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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #45597E it is the complementary color #BAA681. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #45597E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #45597E shade: #4A5979, #5B6B8C, #6C7D9F, #7D8FB2 and #8EA1C5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #45597E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #45597E shade: #45597E, #34476B, #233558, #122345 and #011132

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #45597E shade: #45597D, #45497D, #4F457D, #5F457D and #6E457D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #45597E shade: #45597D, #45497D and #45457D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #45597E shade matches the following richer shades: #45597D, #35548D, #254F9C, #164AAC and #0646BC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #45597E shade: #45597D, #545D6D, #64625E, #74674E and #846B3E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #45597E shade: #45777D, #45687D, #45597D, #454A7D and #4E457D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #45597E shade: #283348, #364662, #45597D, #536B98 and #6880AC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #45597E shade: #45597E, #74457D and #707D45

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #45597E shade: #45597E, #7D4559 and #597D45

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #45597E shade: #45597E, #74457D, #7D6845 and #4E7D45

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #45597E shade: #45597E, #7D4576, #7D6845 and #457D4C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 29 / 0 / 51

HEX #45597E

RGB 69 89 126

HSL 218.95, 0.29%, 0.38%

LAB 37.69, 2.97, -23.23

 

Complementary color

CMYK 0 / 11 / 31 / 27

HEX #BAA681

RGB 186 166 129

HSL 38.95, 0.29%, 0.62%

LAB 68.97, 1.62, 21.84

 

CMYK 39 / 26 / 0 / 53

HEX #4A5979

RGB 74 89 121

HSL 220.85, 0.24%, 0.38%

LAB 37.81, 2.9, -19.95

 

CMYK 35 / 24 / 0 / 45

HEX #5B6B8C

RGB 91 107 140

HSL 220.41, 0.21%, 0.45%

LAB 45.13, 2.49, -20.07

 

CMYK 32 / 21 / 0 / 38

HEX #6C7D9F

RGB 108 125 159

HSL 220, 0.21%, 0.52%

LAB 52.24, 2.14, -20.24

 

CMYK 30 / 20 / 0 / 30

HEX #7D8FB2

RGB 125 143 178

HSL 219.62, 0.26%, 0.59%

LAB 59.18, 1.85, -20.44

 

CMYK 28 / 18 / 0 / 23

HEX #8EA1C5

RGB 142 161 197

HSL 219.27, 0.32%, 0.66%

LAB 65.96, 1.59, -20.67

 

CMYK 45 / 29 / 0 / 51

HEX #45597E

RGB 69 89 126

HSL 218.95, 0.29%, 0.38%

LAB 37.69, 2.97, -23.23

 

CMYK 51 / 34 / 0 / 58

HEX #34476B

RGB 52 71 107

HSL 219.27, 0.35%, 0.31%

LAB 30.15, 3.67, -23.24

 

CMYK 60 / 40 / 0 / 65

HEX #233558

RGB 35 53 88

HSL 219.62, 0.43%, 0.24%

LAB 22.33, 4.66, -23.34

 

CMYK 74 / 49 / 0 / 73

HEX #122345

RGB 18 35 69

HSL 220, 0.59%, 0.17%

LAB 14.18, 6.22, -23.52

 

CMYK 98 / 66 / 0 / 80

HEX #011132

RGB 1 17 50

HSL 220.41, 0.96%, 0.1%

LAB 5.76, 7.48, -23.55

 

CMYK 45 / 29 / 0 / 51

HEX #45597D

RGB 69 89 125

HSL 218.57, 0.29%, 0.38%

LAB 37.65, 2.65, -22.69

 

CMYK 45 / 42 / 0 / 51

HEX #45497D

RGB 69 73 125

HSL 235.71, 0.29%, 0.38%

LAB 32.94, 12.97, -30.06

 

CMYK 37 / 45 / 0 / 51

HEX #4F457D

RGB 79 69 125

HSL 250.71, 0.29%, 0.38%

LAB 32.7, 18.44, -30.39

 

CMYK 24 / 45 / 0 / 51

HEX #5F457D

RGB 95 69 125

HSL 267.86, 0.29%, 0.38%

LAB 34.33, 23.33, -27.7

 

CMYK 12 / 45 / 0 / 51

HEX #6E457D

RGB 110 69 125

HSL 283.93, 0.29%, 0.38%

LAB 36.08, 28.13, -24.83

 

CMYK 45 / 29 / 0 / 51

HEX #45597D

RGB 69 89 125

HSL 218.57, 0.29%, 0.38%

LAB 37.65, 2.65, -22.69

 

CMYK 45 / 42 / 0 / 51

HEX #45497D

RGB 69 73 125

HSL 235.71, 0.29%, 0.38%

LAB 32.94, 12.97, -30.06

 

CMYK 45 / 45 / 0 / 51

HEX #45457D

RGB 69 69 125

HSL 240, 0.29%, 0.38%

LAB 31.81, 15.6, -31.85

 

CMYK 45 / 29 / 0 / 51

HEX #45597D

RGB 69 89 125

HSL 218.57, 0.29%, 0.38%

LAB 37.65, 2.65, -22.69

 

CMYK 62 / 40 / 0 / 45

HEX #35548D

RGB 53 84 141

HSL 218.86, 0.45%, 0.38%

LAB 36.02, 7.36, -35.08

 

CMYK 76 / 49 / 0 / 39

HEX #254F9C

RGB 37 79 156

HSL 218.82, 0.62%, 0.38%

LAB 34.77, 13.68, -46.21

 

CMYK 87 / 57 / 0 / 33

HEX #164AAC

RGB 22 74 172

HSL 219.2, 0.77%, 0.38%

LAB 34.08, 21.95, -56.95

 

CMYK 97 / 63 / 0 / 26

HEX #0646BC

RGB 6 70 188

HSL 218.9, 0.94%, 0.38%

LAB 34.09, 30.27, -66.42

 

CMYK 45 / 29 / 0 / 51

HEX #45597D

RGB 69 89 125

HSL 218.57, 0.29%, 0.38%

LAB 37.65, 2.65, -22.69

 

CMYK 23 / 15 / 0 / 57

HEX #545D6D

RGB 84 93 109

HSL 218.4, 0.13%, 0.38%

LAB 39.27, 0.38, -10.27

 

CMYK 0 / 2 / 6 / 61

HEX #64625E

RGB 100 98 94

HSL 40, 0.03%, 0.38%

LAB 41.62, -0.02, 2.55

 

CMYK 0 / 11 / 33 / 55

HEX #74674E

RGB 116 103 78

HSL 39.47, 0.2%, 0.38%

LAB 44.18, 1.01, 16.01

 

CMYK 0 / 19 / 53 / 48

HEX #846B3E

RGB 132 107 62

HSL 38.57, 0.36%, 0.38%

LAB 46.67, 3.88, 28.79

 

CMYK 45 / 5 / 0 / 51

HEX #45777D

RGB 69 119 125

HSL 186.43, 0.29%, 0.38%

LAB 46.9, -15.13, -8.57

 

CMYK 45 / 17 / 0 / 51

HEX #45687D

RGB 69 104 125

HSL 202.5, 0.29%, 0.38%

LAB 42.23, -6.53, -15.64

 

CMYK 45 / 29 / 0 / 51

HEX #45597D

RGB 69 89 125

HSL 218.57, 0.29%, 0.38%

LAB 37.65, 2.65, -22.69

 

CMYK 45 / 41 / 0 / 51

HEX #454A7D

RGB 69 74 125

HSL 234.64, 0.29%, 0.38%

LAB 33.23, 12.32, -29.61

 

CMYK 38 / 45 / 0 / 51

HEX #4E457D

RGB 78 69 125

HSL 249.64, 0.29%, 0.38%

LAB 32.61, 18.15, -30.54

 

CMYK 44 / 29 / 0 / 72

HEX #283348

RGB 40 51 72

HSL 219.38, 0.29%, 0.22%

LAB 21.16, 1.77, -14.48

 

CMYK 45 / 29 / 0 / 62

HEX #364662

RGB 54 70 98

HSL 218.18, 0.29%, 0.3%

LAB 29.53, 1.91, -18.47

 

CMYK 45 / 29 / 0 / 51

HEX #45597D

RGB 69 89 125

HSL 218.57, 0.29%, 0.38%

LAB 37.65, 2.65, -22.69

 

CMYK 45 / 30 / 0 / 40

HEX #536B98

RGB 83 107 152

HSL 219.13, 0.29%, 0.46%

LAB 45.11, 3.71, -27.28

 

CMYK 40 / 26 / 0 / 33

HEX #6880AC

RGB 104 128 172

HSL 218.82, 0.29%, 0.54%

LAB 53.34, 2.78, -26.09

 

CMYK 45 / 29 / 0 / 51

HEX #45597E

RGB 69 89 126

HSL 218.95, 0.29%, 0.38%

LAB 37.69, 2.97, -23.23

 

CMYK 7 / 45 / 0 / 51

HEX #74457D

RGB 116 69 125

HSL 290.36, 0.29%, 0.38%

LAB 36.84, 30.08, -23.6

 

CMYK 10 / 0 / 45 / 51

HEX #707D45

RGB 112 125 69

HSL 73.93, 0.29%, 0.38%

LAB 50.15, -14.37, 28.86

 

CMYK 45 / 29 / 0 / 51

HEX #45597E

RGB 69 89 126

HSL 218.95, 0.29%, 0.38%

LAB 37.69, 2.97, -23.23

 

CMYK 0 / 45 / 29 / 51

HEX #7D4559

RGB 125 69 89

HSL 338.57, 0.29%, 0.38%

LAB 36.63, 26.68, -1.27

 

CMYK 29 / 0 / 45 / 51

HEX #597D45

RGB 89 125 69

HSL 98.57, 0.29%, 0.38%

LAB 48.54, -23.72, 26.49

 

CMYK 45 / 29 / 0 / 51

HEX #45597E

RGB 69 89 126

HSL 218.95, 0.29%, 0.38%

LAB 37.69, 2.97, -23.23

 

CMYK 7 / 45 / 0 / 51

HEX #74457D

RGB 116 69 125

HSL 290.36, 0.29%, 0.38%

LAB 36.84, 30.08, -23.6

 

CMYK 0 / 17 / 45 / 51

HEX #7D6845

RGB 125 104 69

HSL 37.5, 0.29%, 0.38%

LAB 45.21, 3.23, 22.81

 

CMYK 38 / 0 / 45 / 51

HEX #4E7D45

RGB 78 125 69

HSL 110.36, 0.29%, 0.38%

LAB 47.9, -27.78, 25.55

 

CMYK 45 / 29 / 0 / 51

HEX #45597E

RGB 69 89 126

HSL 218.95, 0.29%, 0.38%

LAB 37.69, 2.97, -23.23

 

CMYK 0 / 45 / 6 / 51

HEX #7D4576

RGB 125 69 118

HSL 307.5, 0.29%, 0.38%

LAB 37.71, 31.66, -17.83

 

CMYK 0 / 17 / 45 / 51

HEX #7D6845

RGB 125 104 69

HSL 37.5, 0.29%, 0.38%

LAB 45.21, 3.23, 22.81

 

CMYK 45 / 0 / 39 / 51

HEX #457D4C

RGB 69 125 76

HSL 127.5, 0.29%, 0.38%

LAB 47.56, -29.64, 21.11

 

Description

Color code: HEX #45597E | qconv.com Color code: HEX #45597E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 89 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 89 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 29 magenta, none yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 29% 0% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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