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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9EB611 it is the complementary color #6149EE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9EB611. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9EB611 shade: #A3B60C, #B4C81F, #C5DA32, #D6EC45 and #E7FE58

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9EB611. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9EB611 shade: #9EB611, #8DA400, #7C9200, #6B8000 and #5A6E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9EB611 shade: #9EB611, #B6A111, #B67511, #B64811 and #B61C11

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9EB611 shade: #9EB611, #71B611, #45B611, #18B611 and #11B636

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9EB611 shade matches the following richer shades: #9EB611 and #A9C601

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9EB611 shade: #9EB611, #93A621, #879631, #7C8641 and #707651

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9EB611 shade: #B67411, #B6A011, #A0B611, #74B611 and #48B611

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9EB611 shade: #5C6A0A, #7D900D, #9EB611, #BFDC14 and #D0EC2E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9EB611 shade: #9EB611, #11B648 and #8A11B6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9EB611 shade: #9EB611, #11A0B6 and #B611A0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9EB611 shade: #9EB611, #11B648, #2711B6 and #B6117F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9EB611 shade: #9EB611, #11B679, #2711B6 and #B6114D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 91 / 29

HEX #9EB611

RGB 158 182 17

HSL 68.73, 0.83%, 0.39%

LAB 70.01, -26.83, 69.07

 

Complementary color

CMYK 59 / 69 / 0 / 7

HEX #6149EE

RGB 97 73 238

HSL 248.73, 0.83%, 0.61%

LAB 43.48, 54.06, -79.63

 

CMYK 10 / 0 / 93 / 29

HEX #A3B60C

RGB 163 182 12

HSL 66.71, 0.88%, 0.38%

LAB 70.36, -24.79, 70.21

 

CMYK 10 / 0 / 85 / 22

HEX #B4C81F

RGB 180 200 31

HSL 67.1, 0.73%, 0.45%

LAB 76.75, -25.94, 72.57

 

CMYK 10 / 0 / 77 / 15

HEX #C5DA32

RGB 197 218 50

HSL 67.5, 0.69%, 0.53%

LAB 83.04, -26.88, 73.65

 

CMYK 9 / 0 / 71 / 7

HEX #D6EC45

RGB 214 236 69

HSL 67.9, 0.81%, 0.6%

LAB 89.26, -27.67, 73.89

 

CMYK 9 / 0 / 65 / 0

HEX #E7FE58

RGB 231 254 88

HSL 68.31, 0.99%, 0.67%

LAB 95.4, -28.31, 73.6

 

CMYK 13 / 0 / 91 / 29

HEX #9EB611

RGB 158 182 17

HSL 68.73, 0.83%, 0.39%

LAB 70.01, -26.83, 69.07

 

CMYK 14 / 0 / 100 / 36

HEX #8DA400

RGB 141 164 0

HSL 68.41, 1%, 0.32%

LAB 63.52, -25.59, 65.77

 

CMYK 15 / 0 / 100 / 43

HEX #7C9200

RGB 124 146 0

HSL 69.04, 1%, 0.29%

LAB 56.92, -24.08, 60.28

 

CMYK 16 / 0 / 100 / 50

HEX #6B8000

RGB 107 128 0

HSL 69.84, 1%, 0.25%

LAB 50.17, -22.55, 54.66

 

CMYK 18 / 0 / 100 / 57

HEX #5A6E00

RGB 90 110 0

HSL 70.91, 1%, 0.22%

LAB 43.25, -20.99, 48.9

 

CMYK 13 / 0 / 91 / 29

HEX #9EB611

RGB 158 182 17

HSL 68.73, 0.83%, 0.39%

LAB 70.01, -26.83, 69.07

 

CMYK 0 / 12 / 91 / 29

HEX #B6A111

RGB 182 161 17

HSL 52.36, 0.83%, 0.39%

LAB 66.12, -5.62, 66.83

 

CMYK 0 / 36 / 91 / 29

HEX #B67511

RGB 182 117 17

HSL 36.36, 0.83%, 0.39%

LAB 54.77, 18.5, 58.09

 

CMYK 0 / 60 / 91 / 29

HEX #B64811

RGB 182 72 17

HSL 20, 0.83%, 0.39%

LAB 45.11, 42.24, 50.82

 

CMYK 0 / 85 / 91 / 29

HEX #B61C11

RGB 182 28 17

HSL 4, 0.83%, 0.39%

LAB 39.27, 58.21, 46.57

 

CMYK 13 / 0 / 91 / 29

HEX #9EB611

RGB 158 182 17

HSL 68.73, 0.83%, 0.39%

LAB 70.01, -26.83, 69.07

 

CMYK 38 / 0 / 91 / 29

HEX #71B611

RGB 113 182 17

HSL 85.09, 0.83%, 0.39%

LAB 67.28, -44.54, 65.72

 

CMYK 62 / 0 / 91 / 29

HEX #45B611

RGB 69 182 17

HSL 101.09, 0.83%, 0.39%

LAB 65.56, -57.76, 63.58

 

CMYK 87 / 0 / 91 / 29

HEX #18B611

RGB 24 182 17

HSL 117.45, 0.83%, 0.39%

LAB 64.72, -65.07, 62.53

 

CMYK 91 / 0 / 70 / 29

HEX #11B636

RGB 17 182 54

HSL 133.45, 0.83%, 0.39%

LAB 64.84, -63.31, 51.95

 

CMYK 13 / 0 / 91 / 29

HEX #9EB611

RGB 158 182 17

HSL 68.73, 0.83%, 0.39%

LAB 70.01, -26.83, 69.07

 

CMYK 15 / 0 / 99 / 22

HEX #A9C601

RGB 169 198 1

HSL 68.83, 0.99%, 0.39%

LAB 75.34, -30.08, 75.41

 

CMYK 13 / 0 / 91 / 29

HEX #9EB611

RGB 158 182 17

HSL 68.73, 0.83%, 0.39%

LAB 70.01, -26.83, 69.07

 

CMYK 11 / 0 / 80 / 35

HEX #93A621

RGB 147 166 33

HSL 68.57, 0.67%, 0.39%

LAB 64.63, -23.21, 60.64

 

CMYK 10 / 0 / 67 / 41

HEX #879631

RGB 135 150 49

HSL 68.91, 0.51%, 0.39%

LAB 59.15, -19.48, 49.36

 

CMYK 7 / 0 / 51 / 47

HEX #7C8641

RGB 124 134 65

HSL 68.7, 0.35%, 0.39%

LAB 53.73, -14.52, 35.57

 

CMYK 5 / 0 / 31 / 54

HEX #707651

RGB 112 118 81

HSL 69.73, 0.19%, 0.39%

LAB 48.25, -8.9, 19.68

 

CMYK 0 / 36 / 91 / 29

HEX #B67411

RGB 182 116 17

HSL 36, 0.83%, 0.39%

LAB 54.53, 19.06, 57.9

 

CMYK 0 / 12 / 91 / 29

HEX #B6A011

RGB 182 160 17

HSL 52, 0.83%, 0.39%

LAB 65.85, -5.09, 66.62

 

CMYK 12 / 0 / 91 / 29

HEX #A0B611

RGB 160 182 17

HSL 68, 0.83%, 0.39%

LAB 70.15, -25.98, 69.24

 

CMYK 36 / 0 / 91 / 29

HEX #74B611

RGB 116 182 17

HSL 84, 0.83%, 0.39%

LAB 67.43, -43.46, 65.9

 

CMYK 60 / 0 / 91 / 29

HEX #48B611

RGB 72 182 17

HSL 100, 0.83%, 0.39%

LAB 65.65, -57.04, 63.69

 

CMYK 13 / 0 / 91 / 58

HEX #5C6A0A

RGB 92 106 10

HSL 68.75, 0.83%, 0.23%

LAB 42.16, -17.67, 45.7

 

CMYK 13 / 0 / 91 / 44

HEX #7D900D

RGB 125 144 13

HSL 68.7, 0.83%, 0.31%

LAB 56.42, -22.38, 57.82

 

CMYK 13 / 0 / 91 / 29

HEX #9EB611

RGB 158 182 17

HSL 68.73, 0.83%, 0.39%

LAB 70.01, -26.83, 69.07

 

CMYK 13 / 0 / 91 / 14

HEX #BFDC14

RGB 191 220 20

HSL 68.7, 0.83%, 0.47%

LAB 83.08, -31.11, 79.99

 

CMYK 12 / 0 / 81 / 7

HEX #D0EC2E

RGB 208 236 46

HSL 68.84, 0.83%, 0.55%

LAB 88.73, -31.02, 80.08

 

CMYK 13 / 0 / 91 / 29

HEX #9EB611

RGB 158 182 17

HSL 68.73, 0.83%, 0.39%

LAB 70.01, -26.83, 69.07

 

CMYK 91 / 0 / 60 / 29

HEX #11B648

RGB 17 182 72

HSL 140, 0.83%, 0.39%

LAB 65, -61.31, 44.44

 

CMYK 24 / 91 / 0 / 29

HEX #8A11B6

RGB 138 17 182

HSL 284, 0.83%, 0.39%

LAB 36.33, 67.43, -58.77

 

CMYK 13 / 0 / 91 / 29

HEX #9EB611

RGB 158 182 17

HSL 68.73, 0.83%, 0.39%

LAB 70.01, -26.83, 69.07

 

CMYK 91 / 12 / 0 / 29

HEX #11A0B6

RGB 17 160 182

HSL 188, 0.83%, 0.39%

LAB 60.46, -26.13, -21.08

 

CMYK 0 / 91 / 12 / 29

HEX #B611A0

RGB 182 17 160

HSL 308, 0.83%, 0.39%

LAB 42.59, 71.36, -35.18

 

CMYK 13 / 0 / 91 / 29

HEX #9EB611

RGB 158 182 17

HSL 68.73, 0.83%, 0.39%

LAB 70.01, -26.83, 69.07

 

CMYK 91 / 0 / 60 / 29

HEX #11B648

RGB 17 182 72

HSL 140, 0.83%, 0.39%

LAB 65, -61.31, 44.44

 

CMYK 79 / 91 / 0 / 29

HEX #2711B6

RGB 39 17 182

HSL 248, 0.83%, 0.39%

LAB 24.35, 57.95, -78.92

 

CMYK 0 / 91 / 30 / 29

HEX #B6117F

RGB 182 17 127

HSL 320, 0.83%, 0.39%

LAB 41.02, 67.24, -17.5

 

CMYK 13 / 0 / 91 / 29

HEX #9EB611

RGB 158 182 17

HSL 68.73, 0.83%, 0.39%

LAB 70.01, -26.83, 69.07

 

CMYK 91 / 0 / 34 / 29

HEX #11B679

RGB 17 182 121

HSL 157.82, 0.83%, 0.39%

LAB 65.71, -52.8, 20.48

 

CMYK 79 / 91 / 0 / 29

HEX #2711B6

RGB 39 17 182

HSL 248, 0.83%, 0.39%

LAB 24.35, 57.95, -78.92

 

CMYK 0 / 91 / 58 / 29

HEX #B6114D

RGB 182 17 77

HSL 338.18, 0.83%, 0.39%

LAB 39.38, 62.75, 11.63

 

Description

Color code: HEX #9EB611 | qconv.com Color code: HEX #9EB611 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 158 red, 182 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
158 182 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 91 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 91% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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