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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 104 182 148 it is the complementary color RGB 151 73 107. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 104 182 148. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 104 182 148 shade: RGB 109 182 143, RGB 126 200 162, RGB 143 218 181, RGB 160 236 200 and RGB 177 254 219

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 104 182 148. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 104 182 148 shade: RGB 104 182 148, RGB 87 164 129, RGB 70 146 110, RGB 53 128 91 and RGB 36 110 72

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 104 182 148 shade: RGB 104 182 148, RGB 104 182 127, RGB 104 182 105, RGB 123 182 104 and RGB 144 182 104

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 104 182 148 shade: RGB 104 182 148, RGB 104 182 169, RGB 104 174 182, RGB 104 153 182 and RGB 104 132 182

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 104 182 148 shade matches the following richer shades: RGB 104 182 148, RGB 85 200 150, RGB 67 218 152, RGB 49 237 155 and RGB 31 255 157

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 104 182 148 shade: RGB 104 182 148, RGB 122 164 146, RGB 140 146 143, RGB 158 128 141 and RGB 176 109 139

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 104 182 148 shade: RGB 104 182 105, RGB 104 182 126, RGB 104 182 147, RGB 104 182 168 and RGB 104 176 182

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 104 182 148 shade: RGB 66 137 106, RGB 79 165 128, RGB 104 182 148, RGB 131 195 168 and RGB 159 209 187

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 104 182 148 shade: RGB 104 182 148, RGB 104 123 182 and RGB 182 115 104

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 104 182 148 shade: RGB 104 182 148, RGB 147 104 182 and RGB 182 147 104

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 104 182 148 shade: RGB 104 182 148, RGB 104 123 182, RGB 182 104 139 and RGB 182 162 104

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 104 182 148 shade: RGB 104 182 148, RGB 107 104 182, RGB 182 104 139 and RGB 178 182 104

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 19 / 29

HEX #68B694

RGB 104 182 148

HSL 153.85, 0.35%, 0.56%

LAB 68.41, -32.03, 9.87

 

Complementary color

CMYK 0 / 52 / 29 / 41

HEX #97496B

RGB 151 73 107

HSL 333.85, 0.35%, 0.44%

LAB 41.85, 36.69, -4.38

 

CMYK 40 / 0 / 21 / 29

HEX #6DB68F

RGB 109 182 143

HSL 147.95, 0.33%, 0.57%

LAB 68.53, -31.67, 12.79

 

CMYK 37 / 0 / 19 / 22

HEX #7EC8A2

RGB 126 200 162

HSL 149.19, 0.4%, 0.64%

LAB 75.05, -31.42, 11.82

 

CMYK 34 / 0 / 17 / 15

HEX #8FDAB5

RGB 143 218 181

HSL 150.4, 0.5%, 0.71%

LAB 81.47, -31.17, 10.91

 

CMYK 32 / 0 / 15 / 7

HEX #A0ECC8

RGB 160 236 200

HSL 151.58, 0.67%, 0.78%

LAB 87.79, -30.93, 10.05

 

CMYK 30 / 0 / 14 / 0

HEX #B1FEDB

RGB 177 254 219

HSL 152.73, 0.97%, 0.85%

LAB 94.03, -30.71, 9.24

 

CMYK 43 / 0 / 19 / 29

HEX #68B694

RGB 104 182 148

HSL 153.85, 0.35%, 0.56%

LAB 68.41, -32.03, 9.87

 

CMYK 47 / 0 / 21 / 36

HEX #57A481

RGB 87 164 129

HSL 152.73, 0.31%, 0.49%

LAB 61.79, -32.24, 10.89

 

CMYK 52 / 0 / 25 / 43

HEX #46926E

RGB 70 146 110

HSL 151.58, 0.35%, 0.42%

LAB 55.06, -32.41, 12.01

 

CMYK 59 / 0 / 29 / 50

HEX #35805B

RGB 53 128 91

HSL 150.4, 0.41%, 0.35%

LAB 48.2, -32.49, 13.26

 

CMYK 67 / 0 / 35 / 57

HEX #246E48

RGB 36 110 72

HSL 149.19, 0.51%, 0.29%

LAB 41.21, -32.38, 14.69

 

CMYK 43 / 0 / 19 / 29

HEX #68B694

RGB 104 182 148

HSL 153.85, 0.35%, 0.56%

LAB 68.41, -32.03, 9.87

 

CMYK 43 / 0 / 30 / 29

HEX #68B67F

RGB 104 182 127

HSL 137.69, 0.35%, 0.56%

LAB 67.97, -36.25, 20.67

 

CMYK 43 / 0 / 42 / 29

HEX #68B669

RGB 104 182 105

HSL 120.77, 0.35%, 0.56%

LAB 67.59, -40, 31.83

 

CMYK 32 / 0 / 43 / 29

HEX #7BB668

RGB 123 182 104

HSL 105.38, 0.35%, 0.56%

LAB 68.51, -33.98, 33.72

 

CMYK 21 / 0 / 43 / 29

HEX #90B668

RGB 144 182 104

HSL 89.23, 0.35%, 0.56%

LAB 69.74, -26.42, 35.54

 

CMYK 43 / 0 / 19 / 29

HEX #68B694

RGB 104 182 148

HSL 153.85, 0.35%, 0.56%

LAB 68.41, -32.03, 9.87

 

CMYK 43 / 0 / 7 / 29

HEX #68B6A9

RGB 104 182 169

HSL 170, 0.35%, 0.56%

LAB 68.94, -27.22, -0.91

 

CMYK 43 / 4 / 0 / 29

HEX #68AEB6

RGB 104 174 182

HSL 186.15, 0.35%, 0.56%

LAB 66.97, -19.91, -11.02

 

CMYK 43 / 16 / 0 / 29

HEX #6899B6

RGB 104 153 182

HSL 202.31, 0.35%, 0.56%

LAB 60.87, -8.68, -20.23

 

CMYK 43 / 27 / 0 / 29

HEX #6884B6

RGB 104 132 182

HSL 218.46, 0.35%, 0.56%

LAB 54.89, 3.3, -29.44

 

CMYK 43 / 0 / 19 / 29

HEX #68B694

RGB 104 182 148

HSL 153.85, 0.35%, 0.56%

LAB 68.41, -32.03, 9.87

 

CMYK 58 / 0 / 25 / 22

HEX #55C896

RGB 85 200 150

HSL 153.91, 0.51%, 0.56%

LAB 73.18, -44.33, 15.4

 

CMYK 69 / 0 / 30 / 15

HEX #43DA98

RGB 67 218 152

HSL 153.77, 0.67%, 0.56%

LAB 78.23, -54.55, 21.27

 

CMYK 79 / 0 / 35 / 7

HEX #31ED9B

RGB 49 237 155

HSL 153.83, 0.84%, 0.56%

LAB 83.75, -63.35, 27.2

 

CMYK 88 / 0 / 38 / 0

HEX #1FFF9D

RGB 31 255 157

HSL 153.75, 1%, 0.56%

LAB 89.04, -70.68, 33.24

 

CMYK 43 / 0 / 19 / 29

HEX #68B694

RGB 104 182 148

HSL 153.85, 0.35%, 0.56%

LAB 68.41, -32.03, 9.87

 

CMYK 26 / 0 / 11 / 36

HEX #7AA492

RGB 122 164 146

HSL 154.29, 0.19%, 0.56%

LAB 63.97, -18.09, 4.74

 

CMYK 4 / 0 / 2 / 43

HEX #8C928F

RGB 140 146 143

HSL 150, 0.03%, 0.56%

LAB 59.99, -2.77, 0.82

 

CMYK 0 / 19 / 11 / 38

HEX #9E808D

RGB 158 128 141

HSL 334, 0.13%, 0.56%

LAB 56.71, 13.74, -2.64

 

CMYK 0 / 38 / 21 / 31

HEX #B06D8B

RGB 176 109 139

HSL 333.13, 0.3%, 0.56%

LAB 54.06, 30.84, -5.17

 

CMYK 43 / 0 / 42 / 29

HEX #68B669

RGB 104 182 105

HSL 120.77, 0.35%, 0.56%

LAB 67.59, -40, 31.83

 

CMYK 43 / 0 / 31 / 29

HEX #68B67E

RGB 104 182 126

HSL 136.92, 0.35%, 0.56%

LAB 67.95, -36.44, 21.18

 

CMYK 43 / 0 / 19 / 29

HEX #68B693

RGB 104 182 147

HSL 153.08, 0.35%, 0.56%

LAB 68.39, -32.24, 10.38

 

CMYK 43 / 0 / 8 / 29

HEX #68B6A8

RGB 104 182 168

HSL 169.23, 0.35%, 0.56%

LAB 68.91, -27.46, -0.4

 

CMYK 43 / 3 / 0 / 29

HEX #68B0B6

RGB 104 176 182

HSL 184.62, 0.35%, 0.56%

LAB 67.55, -20.94, -10.14

 

CMYK 52 / 0 / 23 / 46

HEX #42896A

RGB 66 137 106

HSL 153.8, 0.35%, 0.4%

LAB 51.94, -30.08, 9.89

 

CMYK 52 / 0 / 22 / 35

HEX #4FA580

RGB 79 165 128

HSL 154.19, 0.35%, 0.48%

LAB 61.77, -34.98, 11.36

 

CMYK 43 / 0 / 19 / 29

HEX #68B694

RGB 104 182 148

HSL 153.85, 0.35%, 0.56%

LAB 68.41, -32.03, 9.87

 

CMYK 33 / 0 / 14 / 24

HEX #83C3A8

RGB 131 195 168

HSL 154.69, 0.35%, 0.64%

LAB 73.99, -26.3, 7.1

 

CMYK 24 / 0 / 11 / 18

HEX #9FD1BB

RGB 159 209 187

HSL 153.6, 0.35%, 0.72%

LAB 79.93, -20.74, 5.63

 

CMYK 43 / 0 / 19 / 29

HEX #68B694

RGB 104 182 148

HSL 153.85, 0.35%, 0.56%

LAB 68.41, -32.03, 9.87

 

CMYK 43 / 32 / 0 / 29

HEX #687BB6

RGB 104 123 182

HSL 225.38, 0.35%, 0.56%

LAB 52.38, 8.64, -33.35

 

CMYK 0 / 37 / 43 / 29

HEX #B67368

RGB 182 115 104

HSL 8.46, 0.35%, 0.56%

LAB 55.28, 25.12, 17.13

 

CMYK 43 / 0 / 19 / 29

HEX #68B694

RGB 104 182 148

HSL 153.85, 0.35%, 0.56%

LAB 68.41, -32.03, 9.87

 

CMYK 19 / 43 / 0 / 29

HEX #9368B6

RGB 147 104 182

HSL 273.08, 0.35%, 0.56%

LAB 51.25, 32.32, -34.86

 

CMYK 0 / 19 / 43 / 29

HEX #B69368

RGB 182 147 104

HSL 33.08, 0.35%, 0.56%

LAB 63.19, 7.32, 27.71

 

CMYK 43 / 0 / 19 / 29

HEX #68B694

RGB 104 182 148

HSL 153.85, 0.35%, 0.56%

LAB 68.41, -32.03, 9.87

 

CMYK 43 / 32 / 0 / 29

HEX #687BB6

RGB 104 123 182

HSL 225.38, 0.35%, 0.56%

LAB 52.38, 8.64, -33.35

 

CMYK 0 / 43 / 24 / 29

HEX #B6688B

RGB 182 104 139

HSL 333.08, 0.35%, 0.56%

LAB 53.72, 35.72, -5.59

 

CMYK 0 / 11 / 43 / 29

HEX #B6A268

RGB 182 162 104

HSL 44.62, 0.35%, 0.56%

LAB 67.12, -0.87, 32.79

 

CMYK 43 / 0 / 19 / 29

HEX #68B694

RGB 104 182 148

HSL 153.85, 0.35%, 0.56%

LAB 68.41, -32.03, 9.87

 

CMYK 41 / 43 / 0 / 29

HEX #6B68B6

RGB 107 104 182

HSL 242.31, 0.35%, 0.56%

LAB 47.5, 20.97, -41.02

 

CMYK 0 / 43 / 24 / 29

HEX #B6688B

RGB 182 104 139

HSL 333.08, 0.35%, 0.56%

LAB 53.72, 35.72, -5.59

 

CMYK 2 / 0 / 43 / 29

HEX #B2B668

RGB 178 182 104

HSL 63.08, 0.35%, 0.56%

LAB 72.18, -13.06, 39.11

 

Description

Color code: RGB 104 182 148 | qconv.com Color code: RGB 104 182 148 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 182 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 182 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 19 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 19% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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