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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #45B711 it is the complementary color #BA48EE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #45B711. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #45B711 shade: #4AB70C, #5BC91F, #6CDB32, #7DED45 and #8EFF58

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #45B711. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #45B711 shade: #45B711, #34A500, #239300, #128100 and #016F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #45B711 shade: #45B611, #71B611, #9EB611, #B6A211 and #B67511

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #45B711 shade: #45B611, #18B611, #11B636, #11B663 and #11B68F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #45B711 shade matches the following richer shades: #45B611 and #3FC601

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #45B711 shade: #45B611, #4BA621, #519631, #578641 and #5D7651

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #45B711 shade: #9DB611, #71B611, #45B611, #19B611 and #11B635

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #45B711 shade: #286A0A, #36900D, #45B611, #53DC14 and #69EC2E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #45B711 shade: #45B711, #11B6A3 and #B61187

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #45B711 shade: #45B711, #1145B6 and #B61145

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #45B711 shade: #45B711, #11B6A3, #8211B6 and #B61124

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #45B711 shade: #45B711, #1198B6, #8211B6 and #B62F11

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 91 / 28

HEX #45B711

RGB 69 183 17

HSL 101.2, 0.83%, 0.39%

LAB 65.88, -58.1, 63.85

 

Complementary color

CMYK 22 / 70 / 0 / 7

HEX #BA48EE

RGB 186 72 238

HSL 281.2, 0.83%, 0.61%

LAB 53.22, 69.99, -63.35

 

CMYK 60 / 0 / 93 / 28

HEX #4AB70C

RGB 74 183 12

HSL 98.25, 0.88%, 0.38%

LAB 66.02, -57.01, 64.78

 

CMYK 55 / 0 / 85 / 21

HEX #5BC91F

RGB 91 201 31

HSL 98.82, 0.73%, 0.45%

LAB 72.29, -58.31, 66.86

 

CMYK 51 / 0 / 77 / 14

HEX #6CDB32

RGB 108 219 50

HSL 99.41, 0.7%, 0.53%

LAB 78.51, -59.2, 67.69

 

CMYK 47 / 0 / 71 / 7

HEX #7DED45

RGB 125 237 69

HSL 100, 0.82%, 0.6%

LAB 84.67, -59.79, 67.7

 

CMYK 44 / 0 / 65 / 0

HEX #8EFF58

RGB 142 255 88

HSL 100.6, 1%, 0.67%

LAB 90.77, -60.17, 67.23

 

CMYK 62 / 0 / 91 / 28

HEX #45B711

RGB 69 183 17

HSL 101.2, 0.83%, 0.39%

LAB 65.88, -58.1, 63.85

 

CMYK 68 / 0 / 100 / 35

HEX #34A500

RGB 52 165 0

HSL 101.09, 1%, 0.32%

LAB 59.56, -56.27, 60.87

 

CMYK 76 / 0 / 100 / 42

HEX #239300

RGB 35 147 0

HSL 105.71, 1%, 0.29%

LAB 53.19, -53.66, 55.65

 

CMYK 86 / 0 / 100 / 49

HEX #128100

RGB 18 129 0

HSL 111.63, 1%, 0.25%

LAB 46.75, -50.44, 50.39

 

CMYK 99 / 0 / 100 / 56

HEX #016F00

RGB 1 111 0

HSL 119.46, 1%, 0.22%

LAB 40.21, -46.59, 45.07

 

CMYK 62 / 0 / 91 / 29

HEX #45B611

RGB 69 182 17

HSL 101.09, 0.83%, 0.39%

LAB 65.56, -57.76, 63.58

 

CMYK 38 / 0 / 91 / 29

HEX #71B611

RGB 113 182 17

HSL 85.09, 0.83%, 0.39%

LAB 67.28, -44.54, 65.72

 

CMYK 13 / 0 / 91 / 29

HEX #9EB611

RGB 158 182 17

HSL 68.73, 0.83%, 0.39%

LAB 70.01, -26.83, 69.07

 

CMYK 0 / 11 / 91 / 29

HEX #B6A211

RGB 182 162 17

HSL 52.73, 0.83%, 0.39%

LAB 66.39, -6.15, 67.04

 

CMYK 0 / 36 / 91 / 29

HEX #B67511

RGB 182 117 17

HSL 36.36, 0.83%, 0.39%

LAB 54.77, 18.5, 58.09

 

CMYK 62 / 0 / 91 / 29

HEX #45B611

RGB 69 182 17

HSL 101.09, 0.83%, 0.39%

LAB 65.56, -57.76, 63.58

 

CMYK 87 / 0 / 91 / 29

HEX #18B611

RGB 24 182 17

HSL 117.45, 0.83%, 0.39%

LAB 64.72, -65.07, 62.53

 

CMYK 91 / 0 / 70 / 29

HEX #11B636

RGB 17 182 54

HSL 133.45, 0.83%, 0.39%

LAB 64.84, -63.31, 51.95

 

CMYK 91 / 0 / 46 / 29

HEX #11B663

RGB 17 182 99

HSL 149.82, 0.83%, 0.39%

LAB 65.34, -57.16, 31.61

 

CMYK 91 / 0 / 21 / 29

HEX #11B68F

RGB 17 182 143

HSL 165.82, 0.83%, 0.39%

LAB 66.18, -47.62, 9.14

 

CMYK 62 / 0 / 91 / 29

HEX #45B611

RGB 69 182 17

HSL 101.09, 0.83%, 0.39%

LAB 65.56, -57.76, 63.58

 

CMYK 68 / 0 / 99 / 22

HEX #3FC601

RGB 63 198 1

HSL 101.12, 0.99%, 0.39%

LAB 70.49, -64.64, 69.55

 

CMYK 62 / 0 / 91 / 29

HEX #45B611

RGB 69 182 17

HSL 101.09, 0.83%, 0.39%

LAB 65.56, -57.76, 63.58

 

CMYK 55 / 0 / 80 / 35

HEX #4BA621

RGB 75 166 33

HSL 101.05, 0.67%, 0.39%

LAB 60.67, -49.82, 55.56

 

CMYK 46 / 0 / 67 / 41

HEX #519631

RGB 81 150 49

HSL 100.99, 0.51%, 0.39%

LAB 55.87, -40.47, 44.9

 

CMYK 35 / 0 / 51 / 47

HEX #578641

RGB 87 134 65

HSL 100.87, 0.35%, 0.39%

LAB 51.22, -29.44, 31.95

 

CMYK 21 / 0 / 31 / 54

HEX #5D7651

RGB 93 118 81

HSL 100.54, 0.19%, 0.39%

LAB 46.81, -16.63, 17.49

 

CMYK 14 / 0 / 91 / 29

HEX #9DB611

RGB 157 182 17

HSL 69.09, 0.83%, 0.39%

LAB 69.94, -27.25, 68.98

 

CMYK 38 / 0 / 91 / 29

HEX #71B611

RGB 113 182 17

HSL 85.09, 0.83%, 0.39%

LAB 67.28, -44.54, 65.72

 

CMYK 62 / 0 / 91 / 29

HEX #45B611

RGB 69 182 17

HSL 101.09, 0.83%, 0.39%

LAB 65.56, -57.76, 63.58

 

CMYK 86 / 0 / 91 / 29

HEX #19B611

RGB 25 182 17

HSL 117.09, 0.83%, 0.39%

LAB 64.73, -64.98, 62.54

 

CMYK 91 / 0 / 71 / 29

HEX #11B635

RGB 17 182 53

HSL 133.09, 0.83%, 0.39%

LAB 64.83, -63.4, 52.33

 

CMYK 62 / 0 / 91 / 58

HEX #286A0A

RGB 40 106 10

HSL 101.25, 0.83%, 0.23%

LAB 39.21, -37.96, 42

 

CMYK 63 / 0 / 91 / 44

HEX #36900D

RGB 54 144 13

HSL 101.22, 0.83%, 0.31%

LAB 52.69, -48.28, 53.19

 

CMYK 62 / 0 / 91 / 29

HEX #45B611

RGB 69 182 17

HSL 101.09, 0.83%, 0.39%

LAB 65.56, -57.76, 63.58

 

CMYK 62 / 0 / 91 / 14

HEX #53DC14

RGB 83 220 20

HSL 101.1, 0.83%, 0.47%

LAB 77.92, -67.11, 73.65

 

CMYK 56 / 0 / 81 / 7

HEX #69EC2E

RGB 105 236 46

HSL 101.37, 0.83%, 0.55%

LAB 83.54, -66.25, 73.48

 

CMYK 62 / 0 / 91 / 28

HEX #45B711

RGB 69 183 17

HSL 101.2, 0.83%, 0.39%

LAB 65.88, -58.1, 63.85

 

CMYK 91 / 0 / 10 / 29

HEX #11B6A3

RGB 17 182 163

HSL 173.09, 0.83%, 0.39%

LAB 66.69, -42.28, -1.15

 

CMYK 0 / 91 / 26 / 29

HEX #B61187

RGB 182 17 135

HSL 317.09, 0.83%, 0.39%

LAB 41.37, 68.16, -21.9

 

CMYK 62 / 0 / 91 / 28

HEX #45B711

RGB 69 183 17

HSL 101.2, 0.83%, 0.39%

LAB 65.88, -58.1, 63.85

 

CMYK 91 / 62 / 0 / 29

HEX #1145B6

RGB 17 69 182

HSL 221.09, 0.83%, 0.39%

LAB 33.46, 29, -63.9

 

CMYK 0 / 91 / 62 / 29

HEX #B61145

RGB 182 17 69

HSL 341.09, 0.83%, 0.39%

LAB 39.2, 62.24, 16.5

 

CMYK 62 / 0 / 91 / 28

HEX #45B711

RGB 69 183 17

HSL 101.2, 0.83%, 0.39%

LAB 65.88, -58.1, 63.85

 

CMYK 91 / 0 / 10 / 29

HEX #11B6A3

RGB 17 182 163

HSL 173.09, 0.83%, 0.39%

LAB 66.69, -42.28, -1.15

 

CMYK 29 / 91 / 0 / 29

HEX #8211B6

RGB 130 17 182

HSL 281.09, 0.83%, 0.39%

LAB 35.05, 66.28, -60.91

 

CMYK 0 / 91 / 80 / 29

HEX #B61124

RGB 182 17 36

HSL 353.09, 0.83%, 0.39%

LAB 38.68, 60.77, 36.34

 

CMYK 62 / 0 / 91 / 28

HEX #45B711

RGB 69 183 17

HSL 101.2, 0.83%, 0.39%

LAB 65.88, -58.1, 63.85

 

CMYK 91 / 16 / 0 / 29

HEX #1198B6

RGB 17 152 182

HSL 190.91, 0.83%, 0.39%

LAB 57.99, -22.02, -24.87

 

CMYK 29 / 91 / 0 / 29

HEX #8211B6

RGB 130 17 182

HSL 281.09, 0.83%, 0.39%

LAB 35.05, 66.28, -60.91

 

CMYK 0 / 74 / 91 / 29

HEX #B62F11

RGB 182 47 17

HSL 10.91, 0.83%, 0.39%

LAB 41.25, 52.66, 47.99

 

Description

Color code: HEX #45B711 | qconv.com Color code: HEX #45B711 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 183 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 183 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 91 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 91% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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