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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #46DA9A it is the complementary color #B92565. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #46DA9A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #46DA9A shade: #4BDA95, #5CECA8, #6DFEBB, #7EFFCE and #8FFFE1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #46DA9A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #46DA9A shade: #46DA9A, #35C887, #24B674, #13A461 and #02924E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #46DA9A shade: #44DA99, #44DA70, #44DA48, #68DA44 and #90DA44

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #46DA9A shade: #44DA99, #44DAC1, #44CADA, #44A1DA and #4479DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #46DA9A shade matches the following richer shades: #44DA99, #31EC9B and #1FFE9E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #46DA9A shade: #44DA99, #56C896, #68B694, #7AA492 and #8C918F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #46DA9A shade: #44DA49, #44DA71, #44DA99, #44DAC1 and #44CBDA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #46DA9A shade: #22AA6F, #28CC85, #44DA99, #66E1AC and #89E8BE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #46DA9A shade: #46DA9A, #4467DA and #DA5D44

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #46DA9A shade: #46DA9A, #9944DA and #DA9944

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #46DA9A shade: #46DA9A, #4467DA, #DA4485 and #DAB744

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #46DA9A shade: #46DA9A, #4E44DA, #DA4485 and #D0DA44

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 29 / 15

HEX #46DA9A

RGB 70 218 154

HSL 154.05, 0.67%, 0.56%

LAB 78.33, -53.66, 20.38

 

Complementary color

CMYK 0 / 80 / 45 / 27

HEX #B92565

RGB 185 37 101

HSL 334.05, 0.67%, 0.44%

LAB 42.12, 61.15, 0.41

 

CMYK 66 / 0 / 32 / 15

HEX #4BDA95

RGB 75 218 149

HSL 151.05, 0.66%, 0.57%

LAB 78.35, -53.85, 23.03

 

CMYK 61 / 0 / 29 / 7

HEX #5CECA8

RGB 92 236 168

HSL 151.67, 0.79%, 0.64%

LAB 84.53, -54.08, 21.73

 

CMYK 57 / 0 / 26 / 0

HEX #6DFEBB

RGB 109 254 187

HSL 152.28, 0.99%, 0.71%

LAB 90.65, -54.16, 20.52

 

CMYK 51 / 0 / 19 / 0

HEX #7EFFCE

RGB 126 255 206

HSL 157.21, 1%, 0.75%

LAB 91.87, -47.03, 12.56

 

CMYK 44 / 0 / 12 / 0

HEX #8FFFE1

RGB 143 255 225

HSL 163.93, 1%, 0.78%

LAB 92.93, -38.98, 4.36

 

CMYK 68 / 0 / 29 / 15

HEX #46DA9A

RGB 70 218 154

HSL 154.05, 0.67%, 0.56%

LAB 78.33, -53.66, 20.38

 

CMYK 74 / 0 / 33 / 22

HEX #35C887

RGB 53 200 135

HSL 153.47, 0.58%, 0.5%

LAB 72.1, -53.14, 21.79

 

CMYK 80 / 0 / 36 / 29

HEX #24B674

RGB 36 182 116

HSL 152.88, 0.67%, 0.43%

LAB 65.82, -52.29, 23.34

 

CMYK 88 / 0 / 41 / 36

HEX #13A461

RGB 19 164 97

HSL 152.28, 0.79%, 0.36%

LAB 59.48, -51, 25.04

 

CMYK 99 / 0 / 47 / 43

HEX #02924E

RGB 2 146 78

HSL 151.67, 0.97%, 0.29%

LAB 53.08, -49.19, 26.9

 

CMYK 69 / 0 / 30 / 15

HEX #44DA99

RGB 68 218 153

HSL 154, 0.67%, 0.56%

LAB 78.27, -54.19, 20.81

 

CMYK 69 / 0 / 49 / 15

HEX #44DA70

RGB 68 218 112

HSL 137.6, 0.67%, 0.56%

LAB 77.6, -61.6, 40.79

 

CMYK 69 / 0 / 67 / 15

HEX #44DA48

RGB 68 218 72

HSL 121.6, 0.67%, 0.56%

LAB 77.18, -66.51, 58.23

 

CMYK 52 / 0 / 69 / 15

HEX #68DA44

RGB 104 218 68

HSL 105.6, 0.67%, 0.56%

LAB 78.17, -58.71, 61.13

 

CMYK 34 / 0 / 69 / 15

HEX #90DA44

RGB 144 218 68

HSL 89.6, 0.67%, 0.56%

LAB 79.89, -46.23, 63.46

 

CMYK 69 / 0 / 30 / 15

HEX #44DA99

RGB 68 218 153

HSL 154, 0.67%, 0.56%

LAB 78.27, -54.19, 20.81

 

CMYK 69 / 0 / 11 / 15

HEX #44DAC1

RGB 68 218 193

HSL 170, 0.67%, 0.56%

LAB 79.17, -44.86, 0.89

 

CMYK 69 / 7 / 0 / 15

HEX #44CADA

RGB 68 202 218

HSL 186.4, 0.67%, 0.56%

LAB 75.16, -30.63, -18.5

 

CMYK 69 / 26 / 0 / 15

HEX #44A1DA

RGB 68 161 218

HSL 202.8, 0.67%, 0.56%

LAB 63.16, -9.38, -36.95

 

CMYK 69 / 44 / 0 / 15

HEX #4479DA

RGB 68 121 218

HSL 218.8, 0.67%, 0.56%

LAB 51.8, 14.18, -54.92

 

CMYK 69 / 0 / 30 / 15

HEX #44DA99

RGB 68 218 153

HSL 154, 0.67%, 0.56%

LAB 78.27, -54.19, 20.81

 

CMYK 79 / 0 / 34 / 7

HEX #31EC9B

RGB 49 236 155

HSL 154.01, 0.83%, 0.56%

LAB 83.45, -62.99, 26.79

 

CMYK 88 / 0 / 38 / 0

HEX #1FFE9E

RGB 31 254 158

HSL 154.17, 0.99%, 0.56%

LAB 88.75, -70.15, 32.37

 

CMYK 69 / 0 / 30 / 15

HEX #44DA99

RGB 68 218 153

HSL 154, 0.67%, 0.56%

LAB 78.27, -54.19, 20.81

 

CMYK 57 / 0 / 25 / 22

HEX #56C896

RGB 86 200 150

HSL 153.68, 0.51%, 0.56%

LAB 73.21, -44.12, 15.45

 

CMYK 43 / 0 / 19 / 29

HEX #68B694

RGB 104 182 148

HSL 153.85, 0.35%, 0.56%

LAB 68.41, -32.03, 9.87

 

CMYK 26 / 0 / 11 / 36

HEX #7AA492

RGB 122 164 146

HSL 154.29, 0.19%, 0.56%

LAB 63.97, -18.09, 4.74

 

CMYK 3 / 0 / 1 / 43

HEX #8C918F

RGB 140 145 143

HSL 156, 0.02%, 0.56%

LAB 59.72, -2.21, 0.42

 

CMYK 69 / 0 / 67 / 15

HEX #44DA49

RGB 68 218 73

HSL 122, 0.67%, 0.56%

LAB 77.19, -66.41, 57.84

 

CMYK 69 / 0 / 48 / 15

HEX #44DA71

RGB 68 218 113

HSL 138, 0.67%, 0.56%

LAB 77.62, -61.45, 40.32

 

CMYK 69 / 0 / 30 / 15

HEX #44DA99

RGB 68 218 153

HSL 154, 0.67%, 0.56%

LAB 78.27, -54.19, 20.81

 

CMYK 69 / 0 / 11 / 15

HEX #44DAC1

RGB 68 218 193

HSL 170, 0.67%, 0.56%

LAB 79.17, -44.86, 0.89

 

CMYK 69 / 7 / 0 / 15

HEX #44CBDA

RGB 68 203 218

HSL 186, 0.67%, 0.56%

LAB 75.45, -31.11, -18.06

 

CMYK 80 / 0 / 35 / 33

HEX #22AA6F

RGB 34 170 111

HSL 153.97, 0.67%, 0.4%

LAB 61.86, -48.98, 20.68

 

CMYK 80 / 0 / 35 / 20

HEX #28CC85

RGB 40 204 133

HSL 154.02, 0.67%, 0.48%

LAB 73.11, -56.62, 24.17

 

CMYK 69 / 0 / 30 / 15

HEX #44DA99

RGB 68 218 153

HSL 154, 0.67%, 0.56%

LAB 78.27, -54.19, 20.81

 

CMYK 55 / 0 / 24 / 12

HEX #66E1AC

RGB 102 225 172

HSL 154.15, 0.67%, 0.64%

LAB 81.65, -46.67, 15.68

 

CMYK 41 / 0 / 18 / 9

HEX #89E8BE

RGB 137 232 190

HSL 153.47, 0.67%, 0.72%

LAB 85.38, -37.51, 11.69

 

CMYK 68 / 0 / 29 / 15

HEX #46DA9A

RGB 70 218 154

HSL 154.05, 0.67%, 0.56%

LAB 78.33, -53.66, 20.38

 

CMYK 69 / 53 / 0 / 15

HEX #4467DA

RGB 68 103 218

HSL 226, 0.67%, 0.56%

LAB 46.96, 25.45, -62.7

 

CMYK 0 / 57 / 69 / 15

HEX #DA5D44

RGB 218 93 68

HSL 10, 0.67%, 0.56%

LAB 55.23, 47.47, 38.51

 

CMYK 68 / 0 / 29 / 15

HEX #46DA9A

RGB 70 218 154

HSL 154.05, 0.67%, 0.56%

LAB 78.33, -53.66, 20.38

 

CMYK 30 / 69 / 0 / 15

HEX #9944DA

RGB 153 68 218

HSL 274, 0.67%, 0.56%

LAB 46.93, 60.87, -62.4

 

CMYK 0 / 30 / 69 / 15

HEX #DA9944

RGB 218 153 68

HSL 34, 0.67%, 0.56%

LAB 68.1, 16.37, 52.86

 

CMYK 68 / 0 / 29 / 15

HEX #46DA9A

RGB 70 218 154

HSL 154.05, 0.67%, 0.56%

LAB 78.33, -53.66, 20.38

 

CMYK 69 / 53 / 0 / 15

HEX #4467DA

RGB 68 103 218

HSL 226, 0.67%, 0.56%

LAB 46.96, 25.45, -62.7

 

CMYK 0 / 69 / 39 / 15

HEX #DA4485

RGB 218 68 133

HSL 334, 0.67%, 0.56%

LAB 52.66, 63.18, -3

 

CMYK 0 / 16 / 69 / 15

HEX #DAB744

RGB 218 183 68

HSL 46, 0.67%, 0.56%

LAB 75.57, 0.38, 60.7

 

CMYK 68 / 0 / 29 / 15

HEX #46DA9A

RGB 70 218 154

HSL 154.05, 0.67%, 0.56%

LAB 78.33, -53.66, 20.38

 

CMYK 64 / 69 / 0 / 15

HEX #4E44DA

RGB 78 68 218

HSL 244, 0.67%, 0.56%

LAB 39.27, 48.18, -75.22

 

CMYK 0 / 69 / 39 / 15

HEX #DA4485

RGB 218 68 133

HSL 334, 0.67%, 0.56%

LAB 52.66, 63.18, -3

 

CMYK 5 / 0 / 69 / 15

HEX #D0DA44

RGB 208 218 68

HSL 64, 0.67%, 0.56%

LAB 83.95, -21.55, 68.88

 

Description

Color code: HEX #46DA9A | qconv.com Color code: HEX #46DA9A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 218 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 218 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 29 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 29% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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