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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #45EC9E it is the complementary color #BA1361. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #45EC9E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #45EC9E: #4AEC99, #5BFEAC, #6CFFBF, #7DFFD2 and #8EFFE5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #45EC9E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #45EC9E: #45EC9E, #34DA8B, #23C878, #12B665 and #01A452

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 33 / 7

HEX #45EC9E

RGB 69 236 158

HSL 151.98, 0.81%, 0.6%

LAB 83.82, -59.93, 25.81

 

Complementary color

CMYK 0 / 90 / 48 / 27

HEX #BA1361

RGB 186 19 97

HSL 331.98, 0.81%, 0.4%

LAB 40.84, 64.92, 1.1

 

CMYK 69 / 0 / 35 / 7

HEX #4AEC99

RGB 74 236 153

HSL 149.26, 0.81%, 0.61%

LAB 83.83, -60.15, 28.4

 

CMYK 64 / 0 / 32 / 0

HEX #5BFEAC

RGB 91 254 172

HSL 149.82, 0.99%, 0.68%

LAB 89.9, -60.51, 27.03

 

CMYK 58 / 0 / 25 / 0

HEX #6CFFBF

RGB 108 255 191

HSL 153.88, 1%, 0.71%

LAB 90.99, -53.96, 18.94

 

CMYK 51 / 0 / 18 / 0

HEX #7DFFD2

RGB 125 255 210

HSL 159.23, 1%, 0.75%

LAB 91.92, -46.39, 10.57

 

CMYK 44 / 0 / 10 / 0

HEX #8EFFE5

RGB 142 255 229

HSL 166.19, 1%, 0.78%

LAB 92.98, -38.33, 2.37

 

CMYK 71 / 0 / 33 / 7

HEX #45EC9E

RGB 69 236 158

HSL 151.98, 0.81%, 0.6%

LAB 83.82, -59.93, 25.81

 

CMYK 76 / 0 / 36 / 15

HEX #34DA8B

RGB 52 218 139

HSL 151.45, 0.69%, 0.53%

LAB 77.72, -59.24, 27.29

 

CMYK 83 / 0 / 40 / 22

HEX #23C878

RGB 35 200 120

HSL 150.91, 0.7%, 0.46%

LAB 71.57, -58.22, 28.89

 

CMYK 90 / 0 / 45 / 29

HEX #12B665

RGB 18 182 101

HSL 150.37, 0.82%, 0.39%

LAB 65.38, -56.74, 30.63

 

CMYK 99 / 0 / 50 / 36

HEX #01A452

RGB 1 164 82

HSL 149.82, 0.99%, 0.32%

LAB 59.13, -54.77, 32.47

 

CMYK 71 / 0 / 33 / 7

HEX #45EC9E

RGB 69 236 158

HSL 151.98, 0.81%, 0.6%

LAB 83.82, -59.93, 25.81

 

CMYK 70 / 0 / 22 / 8

HEX #46EBB7

RGB 70 235 183

HSL 161.09, 0.8%, 0.6%

LAB 84.04, -54.08, 13.17

 

CMYK 70 / 0 / 11 / 8

HEX #46EBD2

RGB 70 235 210

HSL 170.91, 0.8%, 0.6%

LAB 84.68, -47.54, -0.08

 

CMYK 70 / 1 / 0 / 8

HEX #46E8EB

RGB 70 232 235

HSL 181.09, 0.8%, 0.6%

LAB 84.49, -39.51, -13.53

 

CMYK 70 / 13 / 0 / 8

HEX #46CDEB

RGB 70 205 235

HSL 190.91, 0.8%, 0.6%

LAB 76.66, -26.72, -25.38

 

CMYK 71 / 0 / 33 / 7

HEX #45EC9E

RGB 69 236 158

HSL 151.98, 0.81%, 0.6%

LAB 83.82, -59.93, 25.81

 

CMYK 72 / 0 / 34 / 87

HEX #092015

RGB 9 32 21

HSL 151.3, 0.56%, 0.08%

LAB 10.15, -12.42, 4.76

 

CMYK 71 / 0 / 33 / 67

HEX #185338

RGB 24 83 56

HSL 152.54, 0.55%, 0.21%

LAB 31.03, -26.19, 10.41

 

CMYK 71 / 0 / 33 / 47

HEX #27865A

RGB 39 134 90

HSL 152.21, 0.55%, 0.34%

LAB 49.76, -38.27, 15.92

 

CMYK 71 / 0 / 33 / 27

HEX #36B97C

RGB 54 185 124

HSL 152.06, 0.55%, 0.47%

LAB 67.23, -49.41, 21.01

 

CMYK 71 / 0 / 33 / 7

HEX #45EC9E

RGB 69 236 158

HSL 151.98, 0.81%, 0.6%

LAB 83.82, -59.93, 25.81

 

CMYK 70 / 50 / 0 / 8

HEX #4675EB

RGB 70 117 235

HSL 222.91, 0.8%, 0.6%

LAB 51.86, 23, -64.37

 

CMYK 0 / 62 / 70 / 8

HEX #EB5946

RGB 235 89 70

HSL 6.91, 0.8%, 0.6%

LAB 57.32, 55.33, 40.55

 

CMYK 71 / 0 / 33 / 7

HEX #45EC9E

RGB 69 236 158

HSL 151.98, 0.81%, 0.6%

LAB 83.82, -59.93, 25.81

 

CMYK 34 / 70 / 0 / 8

HEX #9B46EB

RGB 155 70 235

HSL 270.91, 0.8%, 0.6%

LAB 48.69, 64.22, -69.17

 

CMYK 0 / 34 / 70 / 8

HEX #EB9B46

RGB 235 155 70

HSL 30.91, 0.8%, 0.6%

LAB 70.56, 22.54, 55.16

 

CMYK 71 / 0 / 33 / 7

HEX #45EC9E

RGB 69 236 158

HSL 151.98, 0.81%, 0.6%

LAB 83.82, -59.93, 25.81

 

CMYK 70 / 50 / 0 / 8

HEX #4675EB

RGB 70 117 235

HSL 222.91, 0.8%, 0.6%

LAB 51.86, 23, -64.37

 

CMYK 0 / 70 / 36 / 8

HEX #EB4696

RGB 235 70 150

HSL 330.91, 0.8%, 0.6%

LAB 56.33, 68.93, -7.32

 

CMYK 0 / 20 / 70 / 8

HEX #EBBC46

RGB 235 188 70

HSL 42.91, 0.8%, 0.6%

LAB 78.5, 5.11, 63.41

 

CMYK 71 / 0 / 33 / 7

HEX #45EC9E

RGB 69 236 158

HSL 151.98, 0.81%, 0.6%

LAB 83.82, -59.93, 25.81

 

CMYK 69 / 70 / 0 / 8

HEX #4946EB

RGB 73 70 235

HSL 241.09, 0.8%, 0.6%

LAB 40.89, 51.86, -82.25

 

CMYK 0 / 70 / 36 / 8

HEX #EB4696

RGB 235 70 150

HSL 330.91, 0.8%, 0.6%

LAB 56.33, 68.93, -7.32

 

CMYK 1 / 0 / 70 / 8

HEX #E8EB46

RGB 232 235 70

HSL 61.09, 0.8%, 0.6%

LAB 90.33, -19.86, 75.04

 

Description

Color code: HEX #45EC9E | qconv.com Color code: HEX #45EC9E | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 236 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 236 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 33 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 33% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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