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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #47525C it is the complementary color #B8ADA3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #47525C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #47525C shade: #4C5257, #5D646A, #6E767D, #7F8890 and #909AA3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #47525C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #47525C shade: #47525C, #364049, #252E36, #141C23 and #030A10

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #47525C shade: #47525C, #474C5C, #47475C, #4D475C and #53475C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #47525C shade: #47525C, #474C5C and #47475C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #47525C shade matches the following richer shades: #47525C, #3A5369, #2D5377, #1F5484 and #125591

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #47525C shade: #47525C, #54514F, #615142, #6F5035 and #7C5027

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #47525C shade: #475C5B, #47585C, #47525C, #474D5C and #47475C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #47525C shade: #23292E, #353D45, #47525C, #596774 and #6B7C8B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #47525C shade: #47525C, #55475C and #5B5C47

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #47525C shade: #47525C, #5C4752 and #525C47

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #47525C shade: #47525C, #55475C, #5C5147 and #4E5C47

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #47525C shade: #47525C, #5C475C, #5C5147 and #485C47

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 11 / 0 / 64

HEX #47525C

RGB 71 82 92

HSL 208.57, 0.13%, 0.32%

LAB 34.29, -1.84, -7.29

 

Complementary color

CMYK 0 / 6 / 11 / 28

HEX #B8ADA3

RGB 184 173 163

HSL 28.57, 0.13%, 0.68%

LAB 71.37, 2.2, 6.54

 

CMYK 13 / 6 / 0 / 66

HEX #4C5257

RGB 76 82 87

HSL 207.27, 0.07%, 0.32%

LAB 34.52, -1.23, -3.75

 

CMYK 12 / 6 / 0 / 58

HEX #5D646A

RGB 93 100 106

HSL 207.69, 0.07%, 0.39%

LAB 41.97, -1.35, -4.32

 

CMYK 12 / 6 / 0 / 51

HEX #6E767D

RGB 110 118 125

HSL 208, 0.06%, 0.46%

LAB 49.19, -1.47, -4.87

 

CMYK 12 / 6 / 0 / 44

HEX #7F8890

RGB 127 136 144

HSL 208.24, 0.07%, 0.53%

LAB 56.22, -1.58, -5.41

 

CMYK 12 / 6 / 0 / 36

HEX #909AA3

RGB 144 154 163

HSL 208.42, 0.09%, 0.6%

LAB 63.08, -1.7, -5.93

 

CMYK 23 / 11 / 0 / 64

HEX #47525C

RGB 71 82 92

HSL 208.57, 0.13%, 0.32%

LAB 34.29, -1.84, -7.29

 

CMYK 26 / 12 / 0 / 71

HEX #364049

RGB 54 64 73

HSL 208.42, 0.15%, 0.25%

LAB 26.54, -1.72, -6.83

 

CMYK 31 / 15 / 0 / 79

HEX #252E36

RGB 37 46 54

HSL 208.24, 0.19%, 0.18%

LAB 18.42, -1.58, -6.39

 

CMYK 43 / 20 / 0 / 86

HEX #141C23

RGB 20 28 35

HSL 208, 0.27%, 0.11%

LAB 9.8, -1.4, -5.98

 

CMYK 81 / 38 / 0 / 94

HEX #030A10

RGB 3 10 16

HSL 207.69, 0.68%, 0.04%

LAB 2.47, -0.85, -3.32

 

CMYK 23 / 11 / 0 / 64

HEX #47525C

RGB 71 82 92

HSL 208.57, 0.13%, 0.32%

LAB 34.29, -1.84, -7.29

 

CMYK 23 / 17 / 0 / 64

HEX #474C5C

RGB 71 76 92

HSL 225.71, 0.13%, 0.32%

LAB 32.44, 1.93, -10.07

 

CMYK 23 / 23 / 0 / 64

HEX #47475C

RGB 71 71 92

HSL 240, 0.13%, 0.32%

LAB 30.92, 5.15, -12.37

 

CMYK 16 / 23 / 0 / 64

HEX #4D475C

RGB 77 71 92

HSL 257.14, 0.13%, 0.32%

LAB 31.48, 7.35, -11.48

 

CMYK 10 / 23 / 0 / 64

HEX #53475C

RGB 83 71 92

HSL 274.29, 0.13%, 0.32%

LAB 32.07, 9.62, -10.52

 

CMYK 23 / 11 / 0 / 64

HEX #47525C

RGB 71 82 92

HSL 208.57, 0.13%, 0.32%

LAB 34.29, -1.84, -7.29

 

CMYK 23 / 17 / 0 / 64

HEX #474C5C

RGB 71 76 92

HSL 225.71, 0.13%, 0.32%

LAB 32.44, 1.93, -10.07

 

CMYK 23 / 23 / 0 / 64

HEX #47475C

RGB 71 71 92

HSL 240, 0.13%, 0.32%

LAB 30.92, 5.15, -12.37

 

CMYK 23 / 11 / 0 / 64

HEX #47525C

RGB 71 82 92

HSL 208.57, 0.13%, 0.32%

LAB 34.29, -1.84, -7.29

 

CMYK 45 / 21 / 0 / 59

HEX #3A5369

RGB 58 83 105

HSL 208.09, 0.29%, 0.32%

LAB 34.2, -3, -15.67

 

CMYK 62 / 30 / 0 / 53

HEX #2D5377

RGB 45 83 119

HSL 209.19, 0.45%, 0.32%

LAB 34.14, -1.62, -24.55

 

CMYK 77 / 36 / 0 / 48

HEX #1F5484

RGB 31 84 132

HSL 208.51, 0.62%, 0.32%

LAB 34.6, 0.12, -31.9

 

CMYK 88 / 41 / 0 / 43

HEX #125591

RGB 18 85 145

HSL 208.35, 0.78%, 0.32%

LAB 35.34, 3.25, -38.68

 

CMYK 23 / 11 / 0 / 64

HEX #47525C

RGB 71 82 92

HSL 208.57, 0.13%, 0.32%

LAB 34.29, -1.84, -7.29

 

CMYK 0 / 4 / 6 / 67

HEX #54514F

RGB 84 81 79

HSL 24, 0.03%, 0.32%

LAB 34.67, 0.81, 1.6

 

CMYK 0 / 16 / 32 / 62

HEX #615142

RGB 97 81 66

HSL 29.03, 0.19%, 0.32%

LAB 35.63, 4.11, 11.3

 

CMYK 0 / 28 / 52 / 56

HEX #6F5035

RGB 111 80 53

HSL 27.93, 0.35%, 0.32%

LAB 36.69, 9.44, 20.96

 

CMYK 0 / 35 / 69 / 51

HEX #7C5027

RGB 124 80 39

HSL 28.94, 0.52%, 0.32%

LAB 38.14, 14.26, 31.16

 

CMYK 23 / 0 / 1 / 64

HEX #475C5B

RGB 71 92 91

HSL 177.14, 0.13%, 0.32%

LAB 37.39, -8.17, -2.05

 

CMYK 23 / 4 / 0 / 64

HEX #47585C

RGB 71 88 92

HSL 191.43, 0.13%, 0.32%

LAB 36.16, -5.52, -4.49

 

CMYK 23 / 11 / 0 / 64

HEX #47525C

RGB 71 82 92

HSL 208.57, 0.13%, 0.32%

LAB 34.29, -1.84, -7.29

 

CMYK 23 / 16 / 0 / 64

HEX #474D5C

RGB 71 77 92

HSL 222.86, 0.13%, 0.32%

LAB 32.74, 1.3, -9.61

 

CMYK 23 / 23 / 0 / 64

HEX #47475C

RGB 71 71 92

HSL 240, 0.13%, 0.32%

LAB 30.92, 5.15, -12.37

 

CMYK 24 / 11 / 0 / 82

HEX #23292E

RGB 35 41 46

HSL 207.27, 0.14%, 0.16%

LAB 16.21, -1.27, -4.15

 

CMYK 23 / 12 / 0 / 73

HEX #353D45

RGB 53 61 69

HSL 210, 0.13%, 0.24%

LAB 25.33, -1.24, -6.02

 

CMYK 23 / 11 / 0 / 64

HEX #47525C

RGB 71 82 92

HSL 208.57, 0.13%, 0.32%

LAB 34.29, -1.84, -7.29

 

CMYK 23 / 11 / 0 / 55

HEX #596774

RGB 89 103 116

HSL 208.89, 0.13%, 0.4%

LAB 42.89, -2.16, -9.06

 

CMYK 23 / 11 / 0 / 45

HEX #6B7C8B

RGB 107 124 139

HSL 208.13, 0.13%, 0.48%

LAB 51.16, -2.71, -10.21

 

CMYK 23 / 11 / 0 / 64

HEX #47525C

RGB 71 82 92

HSL 208.57, 0.13%, 0.32%

LAB 34.29, -1.84, -7.29

 

CMYK 8 / 23 / 0 / 64

HEX #55475C

RGB 85 71 92

HSL 280, 0.13%, 0.32%

LAB 32.28, 10.38, -10.18

 

CMYK 1 / 0 / 23 / 64

HEX #5B5C47

RGB 91 92 71

HSL 62.86, 0.13%, 0.32%

LAB 38.43, -4.4, 11.99

 

CMYK 23 / 11 / 0 / 64

HEX #47525C

RGB 71 82 92

HSL 208.57, 0.13%, 0.32%

LAB 34.29, -1.84, -7.29

 

CMYK 0 / 23 / 11 / 64

HEX #5C4752

RGB 92 71 82

HSL 328.57, 0.13%, 0.32%

LAB 32.68, 11.01, -3.12

 

CMYK 11 / 0 / 23 / 64

HEX #525C47

RGB 82 92 71

HSL 88.57, 0.13%, 0.32%

LAB 37.67, -8.22, 10.81

 

CMYK 23 / 11 / 0 / 64

HEX #47525C

RGB 71 82 92

HSL 208.57, 0.13%, 0.32%

LAB 34.29, -1.84, -7.29

 

CMYK 8 / 23 / 0 / 64

HEX #55475C

RGB 85 71 92

HSL 280, 0.13%, 0.32%

LAB 32.28, 10.38, -10.18

 

CMYK 0 / 12 / 23 / 64

HEX #5C5147

RGB 92 81 71

HSL 28.57, 0.13%, 0.32%

LAB 35.23, 2.71, 7.54

 

CMYK 15 / 0 / 23 / 64

HEX #4E5C47

RGB 78 92 71

HSL 100, 0.13%, 0.32%

LAB 37.35, -9.87, 10.32

 

CMYK 23 / 11 / 0 / 64

HEX #47525C

RGB 71 82 92

HSL 208.57, 0.13%, 0.32%

LAB 34.29, -1.84, -7.29

 

CMYK 0 / 23 / 0 / 64

HEX #5C475C

RGB 92 71 92

HSL 300, 0.13%, 0.32%

LAB 33.04, 13.09, -8.97

 

CMYK 0 / 12 / 23 / 64

HEX #5C5147

RGB 92 81 71

HSL 28.57, 0.13%, 0.32%

LAB 35.23, 2.71, 7.54

 

CMYK 22 / 0 / 23 / 64

HEX #485C47

RGB 72 92 71

HSL 117.14, 0.13%, 0.32%

LAB 36.91, -12.28, 9.64

 

Description

Color code: HEX #47525C | qconv.com Color code: HEX #47525C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 82 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 82 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 11 magenta, none yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 11% 0% 64% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

34% - カラーピッカー.js - JavaScr...
Link: http://www.html5.jp

Verification of their color palette as a manufacturer!

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