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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #47525D it is the complementary color #B8ADA2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #47525D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #47525D shade: #4C5258, #5D646B, #6E767E, #7F8891 and #909AA4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #47525D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #47525D shade: #47525D, #36404A, #252E37, #141C24 and #030A11

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #47525D shade: #47525C, #474C5C, #48475C, #4E475C and #53475C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #47525D shade: #47525C, #474C5C and #47475C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #47525D shade matches the following richer shades: #47525C, #3A5269, #2D5277, #1F5284 and #125291

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #47525D shade: #47525C, #54524F, #615242, #6F5235 and #7C5227

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #47525D shade: #475C5C, #47575C, #47525C, #474C5C and #48475C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #47525D shade: #23282E, #353D45, #47525C, #596674 and #6B7B8B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #47525D shade: #47525D, #56475C and #5A5C47

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #47525D shade: #47525D, #5C4752 and #525C47

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #47525D shade: #47525D, #56475C, #5C5247 and #4D5C47

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #47525D shade: #47525D, #5C475C, #5C5247 and #475C47

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 12 / 0 / 64

HEX #47525D

RGB 71 82 93

HSL 210, 0.13%, 0.32%

LAB 34.32, -1.58, -7.86

 

Complementary color

CMYK 0 / 6 / 12 / 28

HEX #B8ADA2

RGB 184 173 162

HSL 30, 0.13%, 0.68%

LAB 71.34, 2.03, 7.05

 

CMYK 14 / 7 / 0 / 65

HEX #4C5258

RGB 76 82 88

HSL 210, 0.07%, 0.32%

LAB 34.55, -0.99, -4.33

 

CMYK 13 / 7 / 0 / 58

HEX #5D646B

RGB 93 100 107

HSL 210, 0.07%, 0.39%

LAB 42, -1.12, -4.88

 

CMYK 13 / 6 / 0 / 51

HEX #6E767E

RGB 110 118 126

HSL 210, 0.07%, 0.46%

LAB 49.23, -1.24, -5.42

 

CMYK 12 / 6 / 0 / 43

HEX #7F8891

RGB 127 136 145

HSL 210, 0.08%, 0.53%

LAB 56.25, -1.36, -5.94

 

CMYK 12 / 6 / 0 / 36

HEX #909AA4

RGB 144 154 164

HSL 210, 0.1%, 0.6%

LAB 63.11, -1.48, -6.45

 

CMYK 24 / 12 / 0 / 64

HEX #47525D

RGB 71 82 93

HSL 210, 0.13%, 0.32%

LAB 34.32, -1.58, -7.86

 

CMYK 27 / 14 / 0 / 71

HEX #36404A

RGB 54 64 74

HSL 210, 0.16%, 0.25%

LAB 26.58, -1.44, -7.43

 

CMYK 33 / 16 / 0 / 78

HEX #252E37

RGB 37 46 55

HSL 210, 0.2%, 0.18%

LAB 18.47, -1.28, -7.02

 

CMYK 44 / 22 / 0 / 86

HEX #141C24

RGB 20 28 36

HSL 210, 0.29%, 0.11%

LAB 9.85, -1.06, -6.65

 

CMYK 82 / 41 / 0 / 93

HEX #030A11

RGB 3 10 17

HSL 210, 0.7%, 0.04%

LAB 2.5, -0.65, -3.85

 

CMYK 23 / 11 / 0 / 64

HEX #47525C

RGB 71 82 92

HSL 208.57, 0.13%, 0.32%

LAB 34.29, -1.84, -7.29

 

CMYK 23 / 17 / 0 / 64

HEX #474C5C

RGB 71 76 92

HSL 225.71, 0.13%, 0.32%

LAB 32.44, 1.93, -10.07

 

CMYK 22 / 23 / 0 / 64

HEX #48475C

RGB 72 71 92

HSL 242.86, 0.13%, 0.32%

LAB 31.01, 5.51, -12.23

 

CMYK 15 / 23 / 0 / 64

HEX #4E475C

RGB 78 71 92

HSL 260, 0.13%, 0.32%

LAB 31.58, 7.73, -11.32

 

CMYK 10 / 23 / 0 / 64

HEX #53475C

RGB 83 71 92

HSL 274.29, 0.13%, 0.32%

LAB 32.07, 9.62, -10.52

 

CMYK 23 / 11 / 0 / 64

HEX #47525C

RGB 71 82 92

HSL 208.57, 0.13%, 0.32%

LAB 34.29, -1.84, -7.29

 

CMYK 23 / 17 / 0 / 64

HEX #474C5C

RGB 71 76 92

HSL 225.71, 0.13%, 0.32%

LAB 32.44, 1.93, -10.07

 

CMYK 23 / 23 / 0 / 64

HEX #47475C

RGB 71 71 92

HSL 240, 0.13%, 0.32%

LAB 30.92, 5.15, -12.37

 

CMYK 23 / 11 / 0 / 64

HEX #47525C

RGB 71 82 92

HSL 208.57, 0.13%, 0.32%

LAB 34.29, -1.84, -7.29

 

CMYK 45 / 22 / 0 / 59

HEX #3A5269

RGB 58 82 105

HSL 209.36, 0.29%, 0.32%

LAB 33.89, -2.38, -16.15

 

CMYK 62 / 31 / 0 / 53

HEX #2D5277

RGB 45 82 119

HSL 210, 0.45%, 0.32%

LAB 33.82, -0.98, -25.05

 

CMYK 77 / 38 / 0 / 48

HEX #1F5284

RGB 31 82 132

HSL 209.7, 0.62%, 0.32%

LAB 33.97, 1.42, -32.9

 

CMYK 88 / 43 / 0 / 43

HEX #125291

RGB 18 82 145

HSL 209.76, 0.78%, 0.32%

LAB 34.41, 5.23, -40.16

 

CMYK 23 / 11 / 0 / 64

HEX #47525C

RGB 71 82 92

HSL 208.57, 0.13%, 0.32%

LAB 34.29, -1.84, -7.29

 

CMYK 0 / 2 / 6 / 67

HEX #54524F

RGB 84 82 79

HSL 36, 0.03%, 0.32%

LAB 34.97, 0.19, 2.04

 

CMYK 0 / 15 / 32 / 62

HEX #615242

RGB 97 82 66

HSL 30.97, 0.19%, 0.32%

LAB 35.93, 3.49, 11.7

 

CMYK 0 / 26 / 52 / 56

HEX #6F5235

RGB 111 82 53

HSL 30, 0.35%, 0.32%

LAB 37.25, 8.22, 21.66

 

CMYK 0 / 34 / 69 / 51

HEX #7C5227

RGB 124 82 39

HSL 30.35, 0.52%, 0.32%

LAB 38.67, 13.06, 31.75

 

CMYK 23 / 0 / 0 / 64

HEX #475C5C

RGB 71 92 92

HSL 180, 0.13%, 0.32%

LAB 37.42, -7.92, -2.63

 

CMYK 23 / 5 / 0 / 64

HEX #47575C

RGB 71 87 92

HSL 194.29, 0.13%, 0.32%

LAB 35.85, -4.92, -4.96

 

CMYK 23 / 11 / 0 / 64

HEX #47525C

RGB 71 82 92

HSL 208.57, 0.13%, 0.32%

LAB 34.29, -1.84, -7.29

 

CMYK 23 / 17 / 0 / 64

HEX #474C5C

RGB 71 76 92

HSL 225.71, 0.13%, 0.32%

LAB 32.44, 1.93, -10.07

 

CMYK 22 / 23 / 0 / 64

HEX #48475C

RGB 72 71 92

HSL 242.86, 0.13%, 0.32%

LAB 31.01, 5.51, -12.23

 

CMYK 24 / 13 / 0 / 82

HEX #23282E

RGB 35 40 46

HSL 212.73, 0.14%, 0.16%

LAB 15.86, -0.57, -4.67

 

CMYK 23 / 12 / 0 / 73

HEX #353D45

RGB 53 61 69

HSL 210, 0.13%, 0.24%

LAB 25.33, -1.24, -6.02

 

CMYK 23 / 11 / 0 / 64

HEX #47525C

RGB 71 82 92

HSL 208.57, 0.13%, 0.32%

LAB 34.29, -1.84, -7.29

 

CMYK 23 / 12 / 0 / 55

HEX #596674

RGB 89 102 116

HSL 211.11, 0.13%, 0.4%

LAB 42.59, -1.56, -9.5

 

CMYK 23 / 12 / 0 / 45

HEX #6B7B8B

RGB 107 123 139

HSL 210, 0.13%, 0.48%

LAB 50.87, -2.13, -10.65

 

CMYK 24 / 12 / 0 / 64

HEX #47525D

RGB 71 82 93

HSL 210, 0.13%, 0.32%

LAB 34.32, -1.58, -7.86

 

CMYK 7 / 23 / 0 / 64

HEX #56475C

RGB 86 71 92

HSL 282.86, 0.13%, 0.32%

LAB 32.39, 10.77, -10.01

 

CMYK 2 / 0 / 23 / 64

HEX #5A5C47

RGB 90 92 71

HSL 65.71, 0.13%, 0.32%

LAB 38.35, -4.83, 11.85

 

CMYK 24 / 12 / 0 / 64

HEX #47525D

RGB 71 82 93

HSL 210, 0.13%, 0.32%

LAB 34.32, -1.58, -7.86

 

CMYK 0 / 23 / 11 / 64

HEX #5C4752

RGB 92 71 82

HSL 328.57, 0.13%, 0.32%

LAB 32.68, 11.01, -3.12

 

CMYK 11 / 0 / 23 / 64

HEX #525C47

RGB 82 92 71

HSL 88.57, 0.13%, 0.32%

LAB 37.67, -8.22, 10.81

 

CMYK 24 / 12 / 0 / 64

HEX #47525D

RGB 71 82 93

HSL 210, 0.13%, 0.32%

LAB 34.32, -1.58, -7.86

 

CMYK 7 / 23 / 0 / 64

HEX #56475C

RGB 86 71 92

HSL 282.86, 0.13%, 0.32%

LAB 32.39, 10.77, -10.01

 

CMYK 0 / 11 / 23 / 64

HEX #5C5247

RGB 92 82 71

HSL 31.43, 0.13%, 0.32%

LAB 35.53, 2.09, 7.96

 

CMYK 16 / 0 / 23 / 64

HEX #4D5C47

RGB 77 92 71

HSL 102.86, 0.13%, 0.32%

LAB 37.27, -10.28, 10.21

 

CMYK 24 / 12 / 0 / 64

HEX #47525D

RGB 71 82 93

HSL 210, 0.13%, 0.32%

LAB 34.32, -1.58, -7.86

 

CMYK 0 / 23 / 0 / 64

HEX #5C475C

RGB 92 71 92

HSL 300, 0.13%, 0.32%

LAB 33.04, 13.09, -8.97

 

CMYK 0 / 11 / 23 / 64

HEX #5C5247

RGB 92 82 71

HSL 31.43, 0.13%, 0.32%

LAB 35.53, 2.09, 7.96

 

CMYK 23 / 0 / 23 / 64

HEX #475C47

RGB 71 92 71

HSL 120, 0.13%, 0.32%

LAB 36.83, -12.68, 9.53

 

Description

Color code: HEX #47525D | qconv.com Color code: HEX #47525D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 82 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 82 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 12 magenta, none yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 12% 0% 64% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

72% - Toast • The no-nonse...
Link: http://daneden.github.io

16% - Navaidh Hostel Dhanb...
Link: http://navaidh.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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