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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #46E4B5 it is the complementary color #B91B4A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #46E4B5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #46E4B5: #4BE4B0, #5CF6C3, #6DFFD6, #7EFFE9 and #8FFFFC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #46E4B5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #46E4B5: #46E4B5, #35D2A2, #24C08F, #13AE7C and #029C69

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 21 / 11

HEX #46E4B5

RGB 70 228 181

HSL 162.15, 0.75%, 0.58%

LAB 81.91, -51.71, 11.19

 

Complementary color

CMYK 0 / 85 / 60 / 27

HEX #B91B4A

RGB 185 27 74

HSL 342.15, 0.75%, 0.42%

LAB 40.56, 61.49, 15.26

 

CMYK 67 / 0 / 23 / 11

HEX #4BE4B0

RGB 75 228 176

HSL 159.61, 0.74%, 0.59%

LAB 81.9, -52.1, 13.83

 

CMYK 63 / 0 / 21 / 4

HEX #5CF6C3

RGB 92 246 195

HSL 160.13, 0.9%, 0.66%

LAB 88.03, -52.4, 12.65

 

CMYK 57 / 0 / 16 / 0

HEX #6DFFD6

RGB 109 255 214

HSL 163.15, 1%, 0.71%

LAB 91.52, -48.8, 7.86

 

CMYK 51 / 0 / 9 / 0

HEX #7EFFE9

RGB 126 255 233

HSL 169.77, 1%, 0.75%

LAB 92.5, -40.99, -0.46

 

CMYK 44 / 0 / 1 / 0

HEX #8FFFFC

RGB 143 255 252

HSL 178.39, 1%, 0.78%

LAB 93.62, -32.75, -8.58

 

CMYK 69 / 0 / 21 / 11

HEX #46E4B5

RGB 70 228 181

HSL 162.15, 0.75%, 0.58%

LAB 81.91, -51.71, 11.19

 

CMYK 75 / 0 / 23 / 18

HEX #35D2A2

RGB 53 210 162

HSL 161.66, 0.64%, 0.52%

LAB 75.74, -51.1, 12.47

 

CMYK 81 / 0 / 26 / 25

HEX #24C08F

RGB 36 192 143

HSL 161.15, 0.68%, 0.45%

LAB 69.51, -50.22, 13.87

 

CMYK 89 / 0 / 29 / 32

HEX #13AE7C

RGB 19 174 124

HSL 160.65, 0.8%, 0.38%

LAB 63.23, -48.94, 15.43

 

CMYK 99 / 0 / 33 / 39

HEX #029C69

RGB 2 156 105

HSL 160.13, 0.97%, 0.31%

LAB 56.89, -47.24, 17.16

 

CMYK 69 / 0 / 21 / 11

HEX #46E4B5

RGB 70 228 181

HSL 162.15, 0.75%, 0.58%

LAB 81.91, -51.71, 11.19

 

CMYK 71 / 0 / 10 / 11

HEX #43E4CE

RGB 67 228 206

HSL 171.8, 0.75%, 0.58%

LAB 82.45, -45.96, -1.23

 

CMYK 71 / 3 / 0 / 11

HEX #43DEE4

RGB 67 222 228

HSL 182.24, 0.75%, 0.58%

LAB 81.31, -37.29, -14.59

 

CMYK 71 / 14 / 0 / 11

HEX #43C4E4

RGB 67 196 228

HSL 191.93, 0.75%, 0.58%

LAB 73.72, -24.78, -26.1

 

CMYK 71 / 26 / 0 / 11

HEX #43A9E4

RGB 67 169 228

HSL 201.99, 0.75%, 0.58%

LAB 65.88, -10.6, -38.22

 

CMYK 69 / 0 / 21 / 11

HEX #46E4B5

RGB 70 228 181

HSL 162.15, 0.75%, 0.58%

LAB 81.91, -51.71, 11.19

 

CMYK 71 / 0 / 21 / 91

HEX #071813

RGB 7 24 19

HSL 162.35, 0.55%, 0.06%

LAB 6.73, -7.24, 1.14

 

CMYK 69 / 0 / 20 / 71

HEX #174B3C

RGB 23 75 60

HSL 162.69, 0.53%, 0.19%

LAB 28.22, -21.39, 3.92

 

CMYK 69 / 0 / 21 / 51

HEX #277E64

RGB 39 126 100

HSL 162.07, 0.53%, 0.32%

LAB 47.33, -32.32, 6.73

 

CMYK 69 / 0 / 20 / 31

HEX #36B18D

RGB 54 177 141

HSL 162.44, 0.53%, 0.45%

LAB 65.08, -42.26, 8.75

 

CMYK 69 / 0 / 21 / 11

HEX #46E4B5

RGB 70 228 181

HSL 162.15, 0.75%, 0.58%

LAB 81.91, -51.71, 11.19

 

CMYK 71 / 64 / 0 / 11

HEX #4353E4

RGB 67 83 228

HSL 234.04, 0.75%, 0.58%

LAB 42.73, 41.28, -75.27

 

CMYK 0 / 50 / 71 / 11

HEX #E47343

RGB 228 115 67

HSL 17.89, 0.75%, 0.58%

LAB 60.92, 40.42, 45.91

 

CMYK 69 / 0 / 21 / 11

HEX #46E4B5

RGB 70 228 181

HSL 162.15, 0.75%, 0.58%

LAB 81.91, -51.71, 11.19

 

CMYK 21 / 71 / 0 / 11

HEX #B443E4

RGB 180 67 228

HSL 282.11, 0.75%, 0.58%

LAB 51.06, 68.77, -61.24

 

CMYK 0 / 21 / 71 / 11

HEX #E4B443

RGB 228 180 67

HSL 42.11, 0.75%, 0.58%

LAB 75.79, 6.18, 61.64

 

CMYK 69 / 0 / 21 / 11

HEX #46E4B5

RGB 70 228 181

HSL 162.15, 0.75%, 0.58%

LAB 81.91, -51.71, 11.19

 

CMYK 71 / 64 / 0 / 11

HEX #4353E4

RGB 67 83 228

HSL 234.04, 0.75%, 0.58%

LAB 42.73, 41.28, -75.27

 

CMYK 0 / 71 / 50 / 11

HEX #E44373

RGB 228 67 115

HSL 342.11, 0.75%, 0.58%

LAB 53.76, 64.73, 9.57

 

CMYK 0 / 7 / 71 / 11

HEX #E4D443

RGB 228 212 67

HSL 54.04, 0.75%, 0.58%

LAB 83.96, -10.32, 69.79

 

CMYK 69 / 0 / 21 / 11

HEX #46E4B5

RGB 70 228 181

HSL 162.15, 0.75%, 0.58%

LAB 81.91, -51.71, 11.19

 

CMYK 57 / 71 / 0 / 11

HEX #6343E4

RGB 99 67 228

HSL 251.93, 0.75%, 0.58%

LAB 41.64, 54.57, -76.98

 

CMYK 0 / 71 / 50 / 11

HEX #E44373

RGB 228 67 115

HSL 342.11, 0.75%, 0.58%

LAB 53.76, 64.73, 9.57

 

CMYK 14 / 0 / 71 / 11

HEX #C4E443

RGB 196 228 67

HSL 71.93, 0.75%, 0.58%

LAB 85.82, -31.2, 70.79

 

Description

Color code: HEX #46E4B5 | qconv.com Color code: HEX #46E4B5 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 228 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 228 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 21 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 21% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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