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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #47301E it is the complementary color #B8CFE1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #47301E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #47301E: #4C3019, #5D422C, #6E543F, #7F6652 and #907865

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #47301E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #47301E: #47301E, #361E0B, #250C00, #140000 and #030000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 58 / 72

HEX #47301E

RGB 71 48 30

HSL 26.34, 0.41%, 0.2%

LAB 22.11, 8.02, 15.65

 

Complementary color

CMYK 18 / 8 / 0 / 12

HEX #B8CFE1

RGB 184 207 225

HSL 206.34, 0.41%, 0.8%

LAB 81.98, -3.96, -11.5

 

CMYK 0 / 37 / 67 / 70

HEX #4C3019

RGB 76 48 25

HSL 27.06, 0.5%, 0.2%

LAB 22.73, 10.03, 19.74

 

CMYK 0 / 29 / 53 / 64

HEX #5D422C

RGB 93 66 44

HSL 26.94, 0.36%, 0.27%

LAB 30.41, 8.7, 17.95

 

CMYK 0 / 24 / 43 / 57

HEX #6E543F

RGB 110 84 63

HSL 26.81, 0.27%, 0.34%

LAB 37.87, 7.71, 16.42

 

CMYK 0 / 20 / 35 / 50

HEX #7F6652

RGB 127 102 82

HSL 26.67, 0.22%, 0.41%

LAB 45.11, 6.94, 15.09

 

CMYK 0 / 17 / 30 / 44

HEX #907865

RGB 144 120 101

HSL 26.51, 0.18%, 0.48%

LAB 52.18, 6.31, 13.92

SW® 6081

CMYK 0 / 32 / 58 / 72

HEX #47301E

RGB 71 48 30

HSL 26.34, 0.41%, 0.2%

LAB 22.11, 8.02, 15.65

 

CMYK 0 / 44 / 80 / 79

HEX #361E0B

RGB 54 30 11

HSL 26.51, 0.66%, 0.13%

LAB 14.04, 9.6, 16.43

 

CMYK 0 / 68 / 100 / 85

HEX #250C00

RGB 37 12 0

HSL 19.46, 1%, 0.07%

LAB 5.93, 11.04, 9.08

 

CMYK 0 / 100 / 100 / 92

HEX #140000

RGB 20 0 0

HSL 0, 1%, 0.04%

LAB 1.34, 6.03, 2.12

 

CMYK 0 / 100 / 100 / 99

HEX #030000

RGB 3 0 0

HSL 0, 1%, 0.01%

LAB 0.17, 0.78, 0.28

 

CMYK 0 / 32 / 58 / 72

HEX #47301E

RGB 71 48 30

HSL 26.34, 0.41%, 0.2%

LAB 22.11, 8.02, 15.65

 

CMYK 0 / 23 / 58 / 72

HEX #47371E

RGB 71 55 30

HSL 36.59, 0.41%, 0.2%

LAB 24.21, 3.43, 18.28

 

CMYK 0 / 13 / 58 / 72

HEX #473E1E

RGB 71 62 30

HSL 46.83, 0.41%, 0.2%

LAB 26.39, -1.08, 20.93

 

CMYK 0 / 3 / 58 / 72

HEX #47451E

RGB 71 69 30

HSL 57.07, 0.41%, 0.2%

LAB 28.62, -5.45, 23.59

 

CMYK 6 / 0 / 58 / 72

HEX #43471E

RGB 67 71 30

HSL 65.85, 0.41%, 0.2%

LAB 28.89, -8.63, 23.81

 

CMYK 0 / 32 / 58 / 72

HEX #47301E

RGB 71 48 30

HSL 26.34, 0.41%, 0.2%

LAB 22.11, 8.02, 15.65

 

CMYK 0 / 33 / 57 / 52

HEX #7A5234

RGB 122 82 52

HSL 25.71, 0.4%, 0.34%

LAB 38.59, 13.18, 24.23

 

CMYK 0 / 32 / 58 / 32

HEX #AD7549

RGB 173 117 73

HSL 26.4, 0.41%, 0.48%

LAB 54.12, 17.25, 32.95

 

CMYK 0 / 33 / 58 / 12

HEX #E0975F

RGB 224 151 95

HSL 26.05, 0.68%, 0.63%

LAB 68.61, 21.71, 40.33

 

CMYK 0 / 30 / 60 / 92

HEX #140E08

RGB 20 14 8

HSL 30, 0.43%, 0.05%

LAB 4.34, 1.34, 3.24

 

CMYK 0 / 32 / 58 / 72

HEX #47301E

RGB 71 48 30

HSL 26.34, 0.41%, 0.2%

LAB 22.11, 8.02, 15.65

 

CMYK 37 / 0 / 58 / 72

HEX #2D471E

RGB 45 71 30

HSL 98.05, 0.41%, 0.2%

LAB 27.18, -18.68, 21.37

 

CMYK 56 / 58 / 0 / 72

HEX #1F1E47

RGB 31 30 71

HSL 241.46, 0.41%, 0.2%

LAB 13.68, 13.85, -25.65

 

CMYK 0 / 32 / 58 / 72

HEX #47301E

RGB 71 48 30

HSL 26.34, 0.41%, 0.2%

LAB 22.11, 8.02, 15.65

 

CMYK 58 / 0 / 32 / 72

HEX #1E4730

RGB 30 71 48

HSL 146.34, 0.41%, 0.2%

LAB 26.72, -20.67, 9.56

 

CMYK 32 / 58 / 0 / 72

HEX #301E47

RGB 48 30 71

HSL 266.34, 0.41%, 0.2%

LAB 15.55, 18.81, -22.55

 

CMYK 0 / 32 / 58 / 72

HEX #47301E

RGB 71 48 30

HSL 26.34, 0.41%, 0.2%

LAB 22.11, 8.02, 15.65

 

CMYK 37 / 0 / 58 / 72

HEX #2D471E

RGB 45 71 30

HSL 98.05, 0.41%, 0.2%

LAB 27.18, -18.68, 21.37

 

CMYK 58 / 25 / 0 / 72

HEX #1E3547

RGB 30 53 71

HSL 206.34, 0.41%, 0.2%

LAB 21.12, -2.95, -13.92

 

CMYK 21 / 58 / 0 / 72

HEX #381E47

RGB 56 30 71

HSL 278.05, 0.41%, 0.2%

LAB 16.62, 21.38, -20.78

 

CMYK 0 / 32 / 58 / 72

HEX #47301E

RGB 71 48 30

HSL 26.34, 0.41%, 0.2%

LAB 22.11, 8.02, 15.65

 

CMYK 55 / 0 / 58 / 72

HEX #20471E

RGB 32 71 30

HSL 117.07, 0.41%, 0.2%

LAB 26.47, -23.59, 20.34

 

CMYK 58 / 25 / 0 / 72

HEX #1E3547

RGB 30 53 71

HSL 206.34, 0.41%, 0.2%

LAB 21.12, -2.95, -13.92

 

CMYK 3 / 58 / 0 / 72

HEX #451E47

RGB 69 30 71

HSL 297.07, 0.41%, 0.2%

LAB 18.58, 25.68, -17.57

 

Description

Color code: HEX #47301E | qconv.com Color code: HEX #47301E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 48 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 48 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 58 yellow and 72 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 58% 72% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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