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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #455457 it is the complementary color #BAABA8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #455457. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #455457: #4A5452, #5B6665, #6C7878, #7D8A8B and #8E9C9E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #455457. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #455457: #455457, #344244, #233031, #121E1E and #010C0B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 3 / 0 / 66

HEX #455457

RGB 69 84 87

HSL 190, 0.12%, 0.31%

LAB 34.59, -5.08, -3.7

 

Complementary color

CMYK 0 / 8 / 10 / 27

HEX #BAABA8

RGB 186 171 168

HSL 10, 0.12%, 0.69%

LAB 71.14, 4.87, 3.48

 

CMYK 12 / 0 / 2 / 67

HEX #4A5452

RGB 74 84 82

HSL 168, 0.06%, 0.31%

LAB 34.81, -4.4, -0.18

 

CMYK 11 / 0 / 1 / 60

HEX #5B6665

RGB 91 102 101

HSL 174.55, 0.06%, 0.38%

LAB 42.26, -4.42, -0.87

 

CMYK 10 / 0 / 0 / 53

HEX #6C7878

RGB 108 120 120

HSL 180, 0.05%, 0.45%

LAB 49.47, -4.45, -1.53

 

CMYK 10 / 1 / 0 / 45

HEX #7D8A8B

RGB 125 138 139

HSL 184.29, 0.06%, 0.52%

LAB 56.49, -4.49, -2.15

 

CMYK 10 / 1 / 0 / 38

HEX #8E9C9E

RGB 142 156 158

HSL 187.5, 0.08%, 0.59%

LAB 63.34, -4.54, -2.75

 

CMYK 21 / 3 / 0 / 66

HEX #455457

RGB 69 84 87

HSL 190, 0.12%, 0.31%

LAB 34.59, -5.08, -3.7

 

CMYK 24 / 3 / 0 / 73

HEX #344244

RGB 52 66 68

HSL 187.5, 0.13%, 0.24%

LAB 26.86, -5.1, -3.09

 

CMYK 29 / 2 / 0 / 81

HEX #233031

RGB 35 48 49

HSL 184.29, 0.17%, 0.16%

LAB 18.77, -5.15, -2.43

 

CMYK 40 / 0 / 0 / 88

HEX #121E1E

RGB 18 30 30

HSL 180, 0.25%, 0.09%

LAB 10.19, -5.26, -1.7

 

CMYK 92 / 0 / 8 / 95

HEX #010C0B

RGB 1 12 11

HSL 174.55, 0.85%, 0.03%

LAB 2.65, -3.06, -0.61

 

CMYK 21 / 3 / 0 / 66

HEX #455457

RGB 69 84 87

HSL 190, 0.12%, 0.31%

LAB 34.59, -5.08, -3.7

 

CMYK 22 / 7 / 0 / 65

HEX #455258

RGB 69 82 88

HSL 198.95, 0.12%, 0.31%

LAB 33.99, -3.6, -5.22

 

CMYK 22 / 10 / 0 / 65

HEX #454F58

RGB 69 79 88

HSL 208.42, 0.12%, 0.31%

LAB 33.05, -1.74, -6.62

 

CMYK 22 / 15 / 0 / 65

HEX #454B58

RGB 69 75 88

HSL 221.05, 0.12%, 0.31%

LAB 31.81, 0.79, -8.49

 

CMYK 22 / 18 / 0 / 65

HEX #454858

RGB 69 72 88

HSL 230.53, 0.12%, 0.31%

LAB 30.89, 2.71, -9.88

 

CMYK 21 / 3 / 0 / 66

HEX #455457

RGB 69 84 87

HSL 190, 0.12%, 0.31%

LAB 34.59, -5.08, -3.7

 

CMYK 21 / 4 / 0 / 46

HEX #6D858A

RGB 109 133 138

HSL 190.34, 0.12%, 0.48%

LAB 53.88, -7.41, -5.55

 

CMYK 21 / 4 / 0 / 26

HEX #96B6BD

RGB 150 182 189

HSL 190.77, 0.23%, 0.66%

LAB 71.97, -9.26, -7.16

 

CMYK 21 / 3 / 0 / 6

HEX #BEE8F0

RGB 190 232 240

HSL 189.6, 0.63%, 0.84%

LAB 89.37, -11.82, -8.38

 

CMYK 19 / 3 / 0 / 86

HEX #1D2324

RGB 29 35 36

HSL 188.57, 0.11%, 0.13%

LAB 13.17, -2.42, -1.59

 

CMYK 21 / 3 / 0 / 66

HEX #455457

RGB 69 84 87

HSL 190, 0.12%, 0.31%

LAB 34.59, -5.08, -3.7

 

CMYK 14 / 22 / 0 / 65

HEX #4C4558

RGB 76 69 88

HSL 262.11, 0.12%, 0.31%

LAB 30.63, 7.27, -10.2

 

CMYK 0 / 5 / 22 / 65

HEX #585445

RGB 88 84 69

HSL 47.37, 0.12%, 0.31%

LAB 35.68, -1.23, 9.37

 

CMYK 21 / 3 / 0 / 66

HEX #455457

RGB 69 84 87

HSL 190, 0.12%, 0.31%

LAB 34.59, -5.08, -3.7

 

CMYK 0 / 22 / 3 / 65

HEX #584555

RGB 88 69 85

HSL 309.47, 0.12%, 0.31%

LAB 31.78, 11.27, -6.43

 

CMYK 3 / 0 / 22 / 65

HEX #555845

RGB 85 88 69

HSL 69.47, 0.12%, 0.31%

LAB 36.63, -4.94, 10.64

 

CMYK 21 / 3 / 0 / 66

HEX #455457

RGB 69 84 87

HSL 190, 0.12%, 0.31%

LAB 34.59, -5.08, -3.7

 

CMYK 14 / 22 / 0 / 65

HEX #4C4558

RGB 76 69 88

HSL 262.11, 0.12%, 0.31%

LAB 30.63, 7.27, -10.2

 

CMYK 0 / 18 / 22 / 65

HEX #584845

RGB 88 72 69

HSL 9.47, 0.12%, 0.31%

LAB 32.12, 6.24, 4.34

 

CMYK 8 / 0 / 22 / 65

HEX #515845

RGB 81 88 69

HSL 82.11, 0.12%, 0.31%

LAB 36.29, -6.65, 10.11

 

CMYK 21 / 3 / 0 / 66

HEX #455457

RGB 69 84 87

HSL 190, 0.12%, 0.31%

LAB 34.59, -5.08, -3.7

 

CMYK 7 / 22 / 0 / 65

HEX #524558

RGB 82 69 88

HSL 281.05, 0.12%, 0.31%

LAB 31.24, 9.58, -9.23

 

CMYK 0 / 18 / 22 / 65

HEX #584845

RGB 88 72 69

HSL 9.47, 0.12%, 0.31%

LAB 32.12, 6.24, 4.34

 

CMYK 15 / 0 / 22 / 65

HEX #4B5845

RGB 75 88 69

HSL 101.05, 0.12%, 0.31%

LAB 35.8, -9.15, 9.36

 

Description

Color code: HEX #455457 | qconv.com Color code: HEX #455457 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 84 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 84 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 3 magenta, none yellow and 66 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 3% 0% 66% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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