

HEX #5A6BBF

RGB 90 107 191

HSL 229.9, 0.44%, 0.55%

LAB 47.56, 17.76, -46.21

 

CMYK 37 / 30 / 0 / 33

HEX #6D78AC

RGB 109 120 172

HSL 229.52, 0.28%, 0.55%

LAB 51.45, 8.96, -28.99

 

CMYK 17 / 14 / 0 / 40

HEX #7F8499

RGB 127 132 153

HSL 228.46, 0.11%, 0.55%

LAB 55.39, 2.72, -11.84

 

CMYK 0 / 1 / 8 / 43

HEX #929087

RGB 146 144 135

HSL 49.09, 0.05%, 0.55%

LAB 59.71, -0.95, 5.03

 

CMYK 66 / 19 / 0 / 18

HEX #47AAD1

RGB 71 170 209

HSL 196.96, 0.6%, 0.55%

LAB 65.51, -16.74, -28.32

 

CMYK 66 / 36 / 0 / 18

HEX #4785D1

RGB 71 133 209

HSL 213.04, 0.6%, 0.55%

LAB 54.78, 4.19, -45.08

 

CMYK 66 / 54 / 0 / 18

HEX #4761D1

RGB 71 97 209

HSL 228.7, 0.6%, 0.55%

LAB 44.93, 26.51, -60.85

 

CMYK 60 / 66 / 0 / 18

HEX #5347D1

RGB 83 71 209

HSL 245.22, 0.6%, 0.55%

LAB 39.49, 44.32, -69.66

 

CMYK 43 / 66 / 0 / 18

HEX #7847D1

RGB 120 71 209

HSL 261.3, 0.6%, 0.55%

LAB 42.92, 50.73, -63.94

 

CMYK 75 / 62 / 0 / 38

HEX #283C9E

RGB 40 60 158

HSL 229.83, 0.6%, 0.39%

LAB 29.79, 27.63, -55.5

 

CMYK 75 / 62 / 0 / 25

HEX #3049BF

RGB 48 73 191

HSL 229.51, 0.6%, 0.47%

LAB 36.28, 32.3, -64.54

 

CMYK 66 / 55 / 0 / 18

HEX #475FD1

RGB 71 95 209

HSL 229.57, 0.6%, 0.55%

LAB 44.42, 27.78, -61.69

 

CMYK 52 / 43 / 0 / 15

HEX #687CD9

RGB 104 124 217

HSL 229.38, 0.6%, 0.63%

LAB 54.42, 18.72, -50.07

 

CMYK 39 / 32 / 0 / 11

HEX #8999E2

RGB 137 153 226

HSL 229.21, 0.61%, 0.71%

LAB 64.64, 12.29, -38.82

 

CMYK 66 / 55 / 0 / 18

HEX #475FD1

RGB 71 95 209

HSL 229.57, 0.6%, 0.55%

LAB 44.42, 27.78, -61.69

 

CMYK 0 / 66 / 1 / 18

HEX #D147CF

RGB 209 71 207

HSL 300.87, 0.6%, 0.55%

LAB 54.62, 69.69, -43.37

 

CMYK 27 / 0 / 66 / 18

HEX #98D147

RGB 152 209 71

HSL 84.78, 0.6%, 0.55%

LAB 77.72, -39.24, 60.17

 

CMYK 66 / 55 / 0 / 18

HEX #475FD1

RGB 71 95 209

HSL 229.57, 0.6%, 0.55%

LAB 44.42, 27.78, -61.69

 

CMYK 0 / 66 / 54 / 18

HEX #D14761

RGB 209 71 97

HSL 348.7, 0.6%, 0.55%

LAB 50.6, 56.01, 15.48

 

CMYK 54 / 0 / 66 / 18

HEX #61D147

RGB 97 209 71

HSL 108.7, 0.6%, 0.55%

LAB 75.2, -57.01, 56.73

 

CMYK 66 / 55 / 0 / 18

HEX #475FD1

RGB 71 95 209

HSL 229.57, 0.6%, 0.55%

LAB 44.42, 27.78, -61.69

 

CMYK 0 / 66 / 1 / 18

HEX #D147CF

RGB 209 71 207

HSL 300.87, 0.6%, 0.55%

LAB 54.62, 69.69, -43.37

 

CMYK 0 / 12 / 66 / 18

HEX #D1B847

RGB 209 184 71

HSL 49.13, 0.6%, 0.55%

LAB 75.01, -3.82, 58.6

 

CMYK 66 / 0 / 65 / 18

HEX #47D14A

RGB 71 209 74

HSL 121.3, 0.6%, 0.55%

LAB 74.47, -62.75, 54.48

 

CMYK 66 / 55 / 0 / 18

HEX #475FD1

RGB 71 95 209

HSL 229.57, 0.6%, 0.55%

LAB 44.42, 27.78, -61.69

 

CMYK 0 / 66 / 21 / 18

HEX #D147A5

RGB 209 71 165

HSL 319.13, 0.6%, 0.55%

LAB 52.71, 63.39, -22.04

 

CMYK 0 / 12 / 66 / 18

HEX #D1B847

RGB 209 184 71

HSL 49.13, 0.6%, 0.55%

LAB 75.01, -3.82, 58.6

 

CMYK 66 / 0 / 45 / 18

HEX #47D173

RGB 71 209 115

HSL 139.13, 0.6%, 0.55%

LAB 74.94, -57.34, 35.95

 

Description

Color code: HEX #475FD14C | qconv.com Color code: HEX #475FD14C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 95 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 95 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 16 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 16% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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